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Posted by Vanessa Armstrong

News Clayface

Clayface Teaser Wants You to Know It Is a Horror Film, Thank You Very Much

Not surprising given the story comes from Mike Flanagan

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Published on April 22, 2026

Photo: Warner Bros. Studios

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/clayface-teaser-trailer/">https://reactormag.com/clayface-teaser-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846676">https://reactormag.com/?p=846676</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/clayface/" class="inline-block link-no-animation" aria-label="Link to term or tag Clayface 1"> Clayface </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Clayface</i> Teaser Wants You to Know It Is a Horror Film, Thank You Very Much</h2> <div class="prose post-hero-description prose--post-hero">Not surprising given the story comes from Mike Flanagan</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 22, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo: Warner Bros. Studios</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/clayface-teaser-trailer/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img fetchpriority="high" decoding="async" width="740" height="478" src="https://reactormag.com/wp-content/uploads/2026/04/CLAY-T1-0003-740x478.jpg" class="w-full object-cover" alt="TOM RHYS HARRIES as Matt Hagen in DC Studios’ “Clayface,” a Warner Bros. Pictures Release" srcset="https://reactormag.com/wp-content/uploads/2026/04/CLAY-T1-0003-740x478.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/CLAY-T1-0003-1100x711.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/CLAY-T1-0003-768x496.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/CLAY-T1-0003-1536x993.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/CLAY-T1-0003.jpg 1600w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo: Warner Bros. Studios</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The first teaser trailer for DC Studios’ <em>Clayface</em> doesn’t reveal any plot points. What it does have in spades, however, is vibes: <em>horror</em> vibes, to be specific; <em>body horror</em> vibes to get even more precise.</p> <p>That’s no accident: DC wants you to know that the film, <a href="https://reactormag.com/mike-flanagan-is-writing-a-clayface-movie/" target="_blank" rel="noreferrer noopener">written by horror mastermind Mike Flanagan</a> (<em>Doctor Sleep, The Fall of the House of Usher</em>) and Hossein Amini, and directed by James Watkins (<em>Speak No Evil</em>), is very much of that genre.</p> <p>Here’s the official logline, which is pretty much all we know so far about the story the film tells:</p> <figure class="wp-block-pullquote"><blockquote><p><em>Clayface</em> unravels one man’s horrifying descent from rising Hollywood star to revenge-filled monster in a story that explores the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.</p></blockquote></figure> <p>That one man is <a href="https://reactormag.com/dc-studios-clayface-tom-rhys-harries/" target="_blank" rel="noreferrer noopener">Welsh actor Tom Rhys Harries</a>. We see him in the teaser in various forms. First (assuming that&#8217;s Harries under all that makeup) as a bandaged man with bulging eyes in a hospital bed, then as a slick-dressed dude running down a dark alley, and finally as a man watching his face glop off his skull in various locales, including a bathtub. Something (everything!) isn’t right with this picture!</p> <p>In addition to Harries, the film stars Naomi Ackie, David Dencik, Max Minghella, Eddie Marsan, Nancy Carroll, and Joshua James. What roles are they playing? We don&#8217;t know yet!</p> <p><em>Clayface </em>releases in theaters on October 26, 2026. Check out today’s teaser below. [end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18438"/> </div></figure> <p>The post <a href="https://reactormag.com/clayface-teaser-trailer/">&lt;i&gt;Clayface&lt;/i&gt; Teaser Wants You to Know It Is a Horror Film, Thank You Very Much</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/clayface-teaser-trailer/">https://reactormag.com/clayface-teaser-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846676">https://reactormag.com/?p=846676</a></p>
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Posted by Vanessa Armstrong

Movies & TV The Terror: Devil in Silver

Victor LaValle, Christopher Cantwell & Karyn Kusama Break Down Devil in Silver’s Opening Scene

The co-showrunners and director spoke with Reactor about the upcoming series.

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Published on April 22, 2026

Photo Credit: Emily V. Aragones/AMC

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/victor-lavalle-christopher-cantwell-karyn-kusama-break-down-devil-in-silvers-opening-scene/">https://reactormag.com/victor-lavalle-christopher-cantwell-karyn-kusama-break-down-devil-in-silvers-opening-scene/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846656">https://reactormag.com/?p=846656</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-terror-devil-in-silver/" class="inline-block link-no-animation" aria-label="Link to term or tag The Terror: Devil in Silver 1"> The Terror: Devil in Silver </a> </span> </div> <h2 class="post-hero-title text-h1">Victor LaValle, Christopher Cantwell &amp; Karyn Kusama Break Down <i>Devil in Silver</i>’s Opening Scene</h2> <div class="prose post-hero-description prose--post-hero">The co-showrunners and director spoke with Reactor about the upcoming series.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 22, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo Credit: Emily V. Aragones/AMC</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/victor-lavalle-christopher-cantwell-karyn-kusama-break-down-devil-in-silvers-opening-scene/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 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16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2026/04/DiS_100_EA_0731_0195-RT-740x493.jpg" class="w-full object-cover" alt="Hampton Fluker as Scotch Tape - The Terror: Devil in Silver _ Season 1 -" srcset="https://reactormag.com/wp-content/uploads/2026/04/DiS_100_EA_0731_0195-RT-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/DiS_100_EA_0731_0195-RT-1100x734.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/DiS_100_EA_0731_0195-RT-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/DiS_100_EA_0731_0195-RT-1536x1024.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/DiS_100_EA_0731_0195-RT.jpg 1600w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo Credit: Emily V. Aragones/AMC</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>AMC+/Shudder’s <em><a href="https://reactormag.com/the-terror-devil-in-silver-trailer/" target="_blank" rel="noreferrer noopener">The Terror: Devil in Silver</a></em> is set to premiere in early May, and the streamer released the show’s cold open to let us know what’s in store for us. As luck would have it, I also interviewed co-showrunners Victor LaValle (<em>The Changeling</em>), Christopher Cantwell (<em>Halt and Catch Fire, <a href="https://reactormag.com/brian-k-vaughan-and-cliff-chiang-talk-to-tor-com-about-paper-girls-tv-adaptation-and-whether-theyll-work-together-again/" target="_blank" rel="noreferrer noopener">Paper Girls</a></em>), and director Karyn Kusama (<em>Jennifer’s Body, Yellowjackets</em>) about this very scene.</p> <p>You can check out the five-minute sequence yourself at the end of this post, but here’s a quick rundown: In it, we see the inside of New Hyde mental institution, where three staff members find one of the patients lying in bed in rigor mortis, clearly dead by violent means. Josephine, the nurse who found the body is freaking out, while the orderly Scotch Tape (Hampton Fluker) and Miss Chris (CCH Pounder) have to break the body’s stiffened arms and legs to get it out of the room.</p> <p> LaValle, who is also the author of the eponymous novel the show is based on, found inspiration for that specific moment from real life. “I remember reading a story after Hurricane Katrina about this old folks’ home in Far Rockaway, where a lot of the elderly patients were just essentially left there to die. And there was one body that had died in rigor mortis in a way that they couldn&#8217;t get it out of the room. And then I was like, ‘Huh, let&#8217;s take <em>that</em>…’ I just thought you couldn&#8217;t think of a better way to say something is wrong—not with these people, but with this whole system.”</p> <p>Cantwell and Kusama also shared their thoughts about the opening, including how it sets up the season centered on Dan Stevens’ character, Pepper.</p> <figure class="wp-block-image aligncenter size-large"><img decoding="async" width="1100" height="694" src="https://reactormag.com/wp-content/uploads/2026/04/devil-in-silver-1100x694.jpg" alt="" class="wp-image-846669" srcset="https://reactormag.com/wp-content/uploads/2026/04/devil-in-silver-1100x694.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/devil-in-silver-740x467.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/devil-in-silver-768x485.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/devil-in-silver-1536x970.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/devil-in-silver.jpg 1600w" sizes="(max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Screenshot: AMC+/Shudder</figcaption></figure> <p class="has-h-3-font-size"><strong>“I don&#8217;t know how the hell she&#8217;s able to pull this off”</strong></p> <p>“There had been debate about how much are we meant to learn about New Hyde before we introduce Pepper,” Kusama said. Ultimately, however, the creative team started with the staff at the institution because, as Kusama explained, it conveys that “haunting was there before, it will be there when Pepper arrives, and it would last even if Pepper were to leave—there is an eternal damage that has been embedded into that place.”</p> <p>The final minute of the sequence, where Scotch Tape and Miss Chris are in the hallway moving the dead, broken body, not only reveals how numb the staff are, but the setup for the series: What if, as Scotch Tape asks Miss Chris, the dead man didn’t kill himself?</p> <p>Pounder’s silent response as Miss Chris is perfection—a slight stutter followed by a look that says they have a job to do, and it was time to get on with it.</p> <p>“When we shot [this moment], I just was like, this is horrifying,” said Kusama. “But I&#8217;m also laughing at the ability that we all can just look past the horror right in front of us. It&#8217;s quite interesting how quickly we all understood that, emotionally.”</p> <p>Cantwell also praised Pounder’s performance. “I don&#8217;t know how the hell she&#8217;s able to pull this off—she’s so incredible in what she does—but she&#8217;s able to hitch for a moment and then go, ‘Man we got a job to do.’ Which is why they&#8217;re stuck there. They all have their reasons—this is my job, I have to clock in every day, and I have to endure the horrors that happen all around me, which feels very relevant to 2026… she nailed it, I think, in that teaser.”</p> <p><em>Devil in Silver </em>premieres on May 7, 2026, on AMC+ and Shudder.</p> <p>Check out the opening scene below.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18437"/> </div></figure> <p>The post <a href="https://reactormag.com/victor-lavalle-christopher-cantwell-karyn-kusama-break-down-devil-in-silvers-opening-scene/">Victor LaValle, Christopher Cantwell &amp; Karyn Kusama Break Down &lt;i&gt;Devil in Silver&lt;/i&gt;’s Opening Scene</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/victor-lavalle-christopher-cantwell-karyn-kusama-break-down-devil-in-silvers-opening-scene/">https://reactormag.com/victor-lavalle-christopher-cantwell-karyn-kusama-break-down-devil-in-silvers-opening-scene/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846656">https://reactormag.com/?p=846656</a></p>
[syndicated profile] tordotcom_feed

Posted by Leah Schnelbach

Movies & TV Daredevil: Born Again

Daredevil: Born Again Makes Us See Red in “Requiem”

