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I have been very ill, and the prognosis for recovery is not good. If I must choose in my limited time whether to read more, or write reviews if what I read, I choose to read more. While I’m still going to write about most books, for short fiction, I’m just going to give you my opinions as simple ratings unless there us something I really need to say. Short fiction will be rated excellent, very good, good, no comment or not my cup of tea. Interpret these as you will.

“No Flight without the Shatter,” Brooke Bolander; Tor.com, August 15 2019.
https://www.tor.com/2018/08/15/no-flight-without-the-shatter-brooke-bolander/
Excellent. A bittersweet requiem. Novelette.

“Firelight,” Ursula Le Guin; Paris Review, Summer 2018. Paywall; subscription required.
https://www.theparisreview.org/fiction/7176/firelight-ursula-k-le-guin
Excellent. Le Guin bids a final farewell to Ged, and to us. Short story.

“The Starship and the Temple Cat,” Yoon Ha Lee; Beneath Ceaseless Skies, February 1 2018.
http://www.beneath-ceaseless-skies.com/stories/the-starship-and-the-temple-cat/
Very good. Short story.

“The Starfish Girl,” Maureen McHugh; Slate, July 23, 2018.
https://slate.com/technology/2018/07/the-starfish-girl-a-new-sci-fi-short-story-about-gymnastics.html
Very good. Short story.

“A Brief and Fearful Star,” Carmen Maria Machado; Slate, June 27, 2018.
https://slate.com/technology/2018/06/a-brief-and-fearful-star-a-new-short-story-from-carmen-maria-machado-author-of-her-body-and-other-parties.html
Good. Short story.

“Asphalt, River, Mother, Child,” Isabel Yap; Strange Horizons, October 8 2018.
http://strangehorizons.com/fiction/asphalt-river-mother-child/
Excellent. Powerful use of traditional Philippine religious figures to tell a modern, and all too widespread, story. Short story.

“Music for the Underworld,” E. Lily Yu; Motherboard, March 29, 2018.
https://motherboard.vice.com/en_us/article/8xkxqx/music-for-the-underworld
Excellent. Powerful and disturbing. Short story.

“Ruby, Singing,” Fran Wilde; Beneath Ceaseless Skies, September 27 2018.
http://www.beneath-ceaseless-skies.com/stories/ruby-singing/
Very good. Eerie, like a folktale. Short story.
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Kristen Roupenian, "Cat Person"; The New Yorker, December 11, 2017
https://www.newyorker.com/magazine/2017/12/11/cat-person

An all-too-familiar story about a woman meeting and becoming involved with a man, despite all the tiny warning signals that suggest she should be mire cautious. The scary thing is that it ended in a better way than I'd feared, although 'better' is perhaps not the right word.


Carmen Maria Machado, "The Husband Stitch"; Granta, October 28, 2014
https://granta.com/the-husband-stitch/

One reviewer of this short story has said "It’s a horror story in which the monster is heterosexual relationship", which seems to me as accurate as anything else I could say. It's a powerful story about being a woman in a world made by men, about how we fit ourselves into the spaces in their lives and try to hold onto some small thing that is our own. Until they want that too, and we give it freely because we love them, and we have nothing left.


Maureen McHugh, "Sidewalks"; Omni, November 28, 2017
http://omnimagazine.com/sidewalks/

Ros Gupta is a speech pathologist called in to examine a "Jane Doe" of indeterminate racial identity who speaks only 'gibberish' and is currently being held in an institution because the police feared she might be a danger to self or others. She manages to communicate with the woman, whose name is Malni, and what she discovers changes her entire way of relating to the world she lives in. There are some profound messages here, about the fragility of the things we know and love, about connectedness and change, about actions and consequences, and about living as a woman in the world.


Charlie Jane Anders, "Don't Press Charges and I Won't Sue"; Boston Review, October 30, 2017
http://bostonreview.net/fiction/charlie-jane-anders-dont-press-charges-and-i-wont-sue

A brutal story about a woman struggling to hold on to her identity in a world determined to eliminate it. The real horror is that this world is only a few existential tweaks away from our own, and there are people who would not read this as a terrifying and cautionary dystopic narrative. Powerful, painful.


Kelly Barnhill, "Probably Still the Chosen One"; Lightspeed, February 2017
http://www.lightspeedmagazine.com/fiction/probably-still-chosen-one/

A rather different take on the portal fantasy and the whole 'chosen child hero' trope. Eleven-year-old Corrina finds a portal to a land at war and is identified as the Chosen One by the Priesthood. Her destiny - to lead the people of Nibiru to victory against the evil Zonners. But it doesn't turn out quite the way Corrina dreams it will, or the Priests expect it too. Fun.


