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What to Read After You Watch Pluribus

Dec. 29th, 2025 03:00 pm
[syndicated profile] tordotcom_feed

Posted by Matthew Byrd

Books Pluribus

What to Read After You Watch Pluribus

Hi Carol, we have some book recommendations for you

By

Published on December 29, 2025

Photo: Apple TV

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<p class="syndicationauthor">Posted by Matthew Byrd</p><p class="ljsyndicationlink"><a href="https://reactormag.com/what-to-read-after-you-watch-pluribus/">https://reactormag.com/what-to-read-after-you-watch-pluribus/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=834048">https://reactormag.com/?p=834048</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/pluribus/" class="inline-block link-no-animation" aria-label="Link to term or tag Pluribus 1"> Pluribus </a> </span> </div> <h2 class="post-hero-title text-h1">What to Read After You Watch <i>Pluribus</i></h2> <div class="prose post-hero-description prose--post-hero">Hi Carol, we have some book recommendations for you</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/matthew-byrd/" title="Posts by Matthew Byrd" class="author url fn" rel="author">Matthew Byrd</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on December 29, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo: Apple TV</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/what-to-read-after-you-watch-pluribus/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> 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15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2025/12/Pluribus-Carol-phone-call-740x493.png" class="w-full object-cover" alt="Carol (Rhea Seehorn) answers the phone in a scene from Pluribus" srcset="https://reactormag.com/wp-content/uploads/2025/12/Pluribus-Carol-phone-call-740x493.png 740w, https://reactormag.com/wp-content/uploads/2025/12/Pluribus-Carol-phone-call-1100x733.png 1100w, https://reactormag.com/wp-content/uploads/2025/12/Pluribus-Carol-phone-call-768x512.png 768w, https://reactormag.com/wp-content/uploads/2025/12/Pluribus-Carol-phone-call.png 1500w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo: Apple TV</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Life after <em>Pluribus</em> feels pretty lonely. Expectations were high for Vince Gilligan&#8217;s next show, and <em>Pluribus </em>has quickly proven to be one of the best new sci-fi series since <em>Severance</em>. Yes, <em>Pluribus </em>was heavily inspired by numerous genre works that came before (most notably <em><a href="https://reactormag.com/pluribus-reimagines-1978-invasion-of-the-body-snatchers/" target="_blank" rel="noreferrer noopener">Invasion of the Body Snatchers</a></em>), but the show&#8217;s vision of a post-apocalyptic landscape run by an intergalactic hivemind has rarely been exactly what you think it&#8217;s going to be. The twists, the dark humor, the quiet moments of reflection, absolutely everything that Rhea Seehorn does&#8230; there really is nothing quite like <em>Pluribus</em>.</p> <p>If you are struggling to fill that <em>Pluribus</em>-shaped hole in your life, though, then your best option may be to pick up a book. It&#8217;s not only appropriate given that <em>Pluribus </em>protagonist Carol Sturka <a href="https://reactormag.com/pluribus-and-romantasy-art-at-the-end-of-the-world/" target="_blank" rel="noreferrer noopener">is a romantasy writer</a> (more on that in a bit), but there are some tremendous novels that present their own fascinating visions of unusual doomsday scenarios while offering at least an element of what makes <em>Pluribus</em> so special (as well as their own charms).</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><a href="https://bookshop.org/p/books/severance-a-novel-ling-ma/c738b1415221c430" target="_blank" rel="noreferrer noopener"><strong><em>Severance</em> by Ling Ma</strong></a><strong> (2018)</strong></h3> <div class="wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top" style="grid-template-columns:20% auto"><figure class="wp-block-media-text__media"><img loading="lazy" decoding="async" width="300" height="460" src="https://reactormag.com/wp-content/uploads/2024/01/severance-ling-ma.jpg" alt="cover of Severance by Ling Ma" class="wp-image-760700 size-full" /></figure><div class="wp-block-media-text__content"> <p>A mysterious illness is tearing through the United States. The infected continue to live their lives, but only as a shell of their former selves. With no cure in sight, a young woman named Candace and other immune survivors navigate an uncertain future. Like <em>Pluribus</em>, <em>Severance</em> imagines a different kind of apocalypse in which the world continues to spin and efforts are made to retain “normalcy” even as such a concept begins to feel increasingly absurd.&nbsp;</p> </div></div> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <hr class="wp-block-separator has-alpha-channel-opacity" /> <h3 class="wp-block-heading"><a href="https://bookshop.org/p/books/the-seep-chana-porter/19677b4e7aab83ed" target="_blank" rel="noreferrer noopener"><strong><em>The Seep </em>by Chana Porter</strong></a><strong> (2020)</strong></h3> <div class="wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top" style="grid-template-columns:20% auto"><figure class="wp-block-media-text__media"><img loading="lazy" decoding="async" width="1000" height="1600" src="https://reactormag.com/wp-content/uploads/2025/12/The-Seep.jpg" alt="" class="wp-image-834150 size-full" srcset="https://reactormag.com/wp-content/uploads/2025/12/The-Seep.jpg 1000w, https://reactormag.com/wp-content/uploads/2025/12/The-Seep-740x1184.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/The-Seep-768x1229.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/The-Seep-960x1536.jpg 960w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></figure><div class="wp-block-media-text__content"> <p>Earth is upended by the arrival of an alien force known as the Seep. Their takeover is swift, but proves to be oddly peaceful. Much of Earth becomes an unlikely kind of utopia in which the Seep connect people and gift them with the knowledge that anything is possible. In that world, a trans woman named Trina Goldberg-Oneka and her wife Deeba embark upon a mind-bending journey of self-discovery. There’s a fever dream quality to<em> The Seep</em> we haven’t seen in <em>Pluribus</em> yet, but it too raises incredible questions about what is lost and gained when our identities are blurred.&nbsp;</p> </div></div> <hr class="wp-block-separator has-alpha-channel-opacity" /> <h3 class="wp-block-heading"><a href="https://bookshop.org/p/books/all-better-now-neal-shusterman/2fb2b4d9b5bee724" target="_blank" rel="noreferrer noopener"><strong><em>All Better Now</em> by Neal Shusterman</strong></a><strong> (2025)</strong></h3> <div class="wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top" style="grid-template-columns:20% auto"><figure class="wp-block-media-text__media"><img loading="lazy" decoding="async" width="1100" height="1624" src="https://reactormag.com/wp-content/uploads/2025/12/All-Better-Now-1100x1624.jpg" alt="" class="wp-image-834153 size-full" srcset="https://reactormag.com/wp-content/uploads/2025/12/All-Better-Now-1100x1624.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/All-Better-Now-740x1093.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/All-Better-Now-768x1134.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/All-Better-Now-1040x1536.jpg 1040w, https://reactormag.com/wp-content/uploads/2025/12/All-Better-Now-1387x2048.jpg 1387w, https://reactormag.com/wp-content/uploads/2025/12/All-Better-Now.jpg 1400w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /></figure><div class="wp-block-media-text__content"> <p>Stop me when you’ve heard this before, but <em>All Better Now</em> imagines what would happen if humanity were suddenly infected by a virus that washes away all negative feelings and leaves everyone feeling entirely happy. Yes, <em>Pluribus</em> drew connections to <em>All Better Now</em> before its release, and both certainly deal with the downsides of what initially appears to be a utopian (if disturbing) scenario. Spoiler alert, but it turns out a little conflict can go a long way.&nbsp;</p> </div></div> <hr class="wp-block-separator has-alpha-channel-opacity" /> <h3 class="wp-block-heading"><a href="https://bookshop.org/p/books/the-wall-marlen-haushofer/9c646a1d94007205" target="_blank" rel="noreferrer noopener"><strong><em>The Wall</em> by Marlen Haushofer</strong></a><strong> (1963)</strong></h3> <div class="wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top" style="grid-template-columns:20% auto"><figure class="wp-block-media-text__media"><img loading="lazy" decoding="async" width="300" height="460" src="https://reactormag.com/wp-content/uploads/2025/12/the-wall-haushofer.png" alt="cover of The Wall by Marlen Haushofer" class="wp-image-834598 size-full" /></figure><div class="wp-block-media-text__content"> <p>Many post-apocalyptic stories (including <em>Pluribus</em>) deal with the pain of isolation. Few address that theme as overtly and effectively as Marlen Haushofer does in <em>The Wall</em>. It follows a woman who suddenly finds herself cut off from the rest of the world by an invisible wall that mysteriously appears one day. Her time is then spent trying to find a way out, making the most of the world around her, and, gradually, trying to accept her circumstances. It’s a powerful examination of our relationship with other humans, nature, and the sheer will to survive at the heart of it all.&nbsp;</p> </div></div> <hr class="wp-block-separator has-alpha-channel-opacity" /> <h3 class="wp-block-heading"><a href="https://bookshop.org/p/books/the-host-stephenie-meyer/375c4d583cbe2549" target="_blank" rel="noreferrer noopener"><strong><em>The Host </em>by Stephenie Meyer</strong></a><strong> (2008)</strong></h3> <div class="wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top" style="grid-template-columns:20% auto"><figure class="wp-block-media-text__media"><img loading="lazy" decoding="async" width="645" height="1000" src="https://reactormag.com/wp-content/uploads/2025/12/The-Host.jpg" alt="" class="wp-image-834154 size-full" /></figure><div class="wp-block-media-text__content"> <p>Imagine, if you will, what may happen if we were all taken over by an invading force of parasitic beings known as “souls.” Most of the world is essentially hijacked by these creatures, but your invader has a harder time taking over your body. Instead, you and your invader engage in a prolonged battle of wills that ends up impacting both of your fates as well as the rest of the world. That core premise drives Stephenie Meyer’s <em>The Host</em>: a novel that overtly deals with the relationship between the body and soul while emphasizing the value and scarcity of a true home.&nbsp;</p> </div></div> <hr class="wp-block-separator has-alpha-channel-opacity" /> <h3 class="wp-block-heading"><a href="https://bookshop.org/p/books/the-age-of-miracles-a-novel-karen-thompson-walker/408f6f5cf5e07c08" target="_blank" rel="noreferrer noopener"><strong><em>The Age of Miracles </em>by Karen Thompson Walker</strong></a><strong> (2012)</strong></h3> <div class="wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top" style="grid-template-columns:20% auto"><figure class="wp-block-media-text__media"><img loading="lazy" decoding="async" width="300" height="462" src="https://reactormag.com/wp-content/uploads/2025/12/age-of-miracles-paperback.jpg" alt="paperback cover of The Age of Miracles by Karen Thompson Walker" class="wp-image-834600 size-full" /></figure><div class="wp-block-media-text__content"> <p><em>The Age of Miracles</em> is one of those fascinating sci-fi novels that explores the effects of a quieter kind of extinction. Here, the inciting event is an unexplained phenomenon that causes the world to spin more slowly than before. The immediate results are fairly trivial things like slightly longer days. As the effect continues and escalates, though, people begin to react to it in drastic (though not altogether shocking) ways. Much like <em>The Leftovers</em>, the hooks in this page-turner come not from its biggest moments but rather by watching how the people caught at the center of it all gradually reshape their lives as well as the world around them.&nbsp;</p> </div></div> <hr class="wp-block-separator has-alpha-channel-opacity" /> <h3 class="wp-block-heading"><a href="https://bookshop.org/p/books/the-bees-a-novel-laline-paull/cb8ff96eb840b310?ean=9780062331168&amp;next=t&amp;digital=t" target="_blank" rel="noreferrer noopener"><strong><em>The Bees </em>by Laline Paull</strong></a><strong> (2014)</strong></h3> <div class="wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top" style="grid-template-columns:20% auto"><figure class="wp-block-media-text__media"><img loading="lazy" decoding="async" width="800" height="1206" src="https://reactormag.com/wp-content/uploads/2025/12/The-Bees-2.jpg" alt="" class="wp-image-834162 size-full" srcset="https://reactormag.com/wp-content/uploads/2025/12/The-Bees-2.jpg 800w, https://reactormag.com/wp-content/uploads/2025/12/The-Bees-2-740x1116.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/The-Bees-2-768x1158.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure><div class="wp-block-media-text__content"> <p>There are many sci-fi stories that deal with the concept of a hive mind, but there are few such stories quite like <em>The Bees</em>. That’s because its protagonist is an actual bee living in a literal hive. It sounds gimmicky, but it’s so much more than that. Often compared to <em>Watership Down</em>, <em>The Bees</em> is an adventurous exploration of both the intricate inner workings of a collective (which often reads like palace intrigue) and the power of an individual life within that environment.&nbsp;</p> </div></div> <hr class="wp-block-separator has-alpha-channel-opacity" /> <h3 class="wp-block-heading"><a href="https://bookshop.org/p/books/station-eleven-a-novel-national-book-award-finalist-emily-st-john-mandel/0e96a86b5246b32c" target="_blank" rel="noreferrer noopener"><strong><em>Station Eleven</em> by Emily St. John Mandel</strong></a><strong> (2014)</strong></h3> <div class="wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top" style="grid-template-columns:20% auto"><figure class="wp-block-media-text__media"><img loading="lazy" decoding="async" width="676" height="1000" src="https://reactormag.com/wp-content/uploads/2025/12/Station-Eleven.jpg" alt="" class="wp-image-834157 size-full" /></figure><div class="wp-block-media-text__content"> <p><em>Station Eleven</em> is a story about <a href="https://reactormag.com/station-eleven-mr-burns-and-retelling-stories-to-survive/" target="_blank" rel="noreferrer noopener">what keeps us going</a>. Not just the instinct to survive, but the idea that life (much less civilization) must include things that are finer and greater than our primal needs and urges. The “present day” chapters of <em>Station Eleven</em> largely focus on a group of traveling performers trying to bring hope and joy to the world through art and entertainment. Their adventures are juxtaposed with flashbacks of the terrifying early days of the deadly flu that wiped out much of society, which underscore both how much was lost and the importance of finding it again. As a bonus, <em>Station Eleven </em>received an exceptional HBO adaptation that remains tragically underrated, partially due to its proximity to our own global pandemic.&nbsp;</p> </div></div> <hr class="wp-block-separator has-alpha-channel-opacity" /> <h3 class="wp-block-heading"><a href="https://bookshop.org/p/books/the-midwich-cuckoos-john-wyndham/015f4ec01c7c713d?ean=9780593450123&amp;next=t&amp;" target="_blank" rel="noreferrer noopener"><strong><em>The Midwich Cuckoos</em> by John Wyndham</strong></a><strong> (1957)</strong></h3> <div class="wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top" style="grid-template-columns:20% auto"><figure class="wp-block-media-text__media"><img loading="lazy" decoding="async" width="300" height="462" src="https://reactormag.com/wp-content/uploads/2025/12/midwich-cuckoos-paperback.jpg" alt="paperback cover of The Midwich Cuckoos by John Wyndham" class="wp-image-834599 size-full" /></figure><div class="wp-block-media-text__content"> <p>A classic of the genre that was later adapted into the<em> Village of the Damned</em> movies (one of which was great, one of which was… well, we still love John Carpenter), <em>The Midwich Cuckoos</em> is often described as a cozy kind of catastrophe. Granted, that&#8217;s an odd way to describe a story featuring villainous children inexplicably born across the world in droves following the appearance of a mysterious object in the sky. Yet, there is something darkly quaint about this story of a powerful group that nefariously works its way into our world which recalls some of <em>Pluribus</em>’ more quiet and menacing moments.</p> </div></div> <hr class="wp-block-separator has-alpha-channel-opacity" /> <h3 class="wp-block-heading"><a href="https://books.apple.com/us/book/bloodsong-of-wycaro/id6754341665?ign-itscg=80048&amp;ign-itsct=NULL_tvpluribus1196_syn" target="_blank" rel="noreferrer noopener"><strong><em>Bloodsong of Wycaro </em>by Carol Sturka</strong></a><strong> (2025)</strong></h3> <div class="wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top" style="grid-template-columns:20% auto"><figure class="wp-block-media-text__media"><img loading="lazy" decoding="async" width="800" height="1200" src="https://reactormag.com/wp-content/uploads/2025/12/Bloodsong-of-Wycaro.png" alt="" class="wp-image-834160 size-full" srcset="https://reactormag.com/wp-content/uploads/2025/12/Bloodsong-of-Wycaro.png 800w, https://reactormag.com/wp-content/uploads/2025/12/Bloodsong-of-Wycaro-740x1110.png 740w, https://reactormag.com/wp-content/uploads/2025/12/Bloodsong-of-Wycaro-768x1152.png 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure><div class="wp-block-media-text__content"> <p>Finally, this list would feel incomplete without mentioning <em>Bloodsong of Wycaro</em>: the third entry in the Winds of Wycaro series. Yes, Apple <a href="https://reactormag.com/pluribus-read-excerpt-carol-winds-of-wycaro-romantasy/" target="_blank" rel="noreferrer noopener">released a real section</a> from Carol&#8217;s fictional romantasy book series in the Pluribus universe. While the section&#8217;s real author remains a mystery I&#8217;ve been trying to get to the bottom of, it is a remarkably entertaining standalone work that also adds a little context to the <em>Pluribus</em> universe. And hey, maybe it&#8217;ll be your gateway into the exciting world of pirate romantasy.[end-mark]</p> </div></div> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size">Note: Comments are closed until the Reactor offices reopen on January 5, 2026. See you in the new year!</p> <p>The post <a href="https://reactormag.com/what-to-read-after-you-watch-pluribus/">What to Read After You Watch &lt;i&gt;Pluribus&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/what-to-read-after-you-watch-pluribus/">https://reactormag.com/what-to-read-after-you-watch-pluribus/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=834048">https://reactormag.com/?p=834048</a></p>
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Star Trek: Strange New Worlds Season 5 Casts Thomas Jane as Dr. McCoy and Kai Murakami as Sulu

