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This short fiction post is a bit short, Morgan must have wanted to write up a few more pieces before posting, but she never did.

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Most of these stories are listed on the Locus recommended reading List or on other Hugo recommendation lists.

“A World to Die For,” Tobias Buckell; Clarkesworld, January 2018.
http://clarkesworldmagazine.com/buckell_01_18/
Excellent. Climate futures are variable; the good ones are worth fighting for. Novelette.

“Nine Last Days on Planet Earth“, Daryl Gregory; Tor.com, September 19, 2018.
https://www.tor.com/2018/09/19/nine-last-days-on-planet-earth-daryl-gregory/
Excellent. Earth is slowly taken over by a new vegetative life form while a man’s life evolves around these new species, and the old ways of connecting to each other. Novelette.

“The Tale of the Three Beautiful Raptor Sisters and the Prince Who Was Made of Meat,” Brooke Bolander; Uncanny Magazine, July/August, 2018.
https://uncannymagazine.com/article/the-tale-of-the-three-beautiful-raptor-sisters-and-the-prince-who-was-made-of-meat/
Excellent. A prince of great promise and little brain suddenly takes matters into his own hands, to his detriment. Short story
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Early this year, Morgan told me she was trying to finish a lot of books she had started but not finished. But there were still several half-read books on her ipad, and I found seven partially completed reviews, which I am cleaning up and posting here. I suspect most of the reviews were started before she decided she needed to focus more on reading than on doing write ups of what she had read.

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I’m rather at a loss as to how to describe George R. R. Martin’s latest Song of Ice and Fire offering, Fire and Blood. It’s not a novel. It reads more like a history book than anything else, but every element of the history - countries, towns, people, events, dates, is completely invented. The closest thing I can think of in SF terms are the tedious Dune prequels of Kevin Anderson and Brian Herbert, which consist most of chunks of Frank Herbert’s notes with occasional badly written bits of something approaching narrative (I read the first handful of them, strictly for Herbert’s notes).

But Fire and Blood has a certain charm. Setting out to mimic a popular history book, it doesn’t try to be or do anything else. It does try to be a good popular history book. Which actually makes it readable, and interesting, if you like history books, which I do.
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I spent some time a while back reading Robert Heinlein’s published collections of short stories - but I overlooked one, Assignment in Eternity, which was unfortunate because these four stories are among the most memorable of Heinlein’s stories in my opinion - as long as one doesn’t look at them too closely. Unfortunately, what makes them memorable is also what makes them not particularly good stories.

“Gulf” is primarily a spy thriller structured much the same way as a Bond film cold open - it’s only real purpose is to set up the proposition that forms the central part of the story, and the story then ends in a suicide mission in which both protagonists are killed. As a story, it’s rather weak on structure. As an argument, it’s just more of Heinlein’s notions of the manifestation of a superman, but this time, the superman will benevolently rule the others. What it really shows is how easy it is fo that kind of mind candy to corrupt. The punch that holds the nastiness in place is the heroic deaths of the protagonists - and that moment stayed with me for a long time.

“Elsewhen” does much the same thing with its stories of people who have learned how to walk through time. It’s so tempting, to use the power to end up when you are most suited to be. In “Elsewhen,” a man who has learned the secret of changing timelines teaches five of his students how to do the same. One lives a life at a thousand times the speed of their own time line and ends up as a saint in a land where heaven exists much as she expected it. Two end up in a world where there is war, and it’s going badly for humanity - they take military and engineering science there to save their new home. Two find themselves happily in an agrarian, quiet world with just enough technology to be comfortable. When their teacher is charged with murder after their disappearance, he closes the circles by taking some of the agrarian world’s tech to the world at war, and then settling in to spend his last years on the agrarian world, occasionally visiting his former students in the now significantly improved war world. There’s now no way for anyone on the central earth to find him. It’s the ultimate portal fantasy, that can happen for anyone who stumbles upon the trick of freeing himself from living in time. But when it’s finished, all you have left is five people enjoying that perfect fantasy, and all of the conflict is unimportant

Lost Legacy is a novella that again, tells a story that, for all its interesting ideas and wish fulfillment ideas, is not actually much of a story at all. The concept is that once everyone have superpowers. Then a bunch of elitists tried to limit whose powers would be allowed to develop, and the non-elitists, rather that fight, surrendered the field, leaving little secret notes so someday an emerging society could restore the open use of powers. One day, some energetic American discover their powers, connect with other who have been gathering, and starts the war the older nonelitists walked away from. We are given to understand that they will prevail because they are Americans, and are using Scouting to hide their training program. (But only boys, not girls in scouting, because girls don’t matter.)

