bibliogramma: (Default)
In Aliette de Bodard’s novel, In the Vanishers’ Palace, a young girl is forced by the elders if her village to offer herself to a feared dragon, in return for the dragon’s gift of healing to the daughter of the village leader. Fearful of the worst, Yên finds that the dragon, Vu Côn, wants her as a tutor to her two adopted children, Dan Thông and Dan Liên.

Vu Côn lives in a vast palace, built by a long-gone race called the Vanishers. In Yên and Vu Côn’s world, the Vanishers once ruled the world, humans and spirits such as dragons alike, with a science so advanced that it seemed the highest of magic. But the Vanishers went elsewhere in great ships, and behind them they left chaos - destructive diseases, dangerous artefacts, a world broken and need of healing. Vu Côn, in her own way, is committed to understanding the lost science of the Vanishers, focusing primarily on the horrific genetic diseases they created and unleashed, and trying to undo at least some of the damage they caused.

In a tale that owes something of its origins the the old tale of Beauty and the Beast, there is a strong but unacknowledged attraction between Yên and Vu Côn, but the latter is all too aware of the imbalance of power and shies away from Yên, indeed from all unnecessary contact with her, while Yên is conflicted by her awe and fear of the dragon, and her desire. Yên, meanwhile, learns to work with the children, and navigate the treacherous Vanishers’ palace. But great changes are waiting for all of them.
bibliogramma: (Default)
The Hugo finalists are out, and while quite a few of the short fiction pieces were ones I’d nominated, there are a few I hadn’t read. So, I’ve gotten my hands on those (much thanks to Sarah Pinsker for making a pdf of her novelette available on her website) and corrected those gaps in my reading.

Short Story

“The Martian Obelisk,” Linda Nagata; tor.com, July 19, 2017.
https://www.tor.com/2017/07/19/the-martian-obelisk/

The Earth is dying. Slowly, from ecological breakdown and climate change and loss of infrastructure and antibiotic resistant diseases and natural disasters and sporadic violence and all the things we’ve been fearing in recent years. A series of slow apocalypses. Susannah is an architect, and with the backing of one of the world’s remaining millionaires, she has spent the last 17 years building a soaring monument to the memory of humanity - on Mars, remotely accessing the technology of a Mars colony that was prepped but never settled. And then the unthinkable happens. A message from a survivor of the last functioning Mars colony, previously thought lost, is received. A woman and her children, the only ones left alive on Mars, have battled halfway across Mars and are asking for the resources of the monument to build a place where they can survive just a little longer. Susannah must decide, what will be the final shape of the Martian monument - the obelisk she’s spent years building, or a few more years of life for a doomed family. Powerful story, both in its depiction of the end of the world - not with a bang, but a long slow series of whimpers - and in its examination of the irrational, irrepressible, persistence of hope.


Novelettes

“Wind Will Rove,” Sarah Pinsker
(Originally published in Asimov’s September/October 2017, available for download as pdf on Pinsker’s website: http://sarahpinsker.com/wind_will_rove)

In this novelette, Pinsker explores the tension between preservation of the past and creation of the future through the situation of a generation ship that, through an act of sabotage, has lost its cultural and historical databases. This results in a concerted decision by the passengers to restore and preserve as much of the lost material as possible, not just through the creation of new databases, but through continued repetition and accurate reproduction of the restored material - music, plays, art, and Earth’s history. The narrator, Rosie Clay, is a history teacher and traditional fiddle player, challenged by one of her students who rejects the emphasis on the history and creations of the past, of an Earth that means nothing to them. Forced to look beyond the truism that those who forget history are destined to repeat it - questionable in a world that is entirely different from the Earth where that history took place - Rosie finds herself examining her own assumptions. Quiet but very thought-provoking.