The two actors are expected to appear in Strange New Worlds’ series finale

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Published on December 23, 2025

Photo: CBS Paramount Television

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<p class="syndicationauthor">Posted by Matthew Byrd</p><p class="ljsyndicationlink"><a href="https://reactormag.com/star-trek-strange-new-worlds-season-5-casts-thomas-jane-dr-mccoy-kai-murakami-sulu/">https://reactormag.com/star-trek-strange-new-worlds-season-5-casts-thomas-jane-dr-mccoy-kai-murakami-sulu/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835114">https://reactormag.com/?p=835114</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/strange-new-worlds/" class="inline-block link-no-animation" aria-label="Link to term or tag Strange New Worlds 1"> Strange New Worlds </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Star Trek: Strange New Worlds</i> Season 5 Casts Thomas Jane as Dr. McCoy and Kai Murakami as Sulu</h2> <div class="prose post-hero-description prose--post-hero">The two actors are expected to appear in Strange New Worlds&#8217; series finale</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/matthew-byrd/" title="Posts by Matthew Byrd" class="author url fn" rel="author">Matthew Byrd</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on December 23, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo: CBS Paramount Television</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/star-trek-strange-new-worlds-season-5-casts-thomas-jane-dr-mccoy-kai-murakami-sulu/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path 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height="354" src="https://reactormag.com/wp-content/uploads/2025/12/MixCollage-23-Dec-2025-04-17-PM-3534-740x354.jpg" class="w-full object-cover" alt="Bones and Sulu from Star Trek The Original Series" srcset="https://reactormag.com/wp-content/uploads/2025/12/MixCollage-23-Dec-2025-04-17-PM-3534-740x354.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/MixCollage-23-Dec-2025-04-17-PM-3534-1100x526.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/MixCollage-23-Dec-2025-04-17-PM-3534-768x367.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/MixCollage-23-Dec-2025-04-17-PM-3534-1536x734.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/12/MixCollage-23-Dec-2025-04-17-PM-3534.jpg 1800w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo: CBS Paramount Television</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Paramount <a href="https://deadline.com/2025/12/star-trek-strange-new-worlds-bones-sulu-cast-final-season-1236655773/" target="_blank" rel="noreferrer noopener">has confirmed</a> a new casting update for <em>Star Trek: Strange New Worlds </em>season 5, revealing that Thomas Jane will play Dr. Leonard “Bones” McCoy and Kai Murakami will portray Lieutenant Hikaru Sulu in the series’ final season.</p> <p>Interestingly, both actors will only join <em>Strange New Worlds</em> for the season 5 finale (the show&#8217;s final episode, which was shot over the past weekend in Toronto). While it&#8217;s a bit odd that Paramount decided to reveal what appear to be elaborate cameo appearances so far ahead of that episode&#8217;s air date, it does make sense that these two characters will join the show as <em>Star Trek:</em> <em>Strange New Worlds</em> inches closer to <em>The Original Series</em> timeline. Beyond that, little is known about their appearances at this time.</p> <p>You likely know Thomas Jane from his work in films like <em>Boogie Nights</em>, <em>The Mist</em>, <em>Deep Blue Sea,</em> and the HBO comedy series <em>Hung</em>. He is, at least in this writer&#8217;s opinion, always a welcome presence in whatever he is in. As for Dr. Leonard ‘Bones’ McCoy, he was first played by actor DeForest Kelley in the <em>Original Series</em> show and movies and later by Karl Urban in the JJ Abrams&#8217; rebooted film universe. He&#8217;s Kirk&#8217;s best (human) friend, a lovable grump, and a damn good doctor (though don&#8217;t assume he&#8217;s qualified for other professions). Granted, Jane is perhaps a bit older than what the part strictly calls for, but there&#8217;s no good reason to let trivial things such as time get in the way of what is honestly some pretty perfect Dr. McCoy casting.</p> <p>Kai Murakami is a bit of an unknown. He&#8217;s actually more of a theater actor whose credits include various performances in London and Japan. Some of you may actually know him best (relatively speaking) from the motion capture work he&#8217;s done for games like <em>Assassin&#8217;s Creed Shadows</em>. He also performed as a Kazego (special puppeteer performers) in the Royal Shakespeare Company production of <em>My Neighbour Totoro</em>, which you can actually read a little more about in <a href="https://www.barbican.org.uk/read-watch-listen/an-interview-with-my-neighbour-totoro-costume-designer-kimie-nakano" target="_blank" rel="noreferrer noopener">this fascinating interview</a> with the show&#8217;s costume designer. It&#8217;s interesting to see them go with a lesser-known performer for the Sulu role following some memorable portrayals of the character from actors like George Takei and John Cho, though perhaps Murakami&#8217;s physicality tells us something about the nature of Sulu&#8217;s casting and the character&#8217;s eventual <em>Strange New Worlds</em> appearance.</p> <p>Sadly, you&#8217;re going to have to wait quite a while to see either performer in <em>Strange New Worlds</em>. <a href="https://reactormag.com/star-trek-strange-new-worlds-renewed-for-fifth-and-final-season/" target="_blank" rel="noreferrer noopener">As previously reported</a>, <em>Star Trek: Strange New Worlds</em> season 5 isn&#8217;t expected to premiere until late 2026 or early 2027. [end-mark]</p> <p>The post <a href="https://reactormag.com/star-trek-strange-new-worlds-season-5-casts-thomas-jane-dr-mccoy-kai-murakami-sulu/">&lt;i&gt;Star Trek: Strange New Worlds&lt;/i&gt; Season 5 Casts Thomas Jane as Dr. McCoy and Kai Murakami as Sulu</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/star-trek-strange-new-worlds-season-5-casts-thomas-jane-dr-mccoy-kai-murakami-sulu/">https://reactormag.com/star-trek-strange-new-worlds-season-5-casts-thomas-jane-dr-mccoy-kai-murakami-sulu/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835114">https://reactormag.com/?p=835114</a></p>
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Posted by Matthew Byrd

News The Odyssey

The Odyssey Trailer Is Visually Dull but Full of Promise

Odysseus’ journey will see him battle the elements, monsters, and bad YouTube uploads

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Published on December 22, 2025