C. S. E. Cooney, "Though She Be But Little"; Uncanny Magazine, September/October 2017
https://uncannymagazine.com/article/though-she-be-but-little/

Something strange has happened - the Argentum, the sky turning silver - and strange things have happened - people turning into mythical pirates, floating alligators and parrots that can act like cellphones - and things have arrived from somewhere else, many of them monstrous. Emily Anne was a widow in her sixties before the Argentum; now she's an eight-year-old child and a nightmare creature, The Loping Man, is coming to kill her. Where the story focuses on Emily Anne's resourcefulness, courage, and ability to adapt to this new world, it was enjoyable, but I felt as though I'd been dropped into something complex with no explanation and that aspect was not as pleasing. I'd have enjoyed it more if it were presented as straight absurdist fantasy, but presenting it as something that's happened to a real world not unlike our own makes me want at least some clues toward answers to 'how' and 'why.'


Fran Wilde, "Clearly Lettered in a Mostly Steady Hand"; Uncanny Magazine, September/October 2017
https://uncannymagazine.com/article/clearly-lettered-mostly-steady-hand/

This one cut me deeply. It's a horror story about the way society and the medical profession deal with "freaks" - those of us who are visibly different - and how those freaks feel and think. The story is told as a monologue by a tour guide through a freak show, but the tone drips with rage at the 'normal' person, the voyeur come to see the horrifying strangeness of the 'different.' Intense.


N. K. Jemisin, "Henosis"; Uncanny Magazine, September/October 2017
https://uncannymagazine.com/article/henosis/

A short story about fame, fans, and legacy. An aging author nominated for a prize that it quite literally intended as the culmination of a stellar career is kidnapped by a fan. Interesting and somewhat savage commentary on what it's like to become famous and to be seen as possessing an artistic legacy.

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"The Jewel and Her Lapidary," Fran Wilde; Tor.com, not available online.

Fran Wilde's novelette "The Jewel and Her Lapidary" is a seductive piece of worldbuilding that tells an otherwise straightforward (though inspiring) story about betrayal, invasion and resistance. What marks the story as something different is the setting. Ironically, just as an intricate and captivating setting can heighten the beauty of a relatively ordinary gem, the world that Wilde creates - one of rulers known as Jewels bound to, sustained and protected by Lapidaries, people with the gift of manipulating the magical energies of gems - enhances the narrative of two courageous young women, one of whom sacrifices everything to enable the other to survive and help their people resist a conquering enemy.


"A Burden Shared," Jo Walton; Tor.com, April 19, 2017
https://www.tor.com/2017/04/19/a-burden-shared/

The premise: in the future, technology will allow one person to take the pain felt by another, leaving the other without pain - though still with the underlying condition causing it. The story focuses on a mother and father, now divorced but still co-operating in bearing the pain of their adult daughter, born with a chronic degenerative disease. There are a great many levels and approaches to the story. As a person living with chronic pain, my first response was "this is so seductive, the thought of being able to spend even some of my time pain-free - but how could I ask another to take this pain, even if they wanted to?" In a way, it's a literalisation of the way that the burden of care for disabled family members is negotiated, even down to an exploration of the ways in which even a man devoted to helping with his daughter's care can't help but manipulate his ex-wife into accepting short-notice changes to the pain-sharing schedule that will help his career but make it difficult for her to manage commitments she's made in her professional life.

At first, one thinks there is something noble about the ways in which people in this society take on the burden of pain that others they care about would otherwise face. However, the more one dwells on this, the more it seems to be making obvious the potentials for dysfunctional and damaging interpersonal relations around the issue of care, especially privatised care where the disabled person must depend on love, loyalty, guilt, and sometimes the kindness - or financial need - of strangers in order to have any semblance of a life. And I wonder, where's the app that takes the pain and sends it instead to /dev/null?

I found this story very thought-provoking, but ultimately unsatisfying.


Peter S. Beagle, "The Story of Kao Yu," Tor.com, December 7, 2016
https://www.tor.com/2016/12/07/the-story-of-kao-yu/

Peter S. Beagle is a master craftsman when it comes to short fiction, and his metier is fantasy. It's hard to imagine sitting down to read a Beagle short story and not feel moved in sine way, if not always satisfied, at the end. This is a story set in medieval China, and tells the story of a travelling judge, a supernatural chi-rin, or unicorn, who is the essence of justice, and the unrepentant thief who changes his destiny. It is not a happy story, and it is not a comfortable story, because it looks closely at temptation and corruption as much as it does justice and honour. But it is a very moving story, and a thoughtful one.