This episode has enough choking to inspire half a Weeknd album…

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Published on April 22, 2026

Image: Marvel Studios

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<p class="syndicationauthor">Posted by Leah Schnelbach</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tv-review-daredevil-born-again-season-2-episode-6-requiem/">https://reactormag.com/tv-review-daredevil-born-again-season-2-episode-6-requiem/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846557">https://reactormag.com/?p=846557</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/daredevil-born-again/" class="inline-block link-no-animation" aria-label="Link to term or tag Daredevil: Born Again 1"> Daredevil: Born Again </a> </span> </div> <h2 class="post-hero-title text-h1"><em>Daredevil: Born Again</em> Makes Us See Red in &#8220;Requiem&#8221;</h2> <div class="prose post-hero-description prose--post-hero">This episode has enough choking to inspire half a Weeknd album&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/leah-schnelbach/" title="Posts by Leah Schnelbach" class="author url fn" rel="author">Leah Schnelbach</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 22, 2026 </p> </div> </div> <div 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11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="415" src="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-5-740x415.jpg" class="w-full object-cover" alt="Jessica Jones (Krysten Ritter) and Matt Murdock (Charlie Cox) meet up on a roof, of course, in Daredevil: Born Again." srcset="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-5-740x415.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-5-1100x617.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-5-768x431.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-5-1536x862.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-5-2048x1149.jpg 2048w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Image: Marvel Studios</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Welcome back to <em>Daredevil: Born Again</em>! Your faithful recapper is Leah again, returned from a fabulous visit to Matty Murdock’s ancestral homeland. (I mean Ireland, not Hell’s Kitchen, I’m in Hell’s Kitchen all the time.) Many thanks to my beloved colleague Emmet Asher-Perrin for taking care of the last two weeks, and pointing out all the same stuff that pissed me off when I caught up on the episodes. And Emmet is right: I <em>was</em> pleased about the inclusion of Saint Lucia! And I <em>am</em> annoyed by Not-Father-Lantom and his willingness to give up his parishioners to the AVTF thugs—but I’m wayyyy more annoyed by the retconning of Buck “Absolutely-Not-Our-Beloved-Wesley” Cashman.</p> <p>This week’s episode is “Requiem”, and it was written by Devon Kliger &amp; Jesse Wigutow, and directed by Angela Barnes. And I wish I could say things were looking up but hoo boy is this episode <em>rough</em>.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-h-5-font-size"><strong>A Spoilery Recap</strong></p> <p>We open on Fisk sitting beside Vanessa who is, unfortunately, still dead. </p> <p>As ever, let me say that D’Onofrio makes this character live in a way that I don’t think anyone else could.</p> <p>The doctor comes back in and muses that “They that love beyond the world cannot be separated by it” and “death cannot kill what never dies”—which is a nice sentiment, and if he’d left it at that and simply left he might still have a functional spine and everything. Instead he goes on to says something about Vanessa having “gone to the beautiful darkness that awaits us all” which I think really exceeds his pay grade as a medical doctor, and then&#8230; he tells Fisk it’s been an honor to accompany him on this whole journey, and he <em>hugs Wilson Fisk</em>.</p> <p>Even in a “normal” end-of-life situation, this is way way way beyond the bounds of what the doctor should do with someone who’s sitting in shock next to newly-dead person!</p> <p>And Fisk responds pretty much exactly how I would, albeit more successfully, because he crushes that doctor like a spent PBR.</p> <p>Somehow an impeccable Buck is already waiting outside to clean up the mess, back from cleaning up the previous mess with Daniel. I guess there&#8217;s never traffic between Albany and New York City in this universe?</p> <p>Then the show has a priest intoning the “Requiem Aeternam” or “Eternal Rest” prayer in Latin over Vanessa’s blinding white coffin. The scenes of her funeral are intercut with Matt watching Bullseye sleep, Mr. Charles realizing Fisk stole all his smuggled weaponry back, the AVTF guys celebrating receiving said weaponry, and finally back around to Fisk placing a single red rose on the casket.</p> <figure class="wp-block-image aligncenter size-large"><img decoding="async" width="1100" height="662" src="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-2-1100x662.jpg" alt="Danielle Cage-Jones (Annabelle Ivlev and Isabella Ivlev) runs through her house playing with a beeping grenade." class="wp-image-846575" srcset="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-2-1100x662.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-2-740x445.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-2-768x462.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-2-1536x924.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-2-2048x1233.jpg 2048w" sizes="(max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Marvel Studios</figcaption></figure> <p>After the credits, thugs of some sort show up to a nice house in a suburban neighborhood. They throw a beeping grenade through a window, where a delightful little kid in fairy wings waves it around like a wand. Outside, the thugs are having their various asses handed to them—we hear bodies hit walls, and see blood streak down windows. The clearly superpowered person comes in just in time to disengage the grenade, and guess what? It’s Jessica Jones! She tells the kid—presumably her daughter—that the grenade isn’t a toy, and they grin at each other.</p> <p>Well shit what if this is a good epi— awwww, dammit. Matt and Karen are arguing about the ethics of murder <em>again</em>, this time right after Not-Night-Nurse Soledad finishes stitching Bullseye up and Angela heads back out into the street. Matt actually says “Vengeance isn’t justice, Karen” cause apparently we just say the themes now.</p> <p>Meanwhile at Vanessa’s wake, Buck tasks a shellshocked Daniel with determining whether BB’s the leak (“WHO ELSE COULD IT BE THERE ARE ONLY LIKE FIVE OF YOU” I wail at my TV screen) and tells him that “the big time will take care of you if you take care of it.” He also explains the idea of a <a href="https://www.mkuh.nhs.uk/patient-information-leaflet/your-barium-meal" target="_blank" rel="noreferrer noopener">Barium Meal Test</a> which Daniel, hilariously, thinks is a meal plan his mom is on. But no, in espionage terms, it means you plant false information to see who leaks it.</p> <p>Meanwhile, on a roof, Matt glowers out over HIS CITY when a rad pair of boots walks up. And inside those boots, once again, is Jessica Jones! She tells him about the raid on her house, says “You told me it wouldn’t touch me” which, what? How could he guarantee that, and how could she trust that guarantee? She goes on to say that a “sketchy” guy called, who was “interested in people like us. I told him to fuck off. Not everyone I know did.” She stares at Matt meaningfully, he takes a beat, and says: “<em>Oh</em>.”</p> <p>(Don’t worry, I’ll yell about this plot point further down.)</p> <p>Then she says her powers drop out sometimes since she had Danielle, so I guess I’m not done being furious. Then the two of them raid the warehouse below, I’m still unclear why because don’t they need those weapons to prove nefarious shit about Fisk? They blow the warehouse up, but not before Jess’ power winks out again and fucking <em>Powell</em> is able to knock her down, and Matt has to leap in and save her.</p> <p>Back at the wake, Heather Glenn is creeping creepily around the Fisks’ bedroom, and steals some of Vanessa jewelry. We all grieve in our own ways? Buck finds her crying in the room, and, in a scene that genuinely felt imported from some other, very different show, he makes Heather sit on the Fisks’ bed, tell him exactly what Muse did to her, <em>and then he encourages her to choke him so hard his face turns purple</em>.</p> <figure class="wp-block-image aligncenter size-large"><img decoding="async" width="1100" height="620" src="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-6-1100x620.jpg" alt="Heather Glenn (Margarita Levieva) tries an experimental therapy with Buck Cashman (Arty Froushan) in Daredevil: Born Again." class="wp-image-846579" srcset="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-6-1100x620.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-6-740x417.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-6-768x433.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-6-1536x865.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-6-2048x1154.jpg 2048w" sizes="(max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Marvel Studios</figcaption></figure> <p>Between this and last week’s foot conversation I really want to hang out in the <em>Daredevil: Born Again </em>writers&#8217; room.</p> <p>He asks if she feels better and she bolts out of the room.</p> <p>But wait! We’re not quite done with <em>Daredevil: FetLife</em>!</p> <p>After a brief scene of Daniel planting a fake story for BB to share, we’re back in Frank Castle’s Sadness Basement. Karen is manspreading in a chair over Bullseye’s prone, shackled body, pointing a gun right at him! She kicks him awake. She climbs on top of him. She puts the gun to his forehead. She flashbacks about Foggy a whole lot. He whispers: “Thank you.” The whole thing is weird and charged and uncomfortable and then, of course, Matt shows up just in time to knocks the gun out of her hand with one of his batons, which should really break her wrist, no? But nobody’s losing their immortal soul on Matty Murdock’s watch, no sir! </p> <p>And all I can think is how much better would this be from Bullseye’s POV? Handcuffed to a cot for hours and hours, you’ve just begged yet another person to kill you, they almost did it, and now you’re watching the Alpha Couple rehash their murder argument, <em>again</em>, like you’re not even in the room anymore.</p> <p>BB has gone to Daniel’s mom’s house on Staten Island for his birthday, where Mom-of-Daniel is selling her on a Spectrum Vitamin MLM scheme that I think is based on the idea of ingesting all the colors of the spectrum? BB seems to genuinely like her. She goes upstairs, sneaks into Daniel’s room, and see all the detritus of his life: a photo of him with his late father, wrestling trophies, posters of mob bosses, a <em>How High</em> poster, a <em>Casino</em> poster on the back of his door. She deletes the “scoop” that she was about to send to Ellison.</p> <p>Of course this doesn’t matter because she still had the SD card in her coat pocket, and while she was snooping in <em>his</em> room, Daniel rifled through <em>her</em> shit and found it. So now he knows that the only person who could possibly be the leak is in fact the leak.</p> <p>I still think their relationship is on firmer ground than Matt and Karen’s right now, though.</p> <p>He says he’s wants to protect her, and BB, ludicrously, says “From <em>who</em>?” and he waves his incoming call from Buck in her face.</p> <p>Mr. Charles confronts the Governor, she tries to posture at him and it doesn’t work, and they both agree to dump Fisk.</p> <p>(As long as all the <em>plots</em> get wrapped up neatly, I was scared to death we might have to stay in some character development for a minute.)</p> <p>The protests grow at Gracie Mansion, and finally, somehow, the Resistance projects their recorded testimonials of AVTF victims onto the walls of the building itself. They also project the words “Resist” and “Rebel”. This galvanizes the protesters, but somehow Fisk is able to leave and go back to his murder catacombs, and he stares at <em>Rabbit in a Snowstorm </em>as, obviously, the AVTF gets the OK to get more violent. Somehow Powell knows that Saunders was the mole and kills him and blames the protesters which is just&#8230; stupid? They’ve already got guns trained on the protesters, plausible deniability is way out the window. Somehow in the clash Angela’s friend Javi seems to be the only one killed, which is why Karen is tending to him when her wig flies off, and Powell finally recognizes her and arrests her.</p> <p>And for some reason Matt confronts Wilson in the murder catacombs, tells him “I’m sorry for your loss, Wilson”, and after a <em>very</em> brief attempt at negotiation, they battle in front of the painting. Again. Wilson finally gasps out that Daredevil “cannot” arrest him, and “will not” murder him. We end with Karen kneeling on the ground with her hands in the air, and Matt and Fisk bloodied in the murder basement, gasping for air, with no clear winner.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-h-5-font-size"><strong>Grace</strong></p> <figure class="wp-block-image aligncenter size-large"><img decoding="async" width="1100" height="617" src="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-4-1100x617.jpg" alt="Jessica Jones appears in an excellent pair of boots in Daredevil: Born Again." class="wp-image-846577" srcset="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-4-1100x617.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-4-740x415.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-4-768x431.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-4-1536x862.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-4-2048x1149.jpg 2048w" sizes="(max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Marvel Studios</figcaption></figure> <p>Watching Fisk crush that doctor like an empty PBR was excellent. We all grieve in our own ways, man.</p> <p>The raid on Jessica’s home, and seeing her destroy all the thugs in the background before she came in to disarm the grenade Danielle was waving around like a wand? Pretty great. Danielle herself was extremely great.</p> <p>Seeing Matt and Jess fight side-by-side again, even if only briefly, was fun&#8230; up to a point.  </p> <p>Daniel’s home in Staten Island, the quiet birthday with his mom, the utter lack of other friends, the way BB looks through his bedroom and realizes he is, actually, a person—all of that is very good. Her decision not to send Daniel’s fake scoop (to Ellison???) was both a sigh of relief for those of us who are rooting for her, and a sweet moment of her choosing to try to be his friend for real.</p> <p>The decision to project detained people’s video testimony onto Gracie Mansion itself along with the words “RESIST” and “REBEL” was genuinely stirring.</p> <p>And again, before I get into all of my rage, let me say that all of the acting and fight choreography is stellar. I just wish the scripts trusted us to engage with the show instead of, I don&#8217;t know, sitting on our phones and doomscrolling through the reality that the show is mirroring? </p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-h-5-font-size"><strong>Retribution</strong></p> <figure class="wp-block-image aligncenter size-large"><img decoding="async" width="1100" height="643" src="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-11-1100x643.jpg" alt="Wilson Fisk (Vincent D&#39;Onofrio) and Matt Murdock (Charlie Cox) battle again in Daredevil: Born Again." class="wp-image-846584" srcset="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-11-1100x643.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-11-740x432.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-11-768x449.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-11-1536x897.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-11-2048x1196.jpg 2048w" sizes="(max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Marvel Studios</figcaption></figure> <p>And now for the rest of the episode.</p> <p>Why are Matt and Karen still having the same goddamn argument they’ve been having since the Punisher first waltzed into Season 2 of the Netflix era? Karen knows that Matt will never willingly resort to murder. Matt knows that she thinks violence is sometimes necessary. Why does he leave her alone with the man who killed their best friend? Why does she think she can shoot an unarmed man who’s handcuffed to a cot when her boyfriend will immediately know it wasn’t self-defense once he comes back and hears her heartbeat when she lies?</p> <p>Why does Karen climb into Bullseye’s lap to shoot him through the forehead?</p> <p>Why the hell did BB keep the SD card in her pocket??? Especially when she’s going into Daniel’s house??? I guess we can all assume Surfshark VPN isn’t sponsoring her fucking Phisk broadcasts, cause she clearly knows dick all about security.</p> <p>Why the hell is Heather Glenn stealing Vanessa’s jewelry <em>during the wake</em>? And then choking Buck Cashman on the Fisks’ bed??? I mean, I guess I finally understand what Matt saw in her, but come on.</p> <p>Why does Karen go to the protest when she’s one of the heads of the resistance and needs to stay absolutely underground in order to coordinate shit???</p> <p>And leaving the women aside for a moment: why do Matt and Wilson need to have a redux of their fight from the end of Season 3??? That fight was great! We saw it already! Do something else!</p> <p>Also, where the fuck is Bullseye now? Is he just&#8230; tied to the cot in Frank Castle’s Sadness Basement while everyone else marches off to protests and murder catacombs?</p> <p>OK and about the protest: how many people are on the side of the Resistance? Because I feel like at this point there should be a much larger throng of people gathered, and that the AVTF’s inevitable turn to violence should result in even more chaos, but also in the sheer numbers of protesters tipping the scales a bit. New York City has close to 9 million people in it, and, at least in our timeline, the vast majority of them would be anti-Fisk. So where are they? How is the crowd small enough that Powell is able to wade through the protesters to spot Karen after her <em>Alias </em>wig flies off in the fray?</p> <p>But now back to my real rage: IS THE SHOW TELLING US THAT MOTHERHOOD ROBBED JESSICA JONES OF HER SUPER STRENGTH. And if so, <em>why is it telling us that</em>. Because I need a real, good, thematic reason that I’m watching Matt goddamn barely superpowered Murdock rescue Jessica fucking Jones during a fight in between his usual titanic gasps for breath.</p> <p>I maybe wouldn’t be quite so angry about this if every other woman in the show wasn’t either acting like they had tapioca between their ears or was, you know, DEAD.</p> <p>Actually, fuck that, I <em>would</em> be that angry.</p> <p>You promise me Jessica Jones and she shows up to infodump shit the audience already knows and then <em>lose a fight </em>with Powell? And have to be rescued???? Even if Powell is, um, <em>enhancing</em> himself, which seems likely, you’ve taken a great idiosyncratic troubled anti-hero, tied her powers into her motherhood in a way that I really don’t like, and now had the worst of the AVTF thugs give her a bloody nose and pull a gun on her. Not cool, television show.</p> <p>And on top of alllll that, are you seriously implying, television show, that Luke Cage—LUKE CAGE—would get in bed with <em>the United States government </em>after everything he’s lived through? Have you met <em>the United States government</em>, television show? You’re telling me that Mr. Charles could call LUKE CAGE on the phone and he’d even stay on the line for a <em>second</em>, let alone agree to work with the man?</p> <p>(If it turns out Jess is talking about Danny Rand, fine, I’ll retract my anger. If it’s Trish Walker, well, yeah, she’s already compromised, fine. And if this is some kind of deep cover espionage situation, I <em>might</em> retract my anger—but why would Jess withhold that info from Matt while she’s already recapping the plot?)</p> <p>I just don’t know. I was extremely excited for the show to tackle an underground resistance narrative, I was excited about the AVTF aspect, and about Jessica coming back, and hell, even about Bullseye coming back. But at this point I spend most of each episode saying WHY ARE YOU DOING THAT??? out loud to fictional characters whom I’m pretty sure can’t hear me.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-h-5-font-size"><strong>Fiorello’s Desk</strong></p> <figure class="wp-block-image aligncenter size-large"><img decoding="async" width="1100" height="656" src="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-9-1100x656.jpg" alt="Wilson Fisk (Vincent D&#39;Onofrio) always finds the best possible light in Daredevil: Born Again." class="wp-image-846582" srcset="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-9-1100x656.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-9-740x442.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-9-768x458.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-9-1536x916.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-9-2048x1222.jpg 2048w" sizes="(max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Marvel Studios</figcaption></figure> <p>Fisk has now attempted to double-cross Mr. Charles by handing the weapons shipment straight off to his private AVTF Army, and Mr. Charles has retaliated by going to the Governor’s house and saying that they need to pull all their support for him.</p> <p>So&#8230; what now? Fisk attempts to go full feudal lord over the nation-state of New York City, and is pretty much immediately crushed by the US military?</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-h-5-font-size"><strong>Quotes!</strong></p> <figure class="wp-block-image aligncenter size-large"><img decoding="async" width="1100" height="627" src="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-3-1100x627.jpg" alt="Matt Murdock (Charlie Cox), Bullseye (Wilson Bethel), and Karen Page (Deborah Ann Woll) share an awkward reunion in Daredevil: Born Again." class="wp-image-846576" srcset="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-3-1100x627.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-3-740x422.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-3-768x438.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-3-1536x876.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-3-2048x1167.jpg 2048w" sizes="(max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Marvel Studios</figcaption></figure> <p>“What if this doesn’t end until one of you goes down?”<br>“I can’t think about it that way.”<br>“Well you’re gonna have to! He has proven that he will not hesitate!”</p> <p>—Karen and Matty return to a theme</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p>“What the hell is wrong with you? You keep choosing the wrong people! <em>Fisk</em>???—[gestures at Bullseye] this <em>thing</em>—over the people who love you!”<br>“What? H-how can you say that?”<br>“Because it’s true! Because you let them live, and people <em>die</em>. Please, just. Let me do this&#8230;[l]et me carry this for you.”</p> <p>—Karen and Matty return to a theme, AGAIN, this time with a frisson of Murder Samwise</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p>“You want to know what happened to me? I grew up.”</p> <p>—Karen will never let a good theme die! <em>Unless it murdered Foggy. </em></p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p>“I don&#8217;t think the little fish tells the big fish how to swim.”</p> <p>—Mr. Charles, off in a different episode of a different television show.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-h-5-font-size"><strong>Closing Arguments</strong></p> <figure class="wp-block-image size-large"><img decoding="async" width="1100" height="642" src="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-10--1100x642.jpg" alt="" class="wp-image-846583" srcset="https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-10--1100x642.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-10--740x432.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-10--768x448.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-10--1536x897.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/DD-BA-S2-Ep-6-10--2048x1196.jpg 2048w" sizes="(max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Marvel Studios</figcaption></figure> <p>What’s bothering me is that there are good ideas here, but the show isn’t giving any of them the space to breathe.</p> <p>Karen leaning back into her ruthless side, especially as a counterpoint to Matt’s lost love, Elektra? Very cool! But not when the only result is the two of them rehashing the same argument they’ve been having since literally 2016. &nbsp;</p> <p>Matt wrestling with his own violent tendencies, especially with a partner who encourages him to give in? Cool! Unless that’s expressed through a replay of his “You’re getting redemption whether you want it or not!” argument that was so powerful when he had it with Punisher, but much less so when he keeps having a shallow replay of it with Bullseye—particularly since his history with Bullseye should make this argument <em>riveting</em>.</p> <p>Matt finally confronting Fisk? Well, again, we’ve seen this so many times! But I will say the fight between them is great, and they’re both giving this their all.</p> <p>Daniel gives us an interesting opportunity to see a kid who clearly grew up with pop culture about the mafia (and my guess would be that he glamorized it a bit—which shows he wasn’t actually paying attention during those Scorsese movies, but whatever) find himself living the life he thought he wanted, only to realize he doesn’t have the stomach for it. For him to realize that his only real friend in all of this is the girl who’s trying to take the whole organization down—and he can’t really trust her, either? That’s a rich text! And Michael Gandolfini is doing great work with it. But instead of sitting with the themes, we see Buck confront Daniel with a scene that is, literally, straight out of <em>Goodfellas</em>. I guarantee you Daniel has watched the scene with Henry Hill and Jimmy and Tommy stopping off at Tommy’s mama’s house and borrowing a knife roughly 1,000 times. I would bet real money that the dialogue about a deer’s paw was playing through Daniel’s mind as he gazed into that trunk. But the episode doesn’t make us stay with him while he <em>lives the reality</em> of hacking a corpse up. We don’t see him bury it. We don’t even see him washing the blood off. After all the protracted build up to last week’s trunk reveal, we only get two brief scenes of him trying to process the emotional fallout this week, and then the focus shifts to his relationship with BB. </p> <p>And we don’t see BB wrestling with her burgeoning friendship with Daniel, she just seems like she’s using him until she suddenly isn’t—but she’s so inept that she’s startled when he says he’s protecting her from Buck. Like, <em>girl</em>. <em>You know Fisk murdered your uncle</em>. You are here to bring down Fisk. You should be terrified all the time, not just when Daniel tells you there’s trouble.</p> <p>And as long as I&#8217;m here&#8230; in the Netflix Era, Matt&#8217;s questions about his faith, justice, mercy, the existence of the Devil—they animated his decisions. In <em>Born Again</em>, the writers have given him two accurate, specific saints to pray to, which i appreciate, but if the wrestling isn&#8217;t there it starts to feel like stained glass window dressing. His relationship to Bullseye is animated more by a memory of Foggy than anything else, and since Karen is very clearly #TeamMurder, all of Matt&#8217;s internal moral struggle gets outsourced into an argument with her. But again, they already had that argument, and I&#8217;d be way more interested in watching Matt Murdock, Hero in Hiding, Symbol of Hope, Pretty Lapsed Catholic At This Point Let&#8217;s Be Real, struggle with the problem of Bullseye within himself. Bullseye murdered Father Lantom, tried to murder Karen, murdered Agent Nadim, murdered Vanessa, and murdered Foggy, and now he actively wants to die. This should be agonizing for Matt.</p> <p>WE COME TO THIS PLACE FOR AGONY, MARVEL. </p> <p>I&#8217;ve talked for a long time, I&#8217;ll shut up. But I formally request a spinoff prequel about the adventures of poor hapless Dr. Doomed.[end-mark]</p> <p>The post <a href="https://reactormag.com/tv-review-daredevil-born-again-season-2-episode-6-requiem/">&lt;em&gt;Daredevil: Born Again&lt;/em&gt; Makes Us See Red in &#8220;Requiem&#8221;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tv-review-daredevil-born-again-season-2-episode-6-requiem/">https://reactormag.com/tv-review-daredevil-born-again-season-2-episode-6-requiem/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846557">https://reactormag.com/?p=846557</a></p>
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Posted by Molly Templeton

News The Vampire Lestat

Lestat Would Like a Word in the Trailer for The Vampire Lestat

He is a golden god, goddammit

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Published on April 22, 2026

Photo: AMC

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-vampire-lestat-trailer-2/">https://reactormag.com/the-vampire-lestat-trailer-2/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846622">https://reactormag.com/?p=846622</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-vampire-lestat/" class="inline-block link-no-animation" aria-label="Link to term or tag The Vampire Lestat 1"> The Vampire Lestat </a> </span> </div> <h2 class="post-hero-title text-h1">Lestat Would Like a Word in the Trailer for <i>The Vampire Lestat</i></h2> <div class="prose post-hero-description prose--post-hero">He is a golden god, goddammit</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 22, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo: AMC</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> 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fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="538" src="https://reactormag.com/wp-content/uploads/2026/04/vampire-lestat-trailer-740x538.jpg" class="w-full object-cover" alt="Sam Reid in The Vampire Lestat" srcset="https://reactormag.com/wp-content/uploads/2026/04/vampire-lestat-trailer-740x538.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/vampire-lestat-trailer-1100x799.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/vampire-lestat-trailer-768x558.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/vampire-lestat-trailer-1536x1116.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/vampire-lestat-trailer-2048x1488.jpg 2048w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo: AMC</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p class="wp-embed-aspect-16-9 wp-has-aspect-ratio">Lies, all lies. Or at least some lies. The vampire Lestat (Sam Reid) has some opinions about his story as told by Louis de Pointe du Lac (Jacob Anderson) to Daniel Molloy (Eric Bogosian). He&#8217;s not exactly here to set the record straight. But he is certainly here, in the trailer for the series formerly known as <em>Interview with the Vampire</em>, to put his stamp on things. It&#8217;s <em>The Vampire Lestat</em> now. And Lestat is a rock god now.</p> <p class="wp-embed-aspect-16-9 wp-has-aspect-ratio">I remain uncertain about how he becomes a vampire rock god via music that is so toothless—in this case, a limp cover of Billy Idol&#8217;s &#8220;Dancing With Myself&#8221;—but perhaps they&#8217;re saving the good stuff for the actual show.</p> <p class="wp-embed-aspect-16-9 wp-has-aspect-ratio">This trailer for the upcoming season begins with a voiceover in which Daniel recites all (okay, some of) the things Lestat has already experienced. &#8220;You witnessed the French Revolution, the electric light, the atomic bomb,&#8221; he says. &#8220;Why music? Why now?&#8221; According to Lestat, he is doing a rewrite.</p> <p class="wp-embed-aspect-16-9 wp-has-aspect-ratio">The synopsis for this season says:</p> <figure class="wp-block-pullquote has-text-align-left wp-embed-aspect-16-9 wp-has-aspect-ratio"><blockquote><p>In the upcoming rock and roll-centric season, the Vampire Lestat goes on an electric multi-city tour while being haunted by “muses” from his wild and rebellious past. As his band’s popularity and star power rises, so does Lestat’s influence over vampires and humans alike, leaving others to contend with Lestat’s power in the face of the Great Conversion, an unnatural surge in the vampire population.</p></blockquote></figure> <p class="wp-embed-aspect-16-9 wp-has-aspect-ratio">A previous <a href="https://reactormag.com/nycc-vampire-lestat-first-look-trailer/" target="_blank" rel="noreferrer noopener">teaser</a> for this show set Louis and Lestat at each other&#8217;s throats—figuratively speaking—across a conference room table. Another showed him having a lil&#8217; meltdown in a <a href="https://www.youtube.com/watch?v=kRMdctBNPXs" target="_blank" rel="noreferrer noopener">bookstore</a>. Every look we&#8217;ve had at this season is delicious.</p> <p class="wp-embed-aspect-16-9 wp-has-aspect-ratio"><em>The Vampire Lestat </em>also stars Assad Zaman, Delainey Hayles, and Jennifer Ehle. Rolin Jones is the creator, writer, and showrunner. The drama begins June 7 on AMC/AMC+.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18435"/> </div></figure> <p>The post <a href="https://reactormag.com/the-vampire-lestat-trailer-2/">Lestat Would Like a Word in the Trailer for &lt;i&gt;The Vampire Lestat&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-vampire-lestat-trailer-2/">https://reactormag.com/the-vampire-lestat-trailer-2/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846622">https://reactormag.com/?p=846622</a></p>

Search maintenance

Apr. 22nd, 2026 09:19 am
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[staff profile] mark posting in [site community profile] dw_maintenance

Happy Wednesday!

I'm taking search offline sometime today to upgrade the server to a new instance type. It should be down for a day or so -- sorry for the inconvenience. If you're curious, the existing search machine is over 10 years old and was starting to accumulate a decade of cruft...!

Also, apparently these older machines cost more than twice what the newer ones cost, on top of being slower. Trying to save a bit of maintenance and cost, and hopefully a Wednesday is okay!

Edited: The other cool thing is that this also means that the search index will be effectively realtime afterwards... no more waiting a few minutes for the indexer to catch new content.

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Posted by Stefan Raets

Excerpts gothic fantasy

Read an Excerpt From A Dark and Wild Wood by Sarah Nicole Lemon

A lush and atmospheric story of a maiden with dark magic who becomes the apprentice to Lord Death—for a price.