Photo: Universal Pictures

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<p class="syndicationauthor">Posted by Matthew Byrd</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-odyssey-trailer-muted-color-rich-promise/">https://reactormag.com/the-odyssey-trailer-muted-color-rich-promise/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835059">https://reactormag.com/?p=835059</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-odyssey/" class="inline-block link-no-animation" aria-label="Link to term or tag The Odyssey 1"> The Odyssey </a> </span> </div> <h2 class="post-hero-title text-h1"><i>The Odyssey</i> Trailer Is Visually Dull but Full of Promise</h2> <div class="prose post-hero-description prose--post-hero">Odysseus&#8217; journey will see him battle the elements, monsters, and bad YouTube uploads</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/matthew-byrd/" title="Posts by Matthew Byrd" class="author url fn" rel="author">Matthew Byrd</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on December 22, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo: Universal Pictures</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/the-odyssey-trailer-muted-color-rich-promise/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="361" src="https://reactormag.com/wp-content/uploads/2025/12/Odyssey-740x361.jpg" class="w-full object-cover" alt="Movie Still From The Odyssey" srcset="https://reactormag.com/wp-content/uploads/2025/12/Odyssey-740x361.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/Odyssey-1100x537.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/Odyssey-768x375.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/Odyssey-1536x750.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/12/Odyssey.jpg 1800w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo: Universal Pictures</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We’ve all been wondering what Christopher Nolan’s <em>The Odyssey</em> will look like. One of our great epic film directors is adapting one of the great literary epics with help from a massive budget, IMAX cameras, and a stacked cast? They’ll have to kick us out of the theater, because we are already seated.</p> <p>Well, we finally got a proper trailer for <em>The Odyssey</em> and, to tell you the truth, it’s still hard to tell what Christopher Nolan’s movie looks like.</p> <p>To be very fair, it seems like something may have gone wrong when uploading this trailer to YouTube. It is incredibly blurry and dark even when viewed on the highest allowed YouTube resolution (which, for some reason, is limited to 1080p, at least for free users). This is seemingly not the ideal way to view this preview, so all comments about its looks have to be taken with that grain of salt.</p> <p>That said, Nolan may not be beating certain allegations anytime soon. Production photos of <em>The Odyssey </em>have been criticized in some circles for their lack of color and generally dull designs. The same criticisms could certainly be applied to this trailer, even if we only get the briefest glimpses of some of the movie’s potentially grander sequences. There are lovely shots spread throughout, though they are spread somewhat thin among other, simply serviceable glimpses of fairly mundane moments. The night scenes in particular are pretty rough, though it’s worth noting again that YouTube could be a co-conspirator for that particular crime. Still, the style debate will continue.</p> <p>That said, there is a lot to love here. The storm sequence, in particular, looks appropriately horrifying, as do the shots of the soldiers cowering in fear in a desperate attempt to avoid what appears to be a massive sword. Ludwig Göransson&#8217;s score is simply magical, and the sheer wattage of star power fueling this thing remains impressive. Matt Damon, Tom Holland, Anne Hathaway, Charlize Theron, Robert Pattinson, Jon Bernthal, Mia Goth…hell, Lupita Nyong&#8217;o is in this movie, and we don’t even know her role yet.</p> <p>Perhaps most importantly, this is still <em>The Odyssey</em> we’re talking about. Reasonable concerns about what certainly seems to be a dark, dour, and dude-driven take on that story aside, <em>The Odyssey</em> remains both an incredible collection of potentially cinematic moments and a story that has rarely received<a href="https://reactormag.com/the-return-trailer-ralph-fiennes-juliette-binoche-act-up-a-storm-in-odyssey-adaptation/" target="_blank" rel="noreferrer noopener"> a direct adaptation</a>, much less one on this scale. We’ll all find out if <em>The Odyssey </em>lives up to that potential when the movie is released on July 17, 2026. [end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="17807"/> </div></figure> <p>The post <a href="https://reactormag.com/the-odyssey-trailer-muted-color-rich-promise/">&lt;i&gt;The Odyssey&lt;/i&gt; Trailer Is Visually Dull but Full of Promise</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-odyssey-trailer-muted-color-rich-promise/">https://reactormag.com/the-odyssey-trailer-muted-color-rich-promise/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835059">https://reactormag.com/?p=835059</a></p>
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Posted by Matthew Byrd

News Man of Tomorrow

Lars Eidinger Cast as Brainiac in Man of Tomorrow, But Which Version of the Villain Will the Superman Movie Use?

There are many Brainiacs, and not all are created equally

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Published on December 22, 2025

Photo: DC Comics

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<p class="syndicationauthor">Posted by Matthew Byrd</p><p class="ljsyndicationlink"><a href="https://reactormag.com/lars-eidinger-cast-brainiac-man-of-tomorrow-which-version/">https://reactormag.com/lars-eidinger-cast-brainiac-man-of-tomorrow-which-version/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835032">https://reactormag.com/?p=835032</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/man-of-tomorrow/" class="inline-block link-no-animation" aria-label="Link to term or tag Man of Tomorrow 1"> Man of Tomorrow </a> </span> </div> <h2 class="post-hero-title text-h1">Lars Eidinger Cast as Brainiac in <i>Man of Tomorrow</i>, But Which Version of the Villain Will the <i>Superman</i> Movie Use?</h2> <div class="prose post-hero-description prose--post-hero">There are many Brainiacs, and not all are created equally</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/matthew-byrd/" title="Posts by Matthew Byrd" class="author url fn" rel="author">Matthew Byrd</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on December 22, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo: DC Comics</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/lars-eidinger-cast-brainiac-man-of-tomorrow-which-version/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 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12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="408" src="https://reactormag.com/wp-content/uploads/2025/12/Brainiac-740x408.png" class="w-full object-cover" alt="Brainiac Superman Comics" srcset="https://reactormag.com/wp-content/uploads/2025/12/Brainiac-740x408.png 740w, https://reactormag.com/wp-content/uploads/2025/12/Brainiac-1100x606.png 1100w, https://reactormag.com/wp-content/uploads/2025/12/Brainiac-768x423.png 768w, https://reactormag.com/wp-content/uploads/2025/12/Brainiac-1536x846.png 1536w, https://reactormag.com/wp-content/uploads/2025/12/Brainiac.png 1721w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo: DC Comics</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>In a statement on Twitter (or X, or whatever), <a href="https://x.com/JamesGunn/status/2002416322437919100" target="_blank" rel="noreferrer noopener">James Gunn confirmed</a> that Lars Eidinger will play Brainiac in the upcoming sequel to <a href="https://reactormag.com/superman-embraces-silliness-thats-why-we-take-it-seriously/" target="_blank" rel="noreferrer noopener">his 2025 <em>Superman</em> movie</a>, <em>Man of Tomorrow</em>.</p> <p>James Gunn has strongly hinted (to say the least) that Brainiac will be the villain in <em>Man of Tomorrow </em>and that his arrival will force Superman and Lex Luthor to form an unlikely alliance. So far as that goes, this announcement does not come as a surprise.</p> <p>The decision to cast Lars Eidinger is a bit more surprising. It’s not fair to call Lars Eidinger an unknown (he’s made quite a name for himself on-stage and in the films of director Olivier Assayas), but this is certainly not the big splashy casting announcement that some suspected Gunn might prioritize for such a major villainous role. The casting is potentially quite good, and it will certainly be nice to see a <em>Superman</em> movie villain that isn’t General Zod or Lex Luthor.</p> <p>Actually, those who really only casually follow Superman via the movies probably have little idea who Brainiac is. He was reportedly considered for the villain role in <em>Superman III</em> way back in the day, but he rarely makes multimedia appearances despite being a major player in the comics.</p> <p>In fact, Brainiac has appeared in so many Superman comics in so many different forms that it’s tough to say which version of Brainiac we’ll see in <em>Man of Tomorrow</em>. While aspects of the character often remain the same (most notably, he’s incredibly intelligent, which allows him to create incredible devices and wield mental powers), Brainiac has been remarkably inconsistent for such a major character in the<em> Superman</em> mythos.</p> <p>Will we get the Silver Age Brainiac who was depicted as a green alien from the planet Colu who largely did his evil bidding through incredible devices such as a shrink ray? It’s…not likely. There is a charm to that character’s looks and methods that do fit into Gunn’s visual and directorial style, but Brainiac didn’t really come into his own until later. Still, there are elements of this version of the character (such as his love of shrinking and the more alien aspects of his appearance) that could be used in <em>Man of Tomorrow</em>. </p> <p>Will we get the Brainiac that uploaded his consciousness into a metal skeleton exoframe to achieve a more <em>Terminator</em>-like look? Probably not. That version of the character boasts an incredible design and was featured in some memorable storylines, but he’s pretty far removed from the more iconic elements of the Brainiac concept. It would be another big swing to bring that version of the character to the big screen first.</p> <p>Will we see the version of Brainiac that was actually an advanced AI program used by Jor-El (and other Kryptonians) like the Brainiac featured in <em>Superman: The Animated Series</em>? That is far more likely. Not only would such a villain allow <em>Man of Tomorrow</em> to comment on the evils of AI (a popular film villain trend at the moment), but tying Brainiac into the destruction of Krypton would make his rivalry with Superman (and possibly Supergirl) pleasantly personal.</p> <p>However, it’s far more likely that the <em>Man of Tomorrow</em> Brainiac will be closer to modern, rebooted versions of the character in the comics, which are really an amalgamation of previous Brainiac concepts. Specifically, all eyes are currently on the &#8220;House of Brainiac&#8221; version of the character. In that story, Brainiac is really the representative of a collective of networked iterations spread across the universe. He uses his galactic powers to launch an assault on Earth. Not only does that arc include Lex Luthor and Superman teaming up to fight Brainiac (something we know will happen in <em>Man of Tomorrow</em>), but it f<a href="https://reactormag.com/first-supergirl-trailer/">eatures <em>Supergirl</em> villain/antihero Lobo </a>in a starring role. I doubt that <em>Man of Tomorrow</em> will be a straight adaptation of &#8220;House of Brainiac&#8221; or that version of the Brainiac character (the latter, in particular, will probably be presented in a slightly more iconic physical form), but that storyline certainly seems to have the most elements that fit into what Gunn is currently doing with Superman and the greater DC mythos.</p> <p>Ultimately, we’re going to have to wait a while to see more of Lars Eidinger’s Brainiac. <em>Man of Tomorrow</em> isn’t scheduled to be released until July 9, 2027, so unless Brainiac appears in <em>Supergirl </em>or unless we get a surprise sneak peek at the character elsewhere, we’ll all just have to wonder which of the nearly infinite Brainiacs in the universe we’ll ultimately get. [end-mark]</p> <p>The post <a href="https://reactormag.com/lars-eidinger-cast-brainiac-man-of-tomorrow-which-version/">Lars Eidinger Cast as Brainiac in &lt;i&gt;Man of Tomorrow&lt;/i&gt;, But Which Version of the Villain Will the &lt;i&gt;Superman&lt;/i&gt; Movie Use?</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/lars-eidinger-cast-brainiac-man-of-tomorrow-which-version/">https://reactormag.com/lars-eidinger-cast-brainiac-man-of-tomorrow-which-version/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835032">https://reactormag.com/?p=835032</a></p>

The Best Moments of Stranger Things

Dec. 22nd, 2025 03:00 pm
[syndicated profile] tordotcom_feed

Posted by Emmet Asher-Perrin

Movies & TV Stranger Things

The Best Moments of Stranger Things

As the series comes to a close, a look back on some of the show’s greatest hits.

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Published on December 22, 2025