Kelly Robson, "A Human Stain," Tor.com, January 4, 2017
https://www.tor.com/2017/01/04/a-human-stain/

Robson's novelette is a beautifully written Gothic horror story, set in a remote castle with all the requisite mysteries, from the taciturn servants and unnatural child to the crypt in the cellar and the curious creatures in the lake. The protagonist, an Englishwoman adrift in Europe - is a young woman of unconventional desires. She drinks, smokes, and chases pretty girls, and she has accumulated debts that she would prefer to avoid, being unable to pay. Her salvation would appear to lie in her friend's need for a governess to teach his orphaned nephew, but once Helen is left alone with the child, Peter, and the servants, the mysteries prove too much for Helen to ignore, and too dangerous for her to resist.

Well written, and it left me with a distinct feeling of dread at the end. My only criticism is that it's another one of those stories where the 'bad' girl - she smokes and drinks too much, and is a lesbian - is punished for her desires.


K. M. Szpara, "Small Changes over Long Periods of Time," Uncanny Magazine, May/June 2017
https://uncannymagazine.com/article/small-changes-long-periods-time/

I'm a sucker for vampire stories. So this novelette started out several points up on the 'do I like it' scale. It's well-written and entertaining. It also explores some things that are not often explored in vampire literature, such as the idea that being turned regenerates the body and what that might mean to a trans person whose body has been deliberately changed through surgery and hormones. The author is a trans man, and the story touches very realistically on multiple issues related to being trans, from dysphoria to transphobia to denial of medical service.

It also looks at issues of consent and the strange human connection between danger and lust which are fairly standard in a vampire story. As this is a society in which vampirism is acknowledged and vampiric behaviour strictly codified, it's also a story about assimilation, and regulating dangerous behaviours - i found myself wondering if the laws that exist in this novelette about registering as a vampire and only taking blood from a blood bank or from a known consenting donor were in some way a commentary on safer sex in this time of AIDS where HIV positive people have been charged with attempted manslaughter for having sex without informing their partners of the risk. Lots to think about as well as enjoy.

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Fran Wilde's debut novel Updraft has been winning accolades for its inventive and thorough worldbuilding, and the accolades are well warranted. The world in which the young protagonist, Kirit Densira (so surnamed because that is the name of the tower she lives in), is quite unlike anything I can remember reading about before.

The city - which has no name, and may be the only city as far as its citizens seem to know - is a post-apocalyptic collection of towers of living bone, constantly growing upwards as the lower levels fill in and must be abandoned, the inhabited tiers well above the level of the clouds that conceal whatever lies beneath, in the city's past. The people of the towers interact by means of bridges built between the towers, and by flight.

Every adolescent who is physically able, is trained on glider wings of bone and silk. Passing one's fight test is the symbol of passage from childhood to adulthood, and is accompanied by an examination of one's knowledge of the traditional songs that contain both the laws and the history of the city and its people, beginning with the Rise - the time when the survivors of an ancient war grew their towers to soar above the clouds.

The lives of people are not without danger - in addition to the possibility of falling during flight, the skies around them are also home to invisible flying predators called skymouths. To protect the city, one special tower - the Spire - is devoted to training Singers, a special caste who are all at once the historians, law makers and enforcers, and city guards who attempt to mitigate the threat from migrating packs of skymouths.

The novel opens with Kirit and her cousin Nat anticipating their tests. Kirit's mother Ezarit is a trader, one who had gained much status and has won fir her and Kirit living space on an upper tier. Nat and his mother Elna are much lower on the tower's social ladder, because his father, a lawbreaker, was taken away by the Singers. But when Kirit breaks the law, exposing herself to an attack from a skymouth, the Singers block her from passing her tests and force her to become one of their number to save her relatives from suffering punishment along with her, Thus begins a path that will expose a trail of secrets, from the truths about her own gifts, her missing father and Nat's, to corruption and abuse in the heart of the Singers' Spire.

The novel combines a personal coming of age and quest for one's past with an examination of the corrupting influence of power and authority and the need for social and political renewal when accountability is lost.

It's fast-paced and well-written. I did find Kirit to be overly super-competent - she has so much to learn once she joins the Spire and seems to learn it all effortlessly, catching up in months to others who have been learning the Singers' ways for most of their lives. But that is often a weakness in hero-tales (Luke Skywalker, I'm looking at you now). I also felt a little cheated by being given such a detailed world - and no clue at all about how it got that way. What is the city? Is it some gigantic animal that is rooted in the earth many thousands of feet below? What does it feel when its bones are manipulated to grow into these towers? Is it sentient? Is it natural or engineered? Is this how the people of this world have always lived, in the bones of other creatures? I want to read more stories that tell me more about the history and biology of this strange world.

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