The final story, “Jerry Was a Man” may have ben so cringeworthy because in it, Heinlein winds himself up to Say Something about black-white relations in America, and he always went way off line when he tried that. It’s the decadent future and wealthy people are big on genetically engineered pets. The useless boy-toy husband of a very wealthy woman wants a pegasus, so she tries to buy him one. He throws a tantrum when he discovers that a pegasus would be incapable of flight unless it were built like a condor - but while he’s negotiating for something that might please him, Mrs. Moneybags notices a sad humanoid worker named Jerry in a cage and discovers that the company euthanises all older engineered workers.

She’s appalled, and because she does own a large section of the company, tries and fails to have the policy changed. The manager and the boy-toy try to manipulate her, first by giving her the right to a permanent leasehold over Jerry, then later by trying to take Jerry back when she decides to go to court for his personhood. This results in a delightful scene where boy-toy discovers that being handsome does not trump betraying your wife and is kicked out. Mrs. Moneybags gets the best legal assistance she can afford, and Jerry sues to have himself and his people declared human enough that they can be held in guardianship but not killed. The sickening part in an otherwise rather funny court scene is when Jerry’s humanity is cinched by his dressing up in faded dungarees and singing Swanee River. Now, admittedly, artists who are powerful and unquestionably the best humanity has to offer, such as, say, the great Paul Robeson, have sung that song so that they uplifted it, rather than being pulled down by its lyrics and images, but the whole image of a genetically enhanced primate gaining a portion (maybe 3/5 ths) of humanity by mimicking a black man disturbs me greatly. Yes, the story’s intent is good. But this is a tonedeaf use of images on Heinlein’s part and it turns much of the good stuff to ashes when you read it.

This particular collection of Heinlein stories is very much one that I wish the rewrite fairy could get her hands on and turn them into the solid stories that lurk inside them.
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Most of these stories are listed on the Locus recommended reading List or on other hugo recommendation lists.


“You Pretend Like You Never Met Me and I’ll Pretend Like I Never Met You,” Maria Dahvava Headley; Lightspeed Magazine, September 2018.
http://www.lightspeedmagazine.com/fiction/you-pretend-like-you-never-met-me-and-ill-pretend-like-i-never-met-you/
Very good. Sometimes there’s just enough magic to do one thing right. Short story.


“Red Rain,” Adam-Troy Castro; Nightmare Magazine, June, 2018.
http://www.nightmare-magazine.com/fiction/red-rain/
Good, perhaps very good, but extremely unsettling. A meditation on the lemming effect. CN: Explicit descriptions of violent death, suicidal ideation. Short story.


“What Gentle Women Dare,” Kelly Robson; Uncanny Magazine, May-June 2018.
https://uncannymagazine.com/article/what-gentle-women-dare/
Very good. Takes the old question ‘what do women want?’ Perfectly seriously. Short story.


“Harry and Marlowe and the Secret of Ahomania,” Carrie Vaughan; Lightspeed magazine, September 2018.
http://www.lightspeedmagazine.com/fiction/harry-and-marlowe-and-the-secret-of-ahomana/
Very good. A steampunk lost world adventure, with extra added imperialist critique. Novelette.


“The Date,” R. K. Kakaw; Uncanny Magazine, January/February 2018.
https://uncannymagazine.com/article/the-date/
Good. Too much of the sex=danger, love=death vibe for me. Short story.


“A Priest of Vast and Distant Spaces,” Cassandra Khaw; Apex Magazine, March 13 2018.
https://www.apex-magazine.com/a-priest-of-vast-and-distant-places/
Very good. Bittersweet story about a priest caught between duty and family. Short story.


“Wild Ones,” Vanessa Fogg; Bracken Magazine, January 2018.
https://www.brackenmagazine.com/issue-v/fogg-wild-ones/
Excellent. Could you give up everything to take that second chance at the dream that never quite vanished? Short story.