Credit: Netflix

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<p class="syndicationauthor">Posted by Emmet Asher-Perrin</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-best-moments-in-stranger-things/">https://reactormag.com/the-best-moments-in-stranger-things/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=834890">https://reactormag.com/?p=834890</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/stranger-things/" class="inline-block link-no-animation" aria-label="Link to term or tag Stranger Things 1"> Stranger Things </a> </span> </div> <h2 class="post-hero-title text-h1">The Best Moments of <i>Stranger Things</i></h2> <div class="prose post-hero-description prose--post-hero">As the series comes to a close, a look back on some of the show&#8217;s greatest hits.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/tyler-dean/" title="Posts by Tyler Dean" class="author url fn" rel="author">Tyler Dean</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on December 22, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: Netflix</p> </div> <div 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https://reactormag.com/wp-content/uploads/2025/12/Best-Stranger-Things-Moments-1100x548.png 1100w, https://reactormag.com/wp-content/uploads/2025/12/Best-Stranger-Things-Moments-768x382.png 768w, https://reactormag.com/wp-content/uploads/2025/12/Best-Stranger-Things-Moments.png 1205w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Netflix</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>As I said in <a href="https://reactormag.com/everything-you-need-to-know-before-stranger-things-final-season/" target="_blank" rel="noreferrer noopener">my recap of season four</a>, <em>Stranger Things</em> is at its best as an in-the-moment watch. It struggles to keep a coherent tone and build compelling character arcs, but excels at crafting individual scenes that elicit tears or screams or shouts of joy. </p> <p>Below is my personal list of favorite moments from the show up through the end of season five, episode four. They are a mix of big moments, quiet scenes of character development, and weird little detours that have kept me engaged even at the lower points in the show’s tumultuous nine-year run.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Joyce Plays With Magnets</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="708" src="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments1-1100x708.jpg" alt="Joyce bangs two rocks together to talk about magnets on Stranger Things" class="wp-image-834895" srcset="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments1-1100x708.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments1-740x476.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments1-768x494.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments1-1536x988.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments1-2048x1318.jpg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Netflix</figcaption></figure> <p><strong>(Season 3, Episode 5 “The Flayed”)</strong> After giving her the iconic Christmas Light set to play with in the first season, letting her play around with an old camcorder in the second and, perhaps, after seeing her <a href="https://fb.watch/DZ_mlpllyM/?mibextid=wwXIfr&amp;fs=e" target="_blank" rel="noreferrer noopener">brilliant cascade of facial expressions at the 2017 SAG Awards</a>, the Duffer brothers gave her an enduring puzzle with malfunctioning magnets in season three. There is a lot of good, profoundly weird mugging as a wide-eyed Ryder single-mindedly stares at magnets throughout the first half of the season. This comes to a head in episode five, where she tries to ask lovable Russian operative, Alexei, if the demagnetization is due to his countrymen’s operation.</p> <p>As the subtitles tell us that Alexei understands next to nothing about what Joyce is asking, Ryder babbles excitably, reframing her paranoid and desperate performance, in previous seasons, as something winningly batshit. A scene later, Hopper implies that Joyce is as unhinged as Murray and her performance sells it. Ryder started as the series’ biggest get and while she was tasked with carrying a lot of the show’s dramatic heft in seasons one and two, season three lets Joyce be as funny and weird as Ryder seems to be. It’s great! Magnets!</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Murray Plays Matchmaker </strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="615" src="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments2-1100x615.jpg" alt="Nancy and Jonathan show up a Gelman&#39;s door on Stranger Things" class="wp-image-834896" srcset="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments2-1100x615.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments2-740x414.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments2-768x429.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments2-1536x859.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments2-2048x1145.jpg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Netflix</figcaption></figure> <p><strong>(Season 2, Episode 6 “The Spy”)</strong> The first two seasons take their time getting their star-crossed teen couple, Nancy and Jonathan, together. Given how much Nancy’s previous beau, Steve Harrington, became a breakout favorite of the first season who ended up becoming more beloved than either of the other vertices of the love triangle, keeping the momentum alive was more difficult than anticipated. They spend most of season two on a road trip, investigating how they can expose the Hawkins Lab as the responsible parties in the death of Barb. This eventually leads them to conspiracy theorist Murray Bauman who gives them a strategy to take down the USDoE. But his major contribution is a leery, grotesque calling out of the sexual tension between Nancy and Jonathan. Brett Gelman, whether it’s in <em>Fleabag</em> or <em>Another Period</em>, always succeeds at playing profoundly sleazy men with the sort of wry verve that lets you know they are (mostly) harmless. </p> <p>Here, his particular brand of ick is applied to plying teenagers with alcohol, demanding they admit they have feelings for one another and calling attention to how much better the sleeping arrangements would be if they shared a bed. It undercuts the seriousness of the Nancy/Jonathan love story in the best way and Murray is the perfect vessel for reminding audiences that the climax of your big love story doesn’t always have to be maudlin and sincere.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Eddie and Chrissy </strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="666" src="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments3-1100x666.jpg" alt="Chrissy looks nervously over her shoulder on Stranger Things" class="wp-image-834897" srcset="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments3-1100x666.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments3-740x448.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments3-768x465.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments3-1536x930.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments3-2048x1240.jpg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Netflix</figcaption></figure> <p><strong>(Season 4, Episode 1 “The Hellfire Club”)</strong> Eddie Munson and Chrissy have a remarkable chemistry across a few scenes in the season four premiere. While we discover that it’s all just a set up for Chrissy’s death at episode’s end, there is a brief window when the show entertains the idea that all the high school cliques are nonsense (it otherwise demands fairly strict allegiance to the norm—see Dustin’s speech about how Erica is a nerd in season three, episode six). But more than that, it’s a great showcase for two actors to display something that feels surprisingly genuine. It’s a fitting homage to all the great John Hughes mismatched romances of the 80s—<em>The Breakfast Club</em> and <em>Some Kind of Wonderful</em> chief among them—with the burnout and the cheerleader discovering that they have more in common than they thought they did. It’s a shame that the show wasn’t particularly interested in exploring this dynamic because it cements Eddie and Chrissy as instant classics and likely went a long way towards cementing Joseph Quinn’s career.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Joyce’s Lights</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="644" src="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments4-1100x644.jpg" alt="Joyce cries over christmas lights on Stranger Things" class="wp-image-834898" srcset="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments4-1100x644.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments4-740x433.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments4-768x449.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments4-1536x899.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments4-2048x1198.jpg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Netflix</figcaption></figure> <p><strong>(Season 1, Episode 3 “Holly Jolly”)</strong> The image of Joyce Byers communicating with Will through an alphabet of Christmas lights strung up on her living room wall is as iconic a metonymy for the whole of <em>Stranger Things</em> as anything. But it’s easy to forget that it’s undergirded by real senses of menace and wonder and anchored by Winona Ryder’s excellent portrayal of desperation and grief. The turn from a glimmer of hope in Joyce finally making contact with Will to horror as he lights up “RUN” and a demogorgon tears through the wall, more grotesque and pallid than we’ve seen thus far in the show, is the cherry on top of the sundae.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Harrington Pool Party</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="562" src="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments5-1100x562.jpg" alt="Steve&#39;s pool party on Stranger Things" class="wp-image-834899" srcset="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments5-1100x562.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments5-740x378.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments5-768x392.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments5-1536x785.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments5-2048x1046.jpg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Netflix</figcaption></figure> <p><strong>(Season 1, Episode 2 “The Weirdo on Maple Street”)</strong> Early in its run, <em>Stranger Things</em> felt like it was angling for something more akin to prestige TV. The weekday party at Steve Harrington’s place, with “Melt With You” playing on the radio, Aqua vapor rising off the surface of the water while Nancy, Barb, and their questionable new acquaintances shotgun beers and Jonathan, half in a trance, photographs them from the nearby woods, feels like something more compelling than mere homage or reference (though it is both of those things). </p> <p>The vaporwave aesthetic that the show cultivates isn’t really a thing of the ‘80s (even if it has its roots in bands like <em>Goblin</em> and <em>Tangerine Dream</em>), but it so evokes that New Wave, synth-heavy yearning that it’s a perfect fit for an ‘80s nostalgia show. And this slice of life recreation of the mythical past that the show is obsessed with is among its finest encapsulations.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Will the Warlock </strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="689" src="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments6-1100x689.jpg" alt="Will comes into his power on Stranger Things" class="wp-image-834900" srcset="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments6-1100x689.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments6-740x464.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments6-768x481.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments6-1536x962.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments6-2048x1283.jpg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Netflix</figcaption></figure> <p><strong>(Season 5, Episode 4 “Sorcerer”) </strong>Okay the internet has made this point over and over and it is, ultimately, a bit of semantic nonsense, but this <em>is</em> a hill I am willing to die on. Will is not a Sorcerer (as Mike dubs him in the most recent episode). Sorcerers, in <em>Dungeons &amp; Dragons</em>, are magic users whose powers come from their genetic heritage or magical intervention in their ancestry. A Warlock is a magic user whose magic powers come from a pact made with a powerful being (like a devil or a genie). Clearly, Will is a Warlock with Vecna as his patron (Warlock pacts don’t need to be consensual). And, given that both Sorcerers and Warlocks as DnD classes postdate the era in which <em>Stranger Things</em> takes place (by more than twenty years in both cases), I feel comfortable saying that, given the choice between anachronisms, go with the one that actually makes sense.</p> <p>That said, the moment in which Will comes into his psychokinetic powers is one of the series’ most transcendent moments. It is the culmination of a personal arc that has been playing out since at least the second season. It’s unclear if the Duffers planned Will’s sexuality from the start but it has been central to his character since season three and largely mishandled (the show leans into a child molestation lens for the ways in which Will is traumatized; you can read my <a href="https://reactormag.com/mazes-monsters-and-metaphors-stranger-things-and-suburban-horror/" target="_blank" rel="noreferrer noopener">season three review</a> for a more in depth analysis of it). But season five largely redeemed this arc, pairing Will with Robin, its other queer character, and reframing what makes being queer worthwhile away from finding romantic love, and refocusing on self-care. In that regard, the Duffers find some thematic resonance with sorcery (you are already awesome because it’s intrinsic to you, not because you studied for it—and I understand that they want to hammer home the point that gay people are born not made, especially since they already unfortunately paired coming out with molestation) but the reason this moment—Will, eyes rolled back, arms outstretched, breaking demogorgon limbs in the exact way Vecna tortured his victims in the previous season—hit so hard is that it’s the culmination of Will’s relationship to trauma. Whether that’s the trauma of being kidnapped by Vecna or the trauma of enduring ongoing homophobic bullying (both from his father and kids at school), it has made him more than a weak-link (a spy for the Mindflayer as he is called in season two). It’s made him resilient and powerful. Yes, absolutely, being queer is a quality in need of celebration (especially for a rural midwestern kid in the AIDS-stricken landscape of the mid-80s) but what the show has really demonstrated and demonstrates well is that surviving trauma can make you something more powerful than you thought. Will has psychic powers because he endured Vecna’s abuse and came out the other side. In that way, he embodies a DnD Warlock and the show has something much more interesting and important to say about what it means to be a survivor (especially a queer one) than what they draw out of Robin’s advice.&nbsp;</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Snow Ball </strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="650" src="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments7-1100x650.jpg" alt="Nancy dances with Dustin and they both smile on Stranger Things" class="wp-image-834901" srcset="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments7-1100x650.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments7-740x437.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments7-768x454.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments7-1536x907.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments7-2048x1210.jpg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Netflix</figcaption></figure> <p><strong>(Season 2, Episode 9 “The Gate”) </strong>There’s a lot of climactic fun minutes earlier in the season two finale with Eleven closing the gate beneath the Hawkins Lab, but the real heart of season two is the Jingle Ball—the middle school dance that sees romantic closure for Mike and Lucas. The real joy of it, however, is Nancy’s sweet gesture to a lovelorn Dustin who, despite a stylish new hairdo, courtesy of Steve, is experiencing nothing but rejection and derision. Nancy picks him up for a slow dance and tells him that he’s always been her favorite among Mike’s friends and that, if he sticks it out through middle school, the girls will eventually go nuts for him. </p> <p>It’s more than a tender moment of platonic charity. The second season sets up a love triangle between Lucas, Dustin, and Max only to quickly make clear that Dustin is a third wheel. He, painfully, doesn’t realize this until long after the audience has—which feels like a riskier and more honest depiction of the ruthlessness of middle school dating and it makes Nancy’s gesture all the sweeter. The following season Dustin is given a long distance girlfriend and the looming tragedy of his romantic life is tidily dealt with. But there is a great little coda that makes perfect use of “Time After Time”—cheesy and sweet in equal measure and, for once, a moment that doesn’t give in to hollow wish fulfillment.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Never-Ending Duet</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="649" src="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments8-1100x649.jpg" alt="Suzie sings triumphantly on Stranger Things" class="wp-image-834902" srcset="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments8-1100x649.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments8-740x437.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments8-768x453.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments8-1536x906.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments8-2048x1208.jpg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Netflix</figcaption></figure> <p><strong>(Season 3, Episode 8 “The Battle of Starcourt”)</strong> It may be the most controversial of my picks and it’s definitely the dumbest entry on the list, but Dustin and Suzie’s rendition of Limahl’s “Never-Ending Story,” from the iconic ‘80s fantasy film of the same name, is, hands down my favorite moment in season three and a strong contender for my favorite moment in the whole series. </p> <p>Wait, where are you going? Come back! Hear me out: it’s very very stupid. Almost exactly the sort of hollow, referential nostalgia-pandering that critics of the show insist it exemplifies. But, in being so thoroughly odd, such a nakedly mercenary scene and treated as such in-world, it’s maybe the most self-aware the show has ever been. <em>Stranger Things</em>, in its dedication to a nostalgic mismemory, loves to hit its on-the-nose needle drops and references (Lucas seriously compares Carpenter’s <em>The Thing</em> to New Coke instead of, you know, the Thing-esque flesh monster currently chasing him), but the inclusion of this pointless reference, where two young Broadway stars belt out one of the ‘80s fizziest and least dramatic anthems, intercut with David Harbour staring—incredulous and dead-eyed—down the endless hallway of the Russians’ secret base, is the closest thing the show has to a tacit admission that most of its raison d’etre is to ask ‘80s kids “hey, remember this?” and does so in the most delicious, troll-y way.&nbsp;</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Robin Comes Out</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="552" src="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments9-1100x552.jpg" alt="Steve tries to make Robin feel better after coming out on Stranger Things" class="wp-image-834903" srcset="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments9-1100x552.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments9-740x371.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments9-768x385.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments9-1536x771.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments9-2048x1028.jpg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Netflix</figcaption></figure> <p><strong>(Season 3, Episode 7 “The Bite”)</strong> Another clever subversion of audience expectations, season three introduces Maya Hawke’s Robin, who feels for most of the season like she’s being set up as a new love interest for Steve. In many ways she feels like the perfect Harrington belle—a woman previously ignored by Steve who doesn’t give him an inch and mercilessly mocks his failures while clearly still wanting to bring out the best in him. It’s perfect then, that she reveals that her past problem with Steve is not that he ignored her advances, but that he dated the woman she had been desperately in love with, dashing her romantic hopes. </p> <p>It’s one of the better coming out moments in recent television and it has the added bonus of forcing the audience to identify with Steve—rooting for the straight boy to get the girl before realizing we had gotten it entirely wrong and a better story was in the works. It certainly doesn’t hurt that Hawke is one of the show’s better actors and, in season three, her autism-coded awkwardness was still being played for genuine pathos and not just for schtick. <em>Stranger Things</em> isn’t typically great about portraying its minority characters with subtlety and clarity, but Robin’s bathroom admission is a rare win.&nbsp;</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Hopper’s American Tragedy</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="678" src="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments10-1100x678.jpg" alt="Hopper shares memories with Dmitri on Stranger Things" class="wp-image-834904" srcset="https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments10-1100x678.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments10-740x456.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments10-768x473.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments10-1536x947.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/12/stranger-things-bestmoments10-2048x1262.jpg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Netflix</figcaption></figure> <p><strong>(Season 4, Episode 5 “The Nina Project”)</strong> Hopper recounting the story of his Vietnam service to Tom Wlascicha’s Dmitri might be the best dramatic monologue of the series. It’s not only a welcome ameliorative to season three’s <em>Red Dawn</em> inspired jingoism, but showcases the ways in which the show knows it can’t exist purely as an exercise in nostalgia. </p> <p>Sarah Hopper’s cancer death is a long shadow hanging over the series—the original death of a child that gives real stakes and sorrow to all the subsequent child endangerment. To explain that its likely cause is the result of American military hubris, its lack of regard for the safety of its own citizens in the face of its imperial aims, is the closest the show has gotten to a real thesis. After all, the Upside Down is the result of scientific recklessness papered over by a callous American government. Lurking underneath the show’s reverence for the ‘80s is the acknowledgement that the veneer of safety and prosperity was built on some of the darkest inclinations of a Cold War that implicated both America and the Soviet Union. Harbour’s gut-wrenching performance weds the personal and political in the tightest thematic moment the famously scattered show has ever had.&nbsp;</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>But what do you think? What have I left out here? Do you like the “Running up that Hill” moment as much as the whole internet seems to? Am I over-concerned with the quiet moments on the show and not as into what’s obviously kickass? Let me know in the comments.[end-mark]</p> <p>The post <a href="https://reactormag.com/the-best-moments-in-stranger-things/">The Best Moments of &lt;i&gt;Stranger Things&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-best-moments-in-stranger-things/">https://reactormag.com/the-best-moments-in-stranger-things/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=834890">https://reactormag.com/?p=834890</a></p>
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Posted by Molly Templeton

