My life in books

Kristen Roupenian, "Cat Person"; The New Yorker, December 11, 2017
https://www.newyorker.com/magazine/2017/12/11/cat-person

An all-too-familiar story about a woman meeting and becoming involved with a man, despite all the tiny warning signals that suggest she should be mire cautious. The scary thing is that it ended in a better way than I'd feared, although 'better' is perhaps not the right word.


Carmen Maria Machado, "The Husband Stitch"; Granta, October 28, 2014
https://granta.com/the-husband-stitch/

One reviewer of this short story has said "It’s a horror story in which the monster is heterosexual relationship", which seems to me as accurate as anything else I could say. It's a powerful story about being a woman in a world made by men, about how we fit ourselves into the spaces in their lives and try to hold onto some small thing that is our own. Until they want that too, and we give it freely because we love them, and we have nothing left.


Maureen McHugh, "Sidewalks"; Omni, November 28, 2017
http://omnimagazine.com/sidewalks/

Ros Gupta is a speech pathologist called in to examine a "Jane Doe" of indeterminate racial identity who speaks only 'gibberish' and is currently being held in an institution because the police feared she might be a danger to self or others. She manages to communicate with the woman, whose name is Malni, and what she discovers changes her entire way of relating to the world she lives in. There are some profound messages here, about the fragility of the things we know and love, about connectedness and change, about actions and consequences, and about living as a woman in the world.


Charlie Jane Anders, "Don't Press Charges and I Won't Sue"; Boston Review, October 30, 2017
http://bostonreview.net/fiction/charlie-jane-anders-dont-press-charges-and-i-wont-sue

A brutal story about a woman struggling to hold on to her identity in a world determined to eliminate it. The real horror is that this world is only a few existential tweaks away from our own, and there are people who would not read this as a terrifying and cautionary dystopic narrative. Powerful, painful.


Kelly Barnhill, "Probably Still the Chosen One"; Lightspeed, February 2017
http://www.lightspeedmagazine.com/fiction/probably-still-chosen-one/

A rather different take on the portal fantasy and the whole 'chosen child hero' trope. Eleven-year-old Corrina finds a portal to a land at war and is identified as the Chosen One by the Priesthood. Her destiny - to lead the people of Nibiru to victory against the evil Zonners. But it doesn't turn out quite the way Corrina dreams it will, or the Priests expect it too. Fun.


C. S. E. Cooney, "Though She Be But Little"; Uncanny Magazine, September/October 2017
https://uncannymagazine.com/article/though-she-be-but-little/

Something strange has happened - the Argentum, the sky turning silver - and strange things have happened - people turning into mythical pirates, floating alligators and parrots that can act like cellphones - and things have arrived from somewhere else, many of them monstrous. Emily Anne was a widow in her sixties before the Argentum; now she's an eight-year-old child and a nightmare creature, The Loping Man, is coming to kill her. Where the story focuses on Emily Anne's resourcefulness, courage, and ability to adapt to this new world, it was enjoyable, but I felt as though I'd been dropped into something complex with no explanation and that aspect was not as pleasing. I'd have enjoyed it more if it were presented as straight absurdist fantasy, but presenting it as something that's happened to a real world not unlike our own makes me want at least some clues toward answers to 'how' and 'why.'


Fran Wilde, "Clearly Lettered in a Mostly Steady Hand"; Uncanny Magazine, September/October 2017
https://uncannymagazine.com/article/clearly-lettered-mostly-steady-hand/

This one cut me deeply. It's a horror story about the way society and the medical profession deal with "freaks" - those of us who are visibly different - and how those freaks feel and think. The story is told as a monologue by a tour guide through a freak show, but the tone drips with rage at the 'normal' person, the voyeur come to see the horrifying strangeness of the 'different.' Intense.


N. K. Jemisin, "Henosis"; Uncanny Magazine, September/October 2017
https://uncannymagazine.com/article/henosis/

A short story about fame, fans, and legacy. An aging author nominated for a prize that it quite literally intended as the culmination of a stellar career is kidnapped by a fan. Interesting and somewhat savage commentary on what it's like to become famous and to be seen as possessing an artistic legacy.