“The Good Mothers’ Home for Wayward Girls,’ Izzy Wasserstein; Pseudopod, March 30 2018.
http://pseudopod.org/2018/03/30/pseudopod-588-artemis-rising-4-the-good-mothers-home-for-wayward-girls/
Very good. Creepy as hell, and the mysteries are never explained. Short story.


“What to do When It’s Nothing but Static,” Cassandra Khaw; Apex Magazine, April 24 2018.
https://www.apex-magazine.com/what-to-do-when-it/
Very good. Coming back after grief and loss. Short story.


“The Pine Arch Collection,” Michael Wehunt; The Dark Magazine, May 2018
http://thedarkmagazine.com/pine-arch-collection/
Excellent. An epistolatory horror story. Short story.


“Cuisine des Mèmoires,” N. K. Jemisen; How Long Til Black Future Month?, 2018.
Excellent. Would you rather have the memory of an old love, or a chance to make a new one? Short story.


“The Storyteller’s Replacement”, N.K. Jemisin; How Long Til Black Future Month?, 2018.
Very good. A cautionary tale about power, greed and assumptions. Short story.
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The Belles, by Dhonielle Clayton, is a very strange, yet strangely compelling, book. Perhaps because it is a young adult novel, I don’t find myself demanding that the worldbuilding make all that much sense, which s a good thing, because this doesn’t. The motivations are quite realistic, however, and that’s part of the strangeness.

Camilla Beauregard is one of the Belles. This term is ambiguous, in that It seems to be the term used both for anyone with the gift of psychically producing physical changes that make women beautiful, and to those particular women who have been through a highly commercialised training and preparation to be a Belle at one of the establishments set up for Belles to do their work - often called teahouses - or as official Belle to the Royal family the ‘favourite.’

On the one hand, we have something resembling the extensive beauty pageant culture we are familiar with, except the Belles actually can create real beauty, in themselves and others, and on the other, we have a tradition that seems to want to evoke Western images of geisha and teahouse culture, but making the services of the geisha be not just the creation of comfort and a pleasant social evening, but also very reason for seeking them out.

There are some odd things that the protagonist Camilla, who becomes Belle of the Imperial Teahouse, notices but doesn’t think about at first. New Belles are selected for the important teahouse positions every three years - but where are al the other Belles? Some go into the machine, becoming carers and instructors of future Belles, but the others? Where are they, and what is behind the odd occasional comments made by some of the older women about there being more than one Belle in the teahouses? What has happened? Why does she hear screams in the night? Then comes the strangest thing - Amber, the Belle chosen as favourite, has been demoted, she, Camilla, is to be favourite, and no one will talk about it.

First in a series.
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C. L. Polk’s marvellous fantasy novel Witchmark is many things all at once, and does them all well. It is a mystery, a delicate, hesitant love story, a story about recovery from battlefield trauma, a political thriller set in a world approximating post-WWI England, and a few other important things besides.

It is brilliant, and bittersweet, and horrifying, and every kind of emotional roller-coaster there is, and it is one of the best damn books I’ve ever read in a long time.

And the write-up on Goodreads says it’s volume one of the Kingston Cycle, so there are more stories coming in this world!
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Most of these stories are from the Locus recommended reading list or other online recommendations lists.

“The Court Magician,” Sarah Pinsker; Lightspeed Magazine, January 2018
http://www.lightspeedmagazine.com/fiction/the-court-magician/
Excellent. Concerning actions desires and their costs. Short story.

“The Last Banquet of Temporal Confections,” Tina Connolly; Tor.com, July 11 2018.
https://www.tor.com/2018/07/11/the-last-banquet-of-temporal-confections-tina-connolly/
Excellent. Novelette.

“And Yet,” A.T. Greenblatt; Uncanny Magazine, March-April 2018.
https://uncannymagazine.com/article/and-yet/
Very good. A scientist must choose between her research and her brother’s life. Short story.

“She Still Loves the Dragon,” Elizabeth Bear; Uncanny Magazine, January-February 2018.
https://uncannymagazine.com/article/still-loves-dragon/
Very good. Short story.

“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” Alex E. Harrow; Apex Magazine, February 6 2018.
https://www.apex-magazine.com/a-witchs-guide-to-escape-a-practical-compendium-of-portal-fantasies/
Excellent. Heart-breaking, but with a breath of hope. Short story.

“Snake Season,” Erin Roberts; The Dark Magazine, April 2018.
http://thedarkmagazine.com/snake-season/
Very good. A horrifying tale of love and madness. Short story. CN: infanticide, murder.