“Children of Thorns, Children of Water,” Aliette de Bodard; Uncanny Magazine, July/August 2017
https://uncannymagazine.com/article/children-thorns-children-water/

This novelette is set in the world of de Bodard’s Dominion of the Fallen series, and requires some familiarity with that world to be fully understood. It’s a world where Fallen angels wield magic and rule Houses, life for the houseless is bleak and often violent. The novels are set in an alternate late 19th century Paris and deal largely with relationships, politics and power - within houses, between houses, and in the larger postcolonial society. In this story, Thuan, a dragon in human form and member of the Dragon kingdom based in the waters of the Seine - the dragons, being drawn from Annamese (Vietnamese) tradition, are water beings) seeks to enter one of the Houses, House Hawthorn, as a spy, to gain information on what the tensions between houses might mean for the dragon kingdom. The day of testing, when new house dependents are chosen, is interrupted by a magical assault by creatures made of thorns, manifestations of House Hawthorne itself. Thuan proves useful to the Fallen in charge of the the tests in dealing with the crisis, and thus wins his place in the House. It’s a well-written piece, but I’m not all that fond of this secondary world. I read and enjoyed the first novel in the series and found it interesting - but not compelling enough to have pushed me to read the second volume. Good story, not quite my cup of tea.


Novellas

River of Teeth, Sarah Gailey

In her foreword, Gailey says: “In the early twentieth century, the Congress of our great nation debated a glorious plan to resolve a meat shortage in America. The idea was this: import hippos and raise them in Louisiana’s bayous. The hippos would eat the ruinously invasive water hyacinth; the American people would eat the hippos; everyone would go home happy. Well, except the hippos. They’d go home eaten.” It was this unfulfilled notion that spurred Gailey to imagine the alternate history of this novella, though she places the introduction of hippos into the American ecology and economy some decades earlier. In Gailey’s version of the American South, marshes have been encouraged to allow for the development of hippo farming. Hippos serve instead of horses for cartage and personal transport, and there are canals and pools for the animals to use as rest stops, and instead of stables. Part of the Mississippi has been dammed up, forming a marshy lake area called the Harriet where feral hippos range, interfering with water trade along the river. This lake region is controlled by a shady - and very wealthy - man named Travers, who operated gambling riverboats on the lake, and is known to feed people he dislikes to the feral hippos. The story begins when adventurer Winslow Remington Houndstooth is hired by a government agency to clean out the feral hippos. The general plan is to get them through the barrier at the downstream end of the Harriet by any means necessary, and encourage them to migrate south into the gulf, freeing the river for trade, and not quite incidentally interfering with Travers’ business. In addition to the large payment offered to him and any members if the tram he pits together, Houndstooth has a strong personal motivation for injuring Travers, who burned out his hippo farm sone years ago, leaving him penniless.

The first part of the novella is devoted to assembling the team, which could not be comprised of a more diverse group of characters: Regina “Archie” Archambault, a cross-dressing conwoman; Hero Shackleby, a nonbinary demolitions expert; Cal Hotchkiss, fast gun, card shark, and former employee if Houndstooth who may or may not have betrayed him to Travers; Adelia Reyes, a pregnant lesbian assassin; and Houndstooth himself, a mixed race Immigrant from England whose dream and passion is to rebuild his hippo farm. Gailey also spends time letting us get to know, not only the characters, but their hippos, their personalities and distinguishing traits. It’s clear in this society that people form bonds with their hippos not unlike those with other working or companion animals like dogs, cats or horses. As for the plot - everything goes wrong, of course, and there are double-crosses and hidden motivations and a tangle of cross purposes, and this is not a light-hearted caper, not everyone survives. But it is very entertaining, and I hear there’s a sequel.


Down Among the Sticks and Bones, Seanan McGuire

McGuire uses a delightfully arch and ironic tone in beginning this story - the backstory of Jaqueline and Jillian, Jack and Jill, two of the distinctly different children from the first of the Wayward Children series, Every Heart a Doorway - by introducing Chester and Serena Wolcott, two self-absorbed people who chose to have children to complete the image of their perfect nuclear family. Things go wrong, of course, from the beginning. As soon as they knew they were having twins, they assumed they would have a boy and a girl, thus efficiently creating the ideal family in one swoop. They never considered the possibility of two girls.

Parenthood does not suit the Wolcotts, being too disorderly and entirely too loud and messy. Chester’s mother is almost immediately recruited to actually raise the girls. At least until it becomes inconvenient to have her around, so at age five the twins lose the only person in their lives who saw them as people to be encouraged to grow, rather than accessories to be programmed for the benefit of their parents.

