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Kristen Roupenian, "Cat Person"; The New Yorker, December 11, 2017
https://www.newyorker.com/magazine/2017/12/11/cat-person

An all-too-familiar story about a woman meeting and becoming involved with a man, despite all the tiny warning signals that suggest she should be mire cautious. The scary thing is that it ended in a better way than I'd feared, although 'better' is perhaps not the right word.


Carmen Maria Machado, "The Husband Stitch"; Granta, October 28, 2014
https://granta.com/the-husband-stitch/

One reviewer of this short story has said "It’s a horror story in which the monster is heterosexual relationship", which seems to me as accurate as anything else I could say. It's a powerful story about being a woman in a world made by men, about how we fit ourselves into the spaces in their lives and try to hold onto some small thing that is our own. Until they want that too, and we give it freely because we love them, and we have nothing left.


Maureen McHugh, "Sidewalks"; Omni, November 28, 2017
http://omnimagazine.com/sidewalks/

Ros Gupta is a speech pathologist called in to examine a "Jane Doe" of indeterminate racial identity who speaks only 'gibberish' and is currently being held in an institution because the police feared she might be a danger to self or others. She manages to communicate with the woman, whose name is Malni, and what she discovers changes her entire way of relating to the world she lives in. There are some profound messages here, about the fragility of the things we know and love, about connectedness and change, about actions and consequences, and about living as a woman in the world.


Charlie Jane Anders, "Don't Press Charges and I Won't Sue"; Boston Review, October 30, 2017
http://bostonreview.net/fiction/charlie-jane-anders-dont-press-charges-and-i-wont-sue

A brutal story about a woman struggling to hold on to her identity in a world determined to eliminate it. The real horror is that this world is only a few existential tweaks away from our own, and there are people who would not read this as a terrifying and cautionary dystopic narrative. Powerful, painful.


Kelly Barnhill, "Probably Still the Chosen One"; Lightspeed, February 2017
http://www.lightspeedmagazine.com/fiction/probably-still-chosen-one/

A rather different take on the portal fantasy and the whole 'chosen child hero' trope. Eleven-year-old Corrina finds a portal to a land at war and is identified as the Chosen One by the Priesthood. Her destiny - to lead the people of Nibiru to victory against the evil Zonners. But it doesn't turn out quite the way Corrina dreams it will, or the Priests expect it too. Fun.


C. S. E. Cooney, "Though She Be But Little"; Uncanny Magazine, September/October 2017
https://uncannymagazine.com/article/though-she-be-but-little/

Something strange has happened - the Argentum, the sky turning silver - and strange things have happened - people turning into mythical pirates, floating alligators and parrots that can act like cellphones - and things have arrived from somewhere else, many of them monstrous. Emily Anne was a widow in her sixties before the Argentum; now she's an eight-year-old child and a nightmare creature, The Loping Man, is coming to kill her. Where the story focuses on Emily Anne's resourcefulness, courage, and ability to adapt to this new world, it was enjoyable, but I felt as though I'd been dropped into something complex with no explanation and that aspect was not as pleasing. I'd have enjoyed it more if it were presented as straight absurdist fantasy, but presenting it as something that's happened to a real world not unlike our own makes me want at least some clues toward answers to 'how' and 'why.'


Fran Wilde, "Clearly Lettered in a Mostly Steady Hand"; Uncanny Magazine, September/October 2017
https://uncannymagazine.com/article/clearly-lettered-mostly-steady-hand/

This one cut me deeply. It's a horror story about the way society and the medical profession deal with "freaks" - those of us who are visibly different - and how those freaks feel and think. The story is told as a monologue by a tour guide through a freak show, but the tone drips with rage at the 'normal' person, the voyeur come to see the horrifying strangeness of the 'different.' Intense.


N. K. Jemisin, "Henosis"; Uncanny Magazine, September/October 2017
https://uncannymagazine.com/article/henosis/

A short story about fame, fans, and legacy. An aging author nominated for a prize that it quite literally intended as the culmination of a stellar career is kidnapped by a fan. Interesting and somewhat savage commentary on what it's like to become famous and to be seen as possessing an artistic legacy.

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Sometimes I find an author whose works are new to me, or return to an author I've read before, at a time when sonething about what they are writing is exactly what I crave. I behave like an addict, reaching out to find all of their books and devouring them until either the craving is gone (or moved on to sonething else) or all the books the author has written - or at least all the books that have the thing I crave about them somewhere - have been read. Last year, two writers of very different historical mysteries affected me in this fashion.

First, Maureen Jennings. I'd read and enjoyed two of her Inspector Murdoch books some time before, but this time I just had to read all the rest on the series (so far, at least - she has other projects that I will be looming into, but I hope she comes back to thisseries again sometime).

I'm not sure exactly why I like these books so much. The Victorian era is not my favourite (except, of course, for the tales of the great consulting detective Sherlock Holmes). Obviously, the character of William Murdoch (different in many ways from the character of the same name in the TV series, which I also adore) is a large part of it. The setting of Toronto, where I live, has something to do with it. And the mysteries themselves, and the subjects they touch on - often issues which are still important and evolving today, such as abortion and pornography - are appealing. For whatever reason, I devoured five novels in a very short space of time and wished there were more.

Poor Tom Is Cold
Let Loose the Dogs
Night's Child
Vices of the Blood
A Journeyman to Grief

The second author to affect me in ths way was Margaret Frazer (actually a pen name for what began as a partnership between two authors, one of whom stopped writing partway through the series while the other continued writing in the same style until her death).