“Flow,” Marissa Lingen; Fireside Magazine, March 2018.
https://firesidefiction.com/flow
Very good. About disability, nature, knowing and healing. Short story.

“Pistol Grip,” Vina Jie-Min Prasad; Uncanny Magazine, March-April 2018
https://uncannymagazine.com/article/pistol-grip/
Good. Evocative, provocative. Short story. CN: Explicit violence, sex.

“Cast Off Tight,” Hal Y. Zhang; Fireside Magazine, June 2018.
https://firesidefiction.com/cast-off-tight
Very good. Memory, grief, and knitting. Short story.

“Blessings,” Naomi Novik; Uncanny Magazine, May-June 2018.
https://uncannymagazine.com/article/blessings/
Excellent. Be careful when asking fairies for blessings on your children. Shot story.

“A Study in Oils,” Kelly Robson; Clarksworld Magazine, September 2018.
http://clarkesworldmagazine.com/robson_09_18/
Excellent. A study in remorse. Novelette.
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Black Panther: Long Live the King, written by Nnedi Okorafor and drawn by various artists, is a self-contained story featuring T’Challa, King of Wakanda battling threats to his kingdom. Though his primary problem is a strange force, manifesting as a huge monster, which causes earthquakes and drains vibranium of its power, he must first face a reborn White Gorilla cult, led by a resurrected M’Baku, and a bitter friend from his youth who has designed a trap for him.

Okorafor completes her run with an alternate universe story about Ngozi, the young Nigerian woman who protects Wakanda as both Venom and Black Panther. Fun adventures to accompany Ta-Nehisi Coates’ powerful look at governance, power and responsibility in The Black Panther.
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“Articulated Restraint,” Mary Robinette Kowal. Tor.com, February 6, 2019.
https://www.tor.com/2019/02/06/articulated-restraint-mary-robinette-kowal/
Good. Set in Lady Astronaut universe. Short story.

“The Rule of Three,” Lawrence Shoen, Future Science Fiction Digest, December 18 2018
http://future-sf.com/fiction/the-rule-of-three/
Excellent. A very different first contact experience. Novelette.

“How to Swallow the Moon,” Isabel Yap; Uncanny, November-December 18 2018
https://uncannymagazine.com/article/how-to-swallow-the-moon/
Very good. Forbidden lovers overcome great obstacles. Novelette.

“The Secret Lives of the Nine Negro Teeth of George Washington,” Phenderson Djèlí Clark; Fireside Fiction, February, 2018
https://firesidefiction.com/the-secret-lives-of-the-nine-negro-teeth-of-george-washington
Excellent. Short story.

“Leviathan Sings to Me in the Deep,” Nibedita Sen; Nightmare Magazine, June 18 2018.
http://www.nightmare-magazine.com/fiction/leviathan-sings-to-me-in-the-deep/
Excellent. Short story. CN: whale hunting, explicit descriptions.

“Shod in Memories,” M. K. Hutchins; Daily Science Fiction, October 25 2018
https://dailysciencefiction.com/fantasy/fairy-tales/m-k-hutchins/shod-in-memories
Good but slight. Cinderella retold. Short story.

“One Day, My Dear, I’ll Shower You with Rubies,” Langley Hyde; Podcastle, May 1 2018.
http://podcastle.org/2018/05/01/podcastle-520-one-day-my-dear-ill-shower-you-with-rubies/
Very good. Consequences of growing up with a murderer fr a parent. Short story.

“Sidekicks Wanted,” Laura Johnson; Cast of Wonders June 15 2018, original publication in anthology Heroes, editor unknown, October 2015.
http://www.castofwonders.org/2018/06/cast-of-wonders-307-sidekicks-wanted/
Neutral. Predictable. Short story.

“Ana’s Asteroid,” M. K. Hutchins; Cast of Wonders, April 30 2018.
http://www.castofwonders.org/2018/04/cast-of-wonders-301-anas-asteroid/
Good. Heroic child saves the day. Short story.

“The Things That We Will Never Say,” Vanessa Fogg; Daily Science Fiction, May 25 2018
https://dailysciencefiction.com/science-fiction/science-fiction/vanessa-fogg/the-things-that-we-will-never-say
Very good. Uses sf tropes to talk about family dynamics. Short story.