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Published on April 21, 2026

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-a-dark-and-wild-wood-by-sarah-nicole-lemon/">https://reactormag.com/excerpts-a-dark-and-wild-wood-by-sarah-nicole-lemon/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846369">https://reactormag.com/?p=846369</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/fictions/excerpts/" class="inline-block link-no-animation" aria-label="Link to term or tag Excerpts 0"> Excerpts </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/gothic-fantasy/" class="inline-block link-no-animation" aria-label="Link to term or tag gothic fantasy 1"> gothic fantasy </a> </span> </div> <h2 class="post-hero-title text-h1">Read an Excerpt From <i>A Dark and Wild Wood</i> by Sarah Nicole Lemon</h2> <div class="prose post-hero-description prose--post-hero">A lush and atmospheric story of a maiden with dark magic who becomes the apprentice to Lord Death—for a price.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/sarah-nicole-lemon/" title="Posts by Sarah Nicole Lemon" class="author url fn" rel="author">Sarah Nicole Lemon</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 21, 2026 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/excerpts-a-dark-and-wild-wood-by-sarah-nicole-lemon/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 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0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood-header-740x407.png" class="w-full object-cover" alt="Cover of A Dark and Wild Wood by Sarah Nicole Lemon." srcset="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood-header.png 1400w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We&#8217;re thrilled to share an excerpt from <em><a href="https://www.harpercollins.com/products/a-dark-and-wild-wood-sarah-nicole-lemon" target="_blank" rel="noreferrer noopener"><strong>A Dark and Wild Wood</strong></a></em> by Sarah Nicole Lemon, a debut dark fantasy publishing with Harper Voyager on May 26th.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Ever since she was a child, Salomé has been plagued by visions of spirits and dangerous powers she can’t control. After watching her foster mother burn as a witch, she and her beloved sister Rochelle are raised together in a convent, a grim and dreary existence. Until one day, Rochelle vanishes.<br><br>Determined to find a way to save her, Salomé runs: first to a brothel, and then, after a terrible accident, away from the village and into the woods. Deep amongst the trees of the wild Black Forest, she comes face-to-face with Lord Death.<br><br>Rather than taking her life, he brings her to his home at the heart of the woods, a strange manor full of locked rooms and mysterious corridors, crumbling one moment, magnificent the next. He promises to make her his apprentice and teach her how to harness her mind and magic. His words are as seductive as his presence—but should one trust Death?</p></blockquote></figure> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading has-text-align-center">Drawn to the Edge</h3> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p>Another girl is gone,” Dacia said. “I heard from one of the washing women.”</p> <p>“Another?” I asked, then yawned. I stood bleary-eyed and clutching my too-thin wrap against the icy wind, on the premise of scrounging up some eggs for Cook. The rest of the girls were inside, clinging to the last few moments of sleep before Josef would order them up.</p> <p>Privacy was hard to come by in a brothel, but in these late morning hours when all the previous night’s patrons had left and that night’s patrons had yet to arrive, there were a few precious moments when I could pretend we were just two village wives, our cheeks and noses reddened from the wind and our eyes weary from babies or husbands keeping us up at night. I drifted off, staring at Dacia’s golden curls as she ducked to look behind a barrel for some hidden nest. She straightened and caught me staring.</p> <p>But I did not blush. I never blushed.</p> <p>“You’re supposed to be looking for eggs,” Dacia scolded.</p> <p>“I’m too cold,” I said. But I turned my attention to the nooks and crannies of the yard where the chickens liked to lay.</p> <p>It had been an early and long winter, following a meager harvest. The first girl went missing in the October freeze, before Allhallowtide. At first, there were the usual tales of wolves and running off, but then another disappeared, and then another and another and another. A few had been daughters or wives of good standing in the village, <em>good girls</em>, and so the tales had shifted. The current favorite was that of Death, a tall lord, all in black, who rode a black stallion with smoke at its hooves, and lured girls from their beds to carry off to his château deep in the forest. Sometimes as slaves. Sometimes as queens. The village opinion of the girl in question determined the difference in her fate.</p> <p>I picked a corner of the yard where Dacia could not see, and thinking only of having an egg deposited into my hand, reached. My fingers slid across the warm shell of the egg, buried in the straw. “Here,” I said, offering her the pretty blue pullet. “Who was it?”</p> <p>Her smile was generous and just a little sly, there at the corner, which always made my heart race. She took the egg and tucked it away under her wrap. “I don’t know how you find them so easily.”</p> <p>“A gift,” I said with a bitter little laugh and quickly changed the subject. “She probably ran away. Hoping to find patrons other than the Baron’s men,” I said to reassure her. It had only been last summer when our long absent Baron arrived from King Frederick II’s court in Palermo to take up residence in his valley maison. At first, we were excited for the flush of new men and good business. But soon after his arrival it became clear that the Baron was present only to send out a large retinue of guards to gather tributes, taking back in taxes nearly everything we earned from his soldiers. I’d heard—not from his soldiers, but from other women at the well—that he’d been exiled from the Holy Roman Court on account of some financial misdeeds.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood.jpg" class="attachment-full size-full" alt="Cover of A Dark and Wild Wood by Sarah Nicole Lemon." /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <!-- <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood.jpg" class="attachment-full size-full" alt="A Dark and Wild Wood" /> --> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood.jpg" class="attachment-full size-full" alt="Cover of A Dark and Wild Wood by Sarah Nicole Lemon." role="presentation" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">A Dark and Wild Wood</h3> <p class="shop-the-book-author">Sarah Nicole Lemon</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1776857859" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1776857859" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner testclass"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="icon-close"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood.jpg" class="attachment-full size-full" alt="A Dark and Wild Wood" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/A-Dark-and-Wild-Wood.jpg" class="attachment-full size-full" alt="A Dark and Wild Wood" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">A Dark and Wild Wood</h3> <p class="shop-the-book-modal-author">Sarah Nicole Lemon</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0FM3LLPYB?tag=tordotcomgeneral-20" data-book-title="A Dark and Wild Wood" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9780063441583" data-book-title="A Dark and Wild Wood" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9780063441576" data-book-title="A Dark and Wild Wood" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9780063441583" data-book-title="A Dark and Wild Wood" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9780063441583" data-book-title="A Dark and Wild Wood" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>“You don’t think it’s Lord Death?” Dacia’s question was said in jest, but it did not distract me from hearing the undercurrent of fear that swirled in her voice. We all asked the reasonable questions: If they had run away, why had none ever sent word? If they had died, why had no one found their bodies?</p> <p>I remembered the black-eyed gaze of the burning man, looking at me from inside the forest, and a chill crept down my spine. That was the kind of creature in the forest—not some romantic hero that whisked beautiful girls away to make them queens. And too, I remembered the thin figure that had come for Valerie as she burned. That was no Lord or even man. But saying any of this would make Dacia think I’d lost my mind.</p> <p>“Or they ran away to the Bandits of Molsheim,” I offered instead, with a waggle of my eyebrows. The bandits, supposedly led by a pair of much-sighed-about green eyes, had started tormenting the new Baron.</p> <p>Dacia laughed and shook her head at me.</p> <p>“Be sensible,” I said. “If <em>you </em>were Lord Death, you would not keep a home in the middle of a nowhere such as this.”</p> <p>“If it was Lord Death, I might rather he take me,” she said, and I could tell I’d set her at ease. But then she looked toward the forest and called. “Lord Death!”</p> <p>A raw bite of wind snuck along my neck, and the moment she called out, it gusted and sent chills up my arms. It seemed the whole world fell silent, as if a speaker had overheard his name and abruptly stopped so he might eavesdrop.</p> <p>“Stop,” I hissed, panicked.</p> <p>Her face fell. Eyes wide. “Salomé, I was only joking.”</p> <p>“I know, but…” I half turned, glancing behind me at the mountain ridge looming just past the village. The dark gray trees clattered like bones in the wind. A terrible burning leapt into my throat, as if I were still out there, in the field, screaming for my sister to be returned to me. “You don’t know what you might call. I can’t…” But my words stayed clumped together in my throat.</p> <p>I was now twenty-four, and five years had passed since I’d lost Rochelle, but my childlike terror and the memory of the monster who took her remained clear and vivid in my mind. I had never heard a story since that described such a creature or explained what it might have been. My stomach trembled and I grabbed Dacia’s hand in the middle of crossing herself. “Let’s go. It’s cold.”</p> <p>We rushed inside and I slid the bolt tight behind us. Leaning against the door, I waited for my heart to slow. Dacia didn’t notice, carefully carrying the eggs to Cook.</p> <p>I had nothing to fear, I reassured myself, for there was nothing left to take and nowhere lower for me to go.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size">Excerpted from <em>A Dark and Wild Wood</em>, copyright © 2026 by Sarah Nicole Lemon.</p> <p>The post <a href="https://reactormag.com/excerpts-a-dark-and-wild-wood-by-sarah-nicole-lemon/">Read an Excerpt From &lt;i&gt;A Dark and Wild Wood&lt;/i&gt; by Sarah Nicole Lemon</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-a-dark-and-wild-wood-by-sarah-nicole-lemon/">https://reactormag.com/excerpts-a-dark-and-wild-wood-by-sarah-nicole-lemon/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846369">https://reactormag.com/?p=846369</a></p>
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Posted by Vanessa Armstrong

News Evil Dead Burn

Evil Dead Burn Release Date Revealed In New Teaser Clip

This clip makes your last visit to the in-laws look like a cakewalk

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Published on April 21, 2026

Screenshot: Warner Bros.

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/evil-dead-burn-release-date-teaser-trailer/">https://reactormag.com/evil-dead-burn-release-date-teaser-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846467">https://reactormag.com/?p=846467</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/evil-dead-burn/" class="inline-block link-no-animation" aria-label="Link to term or tag Evil Dead Burn 1"> Evil Dead Burn </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Evil Dead Burn</i> Release Date Revealed In New Teaser Clip</h2> <div class="prose post-hero-description prose--post-hero">This clip makes your last visit to the in-laws look like a cakewalk</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 21, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Warner Bros.</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/evil-dead-burn-release-date-teaser-trailer/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="374" src="https://reactormag.com/wp-content/uploads/2026/04/Evil-Dead-Burn-740x374.png" class="w-full object-cover" alt="" srcset="https://reactormag.com/wp-content/uploads/2026/04/Evil-Dead-Burn-740x374.png 740w, https://reactormag.com/wp-content/uploads/2026/04/Evil-Dead-Burn-1100x556.png 1100w, https://reactormag.com/wp-content/uploads/2026/04/Evil-Dead-Burn-768x388.png 768w, https://reactormag.com/wp-content/uploads/2026/04/Evil-Dead-Burn.png 1262w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Warner Bros.</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>In-laws, am I right? At least that’s the premise of the latest film in Sam Raimi’s Evil Dead franchise. This one, titled <em><a href="https://reactormag.com/a-new-evil-dead-spinoff-is-in-the-works/">Evil Dead Burn</a>, </em>comes from director Sébastien Vaniček (<em>Infested</em>), who co-wrote the story with Raimi and Florent Bernard.</p> <p>Here’s the official synopsis of the film:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p><em>Evil Dead Burn</em> unleashes the franchise’s most savage and terrifying ride to date, blazing onto big screens with an all-new chapter of carnage and demonic mayhem. After the loss of her husband, a woman seeks solace with her in-laws in their secluded family home. As one by one they are transformed into Deadites—turning the gathering into a family reunion from hell—she comes to discover that the vows she took in life&#8230; live on even in death.</p></blockquote></figure> <p>The clip Warner Bros. and StudiocanalUK released today brings that conceit to graphic life. In it, poor Souheila Yacoub, who plays the woman in question, is trying to stay alive in a darkened mansion where her presumed in-laws are getting ripped apart, thrown, and crushed around her. It’s disturbing, stressful, and will likely make Evil Dead fans eager to see the full trailer, which Warner Bros. promises we’ll get soon.</p> <p>In addition to Yacoub, <em>Evil Dead Burn </em>stars Tandi Wright, Hunter Doohan, Luciane Buchanan, Errol Shand, Maude Davey, George Pullar, and Greta Van Den Brink. It’s set to premiere in theaters on July 10, 2026.</p> <p>Check out the extended clip below. [end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18433"/> </div></figure> <p>The post <a href="https://reactormag.com/evil-dead-burn-release-date-teaser-trailer/">&lt;i&gt;Evil Dead Burn&lt;/i&gt; Release Date Revealed In New Teaser Clip</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/evil-dead-burn-release-date-teaser-trailer/">https://reactormag.com/evil-dead-burn-release-date-teaser-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846467">https://reactormag.com/?p=846467</a></p>
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Posted by Molly Templeton

News Hugo Awards

Here Are the Finalists for the 2026 Hugo Awards

Congratulations to all!

By

Published on April 21, 2026

The Hugo Awards logo

LAcon V, the 84th World Science Fiction Convention (WorldCon), has announced the finalists for this year’s Hugo Awards. Members of the 2025 and 2026 WorldCons cast 1,488 nominating ballots for this year’s awards; organizers note that in total, “nominators made 23,543 nominations for 4,299 works and individuals across 21 categories.”

Members of LAcon V will be able to vote for the winners when the final ballot opens in May. The awards will be presented in Anaheim, California, on August 30, 2026.

Congratulations to the finalists!

Best Novel

  • A Drop of Corruption by Robert Jackson Bennett (Del Rey; Hodderscape)
  • Death of the Author by Nnedi Okorafor (William Morrow; Gollancz)
  • Shroud by Adrian Tchaikovsky (Tor UK; Orbit US)
  • The Everlasting by Alix E. Harrow (Tor US; Tor UK)
  • The Incandescent by Emily Tesh (Tor US; Orbit UK)
  • The Raven Scholar by Antonia Hodgson (Orbit US; Hodderscape)

1,153 ballots cast for 555 nominees. Finalists range 126-210.

Best Novella

  • Automatic Noodle by Annalee Newitz (Tordotcom)
  • Cinder House by Freya Marske (Tordotcom; Tor UK)
  • Murder by Memory by Olivia Waite (Tordotcom)
  • The River Has Roots by Amal El-Mohtar (Tordotcom; Arcadia UK)
  • The Summer War by Naomi Novik (Del Rey US; Del Rey UK)
  • What Stalks the Deep by T. Kingfisher (Nightfire; Titan UK)

807 ballots cast for 172 nominees. Finalists range 90-241.

Best Novelette

  • “Kaiju Agonistes” by Scott Lynch (Uncanny Magazine, Issue 62)
  • “Never Eaten Vegetables” by H.H. Pak (Clarkesworld, Issue 220)
  • “Rapport: Friendship, Solidarity, Communion, Empathy” by Martha Wells (Reactor, July 10, 2025)
  • “The Girl That My Mother Is Leaving Me For” by Cameron Reed (Reactor, April 2, 2025)
  • “The Millay Illusion” by Sarah Pinsker (Uncanny Magazine, Issue 67)
  • “When He Calls Your Name” by Catherynne M. Valente (Uncanny Magazine, Issue 65)

414 ballots cast for 144 nominees. Finalists range 36-64. 

Best Short Story

  • “10 Visions of the Future; or, Self-Care for the End of Days” by Samantha Mills (Uncanny Magazine, Issue 63)
  • “In My Country” by Thomas Ha (Clarkesworld, Issue 223)
  • “Laser Eyes Ain’t Everything” by Effie Seiberg (Diabolical Plots, May 16, 2025)
  • “Missing Helen” by Tia Tashiro (Clarkesworld, Issue 226)
  • “Six People to Revise You” by J.R. Dawson (Uncanny Magazine, Issue 62)
  • “Wire Mother” by Isabel J. Kim (Clarkesworld, Issue 229)

507 ballots cast for 549 nominees. Finalists range 26-60.

Best Series

  • Emily Wilde by Heather Fawcett (Del Rey US; Orbit UK)
  • October Daye by Seanan McGuire (Tor US; DAW)
  • Old Man’s War by John Scalzi (Tor US; Tor UK)
  • The Chronicles of Osreth by Katherine Addison (Tor US; Solaris UK; Subterranean)
  • The Craft Wars by Max Gladstone (Tor; Tordotcom)
  • White Space by Elizabeth Bear (Saga Press; Gollancz)

687 ballots cast for 185 nominees. Finalists range 52-136. 

Best Graphic Story or Comic

  • Absolute Wonder Woman Vol. 1: The Last Amazon, written by Kelly Thompson, art by Hayden Sherman and Mattia de Iulis, coloring by Jordie Bellaire, lettering by Becca Carey (DC Comics)
  • A Girl and Her Fed, written by KB Spangler, art by Ale Presser (www.agirlandherfed.com)
  • A Wizard of Earthsea: A Graphic Novel, written by Ursula K. Le Guin, adapted and illustrated by Fred Fordham (Clarion Books; Walker UK)
  • The Invisible Parade by Leigh Bardugo and John Picacio (Little, Brown Books for Young Readers; Orion UK)
  • The Power Fantasy Volume 1: The Superpowers, written by Kieron Gillen, art by Caspar Wijngaard, lettering by Clayton Cowles (Image Comics)
  • The Space Cat, written by Nnedi Okorafor, art by Tana Ford (First Second)

362 ballots cast for 243 nominees. Finalists range 19-42.

Best Related Work

  • Colourfields: Writing About Writing About Science Fiction by Paul Kincaid (Briardene Books)
  • Inventing the Renaissance by Ada Palmer (University of Chicago Press US, Head of Zeus UK)
  • Last War in Albion: “The Cuddled Little Vice (Sandman)” by Elizabeth Sandifer (Eruditorum Press)
  • Positive Obsession: The Life and Times of Octavia E. Butler by Susana M. Morris (Amistad)
  • “Ragnarök vs the Long Night” by Ashaya and Aziz (History of Westeros Podcast, August 10, 2025) 
  • The Hugo Spreadsheet of Doom, maintained by Renay (Google Spreadsheet)

479 ballots cast for 250 nominees. Finalists range 31-70.

Best Dramatic Presentation, Long Form

  • Andor (Season 2), written by Tom Bissell, Dan Gilroy, Tony Gilroy, and Beau Willimon, directed by Ariel Kleiman, Janus Metz, Alonso Ruizpalacios (Disney+)
  • Frankenstein, screenplay by Guillermo del Toro, directed by Guillermo del Toro (Netflix)
  • KPop Demon Hunters, screenplay by Danya Jimenez & Hannah McMechan, Maggie Kang and Chris Appelhans; directed by Maggie Kang and Chris Appelhans (Sony Pictures Animation for Netflix)
  • Mickey 17, screenplay by Bong Joon Ho, directed by Bong Joon Ho (Warner Bros. Pictures)
  • Sinners, screenplay by Ryan Coogler, directed by Ryan Coogler (Proximity Media, Warner Bros. Pictures)
  • Superman, screenplay by James Gunn, directed by James Gunn (DC Studios)

650 ballots cast for 149 nominees. Finalists range 85-313.

Best Dramatic Presentation, Short Form

  • Doctor Who: “The Story & the Engine,” written by Inua Ellams, directed by Makalla McPherson (BBC One, Disney +)
  • Murderbot: “All Systems Red,” written by Paul Weitz & Chris Weitz, directed by Roseanne Liang, based on the book All Systems Red by Martha Wells (Apple TV)
  • Murderbot: “The Perimeter,” written by Chris Weitz & Paul Weitz, directed by Paul Weitz, based on the book All Systems Red by Martha Wells (Apple TV)
  • Pluribus: “We Is Us,” written and directed by Vince Gilligan (Apple TV)
  • Severance: “Cold Harbor,” written by Dan Erickson, directed by Ben Stiller (Apple TV)
  • The Wheel of Time: “The Road to the Spear,” written by Rafe Lee Judkins, directed by Thomas Napper, based on the series The Wheel of Time by Robert Jordan (Amazon Prime Video)

471 ballots cast for 249 nominees. Finalists range 40-98.

Best Game or Interactive Work

  • Blue Prince, developed by Dogubomb, published by Raw Fury
  • Citizen Sleeper 2: Starward Vector, developed by Jump Over the Age, published by Fellow Traveller
  • Clair Obscur: Expedition 33, developed by Sandfall Interactive, published by Kepler Interactive
  • Dispatch, developed and published by AdHoc Studio
  • Hades II, developed and published by Supergiant Games
  • Hollow Knight: Silksong, developed and published by Team Cherry

357 ballots cast for 159 nominees. Finalists range 29-110. (924 raw noms)

Best Editor, Short Form

  • Scott H. Andrews
  • Jennifer Brozek
  • Neil Clarke
  • Lee Harris
  • Michael Damian Thomas
  • Sheila Williams

305 ballots cast for 128 nominees. Finalists range 30-84. 

Best Editor, Long Form

  • Carl Engle-Laird
  • Jaymee Goh
  • Lee Harris
  • Jenni Hill
  • Joe Monti
  • Diana M. Pho

234 ballots cast for 95 nominees. Finalists range 27-74.

Best Professional Artist

  • Lulu Chen
  • Kelly Chong
  • Dave Kellett
  • Tran Nguyen
  • John Picacio
  • Tom Roberts 

228 ballots cast for 220 nominees. Finalists range 10-28.

Best Semiprozine

  • Escape Pod, editors Mur Lafferty and Valerie Valdes, assistant editors Kevin Wabaunsee and Phoebe Barton, hosts Tina Connolly and Alasdair Stuart, producers Summer Brooks and Adam Pracht, and the entire Escape Pod team
  • khōréō magazine, by team khōréō (publisher Aleksandra Hill; editor-in-chief Zhui Ning Chang; editors Kanika Agrawal, Isabella Kestermann, Danai Christopoulou; audio Lian Xia Rose, Jenelle DeCosta, Grayson Norman, Aaron Kling, E.B.; marketing M.L. Krishnan, Ashley Thompson; art Ambi Sun; copyeditors Jeané Ridges, Eleanor Glewwe, Derek Yen, Ariya Bandy; proofreader Cyrus Chin; first readers Adialyz Del Valle Berríos, Sanjna Bhartiya, Kelsey Costa, Merulai Femi, A.R. Frederiksen, Yuvashri Harish, Zohar Jacobs, Lynn D. Jung, Phoebe Low, Katie McIvor, Adil Mian, Katarzyna Nowacka, A.W. Prihandita, Helena Ramsaroop, Jin Hui Saw, Aditya Sundararajan, Sophia Uy, Madeleine Vigneron, Aaron Voigt, K.S. Walker, Akilah White, MJ Woods, Kelsea Yu, Lilia Zhang, Tina Zhu)
  • On Spec: The Canadian Magazine of the Fantastic, published by the Copper Pig Writers’ Society; managing editor/art director Diane L. Walton; poetry editors Colleen Anderson and Bob Stallworthy; fiction editors Barb Galler-Smith, Ann Marston, Virginia O’Dine, Constantine Kaoukakis, Susan MacGregor, Alyssa Kulchisky, Amanda Wells, Ashley Alton, Lorina Stephens, Lareina Abbott, Matthew Stobie Jackman, Cheryl Merkel, Dan Gyoba, Ethan Zou, Jade Mah-Vierling, Jessica Zdril, Kathleen Phul, Krystle McGrath, Thomas Schwarz, and William Thompson; interviewers Roberta Laurie and Cat McDonald; proofreaders Ashlin McCartney, Isaac Calon, and Mya Colwell
  • Strange Horizons, by the Strange Horizons Editorial Collective
  • The Deadlands, publisher Sean Markey, editor-in-chief E. Catherine Tobler, poetry editor Nicasio Andres Reed, nonfiction editor David Gilmore, necromancer Amanda Downum, art director Cory Skerry, copy editors Laura Blackwell and Annika Barranti Klein, proofreader Josephine Stewart, designer Christine M. Scott, and social media skeleton Felicia Martínez
  • Uncanny Magazine, publisher and editor-in-chief: Michael Damian Thomas; managing editor Monte Lin; poetry editor Betsy Aoki, podcast producers Erika Ensign and Steven Schapansky

324 ballots cast for 93 nominees. Finalists range 34-100.

Best Fanzine

  • Ancillary Review of Books, editors Jake Casella Brookins, Misha Grifka Wander, Bianca Skrinyár, Zachary Gillan, Cynthia Zhang, Lyz Bush-Peel
  • An Unofficial Hugo Book Club Blog, editors Olav Rokne and Amanda Wakaruk
  • Galactic Journey, founder Gideon Marcus, editor Janice L. Newman, staff David Levinson, Jessica Dickinson Goodman, Tam Phan, Andi Dukleth
  • Intergalactic Mixtape, edited by Renay
  • Journey Planet, edited by Allison Hartman Adams, Jean Martin, Steven H Silver, Christopher J. Garcia, James Bacon
  • nerds of a feather, flock together, editors Roseanna Pendlebury, Arturo Serrano, Paul Weimer; senior editors Joe Sherry, G. Brown, Vance Kotrla

224 ballots cast for 61 nominees. Finalists range 33-66. 

Best Fancast

  • A Meal of Thorns, presented by Jake Casella Brookins
  • Eating the Fantastic, hosted by Scott Edelman
  • Hugo, Girl!, presented by Haley Zapal, Amy Salley, Lori Anderson, and Kevin Anderson
  • Octothorpe, presented by John Coxon, Alison Scott, and Liz Batty
  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
  • Worldbuilding for Masochists, presented by Marshall Ryan Maresca, Cass Morris, and Natania Barron

370 ballots cast for 198 nominees. Finalists range 31-69.