Those who have read Every Heart a Doorway already know a little of what happens to Jack and Jill. One day, they find a doorway where no doorway should have been and it takes them to a strange land where nightmares are real, but at least here they have some choice over which nightmare they will live in, where their parents gave them no choices at all. It is a strange place, a cruel place, and each child is changed in ways that do not bear much thinking about.

This is part of why, while I appreciate McGuire’s skill and invention in writing these stories, I don’t like them. I am not good with reading about abused children who don’t get to really escape their abuse - because we know that while Jack and Jill will someday find their way home, they will be damaged, perhaps permanently, perhaps beyond any hope of being ... normal, happy, able to function in a world of ordinary people. Of course, you can say that of many traumatised children, because the scars of some hurts never heal. So there is a fundamental truth underneath the fantasy here. As it happens, it’s a truth I live with, and reading about it requires accommodations that McGuire doesn’t offer, like the possibility of grace and hope.
bibliogramma: (Default)


"The Great Detective," Delia Sherman; tor.com, February 17, 2016
http://www.tor.com/2016/02/17/the-great-detective-delia-sherman/

Steampunk and spiritualism, in an alternate literary universe where noted mechanical inventor Sir Arthur Cwmlech and his apprentice Miss Tacy Gof turn to colleague Mycroft Holmes and his masterwork the Reasoning Machine to solve a mysterious theft. A young Doctor Watson, recently returned from Afghanistan, seeks a new life as an inventor. All that is missing from the tale is the Great Detective himself - and if he does not yet exist, then surely someone will have to invent him. A light and witty tale that should appeal to fans of Holmes and the steampunk genre alike.

"Our Talons Can Crush Galaxies," Brooke Bolander; Uncanny magazine, November 2016
http://uncannymagazine.com/article/talons-can-crush-galaxies/

This was a short piece, essentially flash fiction, a stunning gut-punch. Hard to read, hard to breathe afterward. Searing and powerful indictment of male entitlement and rape culture.


"Seasons of Glass and Iron," Amal El-Motar; first published in The Starlit World (2016), reprinted online at Uncanny Magazine
http://uncannymagazine.com/article/seasons-glass-iron/

There are many fairy tales about women. Women who must do impossible things, or accept impossible circumstances, because of men. Men who say they love them, men who want to test them, men who want to woo and win them. Sometimes, though, these women walk out of those tales and live their own lives instead, creating new kinds of tales.


"Lullaby for a Lost World," Aliette de Bodard; Tor.com, June 8, 2016
http://www.tor.com/2016/06/08/lullaby-for-a-lost-world/

De Bodard has said that of this story that it is "a sort of answer to “The Ones Who Walk Away from Omelas” (one of my absolute favourite short stories)." It is very much a story about the prices paid for security, stability, and the like - and who makes the decisions on what prices are acceptable, and who pays those prices. A worthy counterpart to the story that inspired it.


"Things with Beards," Sam J. Miller; Clarkesworld, June 2016
http://clarkesworldmagazine.com/miller_06_16/

A meditation on monsters and how they walk undetected in the world, both the monsters and evil aliens of speculative fiction (the backstory of the protagonist evokes the classic sf/horror film The Thing), and the monsters that have always been a part of the human race, the callous, the cruel, the killers of those who are labeled less than human.


"You'll Surely Drown Here if You Stay," Alyssa Wong;
Uncanny Magazine, May 2016
http://uncannymagazine.com/article/youll-surely-drown-stay/

A young boy with an uncanny heritage to communicate with, and control, the dead is forced to use his powers for the greed of others. A supernatural Western with a deep friendship that survives dead and retribution at its heart.


"An Ocean the Color of Bruises," Isabel Yap; Uncanny Magazine, July 2016
http://uncannymagazine.com/article/ocean-color-bruises/

Five young people, former college friends, take a vacation together to a second-class resort with a tragic past. When that past awakens, the quality of their own lives is called into question.


"A Fist of Permutations in Lightning and Wildflower," Alyssa Wong; Tor.com, March 2, 2016
http://www.tor.com/2016/03/02/a-fist-of-permutations-in-lightning-and-wildflowers-alyssa-wong/

A story about two sisters with unimaginable power, the depth of grief and guilt, and the futility of trying to change the past. Deep truths about grieving, accepting and moving on - and the tragedy of refusing to do so.