“Strange Waters,” Samantha Mills; Strange Horizons, April 2 2018.
http://strangehorizons.com/fiction/strange-waters/
Excellent. A woman lost in time searches for a way home. Short story.

“The Paper Dragon,” Stephen S. Power; Daily Science Fiction, April 20 2018
https://dailysciencefiction.com/hither-and-yon/sf-fantasy/stephen-s-power/the-paper-dragon
Good. Examination of war and forgiveness. Short story.
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I have been very ill, and the prognosis for recovery is not good. If I must choose in my limited time whether to read more, or write reviews if what I read, I choose to read more. While I’m still going to write about most books, for short fiction, I’m just going to give you my opinions as simple ratings unless there us something I really need to say. Short fiction will be rated excellent, very good, good, no comment or not my cup of tea. Interpret these as you will.

“No Flight without the Shatter,” Brooke Bolander; Tor.com, August 15 2019.
https://www.tor.com/2018/08/15/no-flight-without-the-shatter-brooke-bolander/
Excellent. A bittersweet requiem. Novelette.

“Firelight,” Ursula Le Guin; Paris Review, Summer 2018. Paywall; subscription required.
https://www.theparisreview.org/fiction/7176/firelight-ursula-k-le-guin
Excellent. Le Guin bids a final farewell to Ged, and to us. Short story.

“The Starship and the Temple Cat,” Yoon Ha Lee; Beneath Ceaseless Skies, February 1 2018.
http://www.beneath-ceaseless-skies.com/stories/the-starship-and-the-temple-cat/
Very good. Short story.

“The Starfish Girl,” Maureen McHugh; Slate, July 23, 2018.
https://slate.com/technology/2018/07/the-starfish-girl-a-new-sci-fi-short-story-about-gymnastics.html
Very good. Short story.

“A Brief and Fearful Star,” Carmen Maria Machado; Slate, June 27, 2018.
https://slate.com/technology/2018/06/a-brief-and-fearful-star-a-new-short-story-from-carmen-maria-machado-author-of-her-body-and-other-parties.html
Good. Short story.

“Asphalt, River, Mother, Child,” Isabel Yap; Strange Horizons, October 8 2018.
http://strangehorizons.com/fiction/asphalt-river-mother-child/
Excellent. Powerful use of traditional Philippine religious figures to tell a modern, and all too widespread, story. Short story.

“Music for the Underworld,” E. Lily Yu; Motherboard, March 29, 2018.
https://motherboard.vice.com/en_us/article/8xkxqx/music-for-the-underworld
Excellent. Powerful and disturbing. Short story.

“Ruby, Singing,” Fran Wilde; Beneath Ceaseless Skies, September 27 2018.
http://www.beneath-ceaseless-skies.com/stories/ruby-singing/
Very good. Eerie, like a folktale. Short story.
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In Aliette de Bodard’s novel, In the Vanishers’ Palace, a young girl is forced by the elders if her village to offer herself to a feared dragon, in return for the dragon’s gift of healing to the daughter of the village leader. Fearful of the worst, Yên finds that the dragon, Vu Côn, wants her as a tutor to her two adopted children, Dan Thông and Dan Liên.

Vu Côn lives in a vast palace, built by a long-gone race called the Vanishers. In Yên and Vu Côn’s world, the Vanishers once ruled the world, humans and spirits such as dragons alike, with a science so advanced that it seemed the highest of magic. But the Vanishers went elsewhere in great ships, and behind them they left chaos - destructive diseases, dangerous artefacts, a world broken and need of healing. Vu Côn, in her own way, is committed to understanding the lost science of the Vanishers, focusing primarily on the horrific genetic diseases they created and unleashed, and trying to undo at least some of the damage they caused.

