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“The Secret Life of Bots,” Suzanne Palmer; Clarkesworld, September 2017
http://clarkesworldmagazine.com/palmer_09_17/

Palmer’s suspenseful yet very funny novellette takes place on a nearly derelict space ship on a suicide mission to stop an enemy worldkiller from reaching Earth. So much of the ship is falling apart, all the available standard bots are working nonstop to keep the ship going just long enough to deliver its payload. When there are reports of an infestation, the Ship AI pulls an outdated bot with dangerous instabilities out of storage to deal with the problems. It turns out, the dangerous instability is creative thinking, and the ship needs some of that badly if it’s going to fulfil its mission.

“Cake Baby,” Charlie Jane Anders; Lightspeed Magazine, November 2017
http://www.lightspeedmagazine.com/fiction/cake-baby-kango-sharon-adventure/

“Cake Baby” may not be the funniest science fiction romp I’ve ever read, but it comes awfully close. Sharon and Kango are two surreal characters with a real talent for fucking things up royally, which is why they may not be the best pair of interstellar adventurers to hire for your dirty work. But they manage to survive, thanks to their far more practical crewmate, ex-cultist stowaway Jara, and their ship’s computer Noreen. Very funny stuff. Really. Read it.


“The Dark Birds,” Ursula Vernon; Apex Magazine, January 9, 2017
https://www.apex-magazine.com/the-dark-birds/

Vernon often tells dark tales. This is one of them. In the forest lives a family. There’s a Father, of curse. And there is always a Mother, a Ruth , a Susan, and a Baby. When Mother has a new daughter, Ruth disappears, Susan becomes Ruth, Baby becomes Susan. That’s how it always is. Until it isn’t.


“The Fall of the Mundaneum,” Rebecca Campbell; Beneath Ceaseless Skies, September 28, 2017
http://www.beneath-ceaseless-skies.com/stories/the-fall-of-the-mundaneum/

In 1914, in a building in Belgium that houses a vast collection of books and artefacts, a man is waiting for the German army to arrive. He imagines that this great building, an establishment of knowledge and history, will be handed over honourably, to those who, while conquerors, will respect its importance. Right up to the end, he answers letters sent in by those seeking answers from the great collection, cataloguing the strange contents of a valise sent from his colleagues in Köhn, with a hasty message he understands only too late.


“Queen of Dirt,” Nisi Shawl; Apex Magazine, February 7, 2017
https://www.apex-magazine.com/queen-of-dirt/

A young martial arts instruction with the gift of seeing things most people don’t must find a way to save herself from a hive of otherworldly things seeking a new queen, and her students from the potentially dangerous consequences of contact.


“Remnant,” Jordan L. Hawk and K. J. Charles; Smashwords
https://www.smashwords.com/books/view/404000

Historical m/m romance, of the explicit sort, about two pairs of occult detectives. Apparently each of the authors is known for writing a series based on one of the pairs in this story, which is well-written, and lots of fun, both in terms of adventure and eroticism. The setting is London. A long dead Egyptian spirit is killing people, and ghost hunter Simon Feximal, with his companion Robert Caldwell, is investigating. Arriving from America just in time to lend assistance is American philologist Percival Endicott Whyborne and his companion, Griffin Flaherty. A nice blend of mystery, adventure and erotica.


“These Deathless Bones,” Cassandra Khaw; Tor.com, July 26, 2017
https://www.tor.com/2017/07/26/these-deathless-bones/

Khaw has excellently inverted the trope of the evil stepmother here, with a story of a queen married to provide a new mother for a prince whose own mother has died. But in this dark fantasy, the queen is a just avenger, and the young prince a cruel budding psychopath whose years of torturing small animals and throwing tantrums to punish the servants have led step by step to the unforgivable.
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Last year, on International Women's Day, Tor.com published a series of short stories on a theme drawn from the silencing of American Senator Elizabeth Warren during the confirmation hearings for Jeff Sessions as Attorney General. Commenting on the silencing, Senate Majority Leader Mitch McConnell said:

"She was warned. She was given an explanation. Nevertheless, she persisted."

The phrase has quickly become a feminist slogan, a cry of resistance against the worst injustices of the new American administration.

I read most of these last year, but wanted to bundle all the comments on them together in one post, so here, very late indeed, is that post. Links to all the stories can be found here: https://www.tor.com/series/nevertheless-she-persisted/


Kameron Hurley, "Our Faces, Radiant Sisters, Our Faces Full of Light"

The title is, of course, a direct reference to a short story by James Tiptree Jr (Alice Sheldon) writing as Racoona Sheldon - a woman who certainly persisted, writing about a woman driven mad by warnings and explanations, who resisted to the end. And the story is a grim, but somehow glorious fable of women’s persistence across the years, the centuries.


Alyssa Wong, “God Product”

This is not a happy story. It’s a story about a woman led to believe she is nothing, that she must destroy the thing she values in order to gain the respect she craves.


Carrie Vaughn, “Alchemy”

A paean to every woman who has ever labored, thankless, hindered, belittled, mocked, in a field designated as being “for men” and who has succeeded against all odds.


