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Early this year, Morgan told me she was trying to finish a lot of books she had started but not finished. But there were still several half-read books on her ipad, and I found seven partially completed reviews, which I am cleaning up and posting here. I suspect most of the reviews were started before she decided she needed to focus more on reading than on doing write ups of what she had read.

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I’m rather at a loss as to how to describe George R. R. Martin’s latest Song of Ice and Fire offering, Fire and Blood. It’s not a novel. It reads more like a history book than anything else, but every element of the history - countries, towns, people, events, dates, is completely invented. The closest thing I can think of in SF terms are the tedious Dune prequels of Kevin Anderson and Brian Herbert, which consist most of chunks of Frank Herbert’s notes with occasional badly written bits of something approaching narrative (I read the first handful of them, strictly for Herbert’s notes).

But Fire and Blood has a certain charm. Setting out to mimic a popular history book, it doesn’t try to be or do anything else. It does try to be a good popular history book. Which actually makes it readable, and interesting, if you like history books, which I do.
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More series reading from 2013, this time books that are in series that are, or may be, unfinished.



George R. R. Martin, A Song of Ice and Fire
A Feast for Crows
A Dance with Dragons

Elizabeth Moon, Paladin's Legacy series
Limits of Power

Kate Elliott, the Crossroads series
Shadow Gate
Traitor's Gate
(Technically, this is the end of a trilogy, but Elliott has a stand-alone novel and a second trilogy planned in the same universe which will continue the story.)

Michelle Sagara West, the Chronicles of Elantra
Cast in Peril

Katharine Kerr, the Nola O'Grady series
Water to Burn

Marie Brennan, the Onyx Court series
In Ashes Lie
A Star Shall Fall

Juliet Marillier, Sevenwaters series
Heir to Severwaters
Seer of Sevenwaters

Diane Duane, Young Wizards series
A Wizard of Mars

Jasper Fforde, Thursday Next series
The Woman Who Died A Lot

Liz Williams, Inspector Chen series
Iron Khan

Kevin Hearne, Iron Druid Chronicles
Hunted

Mercedes Lackey, Foundation series
Bastion

P. C. Hodgell, Kencyr series
Bound in Blood
Honor's Paradox

Deborah J. Ross, Darkover series
Children of Kings

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G. R. R. Martin, A Game of Thrones
G. R. R. Martin, A Clash of Kings
G. R. R. Martin, A Storm of Swords

Of course I'd heard of Martin's voluminous epic, collectively known as The Song of Ice and Fire, long before last year. And from time to time I'd thought about checking out the first volume, just to see if it was worth all the fuss, But I had previously been gravely disappointed by Robert Jordan's Wheel of Time series, which became quite unreadable - for me, at least - after the first couple of volumes, and to which ASoIaF had been frequently compared.

But then the news came out that a TV series was being made of the epic, and I decided to read the first volume to see if the series might interest me.

Well... the first volume was better than I'd feared, and I did find myself identifying quite strongly with some of the main characters, so despite the unrelieved grimmness and the somewhat disorienting choice of an ever increasing number of POVs, I kept on reading. I've invested enough in this that I will likely continue reading to the end - I really do want to know what happens to Arya and Daenerys - but I can't quite shower it with the praise that so many others have. It seems that when it comes to multi-volume epics with casts of seemingly thousands, in which each volume is pushing 800 pages, I still prefer Michelle West and Kate Elliott over Martin (with honourable mention to Katharine Kerr, whose Deverry series has several volumes that are rather less than 800 pages, but makes up for that by having 15 volumes in the series).

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The Armageddon Rag, George R. R. Martin

I loved this book when I first read it. It was the mid-80s, and it was time for a long hard look at the 60s – the music, the dreams, the energy, the dark side, the enormous potential for change, for hope, for new ideas, but also for blind obedience and destruction. It was all there, balanced on the edge of a vibrating metal guitar string, and Martin brought it back in a book that defied genre and made it all so real you could hear the music and smell the sweat and the weed and feel the vibe in your blood and the rhythm in your bones. And it made you want it all again, and wonder where it all went, and then realise that you can’t bring back the dead and still keep moving forward, but you can keep the dream alive and growing and changing as long as you set the energy free.

Then earlier this year, Jo Walton gave the book a retrospective review over at tor.com and I knew it was time to read it again.

And it was everything I’d remembered.

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