News What to Watch

What to Watch and Read for the Rest of 2025: The Books, Movies, Games, and Shows on the Reactor Staff’s Backlogs

The holidays offer us a rare chance to watch, read, and play some of the things we’ve been meaning to get to

By

Published on December 19, 2025

Photo: Kepler Interactive, AMC Studios, Neon

What to Watch and Read Holidays 2025

Photo: Kepler Interactive, AMC Studios, Neon

It is not quite the end of the year for publishing and its related industries, but it is close, and so this is the last What to Read and Watch post for 2025. What will Reactor’s staff be doing until the ball drops and the calendar ticks over? Well, watching stuff, and reading stuff, and playing stuff, and also maybe doing a little staring at the wall in absolute silence. You know. Decompressing! And also vegging out.

May your solstice be hopeful, your holidays be bright, and whatever celebrations you engage with bring you all the joy you can handle. 

We’re Playing New Games and Older Ones

Bailey is going to play Clair Obscur: Expedition 33, a game I would very much like to play—it just won a nice big award!—but I am only allowed to have one gaming console, as I get obsessive and play games for eight hours straight. But Clair Obscur sounds fantastic. “Lead the members of Expedition 33 on their quest to destroy the Paintress so that she can never paint death again” is one hell of a description. I don’t know what it means, but I want to.

Meanwhile I will still be trucking about Hyrule, in The Legend of Zelda: Tears of the Kingdom, only occasionally helping those whiny little koroks and/or the sign guy. I have turned on all the lightroots, which is the best part of the game, and now must decide whether to re-engage with the plot or not. I have put [redacted] hours into a different playthrough of this game and never beaten it. I hate boss battles. So I’ll just run around some more.

We’re Watching So… Many… Movies

Everybody is going to movies. We are going to first-run movies (Dust Bunny, multiple times between multiple people) and second-run movies (Pan’s Labyrinth) and movies that are on Netflix, sure, but why not go to them in a theater (Wake Up Dead Man). We are going to Norwegian family dramas (Sentimental Value) and anything Paolo Sorrentino directs (La Grazia) and the movie that nobody will shut up about (One Battle After Another). We are going to historical films starring actresses with very modern faces (The Testament of Ann Lee). We would like to be going to Morvern Callar but the random screening at Portland’s classic indie theater is already sold out despite happening in January. (We—and this time I mean I—clearly screwed up.) If Resurrection comes to Portland, I will be seated. The New Yorkers will go to No Other Choice, and I will wait patiently for that one, too. 

We are also watching movies at home, of course. Emmet will be indulging in their traditional Shane Black appreciation moment and watching Kiss Kiss Bang Bang (and maybe The Long Kiss Goodnight). I may finally get to Frankenstein. I may finally indulge in a Kelly Reichardt marathon and catch up to all her films, including The Mastermind, which Matt will also be watching. 

Pretend You’re Alone on Earth and Watch an Entire Series at Once

The Pluribus finale is coming, and if anyone I work with is not watching, I don’t want to know about it. Bailey will also be watching Heated Rivalry, a show I have learned an astonishing amount about just from being a person who goes online. Bless you, hockey romance fans, every one.

Leah plans to watch Interview with the Vampire, and so do I; I started it but got behind and now I have hours and hours to spend with those beautiful fuckups. I can’t wait. Emmet will also be hanging out with beautiful fuckups, but the ones in Harley Quinn. Have we talked about how the version of Bane in Harley Quinn is the most wonderful version of Bane imaginable? Never thought I could feel such affection for that character of all characters. But I love him.

You could also anniversary-binge The Magicians or Mr. Robot or The Expanse, all of which turned 10 this year. (The Expanse snuck past me, but it just hit the 10-year mark this week! A day before The Magicians! I wish anything like either of those shows was on TV now.) The incredibly funny Australian mystery show Deadloch returns in February, and if you haven’t watched it, I cannot recommend it enough. If the opening scene, in which two teenagers have very believable reactions to finding a dead body, doesn’t win you over, I don’t even know what to tell you.

No One Is Finishing Their TBR Stack Before the End of the Year

But we’re gonna try, dammit. Leah intends to read Daniel Kehlmann’s The Director, which is inspired by the life of director G.W. Pabst. Bailey has her eye on Blood Over Bright Haven by M.L. Wang, which sounds dark and mysterious and has a nice pop of red on its cover, making it festive, however unintentionally. Matt is reading Matching Minds with Sondheim: The Puzzles and Games of the Broadway Legend, a book that he bought for someone else. This is how book people roll. Stefan reads Hogfather every year, and will continue to do so.

I am debating whether I want to reread the previous two Book of Dust novels before picking up Philip Pullman’s final book about Lyra Silvertongue, The Rose Field. I also want to reread Bethany Jacobs’ first two Kindom Trilogy books before starting This Brutal Moon, but let’s be real: there are only so many hours in the day and days in the week, and I need to know what happens there. Kehlmann’s

There are a lot of crows in Portland, and I really love them, and yet I still have not read Hollow Kingdom, which is set in Seattle (close enough!) and stars a “foul-mouthed” crow. It may be time. I may pair this with Caskey Russell’s The Door on the Sea, which involves an “endlessly vulgar” raven. Everything about this book appeals to me. (I must also note that it is a year for mouthy birds. I’m in favor. More, please?)

However you spend your last few weeks of 2025, Emmet suggests that you wind down with one of their annual traditions: Listening to the Bing Crosby and David Bowie duet on “Peace on Earth / Little Drummer Boy.” The sketch is so awkward that I could not watch it. My colleagues are truly made of stronger stuff than I.

Happy holidays, everyone! [end-mark]

The post What to Watch and Read for the Rest of 2025: The Books, Movies, Games, and Shows on the Reactor Staff’s Backlogs appeared first on Reactor.

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Posted by Sarah

Lists Best of 2025

Readers Pick Their Favorite SFF of 2025

What an excellent year for speculative fiction — in all its many forms!

By

Published on December 19, 2025

2025 SFF Favorites Readers Choice

What an excellent year for science fiction, fantasy, and horror! For the first time, we asked for your favorite genre books, TV shows, movies, video games, and more from 2025. A book cover that caught your eye. A short story you couldn’t get out of your head. That movie you saw two, three, maybe even four times in theaters! 

We received over 600 responses, even beating out our previous readers’ poll on the Most Iconic Speculative Fiction of the 21st Century. Among your responses, we recognized some stories and media the Reactor team already adores, and found a few new ones as well. 

At the end of the day, we love celebrating genre fiction. But we love it more when you celebrate it with us!


Favorite Books of 2025

Readers' Choice picks for the best books of 2025: The Raven Scholar, A Drop of Corruption, and The Everlasting

Favorite Movies of 2025

Readers' Choice picks for the best SFF movies of 2025: Sinners, KPop Demon Hunters, and Superman
  • Sinners dir. by Ryan Coogler (Warner Bros. Pictures)
  • KPop Demon Hunters dir. by Maggie Kang and Chris Appelhans (Sony Pictures Animation / Netflix)
  • Superman dir. by James Gunn (Warner Bros. Pictures)

Favorite TV Series of 2025

Readers' Choice picks for the best SFF TV of 2025: Murderbot, Andor, and Pluribus
  • Murderbot (Apple TV)
  • Andor Season Two (Disney+)
  • Pluribus (Apple TV)

Favorite Short Stories of 2025


Favorite Video Games of 2025

Readers' Choice picks for the best video games of 2025: Clair Obscur, Hades II, and Silksong
  • Clair Obscur: Expedition 33 (Sandfall Interactive)
  • Hades II (Supergiant Games)
  • Hollow Knight: Silksong (Team Cherry)

Favorite SFF Podcasts of 2025

  • Worlds Beyond Number by Erika Ishii, Aabria Iyengar, Taylor Moore, Brennan Lee Mulligan, and Lou Wilson

Favorite Video Creator/Channels of 2025


Favorite Book Covers of 2025

Readers' Choice picks for the best book covers of 2025: Katabasis by RF Kuang, Automatic Noodle by Annalee Newitz, and The Starving Saints by Caitlin Starling

The post Readers Pick Their Favorite SFF of 2025 appeared first on Reactor.

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Posted by Vanessa Armstrong

News Avengers: Doomsday

Steve Rogers Will Be Daddy in Avengers: Doomsday

You can see him yourself in the Avengers: Doomsday trailer if you get to your screening of Avatar: Fire and Ash a bit early…

By

Published on December 18, 2025

Photo: Walt Disney Studios
Motion Pictures

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/steve-rogers-in-avengers-doomsday-trailer/">https://reactormag.com/steve-rogers-in-avengers-doomsday-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=834849">https://reactormag.com/?p=834849</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/avengers-doomsday/" class="inline-block link-no-animation" aria-label="Link to term or tag Avengers: Doomsday 1"> Avengers: Doomsday </a> </span> </div> <h2 class="post-hero-title text-h1">Steve Rogers Will Be Daddy in <i>Avengers: Doomsday</i></h2> <div class="prose post-hero-description prose--post-hero">You can see him yourself in the Avengers: Doomsday trailer if you get to your screening of Avatar: Fire and Ash a bit early&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on December 18, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo: Walt Disney Studios<br /> Motion Pictures</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/steve-rogers-in-avengers-doomsday-trailer/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="416" src="https://reactormag.com/wp-content/uploads/2024/02/captain-america-and-peggy-carter-740x416.jpg" class="w-full object-cover" alt="Steve Rogers and Peggy Carter in a screenshot from Captain America: The First Avenger" srcset="https://reactormag.com/wp-content/uploads/2024/02/captain-america-and-peggy-carter-740x416.jpg 740w, https://reactormag.com/wp-content/uploads/2024/02/captain-america-and-peggy-carter-1100x619.jpg 1100w, https://reactormag.com/wp-content/uploads/2024/02/captain-america-and-peggy-carter-768x432.jpg 768w, https://reactormag.com/wp-content/uploads/2024/02/captain-america-and-peggy-carter.jpg 1200w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo: Walt Disney Studios<br /> Motion Pictures</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>He’s baaaack. No, I’m not talking about James Cameron and his latest film, <em>Avatar: Fire and Ash</em>. I’m talking about the teaser <em>before</em> that film for <a href="https://reactormag.com/marvel-is-announcing-the-cast-of-avengers-doomsday-in-the-most-annoying-way-possible/" target="_blank" rel="noreferrer noopener"><em>Avengers: Doomsday</em>, which reveals that a certain someone will be returning to the Marvel Cinematic Universe</a>.</p> <p>That someone is none other than the first Captain America, Steve Rogers, played once again by Chris Evans. When we last saw Steve, he abandoned all those he knew and loved in our present day to live in the past with Peggy Carter. The teaser, according to <em><a href="https://variety.com/2025/film/news/chris-evans-avengers-doomsday-teaser-captain-america-1236609054/" target="_blank" rel="noreferrer noopener">Variety</a></em>, shows Steve riding a motorcycle up to his home on a farm (because of course he lives on a farm). He stops, admires his helmet, which looks not unlike Cap’s helmet, and also admires a baby that, we assume, is his and Peggy’s. The <em>Avengers</em> theme is played on a piano over all of this, and the clip ends with a countdown timer to the premiere date of <em>Avengers: Doomsday</em>, which is just under a year away.</p> <p>The teaser is reportedly just one of several that Marvel will be releasing in the upcoming weeks, with each one focused on a different character. For this one with Steve Rogers, the questions are many: Where and when is this farm, including what timeline in the multiverse? Where is Peggy? Where is this baby in our present time, assuming this teaser is a flashback? Is this the Steve Rogers we know from previous films, or is this another Steve Rogers from the aforementioned multiverse? And what is time, really?</p> <p>The answers to these are still elusive, but we have 364 days to mull over them: <em>Avengers: Doomsday</em> premieres in theaters on December 18, 2026. </p> <p><em>*Note: Since this article originally ran, the Steve Rogers trailer has been officially uploaded. Here it is in all its relative glory. </em>[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="17806"/> </div></figure> <p>The post <a href="https://reactormag.com/steve-rogers-in-avengers-doomsday-trailer/">Steve Rogers Will Be Daddy in &lt;i&gt;Avengers: Doomsday&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/steve-rogers-in-avengers-doomsday-trailer/">https://reactormag.com/steve-rogers-in-avengers-doomsday-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=834849">https://reactormag.com/?p=834849</a></p>
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Posted by Vanessa Armstrong