Best Fan Writer

  • Jay Brantner for “Tar Vol”
  • Alex Brown
  • James Davis Nicoll
  • Roseanna Pendlebury
  • Jason Sanford 
  • Örjan Westin

308 ballots cast for 158 nominees. Finalists range 22-54. 

Best Fan Artist

  • Terri Ash
  • Geneva Bowers
  • Sara Felix
  • Richard Man
  • España Sheriff
  • Yuumei

176 ballots cast for 137 nominees. Finalists range 12-22.

Best Poem 

  • “Care for Lightning” by Mari Ness (Uncanny Magazine, Issue 62)
  • “Hex Supply Customer Support Log” by Elis Montgomery (Strange Horizons, Issue 25 August 2025)
  • “How to Become a Sea Witch” by Theodora Goss (The Orange & Bee, Issue 5)
  • “Landing: Seattle” by Brandon O’Brien (Seattle Worldcon 2025 Opening Ceremony)
  • “The Mourning Robot” by Angela Liu (Uncanny Magazine, Issue 66) 
  • “The World to Come” by Jennifer Hudak (Strange Horizons, Issue 22 December 2025)

202 ballots cast for 229 nominees. Finalists range 12-35.

Lodestar Award for Best Young Adult Book

  • Among Ghosts by Rachel Hartman (Random House Books for Young Readers)
  • Coffeeshop in an Alternate Universe by C.B. Lee (Feiwel & Friends)
  • Holy Terrors by Margaret Owen (Henry Holt; Hodderscape UK)
  • Oathbound by Tracy Deonn (Simon & Schuster Books for Young Readers)
  • Sunrise on the Reaping by Suzanne Collins (Scholastic Press)
  • They Bloom at Night by Trang Thanh Tran (Bloomsbury US; Bloomsbury UK)

244 ballots cast for 169 nominees. Finalists range 12-48.

Astounding Award for Best New Writer (sponsored by Dell Magazines)

  • Sophie Burnham (2nd year of eligibility)
  • Kamilah Cole (2nd year of eligibility)
  • Antonia Hodgson (1st year of eligibility)
  • Molly O’Neill (1st year of eligibility)
  • H.H. Pak (2nd year of eligibility)
  • Jared Pechaček (2nd year of eligibility)

290 ballots cast for 156 nominees. Finalists range 17-76.

Disqualifications and Withdrawals

The following nominees received enough votes to qualify for the final ballot, but were found to be ineligible:

Best Series: 

  • Lady Astronaut, by Mary Robinette Kowal (fewer than 240,000 new words since last appearance on the ballot)
  • The Singing Hills Cycle, by Nghi Vo (fewer than 240,000 words in total)

Astounding Award:

  • Silvia Park (had qualifying publication prior to 2024)
  • Barbara Truelove (had qualifying publication prior to 2024)

The following nominees received enough votes to qualify for the final ballot, but declined nominations:

  • Best Editor, Long Form: Lindsey Hall
  • Best Semiprozine: Beneath Ceaseless Skies

The following nominee received enough votes to qualify for the final ballot, but was withdrawn by the showrunners to abide by the limitation on number of episodes of the same show allowed in the category.

  • Best Dramatic Presentation, Short Form: Murderbot: “Free Commerce”

[end-mark]

The post Here Are the Finalists for the 2026 Hugo Awards appeared first on Reactor.

[syndicated profile] tordotcom_feed

Posted by Molly Templeton

News Silo

Some Silo Secrets May Finally Be Explained When Season 3 Premieres in July

We do not know why we are here. We do not know who built the silo. But we might, soon!

By

Published on April 21, 2026

Photo: Apple TV

0
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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/silo-season-3-teaser-release-date/">https://reactormag.com/silo-season-3-teaser-release-date/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846447">https://reactormag.com/?p=846447</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/silo/" class="inline-block link-no-animation" aria-label="Link to term or tag Silo 1"> Silo </a> </span> </div> <h2 class="post-hero-title text-h1">Some <i>Silo</i> Secrets May Finally Be Explained When Season 3 Premieres in July</h2> <div class="prose post-hero-description prose--post-hero">We do not know why we are here. We do not know who built the silo. But we might, soon!</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 21, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo: Apple TV</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/silo-season-3-teaser-release-date/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 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</g> </svg> Share </summary> <div class="quick-access-bubble"> <ul class="flex gap-6 text-black list-none"> <li class="flex"> <a class="flex items-center hover:text-red" href="https://twitter.com/intent/tweet?text=Some &lt;i&gt;Silo&lt;/i&gt; Secrets May Finally Be Explained When Season 3 Premieres in July&amp;url=https://reactormag.com/silo-season-3-teaser-release-date/” target=”_blank” title=”Twitter”&gt; &lt;svg class=" w-[18px]="w-[18px]" h-[15px]"="h-[15px]&quot;" width="18" height="15" viewbox="0 0 18 15" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="twitter" role="img" aria-hidden="true"> <path d="M17.7143 2.56767C17.2122 3.28347 16.6053 3.89336 15.8934 4.39734C15.9009 4.4996 15.9046 4.65298 15.9046 4.8575C15.9046 5.80703 15.7623 6.75472 15.4775 7.7006C15.1928 8.64649 14.76 9.55401 14.1793 10.4232C13.5986 11.2924 12.9073 12.0611 12.1055 12.7295C11.3037 13.3978 10.3371 13.931 9.20558 14.329C8.07408 14.7271 6.86392 14.9262 5.57505 14.9262C3.54435 14.9262 1.68601 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class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="416" src="https://reactormag.com/wp-content/uploads/2026/04/Silo-740x416.jpg" class="w-full object-cover" alt="Still from the Apple TV show Silo Season 3" srcset="https://reactormag.com/wp-content/uploads/2026/04/Silo-740x416.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/Silo-1100x619.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/Silo-768x432.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/Silo-1536x864.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/Silo.jpg 1920w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo: Apple TV</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We have to go back! To the silo, I mean. (Not the island.) To be more specific, we have to go back to the beginning of <em>Silo</em>—to find out where it all began.</p> <p>And by “it,” of course, I mean the network of underground silos that, to all appearances, hold what’s left of humanity after some kind of disaster befell the surface of the planet. This being <em>Silo</em>, though, it seems quite likely that history is not exactly as it has been told.</p> <p><em>Silo</em> is based on Hugh Howey’s novel series of the same name, and stars Rebecca Ferguson as an engineer who stumbles into a whole string of trouble when her boyfriend dies under dubious circumstances. In <a href="https://reactormag.com/silos-production-designer-on-concrete-silo-17-creating-the-look-for-season-2s-final-scene/" target="_blank" rel="noreferrer noopener">the second season</a>, she survives being sent outside to “clean”—generally a death sentence—and finds other survivors in a second silo. Back at home, rebellion arises under the rule of extremely morally dubious Mayor Bernard Holland (Tim Robbins).</p> <p>According to Apple TV, “Season three of <em>Silo</em> continues the saga of a dystopian society of 10,000 people living underground under mysterious circumstances, while revealing an origin story set centuries earlier.”</p> <p>Their synopsis continues:</p> <figure class="wp-block-pullquote"><blockquote><p>In the present, Juliette Nichols (Ferguson) survives her forced “cleaning” but returns with memory loss as the silo recovers from rebellion and faces a dangerous new threat. Meanwhile, in the “Before Times,” journalist Helen Drew (Jessica Henwick) and Congressman Daniel Keene (Ashley Zukerman) uncover a conspiracy that pulls them into a chain of events with catastrophic, irreversible consequences.</p></blockquote></figure> <p>(There is something very funny about putting “Before Times” in quotes and giving the term Capital Letters. Just call it the before times! We all know what that means.)</p> <p><em>Silo</em>’s excellent cast also includes returning stars Common, Harriet Walter, Steve Zahn, Chinaza Uche, Avi Nash, Alexandria Riley, Shane McRae, Remmie Milner, Rick Gomez, Billy Postlethwaite, and Clare Perkins. Along with Henwick (<em>Iron Fist</em>) and Zukerman (<em>Succession</em>), the new kids on the <em>Silo</em> block include Laura Innes, Jessica Brown Findlay, Morven Christie, Reed Birney, Matt Craven, and Colin Hanks.</p> <p><em>Silo</em> has already been renewed for a fourth and final season, so we don’t have to worry about never getting answers. Whether they will satisfy remains to be seen. <em>Silo</em>’s third season premieres July 3 on Apple TV, where you can watch the first two seasons at your leisure.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18432"/> </div></figure> <p>The post <a href="https://reactormag.com/silo-season-3-teaser-release-date/">Some &lt;i&gt;Silo&lt;/i&gt; Secrets May Finally Be Explained When Season 3 Premieres in July</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/silo-season-3-teaser-release-date/">https://reactormag.com/silo-season-3-teaser-release-date/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846447">https://reactormag.com/?p=846447</a></p>
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Posted by Stefan Raets

Books The Wheel of Time

Reading The Wheel of Time: Egwene Wears Green (Metaphorically) in The Gathering Storm (Part 23)