"Red in Tooth and Cog," Cat Rambo; originally published in Fantasy and Science Fiction, March/April 2016, republished online February 21, 2017
http://www.kittywumpus.net/blog/2017/02/21/story-red-in-tooth-and-cog/

A young woman frequenting a park has her phone stolen by an unlikely culprit, leading her to discover a new ecosystem in development. An interesting perspective on the definitions of life.


“Blood Grains Speak Through Memories”, Jason Sanford; Beneath Ceaseless Skies, March 17, 2016
http://www.beneath-ceaseless-skies.com/stories/blood-grains-speak-through-memories/

Sanford's novelette is set in what seems to be a far distant future, long after the ecological disasters of pollution and the exploitation of natural resources have resulted in massive social change and, one infers, biological engineering on a vast scale. The land is infused with "grains" - semi-sentient beings, possibly organic, possibly cybernetic, it's never made clear - that infect people thereafter known as anchors - who are responsible for protecting the land and its ecosystems. Anyone not part of an anchor's family is doomed to a nomadic existence, destroyed by the anchors and other beings created/controlled by the grains if they tarry to long in one place, or injure the land in any way. Frere-Jones is an anchor dissatisfied with the way the grains control the anchors and limit the lives of the nomadic day-fellows. Her husband, who shared her opinions, was killed by the grains, and if they could replace her, Frere-Jones suspects the grains would kill her too.

I was both intrigued and dissatisfied with this novelette. I enjoyed the themes of rebellion and of sacrifice, but I was frustrated at knowing so little about the grains, the biomorphing of the anchors, and how it all came to be that way. Perhaps a longer format might have allowed more worldbuilding.

bibliogramma: (Default)

I am beginning to think of Aliette de Bodard as one of those authors whose every work is a "must have" for me - I have been delighted, transported and entranced by everything I've read from her so far, and have started searching for older works I've missed.

One such work is the 2013 Hugo-nominated novella On A Red Station, Drifting, which is Set in her Xuya universe, in a future space empire heavily influenced by Chinese and Vietnamese cultures and notable for its human/AI Minds that manage both starships and space stations.

On A Red Station, Drifting takes place during a period of internal strife when lords opposed to the Emperor are in open rebellion. Fleeing war on the planet she was sent to as magistrate, Lê Thi Linh seeks refuge on Prosper Station, managed by a branch of her family. But all is not well on Prosper. There are divisions within the family and troubling malfunctions in the Mind that runs the station. Nor has Linh been fully honest about her reasons for flight.

Beautifully written, with a close focus on both the interpersonal and the political relationships that drive the events of the story. It's the depth of the characters, and the honesty of their portrayals (there are no heroes, no villains, only people doing what they feel they should, or must) that kept me enveloped in the story.

bibliogramma: (Default)

I seem to be on a bit of a short fiction binge. Trying to read some stories from 2015, recommended in various places, that interest me.



"The Missing Guest," Alice Sola Kim, December 22, 2015, Lenny
http://www.lennyletter.com/culture/a200/the-missing-guest/

An unsettling story about friendship circles and outsiders, about being both participant and observer, with distinct undertones of the weird. I'm still not sure who the missing guest is, nor am I certain that I'm supposed to be.


"Three Cups of Grief, by Starlight," Aliette de Bodard, January 2015, Clarkesworld
http://clarkesworldmagazine.com/debodard_01_15/

A nuanced portrayal of the varied responses to grief, set in de Bodard's Xuya Empire universe. A scientist whose work is vital to the future of the Empire dies, and her children - one of whom is a Mindship - and the woman who must carry on her mentor's work follow different paths in grieving. Moving piece, well written, with strong characterisation.


"Variations on an Apple," Yoon Ha Lee, October 2015, Tor.com
http://www.tor.com/2015/10/14/variations-on-an-apple-yoon-ha-lee/

A scintillating sciencefictional symphony of imaginings drawn upon the myths of the apple of discord and the siege of Troy. Lee does things with words and images and multi-layered references to music and mathematics that I can't even begin to describe. An ever-shifting but never-changing meditation on desire, choice and conflict.


"Adult Children of Alien Beings," Dennis Danvers, August 2015, Tor.com
http://www.tor.com/2015/08/19/adult-children-of-alien-beings-dennis-danvers/

A somewhat pedestrian novelette that literalises the feelings of difference and - if you'll pardon the pun - alienation that most of us experience. A middle-aged man uncovers evidence suggesting that his parents may not have been who, or what, they seemed to be, and embarks on a search for the truth - but ultimately realises there is a better way to resolve his crisis of self.