In a tale that owes something of its origins the the old tale of Beauty and the Beast, there is a strong but unacknowledged attraction between Yên and Vu Côn, but the latter is all too aware of the imbalance of power and shies away from Yên, indeed from all unnecessary contact with her, while Yên is conflicted by her awe and fear of the dragon, and her desire. Yên, meanwhile, learns to work with the children, and navigate the treacherous Vanishers’ palace. But great changes are waiting for all of them.
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Haven is the third volume of collected issues of Marjorie Liu and Sana Takeda’s brilliant, beautiful, and disturbing graphic narrative, Monstress. Maika Halfwolf and her companions, Kippa the Arcanic fox-child and Ren the cat, are for the moment safe in Pontus, an independent city-state where refugees from all over the Known World have gathered. Pontus is protected by a magical shield, an artifact created by Maika’s ancestor, the Shaman Empress. But the shield was deactivated after the war, and it needs one strong in the Shaman Empress’ blood to reactivate it. The rulers of Pontus offer Maika a deal - permanent sanctuary if she will activate the shield for them. Maika continues to struggle against the blood and power cravings of the creature, Zinn, the Monstrum summoned - and beloved and loving in return - by her ancestor, that dwells within her.

As usual, Takeda’s art is breath-takingly beautiful, intricate, and evocative. Liu’s story continues to give us more clues into Maika’s past, the line of the Shaman Empress, and the mysterious mask, a fragment of which is in Maika’s keeping.. We also discover more about the Cumeae, and how deeply they are controlled by the Monstrum, siblings of Zinn, and their desire to bring about another war.

The complexity of the story and the worldbuilding behind it continues to wrap me up and carry me away to a fully realised other world with each installment I read. Also profoundly important to this story is the deep intention of the authors to make this a story that recognises the ones who are too often forgotten - the refugees, the damaged, the wounded, the victims of all the political games and the conflicts between the powerful who seek only more power, while the people who suffer in their battles want only to live in peace and happiness. And then, there’s the unavoidable fact that every person of importance in this story is a woman. Where so many other texts make women invisible, or limit the women who matter to the story to a rare handful, Liu and Takeda make virtually every plot point in this story turn on the actions of a woman. This in itself would make Monstress a very special text, but when there is so much more on top of this... I admit I’ve not exactly been an rabid consumer of graphic narratives, but this is easily one of the best I have seen.
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“A Bond as Deep as Starlit Seas,” Sarah Grey; Lightspeed Magazine, August 2018
http://www.lightspeedmagazine.com/fiction/a-bond-as-deep-as-starlit-seas/

There is no tie as deep as that between a girl and her space ship.


“A Green Moon Problem,’ Jane Lindskold; Fireside Magazine, May 2018
http://www.lightspeedmagazine.com/fiction/a-green-moon-problem/

An eerie tale about a masked legend seeking the meaning of humanity, who has a talent for finding unusual solutions to difficult problems.


“The Thing About Ghosts,’ Naomi Kritzer; Uncanny Magazine, November/December 2018
https://uncannymagazine.com/article/the-thing-about-ghost-stories/

Kritzer’s novelette about a woman writing her doctoral dissertation on the meaning of ghost stories as her mother slowly slides into dementia and then dies is both a meditation on death and how we deal with it, and a ghost story all on its own.


“Field Biology of the Wee Fairies,” Naomi Kritzer; Apex Magazine, April 4, 2019
https://www.apex-magazine.com/field-biology-of-the-wee-fairies/

In a world where normal girls wait hopefully for their fairy to come along and gift them with beauty, or some other appropriately feminine attribute that will help them succeed with boys, what does a young girl who doesn’t care about being pretty and wants to be a scientist to do when her fairy shows up?


“If At First You Don’t Succeed, Try, Try Again,” Zen Cho; Barnes &Noble Sci-fi and Fantasy Blog, November 29, 2018
https://www.barnesandnoble.com/blog/sci-fi-fantasy/if-at-first-you-dont-succeed-try-try-again-by-zen-cho/

An imugi’s goal is to become a dragon, that is the way of things. But sometimes an imugi will try, and fail. Perhaps, for Byam, it’s just that it needs a kind of wisdom only being in love can provide. Cho’s novelette is both poignant and joyous.
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P. Djeli Clark’s novella, The Black God’s Drums, is a steampunk adventure with a difference. In Clark’s alternate 19th century world, the revolution in Haiti - the only successful slave rebellion in our own world’s Northern Hemisphere - was so successful that much of the Caribbean is now part of the independent Free Isles, protected from invasion by a mysterious secret weapon known as the Black God’s drums. America’s Civil War has turned into a stalemated conflict that’s exhausted both sides, and New Orleans is a proud free city where airships from around the world come to trade.

New Orleans is the home of Creeper, an orphaned street kid born during a violent storm, who sometimes has visions sent by Oya, goddess of storms. One night, Creeper overhears a group of Confederate soldiers making plans to meet a Haitian scientist who, they say, is prepared to sell them the secret of the Black God’s drums.