Finally, an answer to the Verin question…

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Published on April 21, 2026

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-egwene-wears-green-metaphorically-in-the-gathering-storm-part-23/">https://reactormag.com/reading-the-wheel-of-time-egwene-wears-green-metaphorically-in-the-gathering-storm-part-23/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846263">https://reactormag.com/?p=846263</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-wheel-of-time/" class="inline-block link-no-animation" aria-label="Link to term or tag The Wheel of Time 1"> The Wheel of Time </a> </span> </div> <h2 class="post-hero-title text-h1">Reading The Wheel of Time: Egwene Wears Green (Metaphorically) in <i>The Gathering Storm</i> (Part 23)</h2> <div class="prose post-hero-description prose--post-hero">Finally, an answer to the Verin question…</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/kjbarrett/" title="Posts by Sylas K Barrett" class="author url fn" rel="author">Sylas K Barrett</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 21, 2026 </p> </div> </div> <div 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clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 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12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-740x407.png" class="w-full object-cover" alt="Reading The Wheel of Time on Tor.com: The Gathering Storm" srcset="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-740x407.png 740w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-768x422.png 768w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12.png 951w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Welcome back to Reading The Wheel of Time! This week we are covering chapters 38 and 39, in which things start to happen for Egwene and Verin’s secret is finally revealed. I’m so excited to get into it, so without further ado, let’s get recapping!</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Sitting with Egwene in <em>Tel’aran’rhiod</em>, Siuan tries again to convince the Amyrlin to let them rescue her. Egwene finally agrees to sanction a rescue attempt if Elaida sentences her to death—though she insists that her own death by execution would still be a victory. She is also concerned about the ongoing fight for power in the rebel camp, urging Siuan to do whatever she can to keep the Aes Sedai together.</p> <p>Siuan tells Egwene about Gawyn’s arrival in the camp, and Egwene reacts with forced casualness, although she is not successful in fooling Siuan. Siuan doesn’t know exactly what the young man wants, but mentions that he has been meeting with Lelaine and Romanda. </p> <p>When asked, Egwene admits that her cell is too small to stand up or lie down flat in, and declares that once she is restored to her proper place, she will have this and any other such cells filled in. It occurs to her that what she is experiencing is very similar to what Rand went through, only in his case the box was even smaller than her cell, and he had no reprieve of visiting the World of Dreams, and no sustaining belief that his beatings meant something.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Regardless,” Egwene said, “I have <em>Tel’aran’rhiod</em>. During the days, my body is captive, but my soul is free at night. And each day I endure is another proof that Elaida’s will is not law. She cannot break me. Her support from the others is eroding. Trust me.”</p></blockquote></figure> <p>Once Siuan has left the Dream, Egwene finds herself reluctant to return to ordinary sleep. She moves to the <em>Tel’aran’rhiod</em> version of the rebel camp, observing the way the tents are grouped and how they suggest the lines of division that are beginning to form among the Salidar Aes Sedai. Next she finds herself in a Tinkers camp, reminiscing about the time she and Perrin spent traveling with a band of Tinkers. She remembers flirting with Aram, and wonders where he, Raen, and Ila are now. She imagines that they must be in a camp like this one, hiding away from the coming Last Battle and continuing to dance.</p> <p>Finally she travels to Tar Valon, finding herself standing beneath the shadow of the White Tower while a stormy sky boils above it. She wonders if she is seeing an omen, and whether it is time to let the Tower fall. But she decides to wait a few more days.</p> <p>Waking in her cell, Egwene does her best to stretch her body within the limited confines of her cell, reminding herself that she wants to be here, and could escape any time. This helps her stave off the panic of being enclosed in such a small space. Around noon she is dragged from her cell for her daily beating, which is considered a reward for the two Reds who have to stay and maintain her shield. But before the beating can begin, they are interrupted by Katerine, who informs Egwene and the two Reds that Elaida has decided that Silviana, as Mistress of Novices, is partly responsible for this particular novice being out of line, and that Egwene is to be returned to her rooms and placed under the authority of the new Mistress of Novices, Katerine herself, now that Silviana has been removed from the position.</p> <p>As her two guards take her back to her room in the novice quarters, Saerin appears, and after successfully staring down the Red sisters, walks beside Egwene and fills her in on what has been happening. Egwene learns that she was released not because Elaida suddenly came to a decision, but because Silviana came before the entire Hall and formally condemned Elaida’s actions, calling them unlawful and demanding Egwene’s release, as well as the removal of Elaida as Amyrlin. Elaida ordered Silviana to put on the dress of a novice; when Silviana refused, Elaida sentenced her to stilling and execution.</p> <p>Egwene exclaims at once that the action must be prevented, and orders Saerin to go to the Hall and attempt to stop it. As the Brown Sitter hurries off, Egwene asks her two guards, Barasine and another sister whose name Egwene doesn’t know, if they want to go find out what happened. She sends a nearby novice to fetch some forkroot from the kitchens. Once she has drunk it, Egwene is left alone.</p> <p>She goes to her room to clean up, where she is surprised to find Verin sitting on Egwene’s bed drinking tea. Egwene is dismissive of Verin’s presence until the Brown sister remarks that Egwene’s dress is green. At first, Egwene assumes that Verin can lie because she has had the oaths removed, but realizes that she has never fully trusted Verin. Verin confirms that this is a wise impulse, as she is Black Ajah.</p> <p>Verin rambles on about how good the tea is and how Laras is an impressive woman, then begins to compliment Egwene on her work trying to reunite the Tower. Verin herself has avoided getting involved, deeming it more important to continue her research and to keep an eye on Rand. She remarks that she doesn’t believe that Rand understands how the Great Lord really works, and that not all evil is as obvious as the Chosen.</p> <p>She compares the Chosen to children who are all fighting for their father’s attention, and muses that of all the qualities that the Great Lord wants in his leaders, selfishness might be the most important.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“It makes them predictable. A tool you can depend upon to act as expected is far more valuable than one you cannot understand. Or perhaps because when they struggle against one another, it makes only the strong ones survive. I don’t know, honestly. The Chosen are predictable, but the Great Lord is anything but. Even after decades of study, I can’t be certain exactly what he wants or why he wants it. I only know that this battle isn’t being fought the way that al’Thor assumes it will be.”</p></blockquote></figure> <p>When she returns the conversation to Egwene’s achievement in infiltrating Elaida’s regime and turning the Hall against her, Verin’s rambling, absent-minded attitude falls away, and she takes on an intensity so strong that Egwene wonders if this is the same woman she knows. She explains that, many years ago, she “found [herself] in a position where” she had to either swear oaths to the Dark One or admit that she never had any intention of doing so, in which case she would have been executed. She decided to swear, in order to study the Dark from the inside, and in order to save her own life.</p> <p>She admits that Tomas is also a Darkfriend. He was looking for a way out, and while Verin couldn’t offer exactly that, she did offer him a way out. She also admits that she and Tomas have both taken poison. Verin’s is in the tea she is currently drinking.</p> <p>Verin explains that the oaths one takes to the Dark One are quite specific—and for channelers, also quite binding. She quotes them for Egwene: “I swear not to betray the Great Lord, to keep my secrets until the hour of my death.”</p> <p>Egwene sees the loophole at once, and Verin wonders why the Dark One would leave such a loophole in his oaths of loyalty. Egwene theorizes that he doesn’t see suicide as a threat; Darkfriends are far too self-centered to choose to end their own lives just to betray the Dark.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Every woman in the Brown,” Verin said, “seeks to produce something lasting. Research or study that will be meaningful. Others often accuse us of ignoring the world around us. They think we only look backward. Well, that is inaccurate. If we are distracted, it is because we look forward, toward those who will come. And the information, the knowledge we gather… we leave it for them. The other Ajahs worry about making today better; we yearn to make tomorrow better.”</p></blockquote></figure> <p>She presents Egwene with two books, one of which explains the cipher she used to write the other. The second is a collection of everything she learned about the Dark—their leaders, their prophecies, their goals and motivations. She also has a list of Black Ajah members that she believes is nearly complete, though there are probably a few she didn’t catch. Egwene is astounded at this treasure, and deeply moved by what she imagines of Verin’s life as a spy among the Black.</p> <p>Verin points out that the Black has many spies, and it was time the Light had one among them. She shows Egwene how the two books can be fit together with the attached bookmarks to cause both to become invisible, thanks to a weave she discovered from the Age of Legends.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“I will admit that the poison was a backup plan,” Verin said. “I am not eager for death; there are still things I need to do. Fortunately, I have set several of them in motion to be… seen to, in case I do not return. Regardless, my first plan was to find the Oath Rod, then see if I could use it to remove the Great Lord’s oaths. The Oath Rod appears to have gone missing, unfortunately.”</p></blockquote></figure> <p>Egwene realizes that Saerin and the others must have taken it again, though she doesn’t tell Verin this. Verin adds that removing the oaths might not have worked anyway. She also tells Egwene that she knows that one of the Forsaken, Mesaana, is in the Tower, but that she was unable to discover who the Forsaken is disguised as. She urges Egwene to be careful how she uses the information, and where she strikes. She is confident that Egwene will be Amyrlin, and remarks that the Amyrlin should always be well armed with knowledge. Egwene thanks Verin for the trust she has placed in her.</p> <p>As Verin lies back on the bed, she asks Egwene to tell everyone that, though her name may always be associated with the Black, that her soul was Brown. Egwene promises to do so, but she also tells Verin that her soul is not Brown, but a pure white, “like the Light itself.”</p> <p>Egwene holds Verin’s hand until she dies, then checks to make sure she is actually dead, just to be sure this isn’t some trick. Just then, Turese, one of the Reds, opens the door and looks in. Egwene explains Verin’s presence, using Aes Sedai misdirection to avoid outright lying, insinuating that Verin lay down to rest, exhausted from her travels. Turese instructs Egwene not to disturb Verin.</p> <p>Once Turese has gone, Egwene repositions Verin to make the ruse more effective, then sits down to look at the books. She begins by looking through the names of all the Black sisters. Katerine and Galina’s names in particular catch her attention, and she is shocked and upset when she sees Sheriam’s. It’s discomfiting to read the list of names, and see the numbers of Black among every Ajah, a little over two hundred in total. She is relieved, at least, to see that Cadsuane is not on the list, and neither are any of Egwene’s closest confidants. Elaida’s name also isn’t there; Verin assumes that Elaida was being manipulated by Alviarin and Galina.</p> <p>When Meidani eventually comes to see her, she notices that Verin is dead. Egwene explains that Verin was poisoned by a Darkfriend and, aware of the poison, she came to pass on important information to Egwene. Meidani recovers from her shock with an effort, and reports that Elaida is still Amyrlin, but only by a hair. She was roundly censured by the Hall for acting like an absolute ruler and has been given penance. Silviana is still imprisoned, and there is talk of issuing penance to her, as well.</p> <p>Egwene tells Meidani to go to the others and to inform them that Alviarin is Black Ajah. She instructs them to capture Alviarin and test her using the Oath Rod. She also tells Medani to take Verin with her, as it will look much less suspicious if Verin vanishes than if she is found dead in Egwene’s room. She also has Meidani take the cup of poisoned tea.</p> <p>Once Meidani is gone with Verin’s body, Egwene lays down on her bed and goes to sleep, waking in <em>Tel’aran’rhiod</em>. She has to wait for a little while in the appointed meeting place, but as soon as Siuan arrives Egwene warns her that Sheriam and Moria are Black Ajah. Siuan is baffled and disbelieving as Egwene warns her to watch them until they can be taken prisoner.</p> <p>Egwene is about to explain the change in her circumstances when suddenly she feels herself being pulled out of the World of Dreams. She wakes to find herself being shaken awake by a panicked Nicola. As the Tower shakes and Nicola babbles about flying Shadowspawn and the Last Battle, Egwene realizes that it isn’t the Last Battle but something almost as bad. The Seanchan attack has begun.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>And so, we finally learn the answer to the mystery of Verin Mathwin, and I, for one, am quite satisfied with it. I’m also a little surprised at myself for never considering the possibility that Verin might be a double agent. The reveal perfectly explains her actions and contradictions, and the strange vibes that we get from her—where she usually seems to be acting for the good, and yet comes off as untrustworthy all the same.</p> <p>Like when she used a form of Compulsion on the captive Aes Sedai to convince them to swear to Rand, for example. It is not impossible for a sister to violate Tower Law, of course, so technically any ordinary sister could have done what Verin did. Just as we saw Moiraine use balefire. However, there is something particularly dark about Compulsion, even in comparison to another forbidden weave like balefire, and seeing Verin use it so intently on so many women did feel a bit questionable, even if they were women who were party to Galina’s torture of Rand. As we are seeing with Rand himself, the idea of “the ends justify the means” can be employed by anyone, but it tends to lead towards a dark place. Balefire is physically dangerous to the world, but Compulsion, even Verin’s cobbled-together Compulsion Lite, is <em>morally</em> dangerous.</p> <p>The fact that Verin was considering poisoning Cadsuane is another moment where she felt more Dark. Reading that scene, I found myself considering that she might actually be Black Ajah and was trying to sabotage Rand’s success by removing an important and knowledgeable advisor. But the moment was from her POV, and I couldn’t find a way to spin Verin’s conclusion—that Cadsuane is actually trying to help Rand—and the subsequent decision <em>not</em> to poison her, in a way that would point to the motivations of a Darkfriend. And after all, though murder is always morally questionable, there is technically nothing preventing an Aes Sedai from murdering someone, as long as they don’t try to do it with the One Power.</p> <p>If anything, Verin has always seemed like she was acting entirely from her own motivations, neither directed by the Dark or by the White Tower. Which I suppose she was, in a way. Verin’s desire to study the Dark and to record as much useful information as she could puts her on the side of Good, but it is an independent project that no one in the world (except maybe Tomas) knew about; she seems to have made her own choices, motivated solely by her own desires, in service of the search for knowledge. She obeys the White Tower as much as she needs to but mostly avoids oversight by being a Brown. She obeys the Dark because she has to, all the while working against them as she studies their methods and records the names of their operatives. She does many awful and terrible things, things she does not believe she can be forgiven for, and yet she believes that what she has been able to achieve was worth such a sacrifice. To borrow from the D&amp;D alignment chart for a moment, I might classify her as truly neutral—neither lawful nor chaotic, neither Good nor Evil. Except for the fact that her love for and search for knowledge is based not solely in knowledge for its own sake, but in care for the world. This drive, as Egwene points out, makes Verin truly Good after all.</p> <p>I appreciated that Egwene noted the same dichotomy in Verin that I felt as a reader. Even when Verin proves that she can lie, Egwene assumes that Verin either never swore the oaths, just as Egwene herself hasn’t, or has had them removed, which she knows is possible because of the activity of the Black Ajah hunters. This shows that she has some instinctive sense that Verin is not evil, since in many ways it would make more sense to assume a lying Aes Sedai is Black Ajah before coming up with some other way she could have escaped the oaths. But at the same time, Egwene is also aware that she never fully trusted Verin, which Verin herself remarks is probably wise.</p> <p>Verin is very circumspect in the way she describes her decision to swear allegiance to the Dark One. Her use of the passive voice when she says “I found myself in a position” feels a little telling, but it is also true that she specifies that she never wanted or intended to swear to the Dark. This seems to imply that she was researching the Dark, or at least looking into the Black Ajah, and got caught. In order not to be killed, and to continue her work, she pretended she was snooping because she wanted to join, and swore allegiance to the Dark One. But there is probably a lot more to the story we will never know.</p> <p>Interestingly, Verin also notes that the Dark Oaths are quite binding <em>for channelers</em>. This of course refers to the use of the Oath Rod on the Black Ajah, and I think it’s really fascinating that even as Darkfriends, the Aes Sedai are expected to be bound by the Oath Rod in order to be trusted. But this also implies that swearing to the Dark One is not as binding on ordinary people, which touches on my ongoing question about whether or not someone who has dedicated themselves to the Dark can return to the Light to the point where their soul is no longer in danger of going to the Dark One when they die.</p> <p>Like Ingtar, Verin was only able to manage to return to the Light by choosing death as a means of redemption, and since she revealed that Tomas also took poison, we have only ever seen Darkfriends turn back to the Light in this way. Granted, Verin had hoped she could remove her oaths to the Dark One using the Oath rod.She may very well have been able to do so, as we’ve seen other Darkfriend channelers like Amico, or Asmodean, be released from the physical restraints on their obedience to the Dark One and act against him. However, neither that situation nor the death of characters like Verin or Ingtar tells us what happens to someone’s soul in this case. Asmodean seemed to believe he would still return to the Dark One’s clutches if he died, and the Dark One’s insinuation that he can’t resurrect Asmodean because he died by balefire seems to confirm this belief as accurate—though there is always a chance the Dark One is lying, or at least not admitting that Asmodean might have been beyond his reach for other reasons. If a member of the Chosen was ever to slip out of the Dark One’s grasp, he certainly would never admit it.</p> <p>Not that I think Asmodean, who turned to the Dark because he wanted to be famous forever and who only sided with Rand out of a bid for self-preservation, had returned to the Light in any meaningful way. I’m just wondering if it would be possible, if his heart had actually been in it. There is the oath taken at Shayol Ghul to consider, after all. In that place, reality can be altered and souls can be trapped in alarming ways. I kind of doubt anyone can escape the Dark One once they have sworn at Shayol Ghul itself. But I digress.&nbsp;</p> <p>Only the Chosen swear at Shayol Ghul, though, so ostensibly the only thing keeping an ordinary Black Sister more bound to the Dark One than an ordinary non-channeling Darkfriend would seem to be the Oath Rod. I’m guessing Tomas killed himself not to escape oaths or pass on secrets, but because he has a family. We have seen what happens to the families of Darkfriends who betray the Dark or fail to carry out orders. The only way for Tomas to protect his family would be to die himself.</p> <p>I assume that is why Tomas was “looking for a way out” in the first place. He couldn’t just foreswear the Dark or run off, because his family would have been in danger. Verin couldn’t protect them, but she could offer him a way to be Good again, by working with her.</p> <p>When you get right down to it, Verin might be the cleverest person in the entire series. Though technically not bound by the Three Oaths, she would have been forced to follow them often, in order to not be found out as Black, while at the same time she was bound by her oaths to the Dark One while secretly working against him. It’s easy to imagine how much maneuvering and planning and clever Aes Sedai wordplay she would have had to do to maintain both of her covers, all the while carrying out, or at least seeming to carry out, the orders she was given by her superiors both in the White Tower and in the Black Ajah.</p> <p>Verin’s comment that he doesn’t understand the Dark One or how the battle is actually being fought struck me as a <em>very</em> important clue to where Rand’s character arc is leading us to. This is something I have been working on for a separate essay, so for now I will only say that as Rand becomes harder and colder, as he focuses entirely on winning a physical battle at any cost, I have been thinking more and more about how all Rand’s initial confrontations with the Dark One—or rather, with Ba’alzamon masquerading as the Dark One—were about trying to corrupt and recruit Rand to serve the Dark. Many times throughout the series, both those who walk in the Light and the servants of the Dark have considered that all the Dark One needs to do to win the Last Battle is to kill Rand… and yet the Dark One has continually forbidden his followers to do this. It seems clear that he needs Rand for something, and that it has to be in service to the Dark One’s only true, knowable goal: to break free from his prison. </p> <p>The Dark One doesn’t work the way people think he does. This is no doubt in part because he would intentionally obscure his motivations to manipulate people into serving him as he desires. But also, he is a being so far outside of normal creation that I don’t believe he could be fully fathomable to a human being. Not a living one, anyway. And Verin observes what I have always thought and written about the Forsaken: that they foolishly think they know what the Dark One’s intentions are, and that his promises to them are true. In her time studying the Dark, Verin has realized that the Forsaken are so petty and so self-focused that it actually makes them kind of stupid, even though most of them seem to have high intelligence in other areas. The idea that the Dark One specifically looks for selfishness in his leaders because it makes them predictable and easy to control is one I have had often, and I maintain my belief that the Dark One has no intention of keeping any of them around if he is successful in breaking free of his prison. The title of Nae&#8217;blis is, in my opinion, an empty promise. It’s just a carrot the Dark One can use to motivate his most powerful followers, a sparkly jewel he can dangle in front of them, distracting them from seeing the truth.</p> <p>Though I do wonder how Ishamael/Moridin views the Dark One. His perspective has always been somewhat different from the others, and his relationship to the Dark One is different, too. After all, we have seen the Dark One punish his lieutenants for their failures, and for getting themselves killed. Ishamael’s death was certainly that… and yet he seems to have been rewarded, given a young, hot new body and made Nae’blis. Of course, we don’t know what kind of suffering he experienced before he turned up in the narrative against as Moridin, but even if he was punished, he’s still back in a position of power pretty quickly.</p> <p>Speaking of Rand, I’ve been observing for some time how Egwene’s journey to becoming Amyrlin has been paralleling much of Rand’s journey, and although it feels a bit obvious, Egwene’s realization that her time in the too-small cell is much like Rand’s time in the box does fit with those parallels. It also shows the difference between them: Egwene feels like her position, her identity, is a choice she believes in, whereas Rand feels like his is a trap he was born into, a burden thrown upon his shoulders without his consent.</p> <p>One could argue that Egwene had very little agency in becoming the Amyrlin; she was elected as a political move, intended to be a symbol and a figurehead. But she did have a choice. She could have refused the summons to leave the Aiel and return to Salidar, giving up her bid to become Aes Sedai for the life of a Wise One. Once in Salidar she was under enormous pressure to accept the role she was asked to fill, but she could have said no. Once elected, she could have allowed herself to be used as the rebel Hall intended, content to be what she was asked to be and no more. I’m sure from Egwene’s point of view she would consider these options no choice at all, but that is because of her desire to be Aes Sedai and her love for the White Tower.</p> <p>Rand, on the other hand, was born into the identity of the Dragon; he never had a chance to feel like it was something he chose. He lacks the sense of agency Egwene has: Just as her beatings have meaning for her, while his had none for him, her identity has meaning for her. She chose to take up the metaphorical sword; she chose the heavy burden of being the Amyrlin Seat. Refusal would have meant disaster, which makes the responsibility especially heavy, but she could have refused. Rand can’t.</p> <p>Except, Rand can, of course. Technically there was nothing stopping him from running away and hiding, or turning to the Dark as Ishamael prodded him to do, or even from killing himself. He didn’t do any of these things because he believed that such a choice would doom the world forever, and he couldn’t allow that. However, unlike Egwene, he doesn’t credit himself with that choice. He doesn’t take pride or find sustenance in the fact that he has continued to refuse to back down, no matter how he suffers, no matter how impossible his task feels. Where Egwene has found meaning and encouragement in her own resilience, Rand has increasingly dwelt on the fact that being the Dragon Reborn is something terrible that is happening to him. Which is true, to an extent. But I think this shows exactly what perspective can do for a person. And to a person.</p> <p>Perhaps that is why chapter 38 includes Egwene stumbling upon the Tinker camp in <em>Tel’aran’rhiod</em>. It was pretty painful when she was reminiscing about Ila, Raen, and Aram, and assuming they were safely camped somewhere, hoping to wait out the Last Battle far from harm. But even more striking, for me at least, was when she wondered if the Tinkers were still dancing, as they had when she and Perrin stayed with them, given everything that is going on in the world.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>That had been a simpler time; though the Tinkers always seemed able to make a simpler time for themselves.<br><br>Yes, this group would still dance. They would dance right up until the day when the Pattern burned away, whether or not they found their song, whether or not Trollocs ravaged the world or the Dragon Reborn destroyed it.</p></blockquote></figure> <p>Egwene goes on to reflect on her own motivations and what parts of life are truly important. Again, I saw the difference between where she is mentally and where Rand is. As Min pointed out to Nynaeve in chapter 37, Rand has forgotten how to value the very thing he is fighting for. But throughout Egwene’s story, from her early days realizing she can channel to her time as a <em>damane</em>, to her studies with the Aiel, to her rise to Amyrlin, Egwene has always asked herself these questions, and always reaffirmed her desires and motivations to herself.</p> <p>Egwene can be very cutthroat as a character; in some ways I have never found her the most interesting of the core crew. But this clear-sightedness makes her a very special person, and a very special player on the board, so to speak. I’m so eager to see her reunite with Rand. As Amyrlin, she is going to feel like a threat to him and he to her, but Egwene’s reflections on Rand’s suffering make me think she might be in a better place to understand him than most people. Perhaps that understanding and wisdom, coupled with their shared history, will help her reach him when others have failed.</p> <p>After all, the division between male and female channelers was a part of the conflict that led to the tainting of <em>saidin</em> and the Breaking of the World. Whether it was the cause of Lews Therin’s failure or the only thing that saved both halves of the One Power from being tainted we’ll never know, but what we do know is that healing the world must include healing the divide between channelers. After all, we have been told from the very beginning that the greatest works of channeling can only be accomplished by both halves of the One Power being used in tandem. In this Age, the Dragon Reborn and the Amyrlin Seat are the symbols of each half, as well as the collective leaders of all the majority of channelers.</p> <p>Verin’s comments about Laras being an extraordinary woman reminded me of Laras’ actions in helping Min and Siuan and Leane escape the White Tower, and how Laras also tried to help Egwene escape, because she was fundamentally opposed to seeing a woman broken. In some ways, Laras’ perspective foreshadowed Silviana’s. Like Laras, Silviana saw Egwene’s treatment as unjust, and refused to be party to it. The fact that Silviana was willing to stand up to Elaida in such a public way shows that she is someone who both believes in justice and law, and is willing to fight for it, which is especially refreshing to see in a Red.</p> <p>In this very chapter we learn that there are more Black sisters among the Reds than any other Ajah (no surprise there) and also that getting to beat Egwene is considered a reward for the Red sisters who have had to spend their time in the dungeons maintaining her shield. The Red Ajah has never been painted in a good light; they are usually cruel, suspicious, and have a particular dislike for the Blue Ajah, which predisposes the reader to dislike them. It’s always bothered me a little that there’s a “man hater” Ajah, and that the reds are the bad guys as much, or at least nearly as much, as the Black, but we do have examples of good women, and good Aes Sedai, among the reds. Pevara is one, and so is Silviana.</p> <p>Now Egwene knows the truth about the Black Ajah, and how much they were actually behind the division in the White Tower. Verin has correctly deduced that Elaida was manipulated by Black sisters close to her and has also recorded the identity of many Black sisters in positions of power in Salidar, revealing that it’s not just Elaida who has been a puppet for the Black. I really felt for Egwene’s grief over learning that Sheriam was black, and I can appreciate her disgust at having someone so close to her be black after the revelation about “Halima” and Delana. She&#8217;s now also been put in a position to consider herself the same as Elaida (in this one very particular way). </p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“How the Dark One must have laughed to see two rival Amyrlins, each with one of his loyal minions at her side, pitting them against one another.”</p></blockquote></figure> <p>Then again, she considers Verin’s words that no one can be certain what the Dark One wants, or why he wants it. It seems important that Egwene is becoming aware of the way that humanity anthropomorphizes the Dark One, attributing human desires and human reactions to a fundamentally inhuman being. If Rand comes to understand this as well, the fight against the Dark may become very different, and how they handle Darkfriends, even the Forsaken, may as well.</p> <p>There was a moment that caught my attention from a continuity perspective. When Turese looks in to see who is channeling and sees Meidani demonstrating one of the 100 weaves, it is mentioned that the weave “blocked her sight of Verin’s face.” It was always my understanding that weaves are only seen in the metaphysical sense, that they are not actually visible to the eye. This is certainly true at least some of the time; when Nynaeve delves Logain, Leane, and Siuan to examine the effects of their stilling/gentling, the narration describes what she is seeing in visual terms, but obviously she isn’t looking inside them with x-ray vision.</p> <p>I can’t point to a specific description of “seeing” weaves that proves my interpretation correct, but it is interesting that Sanderson visualized them as being seen in a more physical way, such that they could block your view of something else. It makes me curious as to which way Jordan imagined them.</p> <p>Moments I really enjoyed in this chapter:</p> <p>When Verin lies about the color of Egwene’s dress, she says that it is green. It felt like a little allusion to the fact that Egwene would have chosen the Green if she’d had the opportunity. I doubt it was consciously intentional on Verin’s part, but it felt right, thematically. Maybe it even reflected Verin’s impression of Egwene, or her feelings about the battle they are both fighting.</p> <p>Verin was impressed that Egwene wasn’t still “dawdling” outside the Tower wasting time, but Egwene ending up in the White Tower was a complete accident—a stroke of bad luck that actually turned out to be good luck. It makes you think about the designs of the Pattern and how much of what happens is the Wheel exerting its will on the threads of people’s lives.</p> <p>I also enjoyed the little interlude while Egwene waited for Siuan to join her at the meeting place. She reflected on how the gardeners and other servants keep the Tower running, as Amyrlins rise and fall and Tower politics continue on, and how in many ways they <em>are</em> the White Tower, more than any individual Aes Sedai. This is a reflection we see in other areas as well, when we encounter the people who run the palaces, manors, and other important places owned by the nobility.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>We’ll be moving on next week to cover chapters 40 and 41, and possibly 42, since it’s mostly action. The Seanchan attack that Egwene Dreamed of and Tuon set in motion in chapter 36 has come to pass, and no one is emerging from it unscathed.&nbsp;</p> <p>But before I bid you all a good week, I wanted to bring up one more thought. When Egwene is reflecting in the Tinker camp and reminding herself of what in life is really important, she takes a moment to interrogate her own motivations: whether she is fighting for the White Tower for power or pride, or if it’s because she truly believes that it is what is best for the world. Then she wonders if she is going to “to suck herself dry” in the fight.</p> <p>Siuan has also been warning Egwene, almost continually, about the dangers of stretching herself too thin, of taking on too much. This is compared to how Siuan fell, but it could also be compared to the way Rand is exhausting himself. In Rand’s case, he is fully expecting to die in the Last Battle, and does not see either the literal or moral reason to protect any reserves for himself. His view of himself is more pessimistic, more self-destructive, but is it very different from Egwene’s, really? How many times has she said that her death would be a victory? How often has she determined that there is no sacrifice too great for the good of the Tower, and the world?</p> <p>What if Rand isn’t the one to die at the Last Battle. What if… what if it was Egwene?</p> <p>This is one of those moments that feel a little silly, because I’m speculating about something that most, if not all, of my readers already know the answer to, but I have always felt that Rand’s death, narratively speaking, is unlikely. The more he is convinced he won’t make it, the more I am convinced that he will. From a storycraft perspective, it just makes sense to subvert that expectation.</p> <p>But it also makes sense that we will lose someone important in the Last Battle. Probably a few someones. And looking at Egwene’s journey, I can’t help but think that she is a prime candidate.</p> <p>And oh, how that would <em>hurt</em>.[end-mark]</p> <p>The post <a href="https://reactormag.com/reading-the-wheel-of-time-egwene-wears-green-metaphorically-in-the-gathering-storm-part-23/">Reading The Wheel of Time: Egwene Wears Green (Metaphorically) in &lt;i&gt;The Gathering Storm&lt;/i&gt; (Part 23)</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-egwene-wears-green-metaphorically-in-the-gathering-storm-part-23/">https://reactormag.com/reading-the-wheel-of-time-egwene-wears-green-metaphorically-in-the-gathering-storm-part-23/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846263">https://reactormag.com/?p=846263</a></p>
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Posted by Sarah

Books Horror

Otherworldly Wavelengths: 8 Books About Haunted Broadcasts

Stories of ghostly images and sinister sounds haunting the airwaves…

By

Published on April 21, 2026

Photo by Andrea De Santis [via Unsplash]

Photo of a collection of vintage radios stacked on top of each other

Photo by Andrea De Santis [via Unsplash]

Sometimes, when you tune in to the right station or the right channel at night, you might feel the shivery sensation of something out there tuning right back. It can be as innocent as a sitcom you’ve never seen before broadcast late at night, a weird story you hear breaking through the static on the AM radio, even a piece of music drifting out of nowhere when driving after dark.

It’s the feeling of something haunting you, lingering in the air through the sounds and images beamed to the electronics around you… a sense of tapping into something much larger and stranger than you could ever know. While that “haunting” isn’t necessarily real, a number of authors have taken that very distinctive sensation and woven it into their fiction. Here are eight books that dare to ask: When you tune into that strange, unnerving wavelength, what’s tuning into you?

Scanlines by Todd Keisling

cover of Scanlines by Todd Keisling

The Duncan Tape was an urban legend, a ghost story about a politician’s death on live TV. It remained a legend until Danny, Robby, and Jordan tried to download what they thought was porn from the internet only to be confronted with the footage from the Duncan Tape. This unleashes a string of horrible and tragic events, but this is no mere suburban Ringu riff. Scanlines instead deals with the very real and deeply wrenching feelings of depression, mental illness, loss of friends, and other mundane horrors in the most existentially raw horror novel this side of B.R. Yeager’s Negative Space. It’s a book about loss—of innocence, and far beyond—where the horror lingers on just as long as the image of Congressman Hardy’s grotesque spirit; it’s an absolute gut-punch in the guise of a haunted broadcast story.

Note: Due to the themes contained in the book, Scanlines warrants strong content warnings for loss, depression, mental illness, and suicide. Please read responsibly and at your own risk.


The Haunting of Camp Winter Falcon by Jonathan Raab

cover of The Haunting of Camp Winter Falcon by Jonathan Raab

A group of veterans are brought to Camp Winter Falcon, a military base in the Colorado mountains, for an experimental program that they are told will help them resolve their trauma and mental issues. As they’re put through their paces, it becomes clear that there’s much more than healing on the minds of those behind the Program: The sinister Malthus Corporation (a mainstay of Raab’s work) and even stranger supernatural entities reach out to the vets through a variety of recorded images. Something is broadcasting from the bowels of Camp Winter Falcon, creating a supernatural feedback loop and plunging the vets into a fight for their souls. Raab’s high strangeness and knack for conjuring up cursed images underscore the real horror here— a deeply realistic look at trauma and coming to terms with psychological issues from an author who perfectly blends empathy and weird psychedelic horror.