News Stranger Things

Here’s What Brought Frank Darabont Out of Retirement to Direct Stranger Things Season 5

The Shawshank Redemption director was happily enjoying time away from Hollywood before the Duffer Brothers started calling…

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Published on December 18, 2025

Courtesy of Netflix

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/what-brought-frank-darabont-out-of-retirement-direct-stranger-things-5/">https://reactormag.com/what-brought-frank-darabont-out-of-retirement-direct-stranger-things-5/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=834812">https://reactormag.com/?p=834812</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/stranger-things/" class="inline-block link-no-animation" aria-label="Link to term or tag Stranger Things 1"> Stranger Things </a> </span> </div> <h2 class="post-hero-title text-h1">Here’s What Brought Frank Darabont Out of Retirement to Direct <i>Stranger Things</i> Season 5</h2> <div class="prose post-hero-description prose--post-hero">The Shawshank Redemption director was happily enjoying time away from Hollywood before the Duffer Brothers started calling&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on December 18, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Courtesy of Netflix</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/what-brought-frank-darabont-out-of-retirement-direct-stranger-things-5/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path 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11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="490" src="https://reactormag.com/wp-content/uploads/2025/12/StrangerThings_S5_0350_R-740x490.jpg" class="w-full object-cover" alt="STRANGER THINGS: SEASON 5. (L to R) Noah Schnapp as Will Byers, Finn Wolfhard as Mike Wheeler, and Winona Ryder as Joyce Byers in Stranger Things: Season 5." srcset="https://reactormag.com/wp-content/uploads/2025/12/StrangerThings_S5_0350_R-740x490.jpg 740w, https://reactormag.com/wp-content/uploads/2025/12/StrangerThings_S5_0350_R-1100x729.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/12/StrangerThings_S5_0350_R-768x509.jpg 768w, https://reactormag.com/wp-content/uploads/2025/12/StrangerThings_S5_0350_R-1536x1018.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/12/StrangerThings_S5_0350_R.jpg 2000w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Courtesy of Netflix</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Frank Darabont, who directed films like <em>The Shawshank Redemption, The Blob, The Green Mile</em>, and developed AMC’s <em>The Walking Dead</em>, came out of retirement to direct two episodes of <em><a href="https://reactormag.com/everything-you-need-to-know-before-stranger-things-final-season/" target="_blank" rel="noreferrer noopener">Stranger Things 5</a>: </em>“The Turnbow Trap,” which was in the first tranche of the season release, and “Shock Jock,” which will come out on Netflix on Christmas Day.</p> <p>(Easter egg alert: apparently there’s a nod to one of Darabont’s movies in “Shock Jock”; no confirmation as to which one but I’d place money on <em>Nightmare on Elm Street 3</em> or <em>The Blob</em>.)</p> <p>Darabont and his wife, it turns out, are “obsessed fans” of the series, so when the Duffers asked if he would be interested in directing an episode (which turned into two episodes when Dan Trachtenberg had to drop off due to scheduling), he said yes. “I was so familiar with the show, I watched all four seasons with my wife. I think we’d seen those four seasons about four or five times before this invitation arrived to come direct, because we just loved it so much,” he told <em><a href="https://www.indiewire.com/features/interviews/stranger-things-director-frank-darabont-retirement-1235168386/" target="_blank" rel="noreferrer noopener">IndieWire</a></em>.</p> <p>Darabont expanded on why <em>Stranger Things</em> appealed to him and his wife so much. “It really does have a moral compass,” he said. “This thing, you have a found family—some actual family—this group of people have been brought together by these circumstances, and they are always trying to do the right thing. There’s tremendous positivity in that group. There’s tremendous loyalty. They will sacrifice for one another. And you don’t see that kind of heart in a lot of our entertainment. There’s a lot of dour… There’s a lot of greed.”</p> <p>Darabont also shared that, years ago, he actually turned down adapting Stephen King’s <em>The Dark Tower </em>(something that <a href="https://reactormag.com/mike-flanagan-is-adapting-stephen-kings-the-dark-tower-series/" target="_blank" rel="noreferrer noopener">Mike Flanagan is currently taking a stab at</a>), and explained why. “I was very flattered and very honored that [Stephen King] asked me,” he told <em>IndieWire</em>. “But man, so much of that story is so internalized. It’s so in the heads of the characters, and it’s this massive, endless story as well. I thought, oh my god, this could be the next ten years of my life and miss the mark, because it is a diabolically difficult thing to adapt. And at that point, I was just exhausted anyway.”</p> <p>You can see Darabont’s first <em>Stranger Things </em>episode now on Netflix, with the second one dropping on December 25, 2025. [end-mark]</p> <p>The post <a href="https://reactormag.com/what-brought-frank-darabont-out-of-retirement-direct-stranger-things-5/">Here’s What Brought Frank Darabont Out of Retirement to Direct &lt;i&gt;Stranger Things&lt;/i&gt; Season 5</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/what-brought-frank-darabont-out-of-retirement-direct-stranger-things-5/">https://reactormag.com/what-brought-frank-darabont-out-of-retirement-direct-stranger-things-5/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=834812">https://reactormag.com/?p=834812</a></p>
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Posted by Sarah

Books Short Fiction Spotlight

Must Read Short Speculative Fiction: November 2025

Add some of the best new short fiction stories to your end of year reading lists!

By

Published on December 18, 2025

covers of three short fiction magazines from November 2025

As I was looking over this list of stories, I realized most of them were by authors who were new to me. I love it when I encounter voices I’ve never heard before. I also have a new publication on the reading list, and one of their stories is featured here. Let’s bow out the hell that was 2025 with at least a little excitement and joy, shall we? Here are the ten short science fiction, fantasy, and horror stories I enjoyed reading in November.

“Beneath the Umdlebe Tree; or, A Vegetable Love Story” by Modupeoluwa Shelle

Our narrator addresses Orhija, who is returning to Earth after a while away. The story blends science fiction and Yoruba cosmology in a way I’ve never seen before. Shelle opts for large paragraphs that give the story a tense yet sprawling feel. “You always blamed the gods for everything we did out of our own free will. Are you going to blame them now for the war your kind wages on mine out of an agelong resentment? Did you even blame them for the reason my kind are doing this to the Earth?” (Lightspeed—November 2025; issue 186)

“Coin Flip” by Aeryn Rudel

The narrator of this story tracks down several humans being held hostage by a demon-possessed serial killer and gets killed in the process. Good thing that this isn’t his first death. He is resurrected in time to save the day. But who is this man? That you’ll have to read the story to find out. The twist isn’t just a silly little reference but one loaded with layers of meaning, especially if you were raised in the Christian church. (Flashpoint SF—November 14, 2025)

“The Fire Burns Anyway” by Kemi Ashing-Giwa

The protagonist here is a dreamweaver, someone who can use a neural scanner to create “imaginary settings” and “realistic worlds” you can enter in your dreams. This felt like a metaphor for trying to be creative in the age of generative AI. Everything being concentrated in the hands of the wealthy at the expense of everyone else, turning creativity and passion into commodities and resources to be extracted, and trying to hold onto the joy of creating art in the face of the capitalist machine. (Clarkesworld—November 2025; issue 230)

“For When the Night is Behind You and the Depths are Ahead” by Corey Farrenkopf

Coincidentally, I had just read the excellent eco-horror short story collection The Writhing, Verdant End by Corey Farrenkopf, Eric Raglin, and Tiffany Morris when I came across this story by Farrenkopf. Of course I had to read it, and of course it exceeded my expectations. Our narrator’s older brother Dave is one of many who die during the nationwide release events for a videogame, Castles Underground III. They become obsessed with beating the game, and soon we realize the game is more real than Dave let on. (Three-Lobed Burning Eye—November 2025” by issue 46)

“If You Can’t Make Your Own Regret, Store-Bought Is Fine” by RJ Aurand

Val is a membalmer, someone who preserves memories by extracting them from the dead. Those memories are given to the survivors as they process their feelings toward the recently deceased. This story follows Val as she extracts regret from Mr. Jensen to give to his daughter, who wants as little of him as possible. Aurand wrote in the author’s note that this story was inspired by a video of someone finding cremains at a Goodwill and what kind of person would donate those. What do you do when you’re expected to honor the memory of someone who didn’t care for you the way you deserved? (Inner Worlds—November 2025; issue 9)

“The Last Two Gardeners of Mars” by Irene W. Collins

Years ago, Anara and Mireille were part of a crew of scientists sent to terraform Mars. Now, they’re the only two left in a collapsing dome. The terraforming project was abandoned, and they didn’t want to leave the garden behind untended. “Fifty years of this. Not quite lovers, never merely friends. Something more ferocious, more faithful. A queerplatonic tether forged in the red dust and sealed in chlorophyll.” Their time is done and they’re preparing to go out together. A different kind of love story, but a nevertheless beautiful and bittersweet one. (Heartlines Spec—Winter 2025; issue 9)

“Occupational Hazards” by Nicole M. Babb

Welcome to the spotlight, Foofaraw! This was such an unsettling and distressing story. It starts off fine before descending into horror territory. A detective shows up at Pinnacle Ergonomics to interview the coworkers of a man who died after being crushed to death in a prototype of a new technology. “Blood, brain matter, and Gary’s shirt aside, the room was an unrelenting white. Sunshine streamed through floor-to-ceiling windows, baking Gary like a ham surprise casserole.” By the time the detective figures out who the culprit is…well, I’ll let you find out what happens. (Foofaraw—November 27, 2025)

“Pink Witches” by Melissa Jornd

A child is at the reception after her Grandma’s funeral. Bree misses her Grandma so much and would give anything to see her again. When she escapes to the bathroom, she steps into a room filled with flowers…and the spirit of her grandmother. They do a little magic together to help Bree’s mother in her grief. It was a wonderful story about honoring your ancestors and being compassionate. Bree taps into power she could wield for any purpose, and her first thought is to do something kind for someone without expecting any reciprocation or appreciation in return. (Small Wonders—November 2025; issue 29)

“Waterways” by Diana Dima

David inherits his father’s boat after his death and becomes a fisherman. He had a fraught relationship with his father, unable to please him but always trying to anyway. David has a surreal experience with several other fishermen, then something in him snaps. This story is dark and creepy; it has the feel of a nightmare, with things spiraling out of control. (PodCastle—November 18, 2025; #918)

“When Eve Chose Us” by Tia Tashiro

In the years after an alien species arrives on Earth, peace has finally been declared. Part of the treaty included the option for humans to join the alien hivemind. Those that do still look mostly human, and are jokingly called “drones” by other humans. Liza’s best friend Eve decides to join, and Liza has a hard time understanding why. Eve has her reasons, reasons she isn’t inclined to share with Liza, leaving Liza feeling adrift and like she lost something she never really had in the first place. This is a really interesting way to explore an alien invasion. In this situation, the aliens offer troubled humans the chance to let go of what ails them. The hive isn’t submission but freedom. (Diabolical Plots—November 3, 2025; #129A)

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The post Must Read Short Speculative Fiction: November 2025 appeared first on Reactor.