When Creeper decides to give this information to a pirate captain, Anne-Marie of the Midnight Robber, whom she knows to be working for Haiti and the Free Isles in return for a place on the captain’s ship, she is drawn into a matter of magic, danger, and the powers of the sister goddesses that ride her and the captain.

It’s a powerful story that blends steampunk sensibilities with ancient deities from Africa in a combination that seems just right for a tale set in New Orleans.
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Peasprout Chen and her younger brother Cricket live in the land of Shin, where wu liu, the beautiful and deadly art of martial skating, was invented. Peasprout, who is fourteen and a prodigy at wu liu, and as such, she and Cricket have been selected by the Dowager Empress herself to study at the Pearl Famous Academy of Skate and Sword in a goodwill exchange - a mission that carries much responsibility, for the independant city-state of Pearl has taken preeminence in the great martial art and Peasprout is here in Pearl not just to learn all the secrets of wu liu but to do better than all the Pearlian students and restore the honour of Shin.

This is the premise behind Henry Lien’s delightful Peasprout Chen, Future Legend of Skate and Sword, a fantasy for children with the spirit of anime and the feel of one of those classic children’s books that grows organically from a special story invented to tell a beloved child to a tale that enchants children everywhere. It’s set up as a traditional boarding school novel, with the protagonist as outsider forced into competition with the school bully and persecuted by the bully’s clique, with stern teachers who never understand the difficulties facing the protagonist, and unexpected allies.

Yet underneath this surface lie some dark secrets that could spell serious danger for Peasprout and Cricket, who are both innocent of the political machinations that lie behind this ‘goodwill exchange’ but may nonetheless suffer the consequences of intrigues they had no part in.

I’m really looking forward to reading the sequel, Peasprout Chen: Battle of Champions, because she’s a character that it’s hard not to love, and I know I want to see more of her.
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JY Yang’s novella The Descent of Monsters takes place in the universe of the Protectorate created in their earlier works, The Black Tides of Heaven and The Red Thread of Fortune, but the main characters of those narratives, Sanao Akeha and their twin sibling Mokoya, rebel children of the Protector, appear only as secondary characters, as does Mokoya’s lover, Rider, who has travelled to the Protectorate in search of their own lost twin.

The Descent of Monsters is an epistolary novel, told in diary excerpts, letters, transcripts, and excerpts from reports within a frame that tells us as we begin that the main character, Tensor Chuwan Sariman, a junior investigator, is already dead, and their lover Kayan is urged to continue the investigation detailed in the documents and discover the truth that Chuwan has died for.

The investigation centres on an experimental facility where Tensorites are supposedly breeding guard animals for farms. But something has gone wrong, a huge and dangerous creature, certainly no farm guard, has escaped and everything in the facility - humans and animals alike - is dead, torn to pieces. Found hiding in the ruin are Rider and Sanao Akeha, wounded, apparently having killed the escaped creature. Yet as Chuwan investigates, their personal diary entries make it clear that the easy narrative has mysterious gaps in it. Interrogation notes are heavily redacted, anomalies and highly unusual circumstances - such as the total absence of all written documents, including diaries and personal correspondence - are ignored, and Chuwan is instructed not to search for the truth, not to follow clues or ask questions, but just to rubberstamp the official narrative and forget everything else.

Chuwan of course cannot do this. They break into the interrogator’s office and steal the unredacted transcripts, and run, in an attempt to personally contact Rider, Sanao Akeda, and the other rebels. A chance encounter with Yuan-ning, the sibling of one of the victims gives them access to letters from the facility that suggest secret, and horrifying, research programs.

Even after connecting with Rider and the others at the Grand Monastery, Chuwan continues to investigate, with help from Yuan-ning and the rebels. What they find means their death, as the reader has known from the beginning, but it reveals exactly what was going on in the Tensorate’s secret facility, leaves so many other questions unanswered and demands future actions - which no doubt Yang is writing as I write this.