Kill Radio by Lauren Bolger

cover of Kill Radio by Lauren Bolger

Rory finds his estranged father’s handmade DIY radio in the closet, a relic of time his mother Rachelle spent with the man who harmed her in numerous, indelible ways. When the radio turns on, it releases a burst of static that summons hellhounds and causes bizarre events and demonic possession around Rory, Rachelle, and their loved ones. Their frantic search for a way to sever the cursed radio from its connection to Hell leads Rachelle and Rory to confront their past and rely on unlikely allies. While Bolger’s gift for the macabre is clear, it’s the lingering trauma that hangs over the horrifying proceedings and worms its way into even the most placid moments, the abuse that Rory and Rachelle escaped still leaving its marks from miles away.


Creeping Waves by Matthew M. Bartlett

cover of Creeping Waves by Matthew M Bartlett

Gateways to Abomination, Bartlett’s first foray into the unnerving world of Leeds, MA and its sinister radio station of WXXT was a self-published horror classic. Creeping Waves refined the premise, taking the reader on a guided tour of the town on the border of mind-shredding terror and chaos personally orchestrated by WXXT’s goat-man station director, Benjamin Scratch Stockton. With each unnerving vignette, characters appearing and disappearing as they go about their own days, Creeping Waves becomes a twisted Our Town, a portrait of a place where the radio inspires murderous rampages and townsfolk hold occult funerals, all connected by the deranged local radio station as it moves through its broadcast day, ensnaring the unsuspecting.


Lost Signals edited by Max Booth III and Lori Michelle

cover of Lost Signals anthology

The entirely of the “Haunted Technology” trilogy (Lost Signals, Lost Films, Lost Contact) from Booth and Michelle could claim a place on this list, given that haunted broadcasts tend to be a recurring theme throughout the themed anthologies, but it’s in the first book that there’s the strongest connection to the theme. In this wild whirl of the dial, you’ll find a memorable drive through the desert with a seemingly broken radio, occult pirate broadcasts, noir punctuated with apocalyptic pronouncements, and even wilder interpretations of the basic concept of a terrifying broadcast from beyond.

Standout Stories: “The Desert of Wounded Frequencies” by Betty Rocksteady, “The Night Wire” by H.F. Arnold


Ghost Radio by Leopoldo Gout

cover of Ghost Radio by Leopoldo Gout

Joaquin hosts Ghost Radio, “the scariest show on Mexican radio,” with his sound engineer Watt. Every night, people from all over call in to tell their ghost stories live on-air. When something sinister with ties to Joaquin’s past latches on to the signal from the show—something that hides in music and radio signals—it plunges Joaquin, Watt, and Joaquin’s girlfriend Alondra into a twisted underworld of ghosts, eccentric priests, corrupt cops, and the land of the dead. Gout weaves between multiple strands of narrative and Ghost Radio’s listener stories to construct a strange but vibrant occult portrait of Mexico City, one backed by an absolutely stacked soundtrack as befits a novel about sound and music.


“Lemon Heart” by Koji Suzuki

cover of Birthday by Koji Suzuki

Located within the Birthday collection, a series of interstitial stories set in the larger universe of Suzuki’s Ring books is “Lemon Heart,” an unusual gothic novella centered around the use of sound. In it, a former sound booth operator for a small theater company is contacted by a reporter, eager to hear stories of his young adulthood working for the theater company and his entanglement with its intern and lead actress, a strange young woman named Sadako. “Lemon Heart” is unnerving enough with its birth imagery, secret shrines, and Sadako’s lingering spirit in the present sections, but most unnerving is the explanation of her powers: she’s able to act like a psychic broadcast antenna and record herself into media—something that would later allow her to “infect” videotapes, books, and even the internet.


Nonesuch by Francis Spufford

cover of Nonesuch by Francis Spufford

As much a weird history novel as one involving haunted broadcasts, Nonesuch begins with aspiring financier Iris and her artist friend Eleanor. The two ditch a boring dinner and run to an underground gathering of artists, where they meet George and Frobisher, an engineer and announcer at the new television station at Alexandra Palace. A wild night of passion and several energetic collisions later and Iris has a sinister encounter with something not quite human, a new nemesis in the form of a posh fascist trying to use televisions to access an eldritch plane of existence, and an occult struggle she’s been dragged into against her will. Nonesuch is a strange book, at once cinematic in its visual flair and yet highly literary, epic but moving at a mile a minute as it whips through its gothic fantasy-adventure paces with bright energy and a wild sense of beauty and abandon—throughout it all, Spofford’s gift for a good image is unmistakable.[end-mark]


The post Otherworldly Wavelengths: 8 Books About Haunted Broadcasts appeared first on Reactor.

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Posted by Matthew Byrd

News Star Wars

Oscar Isaac Shares the Story Behind the “Somehow, Palpatine Returned” Line in The Rise of Skywalker

“Had you asked me if at that moment I thought that was going to be the line, I wouldn’t have known,”

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Published on April 20, 2026

Photo: Walt Disney Studios

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<p class="syndicationauthor">Posted by Matthew Byrd</p><p class="ljsyndicationlink"><a href="https://reactormag.com/oscar-isaac-story-behind-somehow-palpatine-returned-line/">https://reactormag.com/oscar-isaac-story-behind-somehow-palpatine-returned-line/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846343">https://reactormag.com/?p=846343</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/star-wars/" class="inline-block link-no-animation" aria-label="Link to term or tag Star Wars 1"> Star Wars </a> </span> </div> <h2 class="post-hero-title text-h1">Oscar Isaac Shares the Story Behind the &#8220;Somehow, Palpatine Returned&#8221; Line in <i>The Rise of Skywalker</i></h2> <div class="prose post-hero-description prose--post-hero">“Had you asked me if at that moment I thought that was going to be the line, I wouldn’t have known,”</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/matthew-byrd/" title="Posts by Matthew Byrd" class="author url fn" rel="author">Matthew Byrd</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 20, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo: Walt Disney Studios</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/oscar-isaac-story-behind-somehow-palpatine-returned-line/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 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17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/Poe-Dameron-740x450.png" class="w-full object-cover" alt="Oscar Isaac as Poe Dameron saying &quot;Somehow, Palpatine Returned&quot; in Rise of the Skywalker" srcset="https://reactormag.com/wp-content/uploads/2026/04/Poe-Dameron-740x450.png 740w, https://reactormag.com/wp-content/uploads/2026/04/Poe-Dameron-1100x669.png 1100w, https://reactormag.com/wp-content/uploads/2026/04/Poe-Dameron-768x467.png 768w, https://reactormag.com/wp-content/uploads/2026/04/Poe-Dameron.png 1415w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo: Walt Disney Studios</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>You would think that the most memorable scene from 2019’s <em>Star Wars: The Rise of Skywalker</em> would be the one that involves space horses (they&#8217;re actually called Orbaks and they&#8217;re <a href="https://www.inverse.com/article/60362-star-wars-space-horses-rise-skywalker-trailer-orbak-explained" target="_blank" rel="noreferrer noopener">not technically</a> riding in outer space). However, it&#8217;s arguably the moment when Oscar Isaac’s Poe Dameron utters the line “Somehow, Palpatine returned” in regard to the Emperor’s resurrection. At the very least, that has become the most memed line from the film. Well, in an interview on the <a href="https://www.youtube.com/watch?v=atIIaCYpnv0">Happy Sad Confused podcast</a>, Isaac explains the behind-the-scenes origins of that now-famous line.</p> <p>“Those were reshoots,” Isaac says in regard to a question about whether he remembers first seeing the line and recognizing its significance. “We had to do reshoots… those were like those surgical strikes where you come in and [everyone] is scrambling trying to get going… I think that had been a new addition at the end. There was a lot of movement and flux throughout that whole thing.”</p> <p>Isaac, who also recalls needing to use a wig for that scene as he had since gotten a haircut, goes on to say that the line&#8217;s legacy certainly caught him by surprise.</p> <p>“Had you asked me if at that moment I thought that was going to be the line, I wouldn’t have known,” Isaac says with a grin and a laugh. “But hey man, I committed to the exasperation, that’s for sure.”</p> <p>Unfortunately, it’s still not clear exactly why that particular line was added or how that sequence was going to play out before the reshoots. It’s also perhaps worth noting that the broadcast that seemingly let the galaxy know that Palpatine returned actually happened during <a href="https://www.forbes.com/sites/davidthier/2019/12/22/youll-only-understand-this-the-rise-of-skywalker-plot-point-if-you-play-fortnite/" target="_blank" rel="noreferrer noopener">a sponsored <em>Fortnite</em></a> event rather than in the movie itself. Perhaps that line was intended to serve as a stronger bridge between that canonical in-game event and the film. At the very least, it lets the audience know beyond any doubt that the resistance is also aware of what happened.</p> <p>In other Star Wars<em> </em>news, Isaac also mentioned that he was largely unaware of Steven Soderbergh’s now-canceled <a href="https://reactormag.com/the-hunt-for-ben-solo-lucasfilm-star-wars-script-disney/" target="_blank" rel="noreferrer noopener">Ben Solo movie</a> and says he found out about it around the same time the rest of the world did. That said, he says a Soderbergh Star Wars movie would be “amazing.”[end-mark]</p> <p>The post <a href="https://reactormag.com/oscar-isaac-story-behind-somehow-palpatine-returned-line/">Oscar Isaac Shares the Story Behind the &#8220;Somehow, Palpatine Returned&#8221; Line in &lt;i&gt;The Rise of Skywalker&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/oscar-isaac-story-behind-somehow-palpatine-returned-line/">https://reactormag.com/oscar-isaac-story-behind-somehow-palpatine-returned-line/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846343">https://reactormag.com/?p=846343</a></p>
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Posted by Vanessa Armstrong

News Hokum

Hokum Trailer Sees Adam Scott Surrounded By Dead Goats and an Evil Witch

A long time ago, there was a witch who scared the crap out of me in this trailer

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Published on April 20, 2026

Courtesy of Neon

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/hokum-trailer-adam-scott/">https://reactormag.com/hokum-trailer-adam-scott/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846280">https://reactormag.com/?p=846280</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/hokum/" class="inline-block link-no-animation" aria-label="Link to term or tag Hokum 1"> Hokum </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Hokum</i> Trailer Sees Adam Scott Surrounded By Dead Goats and an Evil Witch</h2> <div class="prose post-hero-description prose--post-hero">A long time ago, there was a witch who scared the crap out of me in this trailer</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 20, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Courtesy of Neon</p> </div> <div class="quick-access post-hero-quick-access 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fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="510" src="https://reactormag.com/wp-content/uploads/2026/04/Hokum_AdamScott_02-740x510.jpg" class="w-full object-cover" alt="Adam Scott covered in blood and/or mud in Hokum" srcset="https://reactormag.com/wp-content/uploads/2026/04/Hokum_AdamScott_02-740x510.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/Hokum_AdamScott_02-1100x758.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/Hokum_AdamScott_02-768x529.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/Hokum_AdamScott_02-1536x1059.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/Hokum_AdamScott_02.jpg 1600w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Courtesy of Neon</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The final trailer for <em><a href="https://reactormag.com/hokum-teaser-trailer-adam-scott/" target="_blank" rel="noreferrer noopener">Hokum</a></em>, a horror film starring Adam Scott as a reclusive novelist who goes to an Irish inn that has a surprisingly large number of dead goats around it, lets us know in no uncertain terms that this movie will scare the socks off of you.</p> <p>(It also delivers the perfect backhanded threat: “Go home, while you still look like your passport picture.” Sick burn—NO ONE looks good in a passport photo!)</p> <p>The Neon film comes from writer-director Damian McCarthy, whose previous credits include <em>Caveat </em>and <em>Oddity</em>. In it, Scott’s character is at the inn to scatter his parents’ ashes. While there, he finds out one of the hotel’s staff is missing (and there are a bunch of dead goats scattered around, if the trailer is any indication), and that the inn is/was the home of an ancient evil witch.</p> <p>The film looks like solid horror fare from the trailer, and it’s interesting to see Scott (<em>Severance</em>, <em>Parks and Recreation</em>) play an unlikable character the audience ultimately roots for. The movie also apparently has something for everyone—while the final trailer doesn’t reflect this, McCarthy has said that the film has some good laughs, not just evil chortles from the ancient witch taking up space in Ohm’s room at the inn.</p> <p>In addition to Scott, <em>Hokum </em>stars Peter Coonan, David Wilmot, Florence Ordesh, Will O’Connell, and Michael Patric. It premieres in theaters on May 1, 2026.</p> <p>Check out the final trailer below.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18430"/> </div></figure> <p>The post <a href="https://reactormag.com/hokum-trailer-adam-scott/">&lt;i&gt;Hokum&lt;/i&gt; Trailer Sees Adam Scott Surrounded By Dead Goats and an Evil Witch</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/hokum-trailer-adam-scott/">https://reactormag.com/hokum-trailer-adam-scott/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846280">https://reactormag.com/?p=846280</a></p>
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Posted by Vanessa Armstrong

News Practical Magic 2

Practical Magic 2 Teaser Doesn’t Reveal Plot But Delivers on Magically Wry Humor

Sandra Bullock and Nicole Kidman are also on point reprising their roles as Sally and Gillian Owens

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Published on April 20, 2026

Photo: Warner Bros. Pictures

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/practical-magic-2-teaser/">https://reactormag.com/practical-magic-2-teaser/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846271">https://reactormag.com/?p=846271</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/practical-magic-2/" class="inline-block link-no-animation" aria-label="Link to term or tag Practical Magic 2 1"> Practical Magic 2 </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Practical Magic 2</i> Teaser Doesn’t Reveal Plot But Delivers on Magically Wry Humor</h2> <div class="prose post-hero-description prose--post-hero">Sandra Bullock and Nicole Kidman are also on point reprising their roles as Sally and Gillian Owens</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 20, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo: Warner Bros. 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="496" src="https://reactormag.com/wp-content/uploads/2026/04/PM2-TP-010r-740x496.jpg" class="w-full object-cover" alt="(L-R) NICOLE KIDMAN as Gillian Owens and SANDRA BULLOCK as Sally Owens in “Practical Magic 2,” a Warner Bros. Pictures release." srcset="https://reactormag.com/wp-content/uploads/2026/04/PM2-TP-010r-740x496.jpg 740w, https://reactormag.com/wp-content/uploads/2026/04/PM2-TP-010r-1100x737.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/04/PM2-TP-010r-768x515.jpg 768w, https://reactormag.com/wp-content/uploads/2026/04/PM2-TP-010r-1536x1029.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/04/PM2-TP-010r.jpg 1579w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo: Warner Bros. Pictures</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The much-anticipated <em>Practical Magic</em> sequel is almost upon us! Sort of. We still have a few months until <em><a href="https://reactormag.com/the-aunts-are-back-for-practical-magic-2/" target="_blank" rel="noreferrer noopener">Practical Magic 2 </a></em><a href="https://reactormag.com/the-aunts-are-back-for-practical-magic-2/" target="_blank" rel="noreferrer noopener">hits theaters</a>, but what’s a dozen or so weeks compared to almost thirty years of waiting?</p> <p>While we count down the minutes, we got a teaser trailer today that confirms that the movie is actually, definitely happening. In it, we see Sandra Bullock and Nicole Kidman reprising their roles as the Owens sisters to perfection, and we also get a glimpse of Lee Pace nonchalantly taking in the information that anyone who falls in love with an Owens dies. Stockard Channing and Dianne Wiest also make appearances in their former roles, as do actors Joey King and Maisie Williams, who, at one point, are about to take to the sky with their mothers/aunts via umbrellas, Mary Poppins-style. Last but not least, we also briefly see Xolo Maridueña whisk one of the young women off their feet.</p> <p>There’s also some snippets of spooky magic stuff, but not much. And as for the plot? It’s not clear! All we have so far is this teaser, which doesn’t give us much of anything except (much appreciated) vibes, and this logline: “The Owens sisters must confront the dark curse that threatens to unravel their family once and for all.”</p> <p>Sounds ominous, but if this teaser is any indication, <em>Practical Magic 2</em> will be more delightful than dark.</p> <p><em>Practical Magic 2</em> is directed by Susanne Bier, with a script by Akiva Goldsman and Georgia Pritchett. It’s set to premiere in theaters on September 18, 2026. Check out today’s teaser below.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18428"/> </div></figure> <p>The post <a href="https://reactormag.com/practical-magic-2-teaser/">&lt;i&gt;Practical Magic 2&lt;/i&gt; Teaser Doesn’t Reveal Plot But Delivers on Magically Wry Humor</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/practical-magic-2-teaser/">https://reactormag.com/practical-magic-2-teaser/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846271">https://reactormag.com/?p=846271</a></p>
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Posted by Matthew Byrd

News Divergent

Veronica Roth Announces New Divergent Books That Will Explore an Alternate Universe

The alternate universe novels will explore what may have happened if Beatrice joined a different faction

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Published on April 20, 2026

Image: Lionsgate

Divergent aptitude test

Image: Lionsgate

In a surprise announcement at BookCon 2026, author Veronica Roth announced that she is working on two new entries in the Divergent series that will re-imagine the events of the original books in a kind of “What if?” scenario.

For those who need a refresher (or are simply unfamiliar with the books), the first entry in the series is set in a post-apocalyptic version of Chicago ruled by five factions. Either you join one of those factions, or you are softly exiled into a hard life. The series follows a young woman named Beatrice Prior who decides to join the Dauntless faction despite receiving unusual test results that she decides to hide.

According to Roth, these two new books (which will begin with an entry titled “The Sixth Faction”) will explore what may have happened if Beatrice did not choose the Dauntless faction at the start of the novels. What exactly that means for her arc is a fascinating question that Roth is clearly not prepared to answer quite yet. However, the author has hinted that fans shouldn’t expect a complete reinvention of the original story, but rather a different perspective.

“For existing fans, I’m excited for them to see how the old and the new fold together,” Roth stated. “You’d think that certain things wouldn’t happen because she makes a different faction choice, but she does find her way to the same people. Seeing how that happens is a really fun part of it.”

This project also offers Roth the chance to address certain criticisms of the original story she feels were valid.

“Mentally, it was helpful for me to be like, ‘You can do it better now,’” Roth says in an interview with Elle. “‘You’ve grown so much, and you should appreciate that. So what would you do now?’”

Roth does not elaborate on which specific criticisms she intends to address, but did state that she doesn’t intend to seriously change the “silly” tone of the novels, as she believes that “What works about Divergent is some of the cheesiness. You need it to be fun and sexy and romantic; that’s part of what people love about it. So don’t be so critical that you suck the life out of it.”

Roth also admits she’s nervous about what has been described as something of an experiment, which makes sense given the nature of this project and the expectations that will surely follow. Roth’s description of these works makes them sound more like a “Director’s Cut” that aims to reframe the original story with new material. However, the idea of revisiting it through the lens of the eventual response to it is almost closer to the way Stephen King rewrote significant portions of The Gunslinger or the ways J.R.R. Tolkien updated The Hobbit. Yet, even those cases were largely intended to address lore and continuity issues. The supposed scope and setup of these reimagined Divergent books remains a potentially exciting approach that will be fascinating to see unfold.

The Sixth Faction is expected to be released on October 6, 2026.[end-mark]

The post Veronica Roth Announces New Divergent Books That Will Explore an Alternate Universe appeared first on Reactor.