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Posted by Leah Schnelbach

Books Teen Horror Time Machine

Holiday Spirits, A Killer Christmas, and R.L. Stine’s The New Evil 

It just isn’t Christmas until the Evil Entity is released from the ice.

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Published on December 18, 2025

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<p class="syndicationauthor">Posted by Leah Schnelbach</p><p class="ljsyndicationlink"><a href="https://reactormag.com/r-l-stines-the-new-evil-teen-horror-time-machine/">https://reactormag.com/r-l-stines-the-new-evil-teen-horror-time-machine/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=834375">https://reactormag.com/?p=834375</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/teen-horror-time-machine/" class="inline-block link-no-animation" aria-label="Link to term or tag Teen Horror Time Machine 1"> Teen Horror Time Machine </a> </span> </div> <h2 class="post-hero-title text-h1">Holiday Spirits, A Killer Christmas, and R.L. Stine’s <em>The New Evil</em> </h2> <div class="prose post-hero-description prose--post-hero">It just isn&#8217;t Christmas until the Evil Entity is released from the ice.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/alissa-burger/" title="Posts by Alissa Burger" class="author url fn" rel="author">Alissa Burger</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on December 18, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/r-l-stines-the-new-evil-teen-horror-time-machine/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> <details class="relative quick-access-details"> <summary class="quick-access-share flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 22 22" aria-label="share" role="img" aria-hidden="true" aria-labelledby="icon-share-new-quick-access-"> <title id="icon-share-new-quick-access-">Share New</title> <g fill="none" fill-rule="evenodd"> <circle cx="11" cy="11" r="11" fill="#FFF" fill-rule="nonzero" /> <circle cx="11" cy="11" r="10.5" stroke="#000" /> <path fill="#FFF" d="M5.993 13.464c.675 0 1.323-.266 1.806-.743l4.11 2.396a2.639 2.639 0 0 0 .368 2.451 2.583 2.583 0 0 0 2.227 1.043 2.59 2.59 0 0 0 2.09-1.3 2.64 2.64 0 0 0 .08-2.477 2.58 2.58 0 0 0-4.292-.54L8.344 11.94c.28-.616.31-1.319.086-1.958l3.952-2.303a2.564 2.564 0 0 0 4.263-.537 2.623 2.623 0 0 0-.078-2.46 2.573 2.573 0 0 0-2.075-1.293 2.566 2.566 0 0 0-2.213 1.033 2.622 2.622 0 0 0-.37 2.433L7.96 9.158a2.573 2.573 0 0 0-4.316.603 2.632 2.632 0 0 0 .172 2.501 2.58 2.58 0 0 0 2.178 1.202Z" /> <path fill="#000" d="M6.936 9.577c.322 0 .631.137.859.383.228.245.355.577.355.924 0 .347-.127.68-.355.925a1.172 1.172 0 0 1-.859.383c-.322 0-.63-.138-.858-.383a1.36 1.36 0 0 1-.356-.925c0-.347.129-.679.356-.924.228-.245.536-.383.858-.383Zm6.17-3.837c.323 0 .631.138.86.383.227.245.355.578.355.924 0 .347-.128.68-.356.925a1.172 1.172 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.924.227-.245.536-.383.858-.383Zm0 7.883c.323 0 .631.138.86.383.227.245.355.578.355.925 0 .346-.128.679-.356.924a1.171 1.171 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.923.227-.245.536-.383.858-.384Zm-6.17-.681c.499 0 .978-.21 1.334-.586l3.036 1.888a2.194 2.194 0 0 0 .272 1.93c.385.555 1.003.863 1.645.822.641-.04 1.221-.425 1.544-1.024a2.203 2.203 0 0 0 .059-1.952c-.286-.62-.841-1.044-1.48-1.13-.637-.085-1.272.18-1.69.705l-2.984-1.854c.207-.486.23-1.04.064-1.543l2.92-1.815c.415.522 1.046.784 1.68.7.633-.086 1.184-.507 1.468-1.123a2.188 2.188 0 0 0-.058-1.938c-.32-.595-.895-.977-1.532-1.018-.638-.041-1.251.264-1.635.813a2.179 2.179 0 0 0-.273 1.917L8.389 9.55c-.423-.534-1.07-.798-1.715-.702-.645.096-1.2.54-1.472 1.177a2.194 2.194 0 0 0 .126 1.97c.352.59.958.948 1.61.947Z" /> </g> </svg> Share </summary> <div class="quick-access-bubble"> <ul class="flex gap-6 text-black list-none"> <li class="flex"> <a class="flex items-center hover:text-red" href="https://twitter.com/intent/tweet?text=Holiday Spirits, A Killer Christmas, and R.L. 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0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://reactormag.com/feed/" target="_blank" title="RSS Feed"> <svg class="w-[17px] h-[17px]" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 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15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2025/12/Teen-Horror-New-Evil-740x407.png" class="w-full object-cover" alt="cover of Cheerleaders: The New Evil by RL Stine" srcset="https://reactormag.com/wp-content/uploads/2025/12/Teen-Horror-New-Evil-740x407.png 740w, https://reactormag.com/wp-content/uploads/2025/12/Teen-Horror-New-Evil-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2025/12/Teen-Horror-New-Evil-768x422.png 768w, https://reactormag.com/wp-content/uploads/2025/12/Teen-Horror-New-Evil.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The Cheerleaders trilogy (1992) are among the most iconic books in R.L. Stine’s Fear Street series. We’ll check out the trilogy in the new year, but with the holiday season upon us, we’ll turn our attention first to Stine’s follow up Super Chiller to the trilogy, <em>Cheerleaders: The New Evil</em> (1994). Throughout the original trilogy, the Shadyside High School cheerleading squad found themselves up against an amorphous evil power that can take possession of humans and hide itself behind the faces of their closest friends, resulting in all manner of mayhem and murder.&nbsp;</p> <p>When Stine returns to the cheerleaders in <em>The New Evil</em>, the evil seems to have been safely contained, frozen in ice in the nearby Cononoka River. But when mysterious “accidents” start taking out the cheerleaders one by one, Corky Corcoran begins to have her doubts. First, Hannah is badly injured when she, Kimmy, and Corky are in a car accident. The roads are slippery and Hannah’s not wearing her seatbelt when they crash, so jumping straight to a supernatural explanation might feel like a bit of a leap, though Kimmy is adamant that the evil is back. Corky tries to rationalize with her, telling Kimmy, “You can’t blame the evil spirit every time something bad happens … Sometimes bad things happen. They can’t be helped” (12). But Kimmy has planted a seed of doubt in Corky’s mind and she talks her boyfriend Alex into driving her out to the river to see for herself, where she finds an ice-fishing hole cut in the ice, with vapor rising from the water. This time, it’s Alex who tries to reason with Corky, explaining that the steam is rising from the hole in the ice “because the water below the ice is warmer than the air above the ice” (26), but Corky’s having none of it.&nbsp;</p> <p>To be fair, accidents seem to plague the cheerleading squad, though there’s some doubt as to whether the evil spirit is to blame or just some cutthroat sabotage of the competition, as new girls vie to take Hannah’s spot on the team. At tryouts for Hannah’s replacement, team captains Corky and Kimmy narrow their choice down to three finalists: Ivy, Lauren, and Rochelle. Just when they’ve made their minds up to give the spot to Rochelle, she is badly injured when a workman loses his grip on a screwdriver, which plummets to the gym floor and lodges in the back of Rochelle’s neck. While this could just be a freak accident, a case of Rochelle being in the wrong place at the wrong time, this is complicated by Ivy’s eavesdropping on Kimmy and Corky’s deliberations and the workman’s anguished confusion, as he tells the cheerleading coach Ms. Closter “It flew out of my hand! … I don’t know what happened. I was holding it tight. But it just <em>flew </em>out!” (51, emphasis original).&nbsp;</p> <p>Rochelle survives, but she won’t be cheering any time soon and as a result of her injury, Ivy makes the squad. Lauren is furious and lobbies the coach to be part of the team as an alternate, practicing with the cheerleaders and learning the routines, seemingly just biding her time until another unfortunate “accident” will free up a spot for her on the squad. Heather gets powder burns from a malfunctioning confetti cannon and Naomi is badly burned when a fire baton twirling routine goes wrong, and in no time, Lauren has her wish and takes her spot next to the other cheerleaders.&nbsp;</p> <p>Corky, Kimmy, and Debra have confronted the evil before and they aren’t willing to take any chances, even if that means committing murder, which is where the lines between the influence of the evil and the actions the cheerleaders are willing to take to<em> stop</em> the evil begin to get a bit blurry. Debra has started dabbling in magic spells that can help them detect the evil, deciding it’s best to fight supernatural dangers with supernatural defenses. Corky, Kimmy, and Debra come up with a plan to invite their friends to a pre-Christmas skating party on the frozen river, cast one of these spells to find out who the evil is inhabiting—their top contenders are Ivy and Lauren—and then drown the girl in the icy river. This has worked before and they’re hopeful that once the girl is dead and the evil is forced to vacate her body, they can do some quick CPR to bring her back to life, but the possibility that Ivy or Lauren might actually die doesn’t seem to be a dealbreaker. All is fair in cheerleading and evil banishing, apparently. The spell seems to work and Ivy starts skating toward the three of them (though this could also reasonably be a natural, non-possessed “what the heck is going on over there?” response when she sees three of her fellow cheerleaders gathered around a circle of candles on the ice and chanting). It ultimately turns out that Corky, Kimmy, and Debra have had it wrong all along and when they cast the spell to draw the evil out, they release it from the ice, where it had still been trapped. All of the accidents were really just accidents (or sabotage) and in overzealously being on the lookout for the evil, they’ve brought it back, as it explodes from the frozen river in “A malodorous blanket of black fog … [that] darkened the ice, blackened the sky … The ice blistered and burned. The smoke spewed up thicker, faster, swirling up over the shivering trees, up to the clouds” (100-101).&nbsp;</p> <p>And now the cheerleaders are in real trouble. The evil is definitely back, just in time for the basketball players and cheerleaders to travel to a pre-holiday tournament, with the evil of course coming along for the fun. One of the basketball players becomes uncharacteristically violent and belligerent with the coach, who is later discovered murdered near the locker rooms. The confetti cannon that the cheerleaders roll out again (despite their first disastrous attempt with it) spews hot black tar all over the fans, the seats, and the court, resulting in several serious injuries and the tournament being temporarily suspended, just when the Shadyside team was really getting into their groove. A cheerleader on the opposing team’s squad starts doing backflips and can’t stop. The Shadyside teens are far from home, unsupervised, and at the mercy of the evil spirit, but despite all of the terrifying things that are happening—including the violent and unsolved murder of one of their two chaperones—the tournament continues, with the Shadyside teens largely left to their own devices.&nbsp;</p> <p>When Corky, Kimmy, and Debra follow the other cheerleaders and the basketball players to a nearby lake in the middle of the night, it feels like a reprise of their ill-advised skating party, but this time there’s definitely something weird going on, as the gathered teens form a circle, moving and dancing in unison with raised hands and blank eyes, as “Their shadows dipped and turned, dark blue against the gray ice. Slowly, the dancers moved, as silent as shadows” (151). They repel an angry dog with a collective supernatural strength, throwing the poor animal high into the air before he comes crashing back down to the ice, injured, frightened, and driven away. So this time, when the gathered group sets their sights on Corky, Kimmy, and Debra, there’s little doubt about the influence of the evil, which apparently possessed the bodies of ALL of their friends when that dark smoke rolled over them at the skating party. Prior to this, the evil has been content to claim one host at a time, but now the remaining cheerleaders are outnumbered and outmatched: the possessed teens drown Kimmy in the lake and Debra disappears when she and Corky get separated in the dark woods as they try to escape. When the sun comes up, Corky is alone but still alive, watching in horror as the possessed basketball players and cheerleaders climb onto the bus to head back to the tournament.&nbsp;</p> <p>The evil spirit intends to kill the remaining cheerleaders and Corky decides the only way to stop it is to kill the evil first, which she attempts to do by hijacking the bus when the driver goes into the motel office and driving it off a cliff to plunge into the icy lake below. Corky bails out at the last moment, listening in mingled horror and triumph as all of her friends scream the whole way down to their frigid, watery graves. Like the skating party, she holds onto the naive hope that some of them might be resuscitated once the evil has been expelled from their dead bodies, but she’s fully aware that they could all die, and that’s a price she’s willing to pay. Traumatized and in shock, she walks to the arena to find her coach and tell her what has happened, but as Corky desperately tries to get Ms. Closter to see the truth, the Shadyside basketball players and what’s left of the cheerleading squad take the court, a rampaging horde of the angry and waterlogged undead, “lurching, stumbling after her, reaching for her with their swollen purple hands, coming for her, coming for their revenge” (187).&nbsp;</p> <p>But not really. The final section of <em>The New Evil </em>is an uneasy combination of reality and Corky’s hallucinations, which are chalked up to a concussion. The basketball team and the other cheerleaders <em>really were</em> possessed by the evil. Kimmy<em> really is</em> dead. Corky <em>really </em>drove the bus off the cliff and walked to the arena in a daze. But the basketball players and cheerleaders never became the vengeful undead because they really were miraculously saved, pulled from the water and resuscitated by a couple of incredibly intrepid ice fishermen who just happened to be in the right place in the right time with the right skill set to make this incredibly difficult and dangerous rescue. The possessed teens have no memory of what happened while they were inhabited by the evil, including no memory of how they killed Kimmy or how Corky killed them, which presumably lets Corky off the hook for a whole slew of crimes.&nbsp;</p> <p>The teens are themselves once more and grateful to be alive. One of the players heaves a big sigh of relief and exclaims “I still can’t believe everyone survived” (198) and just like that, Kimmy is forgotten, marginalized and nearly erased within the larger context of their shared trauma—or at least their shared trauma as they remember it, with only Corky and Debra aware of the whole dark story. As the teens recuperate in the hospital, they realize that it’s Christmas Eve. It seems like this year, their gift is their lives, though the horrifying reality of what actually happened is sure to be the gift that keeps on giving for the two girls … and if it’s anything like the Cheerleaders trilogy that came before <em>The New Evil</em>, there’s nothing to say the evil won’t come back for a visit in the new year.[end-mark]</p> <p>The post <a href="https://reactormag.com/r-l-stines-the-new-evil-teen-horror-time-machine/">Holiday Spirits, A Killer Christmas, and R.L. Stine’s &lt;em&gt;The New Evil&lt;/em&gt; </a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/r-l-stines-the-new-evil-teen-horror-time-machine/">https://reactormag.com/r-l-stines-the-new-evil-teen-horror-time-machine/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=834375">https://reactormag.com/?p=834375</a></p>
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Posted by Matthew Byrd