This is a work of great craft, and it forms a key part of a story that I have become deeply involved in. I need to know what comes next in this astonishing world Yang has created.
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Naomi Novik’s Spinning Silver is a fascinating meld of a number of myths and fairy tales, all clustered around the themes of sacrifice and salvation, bargains and negotiations, and the balance between winter, the bringer of cold and death, and spring, the time of rebirth and growth. These themes are explored through the lives of three very different women - Irina, the unloved daughter of a duke, Miryem, the industrious daughter of a hapless moneylender, and Wanda, a peasant girl with a brutal father. All three women are outsiders, Irina and Wanda because of the dynamics of their dysfunctional families, Miryem because she takes over her father’s business - and because she is a Jew.

The novel is set in a secondary world that draws deeply on Russian history, culture and folklore, and Novik makes this into a rich setting for her characters.

I admit to a bit of difficulty getting into the novel, because in general, Russian myth and culture does not stir me the way some other source cultures do, but once I was committed to the story of these three women, I was hooked. Another marvelous tale from Novik.
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“Mother Tongues,” S. Qiouyi Lu; Escape Pod, July 12, 2018
http://escapepod.org/2018/07/12/escape-pod-636-mother-tongues/

The lengths a mother will go to, to give her daughter the best future possible.


“Birthday Girl,” Rachel Swirsky; Uncanny Magazine, September/October 2018, https://uncannymagazine.com/article/birthday-girl/

A vision of life where neurodiversity is accepted and supported, and the reality of what can be lost when it’s not. Deeply moving.


“Light and Death on the Indian Battle Station,” Keyan Bowes; Fireside Fiction, October 2018, https://firesidefiction.com/light-and-death-on-the-indian-battle-station

On a battle station in some future war, where telepaths engage in mortal combat and live or die for their country, a young woman makes a daring journey to save her fallen sister. Lovely reworking of the legend of Princess Savriti.


“Compulsory,’ Martha Wells; Wired, December 17, 2018.
https://www.wired.com/story/future-of-work-compulsory-martha-wells/

A prequel to the Murderbot Diaries, this serves as welcome, if not precisely essential, background to understanding Murderbot and its world.

“STET,” Sarah Gailey; Fireside Magazine, October 2018
https://firesidefiction.com/stet

Gailey employs an unusual format to explore ethical questions in the programming of Als. The work, however, has a broader and more encompassing scope. A different sort of narrative, but profoundly thought-provoking.
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As has been made clear, I love the secondary world of Valdemar created by Mercedes Lackey. I also, one may have noticed, love the writing of Tanya Huff. So you can imagine my delight when Tanya Huff released a collection of her Valdemarian stories featuring Herald Jors and his Companion Gervais, in The Demon’s Den and Other Tales of Valdemar.

The stories are told in a linear fashion, and begin with Jors as a young Herald, not long into his career, unsure of himself, his judgement, his abilities, but still, like any Herald, giving all that he can, the best that he can, relying on the unearthly wisdom of his Companion to find the best way. As his adventures continue, he becomes more comfortable with himself, his duties, and his place in the world. He makes mistakes. He learns about himself. He experiences successes, and failures to achieve everything he’d hoped to. He learns about love and heartbreak. And finally, he comes into his own, a Herald in his prime, confident and assured but aware of his limits and his needs.

I’d read these before, of course - they were all originally published in Lackey’s Valdemar anthologies - and enjoyed them, but there’s a deeper enjoyment to be found in seeing Jors growing and maturing as one reads these stories one after the other. I’m glad Huff had the idea to put them into a single collection, and that Lackey granted permission for her to publish a Valdemarian collection.
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Another year, another Valdemarian anthology from Mercedes Lackey. These books are like catnip for me. The collections are sometimes uneven, but Valdemar is a wonderful invention, a rich secondary word with so many different cultures and potential stories, and there’s something about Lackey’s world that I find irresistible.

As usual, there are some stories from longtime contributors, many of them featuring characters we’ve met before and come to appreciate, and some from new writers who’ve never written for Valdemar before. And of course a brand new story by Lackey herself, which answers one of the questions many of us have had about Need - and also makes a strong statement about trans inclusivity. But then, Lackey has always been an LGBT ally, which is probably one of the reasons I feel comfortable with her work.

In fact, Lackey’s story, “Woman’s Need Calls Me,” is my favourite from this collection, which is in fact one of the stronger collections of recent years - there really wasn’t one story that I didn’t enjoy, although some were slight in terms of action and adventure.

Good comfort reading when I needed it.




Note: This anthology contains 18 stories, 16 written by women and two written by men.

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