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Posted by Sarah

Books SFF Bestiary

Playing Dr. Watson to a Cat: Lilian Jackson Braun’s Cat Who… Series

Come for the whodunit, stay for the mystery-solving cat…

By

Published on April 20, 2026

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/playing-dr-watson-to-a-cat-lilian-jackson-brauns-cat-who-series/">https://reactormag.com/playing-dr-watson-to-a-cat-lilian-jackson-brauns-cat-who-series/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846196">https://reactormag.com/?p=846196</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/sff-bestiary/" class="inline-block link-no-animation" aria-label="Link to term or tag SFF Bestiary 1"> SFF Bestiary </a> </span> </div> <h2 class="post-hero-title text-h1">Playing Dr. Watson to a Cat: Lilian Jackson Braun’s <i>Cat Who…</i> Series</h2> <div class="prose post-hero-description prose--post-hero">Come for the whodunit, stay for the mystery-solving cat&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/judith-tarr/" title="Posts by Judith Tarr" class="author url fn" rel="author">Judith Tarr</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 20, 2026 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex 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11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2026/04/cat-who-could-read-backwards-header-740x407.png" class="w-full object-cover" alt="cover of The Cat Who Could Read Backwards by Lilian Jackson Braun" srcset="https://reactormag.com/wp-content/uploads/2026/04/cat-who-could-read-backwards-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2026/04/cat-who-could-read-backwards-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2026/04/cat-who-could-read-backwards-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2026/04/cat-who-could-read-backwards-header.png 1400w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>And now for something a little bit different. We’re still on fantastical cats, and we’re still in genre, but we’ve stepped sideways into mystery. There’s a fair bit of cross-fertilization, and cat mysteries are one place where it happens.</p> <p>Mystery series are like potato chips. You start one, you end up scarfing down the whole bag. You come for the whodunit, but you stay for the characters and the setting and the author’s voice. Voice is big in mystery.</p> <p>The books are short, which makes it easier to crunch one down and grab another right after it. You get your closure, you find out who did it, but there will be connections with the previous volume and the next one, usually having to do with the lives of the characters. You get invested in them, and you want to follow them as far as they’ll go.</p> <p>When one of those characters is a cat, there’s added fun, with a taste (large or small) of fantasy. Lilian Jackson Braun is one of the grande dames of the cat-sleuth subgenre; her main cat-character, Kao K’o Kung, or Koko for short, is a poet-prince of cats, a regal Siamese who dines on filet mignon and who solves crimes with inimitable panache. After the first couple of volumes of 29, he gains a companion, a lady Siamese named Yum Yum, but she is a much more normal feline who mostly sleeps and eats and does cat things.</p> <p>We first meet Koko in <em><a href="https://bookshop.org/p/books/the-cat-who-could-read-backwards-lilian-jackson-braun/1c861ae99a83fa38" target="_blank" rel="noreferrer noopener">The Cat Who Could Read Backwards</a></em>, which was published in 1966. Koko’s human sidekick is a newspaper reporter named Jim Qwilleran, Qwill to his friends. Qwill has circled the drain of the job market, probably because of an alcohol problem that he has managed to get under control—throughout the series, he takes care to stick to tomato juice, fruit juice, and what he calls poor man’s champagne: ginger ale. He’s been reduced to writing feature articles on the arts scene in an unnamed Midwestern city.</p> <p>His first assignment for his new job leads him to the infamous art critic for the paper, who becomes his landlord, and who shares the apartment upstairs with Koko. Qwill is not exactly a cat person, but he gets along with Koko, and he pays attention—eventually—when the cat points him toward the solutions to various mysteries and murders.</p> <p>Koko is considerably smarter than the average cat. He has acute senses and extreme athleticism like all cats, but he goes well above and beyond. For one thing, he can read.</p> <p>Not only that, he reads backwards. When presented with the daily paper, he scans the headlines from right to left, and he lets it be known if there’s something significant in a particular article. The humans may take a while, sometimes a long while, to figure it out, but that’s not Koko’s fault.</p> <p>Koko knows things. He finds clues, picks up signals that the humans miss, and leads them toward the murderer or the thief or the stolen object. He does it with body language and expression, and often with the operatic voice that Siamese are notorious for. Koko’s yowl can be heard several hundred feet away, through walls and doors.</p> <p>Qwill is his Watson. Like many film-Watsons, notably Nigel Bruce, Qwill is most easily identified by his moustache, though his is more luxuriant than Bruce’s. It is, in fact, sentient, and it alerts him to clues and directs him toward mysteries and their solutions.</p> <p>In that he’s like Koko. Koko, we learn as the series evolves, has an unusual number of whiskers. The average cat, according to Braun, has 48, but Koko has 60. The extra dozen seem to contain, or at least indicate, extrasensory powers.</p> <p>According to a police detective whom the pair encounter later on in the series, Koko is psychic. Qwill however clings to skepticism. He doesn’t know how Koko does what he does, but he refuses to believe that there’s anything paranormal about it.</p> <p>In that he’s a man of the modern world. He’s a news reporter by inclination, despite his persistent sidetracking into feature articles. He wants facts and just facts. He knows that Koko finds clues that humans miss; he has ongoing proof that the cat’s extraordinary senses (whether natural or supernatural) allow him to make connections beyond the ordinary or the obvious.</p> <p>He accepts the reality of Koko’s talents, whatever their origins. Like Dr. Watson before him, he looks after the great detective, indulges his quirks and foibles, and does legwork when and as needed. He never truly understands the detective’s mind or his thought process, but he doesn’t need to. It’s the results that matter.</p> <p>And results he gets. <a href="https://www.goodreads.com/series/41015-the-cat-who" target="_blank" rel="noreferrer noopener">Twenty-nine novels’ worth</a>, and a thirtieth that was written but not published before Braun’s death in 2011. It’s always sad to come to the end of a detective series, and to have to say farewell to the characters and the setting. Especially when the main character is a superintelligent Siamese cat with an entourage of quirky and comical humans.[end-mark]</p> <p>The post <a href="https://reactormag.com/playing-dr-watson-to-a-cat-lilian-jackson-brauns-cat-who-series/">Playing Dr. Watson to a Cat: Lilian Jackson Braun’s &lt;i&gt;Cat Who…&lt;/i&gt; Series</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/playing-dr-watson-to-a-cat-lilian-jackson-brauns-cat-who-series/">https://reactormag.com/playing-dr-watson-to-a-cat-lilian-jackson-brauns-cat-who-series/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846196">https://reactormag.com/?p=846196</a></p>
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News Elden Ring

Elden Ring Movie Cast Revealed as Dark Fantasy Epic Gets 2028 Theatrical Release Date

Alex Garland’s adaptation of the acclaimed game is shaping up nicely

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Published on April 20, 2026

Image: Bandai Namco

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<p class="syndicationauthor">Posted by Matthew Byrd</p><p class="ljsyndicationlink"><a href="https://reactormag.com/elden-ring-movie-cast-release-date/">https://reactormag.com/elden-ring-movie-cast-release-date/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846201">https://reactormag.com/?p=846201</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/elden-ring/" class="inline-block link-no-animation" aria-label="Link to term or tag Elden Ring 1"> Elden Ring </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Elden Ring</i> Movie Cast Revealed as Dark Fantasy Epic Gets 2028 Theatrical Release Date</h2> <div class="prose post-hero-description prose--post-hero">Alex Garland&#8217;s adaptation of the acclaimed game is shaping up nicely</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/matthew-byrd/" title="Posts by Matthew Byrd" class="author url fn" rel="author">Matthew Byrd</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 20, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Image: Bandai Namco</p> </div> <div 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14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img fetchpriority="high" decoding="async" width="740" height="408" src="https://reactormag.com/wp-content/uploads/2026/04/Elden-Ring-1-740x408.png" class="w-full object-cover" alt="Screenshot from the Video Game Elden Ring" srcset="https://reactormag.com/wp-content/uploads/2026/04/Elden-Ring-1-740x408.png 740w, https://reactormag.com/wp-content/uploads/2026/04/Elden-Ring-1-1100x606.png 1100w, https://reactormag.com/wp-content/uploads/2026/04/Elden-Ring-1-768x423.png 768w, https://reactormag.com/wp-content/uploads/2026/04/Elden-Ring-1-1536x847.png 1536w, https://reactormag.com/wp-content/uploads/2026/04/Elden-Ring-1.png 1575w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Image: Bandai Namco</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Writer and director <a href="https://reactormag.com/alex-garland-will-direct-a24s-elden-ring-adaptation/" target="_blank" rel="noreferrer noopener">Alex Garland’s <em>Elden Ring</em> adaptation</a> got a major update today as A24 revealed the dark fantasy film’s release date, format, and full cast list.</p> <p>At present, A24 says the <em>Elden Ring</em> movie is set to be released in theaters on March 3, 2028. The studio also said that the movie is being filmed for IMAX, which perhaps speaks to both the scope of the project and the success of A24’s previous IMAX new releases and re-releases. It’s also worth noting that Alex Garland’s <em>Civil War</em> was previously one of A24’s most expensive productions (before <em>Marty Supreme</em> surpassed it in 2025), and early rumors suggest that <em>Elden Ring </em>is expected to become the studio’s most expensive film by some distance. If nothing else, its IMAX release supports the idea that the studio sees this as an epic. </p> <p>More impressive than the film’s rumored scope may is its cast. Here is the full confirmed cast for the <em>Elden Ring</em> movie as revealed by A24 and publisher Bandai Namco:</p> <ul class="wp-block-list"> <li>Kit Connor</li> <li>Ben Whishaw</li> <li>Cailee Spaeny</li> <li>Tom Burke</li> <li>Havana Rose Liu</li> <li>Sonoya Mizuno</li> <li>Jonathan Pryce</li> <li>Ruby Cruz</li> <li>Nick Offerman</li> <li>John Hodgkinson</li> <li>Jefferson Hall</li> <li>Emma Laird</li> <li>Peter Serafinowicz</li> </ul> <p>The cast order above is the same that was shared on the <a href="https://en.bandainamcoent.eu/elden-ring/news/alex-garlands-elden-ring-theaters-3328-filmed-imaxr-production-underway-full-cast" target="_blank" rel="noreferrer noopener">Bandai Namco website</a> and is presented here in the same format due to its potential implications. Specifically, Kit Connor is presented as the film’s lead, with Tom Burke, Ben Whishaw, and Cailee Spaeny all seemingly positioned as co-leads. Jonathan Pryce, Nick Offerman, John Hodgkinson, and Emma Laird all certainly stand out from the rest of the cast list, though it’s very much worth noting that none of these actors&#8217; roles have been confirmed at this time. Given the desolate nature of the game’s world and the relatively minimal nature of its leading and supporting character list, it will be interesting to see how many of those actors will be playing existing characters and how many will be portraying new faces.</p> <p>For those who aren’t familiar with <em>Elden Ring</em>… well, we’ll just have to do something about that sometime down the line. For now, it’s enough to know that <em>Elden Ring</em> was a 2022 open-world action-adventure RPG developed by FromSoftware Inc. (the developers behind the <em>Dark Souls </em>franchise and <em>Bloodborne</em>). Like many of the studio’s other recent games, <em>Elden Ring</em> is a notoriously difficult experience that pushes you to your limits as you try to find possible solutions to seemingly impossible scenarios. It may also be the studio’s masterpiece. One of the most widely acclaimed games ever made, <em>Elden Ring</em> also went on to become one of the best-selling video games ever.</p> <p>Expectations are understandably high for this adaptation, as are hopes for what Alex Garland will do with this world, that is perhaps best compared to movies like <em>The Green Knight</em> and novels such as <em>Between Two Fires</em>. At least we now know when we’ll be able to see if this adaptation will live up to some considerable hype.[end-mark]</p> <p>The post <a href="https://reactormag.com/elden-ring-movie-cast-release-date/">&lt;i&gt;Elden Ring&lt;/i&gt; Movie Cast Revealed as Dark Fantasy Epic Gets 2028 Theatrical Release Date</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/elden-ring-movie-cast-release-date/">https://reactormag.com/elden-ring-movie-cast-release-date/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846201">https://reactormag.com/?p=846201</a></p>
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Posted by Molly Templeton

News What to Watch

What to Watch and Read This Weekend: Details, Details, Details (and an Intriguing Hamlet)

Though this be madness, yet there is method in’t.

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Published on April 17, 2026

Screenshot: Vertical

Riz Ahmed in Hamlet

Screenshot: Vertical

Tax day has come and gone, and I am the poorer (and grumpier) for it. It will be a weekend of not doing things—but perhaps, instead, reading things, or watching things on streaming platforms for which I have already paid, wisely or unwisely. Thankfully, there are piles and piles of things with which to keep myself more than occupied. New books! New movies! Little pieces of books! Little tidbits about video games! What does that mean? You’ll see. As ever, hug your friends, call your reps, and for those of you enduring allergy season, always buy the good tissues. It’s worth it. 

This Is What the Internet Is For: The Fountain Pens of Video Games

Even now, when the internet is full of fakery and nonsense, violence, monetized spam, and horrors, sometimes it’s still good. Case in point: This brief and perfect Aftermath piece, “The Fountain Pens of Video Games.” It does exactly what it says on the tin: There is a drawing of some of said pens, and a brief write-up explaining how writer/illustrator Nicole Carpenter began to notice the pens everywhere from Red Dead Redemption to Animal Crossing: New Horizons. It’s lovely. It’s perfect. Everyone should write little pieces about the things they notice and appreciate. That’s the good stuff.

In This House, It Is James S.A. Corey Week

It’s not like James S.A. Corey is a small-time newbie writer who needs a ton of attention in order to get eyes on his—their—new book. But all the same, I need to yell for two minutes about The Faith of Beasts, the second book in Corey’s Captive’s War series, which came out on Tuesday, and which I genuinely did not want to put down. It delivers on the promise of the first book, The Mercy of Gods, and then some. If you liked The Expanse; if you like to think about how people survive in impossible situations; if you like pragmatic characters who sometimes make terrible choices because there are no good ones; if you like characters, period, and also some really, really alien aliens: This series might be for you.

Now I just have to wait, ever so patiently, for the third one. (And for Daniel Abraham’s third Kithamar book. It’s honestly a toss-up which of those I’m more excited about. Both? It can be both.)

To See or Not To See: Hamlet

A while ago, I groused about celebrity Hamlets. There have been so many. So very, very many. I saw Oscar Isaac do Hamlet in his tighty-whities; I saw the incredible Ruth Negga as Hamlet at the very beginning of March in 2020 (eep) and I felt like I was done. But I was wrong. I had not counted on Riz Ahmed doing Hamlet. This, I will watch. This version, directed by Oscar winner Aneil Karia and written by Michael Lesslie (Now You See Me: Now You Don’t), is set in modern-day London and co-stars Morfydd Clark (TV’s Galadriel) as Ophelia. According to IndieWire, the reason to see it is Ahmed, who “pours everything he has into his shot at the foundational role of Western drama, and both Shakespeare and Ahmed acolytes will want to experience his stellar delivery of the play’s most iconic monologue while speeding down a highway with his hands removed from the steering wheel.” That’s reason enough for me. Hamlet is now in theaters.

Reading All of the Book Has Its Perks

I am one of those folks who reads everything in the book: prologue, endnotes, foreword, acknowledgements, author’s note, dedication. I love a good dedication! I wish I could remember which book it was where the author dedicated her work to spite. That’s beautiful. If you also enjoy dedications, the critic Molly Young has rounded up quite a collection of them, in two parts, at her newsletter. There are a few SFF folks in the mix, including Julia Armfield, Gene Wolfe, and Joe Abercrombie, but to be honest it kind of doesn’t matter whether you know the composers of the dedications or not. Reading them is like peering in the windows of the houses of strangers: a quick glimpse of something personal, rendered oddly public. And sometimes funny. My favorite in the latest group might be Diane Wakoski’s dedication in her book The Motorcycle Betrayal Poems: “This book is dedicated to all those men who betrayed me at one time or another, in hopes they will fall off their motorcycles and break their necks.” Clear! Biting! Unyielding! On theme! But really they’re all so good. [end-mark]

The post What to Watch and Read This Weekend: Details, Details, Details (and an Intriguing Hamlet) appeared first on Reactor.

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Posted by Stefan Raets

Excerpts Science Fiction

Read an Excerpt From And Side by Side They Wander by Molly Tanzer

An intergalactic art heist by a ragtag group of underqualified misfits. What could go wrong?