Frazer had written two somewhat interlocked series of historical mysteries set in the midst of the Wars of the Roses. The first featured Dame Frevisse, a nun from a well-to-do background, raised in the household of the son of poet Geoffrey Chaucer, to who she was related by marriage. Intelligent, devout, but a little more independently minded than is ideal in a nun, Frevisse finds herself repeatedly in situations where she must solve murders, sonetimes because they involve people living on lands owned by her priory or the local lord, sometimes because she is drawn into them through the connections to the Chaucer family, and through them, the powerful Bishop Beaufort. Beyond the mysteries, the historical period (one of my favourites) and the delights of a female religious as a protagonist, what I liked about these books was the great attention to detail, to the laws, customs amd politicas of the times.

The Dame Frevisse novels

The Novice's Tale
The Servant's Tale
The Outlaw's Tale
The Bishop's Tale
The Boy's Tale
The Murderer's Tale
The Prioress' Tale
The Maiden's Tale
The Reeve's Tale
The Squire's Tale
The Clerk's Tale
The Bastard's Tale
The Hunter's Tale
The Sempster's Tale
The Traitor's Tale
The Apostate's Tale

Frazer's other series, set in the same tine period and sharing certain characters, features the sonewhat mysterious player Joliffe. A member of a small travelling company, Joliffe and his fellow players are first introduced in one of the Dame Frevisse novels and then go on to a series of their own. Through Frevisse, Joliffe's company makes connections that allow them to gain a patron - an important key to doing more than just surviving - while Joliffe himself becones a courier and spy to a key member of one of the embattled factions in the issue of the legal succession to the throne. Aside from the politics and the mysteries, what I loved about this series was the close and detailed look at the lives and art of players in this time period, how plays were constructed and performed, the interplay of religion, politics and art.

The Joliffe novels

A Play of Isaac
A Play of Dux Moraud
A Play of Knaves
A Play of Lords
A Play of Treachery
A Play of Piety
A Play of Heresy

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This year I got bitten by the mystery bug. I have tended to go through periods of reading a lot of mystery/detective/crime novels, and then reading very little in the genre for years before finding myself in the mood again.

What got me started this time was reading the very excellent novels written by Nicola Griffith featuring private investigator Aud Torvingen. These are not your typical thriller - the quality of characterisation and plot, and the vividly and beautifully detailed prose, make there books something special indeed.

Nicola Griffith, The Blue Place
Nicola Griffith, Stay
Nicola Griffith, Always


Left with a hankering for more of the genre, it struck me that lately I'd been watched several TV shows that had their genesis in mystery series: Bones, Rizzoli and Isles, and Murdoch Mysteries. So that's what I turned to next.

The novels of forensic anthropologist Kathy Reichs are, as we are informed in the afterwards of a number of her books, inspired by her own experiences. Her protagonist, Temperence Brennan (like Reichs herself) is a professor of anthropology, and a forensic anthropologist who works with the Laboratoire des Sciences Judiciaires et de Médecine Légale for the province of Quebec and is often called in as a consultant by a variety of American organisations. The character shares little with the protagonist of the TV show, but that's fine, because the differences are so marked, you really don't think about the connection. These novels are enjoyable both for the mystery and the forensic science, but there can be a lot of infodumping, and Reichs has a habit of making the crines in too many of the novels materially linked to Brennan's friends and family members.

Kathy Reichs, Déjà Dead
Kathy Reichs, Death Du Jour
Kathy Reichs, Deadly Decisions
Kathy Reichs, Fatal Voyage
Kathy Reichs, Grave Secrets
Kathy Reichs, Bare Bones
Kathy Reichs, Monday Mourning
Kathy Reichs, Cross Bones
Kathy Reichs, Break No Bones
Kathy Reichs, Bones to Ashes
Kathy Reichs, Devil Bones
Kathy Reichs, 206 Bones
Kathy Reichs, Spider Bones
Kathy Reichs, Flash and Bone
Kathy Reichs, Bones are Forever


Tess Gerritsen's novels about Boston homicide detective Jane Rizzoli and coroner Maura Isles are rather more faithfully adapted in the TV show names after the lead characters, although there are some significant changes in Isles' backstory. The novels are fun to read, and Gerritsen's experience as a physician grounds the forensics in scientific fact. Well written and quite enjoyable.

Tess Gerritsen, The Surgeon
Tess Gerritsen, The Apprentice
Tess Gerritsen, The Sinner
Tess Gerritsen, Body Double
Tess Gerritsen, Vanish
Tess Gerritson, The Mephisto Club
Tess Gerritsen, The Keepsake
Tess Gerritsen, Ice Cold
Tess Gerritsen, The Silent Girl
Tess Gerritsen, Last to Die


And last but not least are the novels of Maureen Jennings, which I am just starting to read. Set in 1890s Toronto and featuring Detective William Murdoch of the Toronto Constabulary, the first three books were fairly faithfully adapted into made-for-TV movies starring Peter Outerbridge, and were then further transformed into a TV series starring Yannick Bisson.

I quite thoroughly enjoyed the two novels I've read so far and am looking forward to reading more. The historical aspect of the novels - and the fact that they are set in my home town - adds to their entertainment value.

Maureen Jennings, Except the Dying
Maureen Jennings, Under the Dragon’s Tail

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