"Pockets," Amal el-Mohtar, February 2015, Uncanny Magazine
http://uncannymagazine.com/article/pockets/

Nadia has a peculiar problem. She keeps finding things in her pockets. Things she's never seen before, things that make no sense and have no apparent relevance to her life. Things that could not possibly be in her pocket, that are larger than any pocket she owns. El-Mohtar treats this surreal premise with the greatest seriousness, and brings it to a profound conclusion that speaks both to the mystery of the connections between people and the power of the creative impulse.


"Cassandra," Ken Liu, March 2015, Clarkesworld
http://clarkesworldmagazine.com/liu_03_15/

A meditation on the nature of causality, the meaning of free will, and the morality of interference wrapped up in a super-hero tale, in which the villain is a vigilante acting on pre-cognition in an attempt to save the innocent while the iconic defender of truth and justice focuses on protecting the proper unfolding of time, come what may.


"Eye," Wole Talabi, February, 2015, Liquid Imagination
http://liquidimagination.silverpen.org/article/eye-wole-talabi/

Powerful piece of flash fiction about impossible, abhorrent choices. How far will a mother go, what will she sacrifice, to save the life of one of her children?

bibliogramma: (Default)

If you have read anything about Aliette de Bodard's latest novel, the highly original and absolutely stunning fantasy The House of Shattered Wings, then you've surely encountered praise for its intricate worldbuilding, its complex and clearly defined characters, its suspenseful and engaging narrative, its subtle critique of power politics and brutal imperialism, and its numinous theological underpinnings.

And it's all true.

The novel is set in a post-apocalyptic Paris, following the Great War between, not countries, but Houses of Europe - fiefdoms run by and for the Fallen, angels cast out from Heaven for crimes they do not remember, magical beings much diminished but still trailing clouds of their former glory. Before their inhuman power games resulted in the near-ruin of a continent, the Fallen, based in Europe where the mythos we as readers recognise as Christianity was strongest, had spread out across the world, colonising other nations and driving other Heavens, other divine and magical beings, into hiding. Thus it was in Annam, where one of the beings caught in the nets of House imperialism is Philippe, an Immortal cast out from the Annamese Court of Heaven to live in mortal form as punishment for an unnamed transgression.

Freed from the House that enslaved him by its destruction in the Great War, Philippe has survived in the lowest rungs of Paris society, running with human gangs who scavenge in the ruins while the surviving Houses struggle to regain their former power and wealth while continuing to play games that could send any of them toppling into destruction.

When Philippe and a fellow gang member find a newly Fallen, weak and battered from her fall, they attempt to scavenge her, for the bodies of the Fallen carry magic. But before they can do more than collect two fingers, the head of one of the most powerful Houses remaining in Paris, Selene, arrives to save the new Fallen. When Philippe uses his own form of magic to shield his comrade from Selene's wrath, both he and the new Fallen are taken into House Silverspires - she as a dependent, to be known as Isabelle, and he as a prisoner to be studied and if possible used by the House.

Once in Silverspires, both Isabelle and Philippe - bound together by a force awakened drank when Philippe tasted her blood - become caught up in an old and dark curse that threatens to destroy the ancient House, once ruled by Morningstar, the first and foremost of the Fallen. Isabelle is loyal to the House that saved her and offered her protection, while Philippe wants nothing more than to see the House structure collapse completely and to free himself not only from Silverspires but from Paris itself, but the bond between them makes them at times allies as they seek to uncover what lies behind the deadly spell, crafted in vengeance and betrayal, that haunts the halls of Silverspires.

The House of Shattered Wings is one of the best novels I've read this year. De Bodard's website describes the novel as a standalone, but promises more novels set in the same universe. I am looking forward to reading them no matter where she focuses the next stories - but I hope we will see more of Philippe.

Profile

bibliogramma: (Default)
bibliogramma

May 2019

S M T W T F S
   1234
567891011
12131415161718
19202122232425
2627282930 31 

Syndicate

RSS Atom

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 15th, 2025 08:02 pm
Powered by Dreamwidth Studios