News Monarch: Legacy of Monsters

Monarch: Legacy of Monsters Enters the Cold War With New Lee Shaw Prequel Series

Sadly, economic cutbacks will seemingly reduce the series to one Russell

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Published on December 18, 2025

Photo: Apple TV

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<p class="syndicationauthor">Posted by Matthew Byrd</p><p class="ljsyndicationlink"><a href="https://reactormag.com/monarch-legacy-of-monsters-cold-war-lee-shaw-prequel-series/">https://reactormag.com/monarch-legacy-of-monsters-cold-war-lee-shaw-prequel-series/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=834727">https://reactormag.com/?p=834727</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/monarch-legacy-of-monsters/" class="inline-block link-no-animation" aria-label="Link to term or tag Monarch: Legacy of Monsters 1"> Monarch: Legacy of Monsters </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Monarch: Legacy of Monsters</i> Enters the Cold War With New Lee Shaw Prequel Series</h2> <div class="prose post-hero-description prose--post-hero">Sadly, economic cutbacks will seemingly reduce the series to one Russell</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/matthew-byrd/" title="Posts by Matthew Byrd" class="author url fn" rel="author">Matthew Byrd</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on December 18, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo: Apple TV</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/monarch-legacy-of-monsters-cold-war-lee-shaw-prequel-series/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 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https://reactormag.com/wp-content/uploads/2025/12/Monarch-Wyatt-Rusell-1100x616.png 1100w, https://reactormag.com/wp-content/uploads/2025/12/Monarch-Wyatt-Rusell-768x430.png 768w, https://reactormag.com/wp-content/uploads/2025/12/Monarch-Wyatt-Rusell.png 1398w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo: Apple TV</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><em>Monarch: Legacy of Monsters</em> is getting a prequel spinoff that will give us what we all want this holiday season: more of the Russell boys. </p> <p>Yes, <a href="https://www.hollywoodreporter.com/tv/tv-news/monarch-legacy-of-monsters-prequel-wyatt-russell-apple-tv-1236453521/" target="_blank" rel="noreferrer noopener">Apple TV announced </a>that they have greenlit a <em>Monarch: Legacy of Monsters </em>prequel series that will focus on the younger version of Col. Lee Shaw. Wyatt Russell will reprise the role of Col. Lee Shaw in this series as well as serve as executive producer on the spinoff. Joby Harold will serve as showrunner on the new series. There aren&#8217;t many details about the plot of the series at this time, but let&#8217;s toss it over to the official description for a little more info. Official description?</p> <figure class="wp-block-pullquote"><blockquote><p><em>The spinoff series will follow the story of Colonel Lee Shaw, an American operative who in 1984 went on a secret mission behind enemy lines in an attempt to stop the Soviets from unleashing a horrific new Titan big enough to destroy the U.S. and turn the tide of the Cold War.</em></p></blockquote></figure> <p>Thanks official description! Apple also says that &#8220;Viewers around the world haven’t been able to get enough of <em>Monarch: Legacy of Monsters</em> since its global debut,&#8221; which is certainly true enough, and that &#8220;this new spinoff will kick off an epic Monsterverse expansion that brings audiences even closer to their favorite Titans, along with fantastic character-driven storytelling.” The wording of the various statements seem to suggest that this show will stick to telling its own story and won&#8217;t feature the older version of Col. Lee Shaw (played by Wyatt&#8217;s dad Kurt Russell in <em>Monarch: Legacy of Monsters</em>).</p> <p>So far as that goes, the timing of this prequel series is fascinating, both in terms of the existing <em>Monarch: Legacy of Monsters</em> series and the greater Legendary Monsters universe. The bulk of <em>Monarch: Legacy of Monsters</em>&#8216; first season was split between the mid-2010s and 1950s flashbacks. That means that the &#8220;current&#8221; sections of the show are set before <em>Godzilla: King of Monsters </em>while the flashbacks occur before pretty much every other major entry in the Legendary universe (except for the <em>Godzilla: Awakening </em>graphic novel series, which is not strictly adhered to). The ending of<em> Monarch: Legacy of Monsters </em>brought us closer to the apparent timeline of this spinoff series, so it&#8217;s going to be interesting to see how <em>Monarch</em>&#8216;s recently confirmed second season and this spinoff balance that period of Shaw&#8217;s life while also filling some of the gaps that exist in the greater Legendary timeline. Then again, that timeline has always been somewhat loose, so it&#8217;s easy to assume this period was chosen to enable some of those immaculate Cold War espionage vibes.</p> <p>There&#8217;s no word on this prequel series&#8217; name or release date, though it&#8217;s easy to assume that it won&#8217;t premiere until quite some time after <a href="https://reactormag.com/monarch-legacy-of-monsters-season-two-release-date-character-return/" target="_blank" rel="noreferrer noopener"><em>Monarch: Legacy of Monsters</em>&#8216; second season debuts</a> on Feb 27, 2026. [end-mark]</p> <p>The post <a href="https://reactormag.com/monarch-legacy-of-monsters-cold-war-lee-shaw-prequel-series/">&lt;i&gt;Monarch: Legacy of Monsters&lt;/i&gt; Enters the Cold War With New Lee Shaw Prequel Series</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/monarch-legacy-of-monsters-cold-war-lee-shaw-prequel-series/">https://reactormag.com/monarch-legacy-of-monsters-cold-war-lee-shaw-prequel-series/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=834727">https://reactormag.com/?p=834727</a></p>
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Posted by Sarah

Books reading recommendations

Five Scary Short Stories That Read Like Urban Legends

When dark rumors, local legends, and disturbing memes suddenly become all too real…

By

Published on December 18, 2025

Photo by William Nettmann [via Unsplash]

Photo of a decorative white skull sitting on top of a book

Photo by William Nettmann [via Unsplash]

The first time I ever heard an urban legend, I was about 5 or 6 years old. My older brother and I each had a few friends staying over and while we sat in the dark, one of his friends told us a story called “Humans Can Lick Too.” It’s about a woman who lets her dog lick her hand for comfort when she hears a creepy dripping noise in the night. If you’ve not heard it before, I’m sure you can guess how it ends based on the title.

It was one of my earliest experiences of horror and while I was suitably terrified, I was also captivated. In that spirit, here are five spooky short stories that manage to perfectly capture the creepily compelling feel of an urban legend…

each thing i show you is a piece of my death” (2009) by Gemma Files and Stephen J. Barringer

Although urban legends are often most effective when they’re whispered between friends or shared aloud with a gathering (maybe at a sleepover), “each thing i show you is a piece of my death” is perfectly suited to being read because it unfolds through articles, emails, chat logs, and interviews. The mixed media story kicks off with an article explaining an urban legend known as “Background Man.” Essentially, a naked man keeps popping up in the background of obscure movies. Originally “Background Man” was thought to be a hoax, but the unclothed figure has been appearing more prominently in an ever-increasing number of films, TV shows, and music videos, leading to the legend being taken more seriously.

Experimental filmmakers Soraya Mousch and Max Holborn find themselves caught up in the mystery surrounding “Background Man.” But although they’re treated as suspects by the police, they’re just as haunted by the unsettling phenomenon as everyone else.

This story was first published in Clockwork Phoenix 2: More Tales of Beauty and Strangeness (2009), but can also be found online at the link above, in The Cutting Room: Dark Reflections of the Silver Screen (2014), and in Dark Is Better (2023).

Thirteen” (2013) by Stephen Graham Jones

The teenage protagonist of “Thirteen” lives in a small town that’s home to an urban legend surrounding the Big Chief Theater. According to local lore, at that cinema there’s a trick to thinning the veil between the world of the movie and the real world, allowing fiction to bleed into reality. All you have to do is close your eyes during the scariest part of the film—this trick is said to be exclusive to horror movies—and then hold your breath for two minutes.

It’s a simple idea pulled from childhood—I’m sure most of us were told at some point that we had to hold our breath passing a graveyard or going under a bridge for whatever superstitious reason—but in Stephen Graham Jones’ hands it becomes something far more creative and sinister.

An audio version of this story read by Jones himself is available online at the link above, but if you’d prefer to read it with your own eyes then you can find it in Halloween: Magic, Mystery, and the Macabre (2013) and After the People Lights Have Gone Off (2014).

Only Unity Saves the Damned” (2014) by Nadia Bulkin

Bay, Roz, and Lark are three outcasts who have big plans to get out of their small—and, in their eyes, dead-end—hometown. They decide to shoot a video at Goose Lake which supposedly catches Raggedy Annie—an alleged witch who was hanged by the townspeople hundreds of years earlier—on film. Tales of Raggedy Annie haunting the town and the lake have been circulating for years and many people are convinced that this footage finally proves that the stories are real.

But while the three friends should be enjoying their viral moment, their lives take an unfortunate turn for the genuinely creepy. Maybe it’s not Raggedy Annie they should be looking out for, though…

This story was first published in Letters to Lovecraft: Eighteen Whispers to the Darkness (2014), but it can also be found in Nadia Bulkin’s collection She Said Destroy (2017) and online at the link above.

You Know How the Story Goes” (2018) by Thomas Olde Heuvelt

There are many urban legends about picking up hitchhikers in the dead of night (essentially, don’t do it!), but Thomas Olde Heuvelt flips the script in “You Know How the Story Goes” by having the hitchhiker be the protagonist.

Our main character is drinking at a bar and decides not to get a lift home with his friend—the designated driver—in the hopes of spending the night with a pretty girl. He fails. Faced with a long and cold walk home, he decides to try his hand at hitchhiking. The first lift he gets goes off without a hitch, but the strange woman who picks him up for the next leg of the journey takes him on the most terrifying ride of his life.

The English version of this scary supernatural story can be read right here at Reactor (link above!).

The DEATH/GRIP Challenge” (2020) by Johnny Compton

As a lover of movies that are so-bad-they’re-good, I deeply wish that I could watch DEATH/GRIP—the fictional film that kicks off the events of this story. Teenager Alicia and her dad Benito bond over their shared enjoyment of not only the movie, but also of the meme challenge that it spawns. All people need to do is taken a picture of one of their hands restraining the other while reaching for something funny and add some text to accompany it, always ending with a quote from the movie: “IT’S NOT ME, IT’S THE DEATH/GRIP!”

When Benito gets a job at his brother’s office—which is not a working environment that he’s used to, being more of a hard hat kind of guy—he starts sharing increasing numbers of DEATH/GRIP Challenge memes to get through the day. It doesn’t take long for Alicia to start getting seriously worried about his growing obsession with the memes. There’s a good amount of humor in this short story thanks to the memes themselves, but that doesn’t take away from the horror, which really ramps up towards the end.

As well as at the link above, you can also find this story in Johnny Compton’s collection Midnight Somewhere (2025).


Have you got any recommendations of short stories that feel like urban legends? Whether it’s a new spin on a classic tale or an original story that has that happened-to-a-friend-of-a-friend feel to it, I’d love to hear your suggestions below![end-mark]

The post Five Scary Short Stories That Read Like Urban Legends appeared first on Reactor.

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