By

Published on April 16, 2026

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-and-side-by-side-they-wander-by-molly-tanzer/">https://reactormag.com/excerpts-and-side-by-side-they-wander-by-molly-tanzer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=845723">https://reactormag.com/?p=845723</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/fictions/excerpts/" class="inline-block link-no-animation" aria-label="Link to term or tag Excerpts 0"> Excerpts </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/science-fiction/" class="inline-block link-no-animation" aria-label="Link to term or tag Science Fiction 1"> Science Fiction </a> </span> </div> <h2 class="post-hero-title text-h1">Read an Excerpt From <i>And Side by Side They Wander</i> by Molly Tanzer</h2> <div class="prose post-hero-description prose--post-hero">An intergalactic art heist by a ragtag group of underqualified misfits. What could go wrong?</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-tanzer/" title="Posts by Molly Tanzer" class="author url fn" rel="author">Molly Tanzer</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 16, 2026 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/excerpts-and-side-by-side-they-wander-by-molly-tanzer/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" 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post-hero-image"> <img decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2026/04/And-Side-by-Side-They-Wander-header-740x407.png" class="w-full object-cover" alt="Cover of And Side by Side They Wander by Molly Tanzer." srcset="https://reactormag.com/wp-content/uploads/2026/04/And-Side-by-Side-They-Wander-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2026/04/And-Side-by-Side-They-Wander-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2026/04/And-Side-by-Side-They-Wander-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2026/04/And-Side-by-Side-They-Wander-header.png 1400w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We&#8217;re thrilled to share an excerpt from <em><a href="https://us.macmillan.com/books/9781250382061/andsidebysidetheywander/" target="_blank" rel="noreferrer noopener"><strong>And Side by Side They Wander</strong></a></em> by Molly Tanzer, a space opera that meditates on the nature of love, life and the &#8220;culture of the copy&#8221;—out from Tordotcom Publishing on May 19th.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>For three hundred years, humanity’s greatest works of art have been on loan at the Greenwood Museum. It was finally time for them to come home&#8230;but the alien curators were disinclined to return them.<br><br>Force was out of the question. Earth’s government was clear: They were not going to press the issue. So, all we had was guile and hubris to fuel our little intergalactic art heist.<br><br>My old friend Tarquin was our leader, but not the captain. That was Tchik-tchik, though whether Tchik-tchik was our insectoid pilot’s name or species is still unclear to me. Misora, with her extremely illegal biotech mods, was our muscle.<br><br>Jack was there to hack the security systems of the biggest museum in the galaxy. He was a sensynth, a sentient synthetic being, and the most powerful machine intelligence on Earth uncorrupted by alien technology.<br><br>My name is Fennel Tycho. I’d like to tell you I was there because of my expertise in Art History. Truth is, I was there because without me, Jack would not have agreed to go. He was notorious for being difficult to work with—but it was a mistake to think I could make things any easier.</p></blockquote></figure> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading has-text-align-center">1</h3> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p>There were five of us on the spaceship, more or less: Tarquin Lennox, Tchik-tchik, Arakachi Misora, Jack Kirby, and me.</p> <p>Our destination was the Greenwood, a museum on the other side of our galaxy. Earth’s greatest works of art were currently on loan there, and had been for nearly three hundred years. We—humanity, I mean—had approved their removal. Unfortunately for us, the museum’s founders and curators, the Celerians, were disinclined to give them back. All available evidence led to the conclusion that they’d never actually intended to do so—at least not on any timeline other than their own. </p> <p>Our options were limited. A show of force from Earth was impossible, laughable. Not because Celerian technology was unbelievably more advanced than our own, though it was, but because ours was built on theirs, using their techniques, their code, their proprietary materials. They’d reminded us of this when we’d objected to their refusal to return what was ours. It would be no trouble for them to completely and permanently disable our whole planet from across the galaxy. They offered to prove it, if we wanted to pursue the matter.</p> <p>We chose not to.</p> <p>The Celerians accused us of ingratitude, which wasn’t fair. We weren’t ungrateful. Humanity’s continued existence proved that. Back in the twenty-first century, the Celerians had helped us save ourselves from ourselves. In the scorching summer of 2037 they’d come in silver ships that looked exactly and nothing like we’d imagined in our science fictions. The same went for the people inside: like us, the Celerians were bipedal, minimally dimorphic, and warm blooded. Unlike us, they were covered in fine, lustrous gray fur and had prehensile tails, perfect for swinging through the trees they so loved.</p> <p>They came in peace, they said, and with an offer: if we trusted them with the stewardship of Earth’s art, they would provide us with the solutions to our multifarious but solvable problems. They were preservationists, they said. They wanted to protect humanity’s legacy, for the benefit of the universe, and from our own recklessness.</p> <p>Not all species are art-makers—at least not the visual arts, which the Celerians claimed was the rarest and most precious impulse of all. They had made it their mission to help those with the inclination. Art is a perishable thing, they said. We humans might marvel at our petroglyphs and pyramids, but in truth they have existed for only a moment of deep time. If we destroyed ourselves, even our more durable accomplishments would one day cease to exist. It would be as if they never were.</p> <p>The Celerians could ensure their survival. They were a truly ancient species. They’d built their museum long before Earth’s Cambrian Explosion, and in all that time it had never come to any harm.</p> <p>The arrangement wouldn’t last forever, not if we didn’t want it to. At least, that’s what they said. Once Earth was a safer place for our art—and our art-makers, those too, naturally—we could have it back. In the meantime, they would provide us with a universal vaccine, translation implants, an algae that fed on the plastics clogging our oceans, and the remarkable organic computers we called genesis trees. These biotechnological marvels were crucial to our species’ recovery. Not only did they act as carbon scrubbers with their enhanced photosynthesis, they could be programmed to provide clean energy, and grow just about anything from personal communication devices to replacement bones and organs. They could even be used for sustainable housing.</p> <p>The Celerians would also provide us with synthetic reproductions of the art they wanted to borrow, compositionally identical to the originals. Functionally the same, they claimed, and as many copies as we wanted. Every museum in the world could have its very own <em>The Birth of Venus</em>, every city its own Obelisk of Theodosius. So could every collector—at least, those with enough influence make their desire known to the right people.</p> <p>It was a tempting offer. Along with all the other problems facing Earth at the time, sea level rise was threatening the museums of New York, London, Paris. Many of the more famous works of art had already been relocated. It was increasingly difficult to keep even small spaces climate controlled and free of ever more aggressive molds and microbes.</p> <p>After some debate, Earth’s leaders said yes.</p> <p>The Celerians were delighted. They made their selections, gave us everything they promised, and disappeared, telling us to “get in touch” when we’d fixed things.</p> <p>Well, we’d fixed things. It took a few centuries, but we got there. Mostly. By the Celerians’ own standards, our climate-stabilized planet, where poverty was only a memory, was finally safe for our population and our paintings, our monuments, our pottery, and our sculptures. When we proudly told them this, via the ansible they’d gifted us, the response was not what we expected. </p> <p>They said <em>no</em>. Actually what they said, before the conversation deteriorated into threats, was that they had no immediate plans to visit our part of the galaxy anytime soon. That’s why a group of us decided if they wouldn’t come to us, we’d to go to them.</p> <p>My old friend Tarquin was our expedition’s leader, but he wasn’t the captain. That was Tchik-tchik, a designation that seemed to refer to both the individual we were working with, and their species as a whole. It was their ship. Humanity had managed some interstellar travel, but our vessels were not yet capable of journeys of such distance.</p> <p>I admit I found Tchik-tchik terrifying. They were the first alien I’d met, ever. I’d never even heard of the Tchik-tchik before this voyage. My reaction might have been mere xenophobia, but also, they were well over two meters tall, with an insect-like appearance: many arms, segmented body, clacking mandibles. The Tchik-tchik are not insects, which to my mind makes the similarities worse.</p> <p>Misora was our “muscle,” as Tarquin put it, as if we were in an old heist movie. She was an ori-jin, a set of sextuplets folded into a single body using extremely illegal biotech, and an 8th dan in Goju-Ryu karate. I have no idea where Tarquin found her, but he had ever been an aristocrat and man of the world, and thus kept unusual company.</p> <p>Amusingly, in manners and appearance, Misora was the least threatening person aboard. She was bubbly, tanned, and sported a bleach-blonde ponytail. She could, however, rip any of us apart, even when there was just one of her. I saw her working out a few times. She was pure muscle.</p> <p>And then there was Jack.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/And-Side-by-Side-They-Wander.jpg" class="attachment-full size-full" alt="Cover of And Side by Side They Wander by Molly Tanzer." /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <!-- <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/And-Side-by-Side-They-Wander.jpg" class="attachment-full size-full" alt="And Side by Side They Wander" /> --> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/And-Side-by-Side-They-Wander.jpg" class="attachment-full size-full" alt="Cover of And Side by Side They Wander by Molly Tanzer." role="presentation" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">And Side by Side They Wander</h3> <p class="shop-the-book-author">Molly Tanzer</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1776698009" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1776698009" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner testclass"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="icon-close"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/And-Side-by-Side-They-Wander.jpg" class="attachment-full size-full" alt="And Side by Side They Wander" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/And-Side-by-Side-They-Wander.jpg" class="attachment-full size-full" alt="And Side by Side They Wander" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">And Side by Side They Wander</h3> <p class="shop-the-book-modal-author">Molly Tanzer</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0FMSBLGQL?tag=tordotcomgeneral-20" data-book-title="And Side by Side They Wander" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9781250382054" data-book-title="And Side by Side They Wander" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9781250382061" data-book-title="And Side by Side They Wander" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9781250382054" data-book-title="And Side by Side They Wander" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9781250382054" data-book-title="And Side by Side They Wander" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>Jack was a sensynth, a sentient synthetic being who could interface with computer systems with a supercomputer’s speed and a human’s intuition. Most importantly, Jack had been constructed way back in the twenty-first century. He was the most powerful machine intelligence on Earth without any Celerian augments, which meant there was no worry our alien adversaries could brick him if they caught us.</p> <p>My name is Fennel Tycho, and my role was much less exciting. If you recognize my name, especially in conjunction with Jack’s, you might guess what I was there to do. I was at one time Jack’s attaché, his liaison, his handler—though that term is a fraught one, given the scandal that led to my dismissal. Perhaps I shouldn’t assume you’ll be familiar with the entire affair, to use yet another uncomfortable double entendre.</p> <p>This is my chance to tell my side of the story. Finally; I was not allowed to give interviews at the time. Or now, technically. Ah, well. Even if I wasn’t beyond the reach of the nondisclosure agreements I signed, I’m certainly past caring about them.</p> <p>I realize I’ve begun in the middle of things. It’s difficult to know where to start. I can’t actually assume anything about who will find this recording, if anyone ever does. You might be a fellow human who already knows how we pawned our past for a shot at a future; you may be a Celerian, smiling at my naïveté. Or you might be some unknown-to-me race of starfarers, millennia from now, when all that remains of me is this tale to be deciphered. There won’t be any bones.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <div style="height:25px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading has-text-align-center">2 </h3> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p>The Tchik-tchik vessel was all curves; no right angles or hard lines anywhere. The dark, subtly shimmering interior was made of a slick material that felt oily to my fingers. There were no adornments anywhere, no personal touches. What little furniture there was appeared to grow from the floor, though “floor” was a relative concept. Except in specific cases, the rooms and hallways had no <em>up </em>or <em>down</em>, not in the way I was accustomed to understanding those concepts. It was more like a big anthill in space. Tchik-tchik could climb and even hang upside down like a spider. We were issued gloves and booties that helped us cling to the walls, moving omnidirectionally when required. Even so, I never got used to the feeling of entering a gravitationally oriented room from the hallways. It always gave me a touch of nausea. I got turned around—literally—more than once.</p> <p>I thought the vessel seemed small for traveling such long distances; then again, I had no frame of reference. We saw the cockpit, the mess, a common room, the cargo hold, the one bathroom that had been refitted for human needs, and our quarters—which Tchik-tchik explained were typically used for storage, not individual repose. “Tchik-tchik to fussing not, duty means to sleep around,” they said, gesturing down the hallway. It was always interesting communicating with Tchiktchik. Our translators didn’t work so well with their clacking clicking language. I was just grateful our rooms had beds, even if they were clearly repurposed shelves. Tchik-tchik clung to a wall when they slept.</p> <p>Once we were settled, Tarquin summoned us to the common room. There were a few data pads on the big central table, and he’d already set up a projector, screen, and a small holo-generator.</p> <p>We stood. There were no chairs. The Tchik-tchik just fold their legs up under themselves to sit.</p> <p>Tarquin was wearing a tweed suit cut perfectly for his lean body. His robin’s-egg silk cravat accented the blue veins in his neck. “I expect you’re all wondering why I gathered you here today,” he said, his charming smile freshening up the moldy joke. “I know we’ve just arrived, and that our journey will take several weeks, but we’ve no time to lose.”</p> <p>“You sound like you’re working up to telling us something bad,” said Jack. He was slouching against the wall, looking cool as always in his black leather jacket and jeans. “If there’s no time to lose, you’d best get on with it.”</p> <p>Tarquin looked annoyed to be interrupted, especially by Jack. They’d never liked one another. “Patience, my automatic associate,” said Tarquin. Jack stiffened at this. Tarquin didn’t give him a chance to object. “This is just a mission briefing. It’s nothing bad.”</p> <p>I wasn’t sure I believed him. In my experience, Tarquin always got very formal when he had to tell you something he knew you wouldn’t like.</p> <p>Tarquin turned on the little projector. On the screen appeared the image of a serene-looking bronze head in a crown, its face covered in markings. “The Ife Head,” he said, and clicked through on his pad. “Van Gogh’s <em>The Starry Night</em>, Banksy’s <em>Love Is in the Bin</em>, Exekias’ black-figure amphora depicting Achilles slaying Penthesilea, Kahlo’s <em>The Two Fridas</em>, and the <em>Flying Horse of Gansu</em>.” He turned back to us. “As you know, our mission is to swap out certain works of art being held at the museum with Celerian copies. These six are what I was able to acquire. They weren’t easy or cheap to obtain, let me tell you.” He grinned, and I felt my stomach tighten. Tarquin was definitely softening us up for a blow. “Ironic, isn’t it? Their being so expensive, I mean. I suppose nowadays they’re nearly three hundred years old so of course the price people ask for them is completely mad.”</p> <p>“Surely it’s just a drop in the bucket for Lennox Enterprises,” said Jack.</p> <p>Tarquin got very quiet at this.</p> <p>“Yeah, I thought we were going to bring back a bunch of stuff,” said Misora, after too long of a pause. “I mean, I knew we weren’t equipped to take back, like, Kinkaku-ji or the entire Terracotta Army. So why only these six?”</p> <p>“Ah,” said Tarquin, “yes. You see…”</p> <p>His hesitation finally clued me in to what Tarquin didn’t want to tell us. “Because Lennox Enterprises has nothing to do with this,” I said. “We’re on our own.”</p> <p>All eyes were on Tarquin now. For once he didn’t like it, not one bit. “Look, this doesn’t change anything,” he said. “Not really.”</p> <p>“Tell us more about the ‘not really’ part,” said Jack.</p> <p>“Reduced cash flow has meant some compromises had to be made. Fewer works of art, and fewer resources than I’d hoped for. It’s nothing to worry about! I have several pieces of original Celerian technology for you to explore, Jack. And while I couldn’t find us a map of the museum, I did obtain an early blueprint.”</p> <p>“‘An early blueprint’?” said Misora. “We are so fucked.”</p> <p>“We are <em>not </em>fucked!” said Tarquin, a little too loudly. “This is going to work,” he continued, lowering his voice. “My shortsighted former colleagues and I may share a common genetic ancestor, but those clones have ever lacked our progenitor’s vision. I believe in this venture—I mean, look at me, I’m here, I’m on the ship with you. I didn’t just send you all out into the void with Tchik-tchik and hope for the best. I plan to succeed.”</p> <p>It was a good speech. I almost believed him.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <div style="height:25px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading has-text-align-center">3 </h3> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-text-align-left">Back in the twenty-first century, as part of their pitch, the Celerians had shown Earth’s leaders their plans for the gallery that would display and honor humanity’s material culture, the physical objects that made up our past. It was beautiful, like all Celerian engineering, a graceful upward spiral reminiscent of the old Guggenheim Museum, contained within a towering genesis tree, larger than any that grew on Earth. Individual branches would house our architectural marvels, whereas smaller works would be displayed in the trunk, prehistory down close to the roots, the then-modern age at the crown.</p> <p>It sounded simple enough to navigate—or it might have been, if we’d had a map. Unfortunately, Tarquin’s blueprint turned out to be even worse than I’d imagined. It wasn’t even a complete file, just a screenshot.</p> <p>I didn’t have much to say as the team began discussing what they could do with what we had. This wasn’t my purview.</p> <p>I’d planned to get my Ph.D. in Art History and teach. Painting was my area, portraiture specifically. It was the lips. Thick or thin, pursed, pouting, or quirked, they were always where I found the deepest hints at meaning. </p> <p>Some people say it’s the eyes that draw one into a John Singer Sargent painting. I say it’s the mouths—just look at Lady Agnew’s. There is a secret, explicit and occluded, in her subtle smile. Caravaggio’s Bacchus intrigues us with his expression. Vermeer’s milkmaid is speaking something gently, perhaps reverently, into the quiet of an empty room. My thesis was tentatively titled “When Soul Meets Soul on Lovers’ Lips: The Silent Language of the Mouth in European Portraiture, 1499–1999,” and I had hoped to publish after I defended it.</p> <p>Then my little brother died.</p> <p>I couldn’t believe it when they called me. Burnet couldn’t be dead, he was the most <em>alive </em>person in the world. I was content in libraries. He climbed mountains, explored caverns, took submersibles to the bottom of the sea. He’d longed to go to space—a prospect that, ironically, had never appealed to me.</p> <p>He’d been free-climbing the ruin of a skyscraper in what used to be New York City when he fell. His citizen tracker alerted the paramedics, but he was dead when they found him.</p> <p>After his funeral I couldn’t concentrate on anything—not researching, not writing, and definitely not grading. The endless cycle of the academic year felt depressing rather than comfortable; those painted mouths had nothing more to say to me. So I finished out the semester and went home, ostensibly to be with my parents as we grieved.</p> <p>Rural Long Island is much as it has ever been, except without the appeal of being a train ride away from a thriving metropolis. I helped my mother in the garden and my father with the cooking. I made raspberry jam from the thicket growing around the trunk of our treehouse. Fine ways to spend a day, but I wasn’t fine. I was going through the motions of a life without living one. </p> <p>About six months after Burnet’s death, just when I was really starting to spiral, Tarquin called me to offer his condolences. I agreed to meet him at a restaurant he’d taken me to many times back when we were both in school together in New Boston.</p> <p>I said I’d take the solar train; he’d scoffed and sent a whirlybird. It had been an age since I’d been in one—probably since the last time I’d seen Tarquin. Our friendship had introduced me to the finer things in life such as private conveyances, which are widely disdained as an affectation of the wealthy. My father grumbled about what the neighbors would say. When I asked what neighbors he meant he switched to grumbling about the disturbance to my mother’s garden.</p> <p>As far as I could tell, nary a pea tendril was ruffled when the pilot touched down.</p> <p>I dressed up for the meeting, or at least, I tried to. It had been months since my last haircut, or even since I’d really looked in the mirror. My face looked strange to me, touched up with mascara and blush, and the dress felt constrictive and weird. But I felt a little flicker of something when the black-clad pilot greeted me as “Miss Tycho” and opened the door for me, like my old self had taken a quick breath after holding it for so long.</p> <p>The whirlybird touched down a few blocks from Quelque Chose, an exclusive but unpretentious French Revival restaurant. The interior was lovely: sparsely decorated and jungle-lush with plants, with huge windows that let in lots of light. Quelque Chose had always been too expensive for me—Earth was post-scarcity, but that never guaranteed gourmet dining for all. Tarquin, however, could afford the finer things, like the old-fashioned yet still stylish gray flannel suit he was wearing.</p> <p>When I walked in, he was already seated and sipping a martini from a dewy glass. Always a gentleman, he stood and pulled out the bamboo chair for me.</p> <p>“Would you like a cocktail?” he asked, as he signaled the waiter. I shrugged. He rolled his eyes and said, “She’ll also have a martini—with extra olives, or she’ll steal mine.”</p> <p>The silent waiter asked me with his eyes if this was right. I nodded.</p> <p>Tarquin looked good; better than when I’d last seen him. He’d put on a bit of weight, and was merely pale, not wan. There were fewer lines around his pouty lips. He looked happy, and I said so.</p> <p>“I <em>am </em>happy,” he said, pleased—and then added, “and I’m as surprised as you are about that.”</p> <p>I took a sip of my cocktail. It was frosty and dry with just a snap of salt. I observed, but was unmoved by its perfection. “I didn’t say I was surprised,” I said.</p> <p>“But you are. And that’s entirely fair,” said Tarquin, as some kind of pâté was set before us. I hadn’t seen a menu. I assumed, correctly, that my companion had already done the ordering. “I got a job, Fennel! And I’m here to offer you one—or, well, to tell you to apply for one. You’ll get it. I already told them about you.”</p> <p>This was typical Tarquin: magnanimous, scattered, elusory. Arrogant.</p> <p>“Tell me about your job,” I said, “and then tell me about the one you think I want.”</p> <p>“You’ll want it,” he said. “It’s at Lennox Enterprises.” “That much I’d deduced, given the whole <em>happy</em> thing.”</p> <p>Lennox Enterprises is, or depending on when you’re listening to this, was, the oldest and only corporation left on Earth. Founded by trillionaire Kirby Lennox in 2029, the company weathered the crises of the twenty-first century and the social upheavals of the twenty-second to thrive relatively unmolested in the stable twenty-third and twenty-fourth. It wasn’t technically a corporation anymore—shareholder dividends and corporate law have been a thing of the past for a very long time—but Lennox Enterprises was allowed to operate much like they always had. The board of directors was entirely made up of Lennox’s clones, as the original Kirby Lennox specified in his will, so there was a lot of legal uncertainty, and lack of precedent for a judicial dissolution.</p> <p>Tarquin wasn’t a clone. He was a Child of Lennox, and one with an impeccable pedigree. He was 100 percent Lennox stock, with genetics authenticated all the way back to Kirby Lennox’s original pluripotent stem cells. Not all Children can make such a claim. Not all of them want to. Tarquin was exceptionally proud of his lineage, and had always possessed a massive chip on his shoulder regarding the clones, who tended to regard Children with suspicion, and vice versa. Securing himself a position at the company was a triumph, as well as a kind of vindication, given how he’d always viewed Lennox Enterprises with the entitlement and bitterness of an exiled prince.</p> <p>“What’s the job?” I asked as he preened. I hoped if I kept him talking he wouldn’t notice I was just pushing my food around my plate. It was delicious, but none of it held any savor for me.</p> <p>“I’m head of the effort to get the Celerians to talk about the return of our art.”</p> <p>This conversation took place about four years before I am recording this. At that time, the repatriation of Earth’s material culture had been a deciding issue in the most recent global election. The candidate in favor of letting the matter go had won in a landslide. Public opinion had largely turned against the importance of “authenticity” when it came to art, but there were people who still cared about the fate of the real <em>The Night Watch</em>, original Rothkos, Sesshū’s ink paintings, and so on, according to Tarquin. They’d turned to the private sector—specifically, to Lennox Enterprises.</p> <p>Kirby Lennox was just as arrogant and sociopathic as a typical twenty-first-century trillionaire, but he’d fancied himself a philanthropist on the model of Rockefeller or Carnegie. Lennox built hospitals, funded schools, and was a dedicated patron of the arts. He spent much of his substantial fortune safeguarding works that had been passed over by the Celerians. In the centuries since his passing, Lennox Enterprises had continued this mission, at first by helping improve Earth enough that we could get back what we’d given away, and now by pressing on with the appeal that the Celerians had not received with generosity.</p> <p>It was a big job, and a prestigious one. I raised my glass to toast my friend.</p> <p>“Congratulations,” I said, performing the enthusiasm I knew I should feel. “I assume the job you had in mind for me is related to this?”</p> <p>He smirked. “Nope,” he said, and signaled to the waiter that we’d like another round of drinks. “Saddle up, cowgirl. You’re headed west, to the Great Mycelium. Turns out, it can talk.”</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size">Excerpted from <em>And Side by Side They Wander</em>, copyright © 2026 by Molly Tanzer.</p> <p></p> <p>The post <a href="https://reactormag.com/excerpts-and-side-by-side-they-wander-by-molly-tanzer/">Read an Excerpt From &lt;i&gt;And Side by Side They Wander&lt;/i&gt; by Molly Tanzer</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-and-side-by-side-they-wander-by-molly-tanzer/">https://reactormag.com/excerpts-and-side-by-side-they-wander-by-molly-tanzer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=845723">https://reactormag.com/?p=845723</a></p>
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The Street Fighter Trailer Looks Amazing, and We’re as Surprised as You Are

The adaptation of the Capcom game looks fun, silly

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Published on April 16, 2026

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/street-fighter-trailer/">https://reactormag.com/street-fighter-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846092">https://reactormag.com/?p=846092</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/street-fighter/" class="inline-block link-no-animation" aria-label="Link to term or tag Street Fighter 1"> Street Fighter </a> </span> </div> <h2 class="post-hero-title text-h1">The <i>Street Fighter</i> Trailer Looks Amazing, and We’re as Surprised as You Are</h2> <div class="prose post-hero-description prose--post-hero">The adaptation of the Capcom game looks fun, silly</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on April 16, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Image: Paramount Pictures</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/street-fighter-trailer/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 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15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="453" src="https://reactormag.com/wp-content/uploads/2026/04/Screenshot-2026-04-16-at-11.10.26-AM-740x453.png" class="w-full object-cover" alt="Cody Rhodes as Guile talking to a man in a club in the movie Street Fighter" srcset="https://reactormag.com/wp-content/uploads/2026/04/Screenshot-2026-04-16-at-11.10.26-AM-740x453.png 740w, https://reactormag.com/wp-content/uploads/2026/04/Screenshot-2026-04-16-at-11.10.26-AM-1100x674.png 1100w, https://reactormag.com/wp-content/uploads/2026/04/Screenshot-2026-04-16-at-11.10.26-AM-768x471.png 768w, https://reactormag.com/wp-content/uploads/2026/04/Screenshot-2026-04-16-at-11.10.26-AM-1536x941.png 1536w, https://reactormag.com/wp-content/uploads/2026/04/Screenshot-2026-04-16-at-11.10.26-AM.png 1988w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Image: Paramount Pictures</p> </div> </div> </div> </div> </post-hero> <p>The feature film adaptation of Capcom’s <em>Street Fighter </em>is coming at us! And it looks… good?!</p> <p>This might be <a href="https://reactormag.com/street-fighter-movie-circles-jason-momoa-andrew-koji-noah-centineo-roman-reigns-for-casting/" target="_blank" rel="noreferrer noopener">my undying love for Andrew Koji</a> talking, but the trailer released today looks fun, silly, and entertaining, all wrapped up in a 1990s aesthetic. What more could one ask for from a <em>Street Fighter</em> film?</p> <p>Here’s the official synopsis:</p> <figure class="wp-block-pullquote"><blockquote><p>Set in 1993, estranged Street Fighters Ryu (Andrew Koji) and Ken Masters (Noah Centineo) are thrown back into combat when the mysterious Chun-Li (Callina Liang) recruits them for the next World Warrior Tournament: a brutal clash of fists, fate, and fury. But behind this battle royale lies a deadly conspiracy that forces them to face off against each other and the demons of their past. And if they don’t, it’s GAME OVER!</p></blockquote></figure> <p>Game over, indeed! Sign me up.</p> <p><em>Street Fighter</em> is directed by Kitao Sakurai, whose previous credits include <em>Beef, Twisted Metal </em>and <em>The Eric André Show</em>. The story idea came from Dalan Musson and Gary Dauberman, with the script written by Sakurai and T.J. Fixman. In addition to Koji, Centineo, and Liang, the film stars Joe “Roman Reigns” Anoaʻi as Akuma, David Dastmalchian as M. Bison, Cody Rhodes as Guile, Andrew Schulz as Dan Hibiki, Eric André as Don Sauvage, Vidyut Jammwal as Dhalsim, Orville Peck as Vega, Olivier Richters as Zangief, Hirooki Goto as E. Honda, Rayna Vallandingham as Juli, Alexander Volkanovski as Joe, Curtis “50 Cent” Jackson as Balrog, and Jason Momoa as Blanka.</p> <p>The movie<em> </em>is set to premiere in theaters on October 16, 2026.</p> <p>Check out the kickass trailer below. [end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18427"/> </div></figure> <p>The post <a href="https://reactormag.com/street-fighter-trailer/">The &lt;i&gt;Street Fighter&lt;/i&gt; Trailer Looks Amazing, and We’re as Surprised as You Are</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/street-fighter-trailer/">https://reactormag.com/street-fighter-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=846092">https://reactormag.com/?p=846092</a></p>

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