Seanan McGuire, “Persephone”

A bitter tale that touches powerfully on many painful things - poverty, desperation, the futility of hope in a capitalist dystopia, the delegitimising of non-standard relationships, the traffic in human flesh and blood, the dehumanising of the underclass by the powerful, and the anger that grows from all these and more.


Charlie Jane Anders, “Margot and Rosalind”

A slightly comic, slightly snarky, quite delightful story about a female “mad scientist” who’s building a brain in her basement, despite the efforts of everyone trying to stop her.


Maria Dahvana Headley, “Astronaut”

Reimagining the story of the first primate to survive a flight in space. It’s an all-too-familiar story with a sweetly triumohant ending.


Nisi Shawl, “More than Nothing”

Cora knows what’s expected of her, the sister if a pastor’s wife, a member of a black community, but Cora feels the call of other ways, and even more dangerously, she dares to hope.


Brooke Bolander, “The Last of the Minotaur Wives”

This story speaks of an inheritance of hope, generations of quiet resistance that build to the culmination, the moment when all is ready for the last in the chain to stand, to run, to leave the prison behind.


Jo Walton, “The Jump Rope Rhyme”

Important lessons are often encoded in children’s games and rhymes. Walton, an accomplished poet as well as writer of fiction, has built a skipping rhyme for future generations on the theme of persistence. A poem of hope.

“Persisting, in bad times, with only hope,
For you, in space, for the dream we share
Of a better future everywhere.”


Amal El Mohtar, “Anabasis”

Fir those who do not recognise the reference, Anabasis, which means, in the Greek, journey/expedition up from below, is the title of a book written by Xenophon describing the experiences of an army of Greek mercenaries fighting for the Persian would-be emperor Cyrus the Younger. After Cyrus was killed in battle, the Greeks faced a long and dangerous journey home, and it is this journey out of civil war that occupies most of the account.

El Mohtar writes in this powerful short story about a woman struggling to bring her child to safety, to a new home, and about her own identity as an Arab, a Muslim, a Canadian immigrant, a writer, a voice crying for justice. It’s a story about being a refugee, about borders and documents and human lives. It calls up the specific memories of Muslims trying to cross out of a suddenly far less welcoming US and into Canada during the winter of 2017 and Donald Trump.

Ironically, several months after this story was published, El Mohtar, a Canadian citizen traveling on a Canadian passport, was detained by American Customs agents while on her way to a writers’ retreat in the US. As a result of the interrogation, she missed her flight and was traumatised. (http://www.cbc.ca/news/canada/ottawa/ottawa-author-calls-out-canadian-government-border-questioning-1.4430916)


Catherynne M. Valente, “The Ordinary Woman and the Unquiet Emperor”

In a world where everything that is not required is forbidden, an ordinary woman has the chance to change everything. She is warned. She is given an explanation. She persisted, and the world changed.

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Kristen Roupenian, "Cat Person"; The New Yorker, December 11, 2017
https://www.newyorker.com/magazine/2017/12/11/cat-person

An all-too-familiar story about a woman meeting and becoming involved with a man, despite all the tiny warning signals that suggest she should be mire cautious. The scary thing is that it ended in a better way than I'd feared, although 'better' is perhaps not the right word.


Carmen Maria Machado, "The Husband Stitch"; Granta, October 28, 2014
https://granta.com/the-husband-stitch/

One reviewer of this short story has said "It’s a horror story in which the monster is heterosexual relationship", which seems to me as accurate as anything else I could say. It's a powerful story about being a woman in a world made by men, about how we fit ourselves into the spaces in their lives and try to hold onto some small thing that is our own. Until they want that too, and we give it freely because we love them, and we have nothing left.


Maureen McHugh, "Sidewalks"; Omni, November 28, 2017
http://omnimagazine.com/sidewalks/

Ros Gupta is a speech pathologist called in to examine a "Jane Doe" of indeterminate racial identity who speaks only 'gibberish' and is currently being held in an institution because the police feared she might be a danger to self or others. She manages to communicate with the woman, whose name is Malni, and what she discovers changes her entire way of relating to the world she lives in. There are some profound messages here, about the fragility of the things we know and love, about connectedness and change, about actions and consequences, and about living as a woman in the world.


Charlie Jane Anders, "Don't Press Charges and I Won't Sue"; Boston Review, October 30, 2017
http://bostonreview.net/fiction/charlie-jane-anders-dont-press-charges-and-i-wont-sue

A brutal story about a woman struggling to hold on to her identity in a world determined to eliminate it. The real horror is that this world is only a few existential tweaks away from our own, and there are people who would not read this as a terrifying and cautionary dystopic narrative. Powerful, painful.


Kelly Barnhill, "Probably Still the Chosen One"; Lightspeed, February 2017
http://www.lightspeedmagazine.com/fiction/probably-still-chosen-one/

A rather different take on the portal fantasy and the whole 'chosen child hero' trope. Eleven-year-old Corrina finds a portal to a land at war and is identified as the Chosen One by the Priesthood. Her destiny - to lead the people of Nibiru to victory against the evil Zonners. But it doesn't turn out quite the way Corrina dreams it will, or the Priests expect it too. Fun.


C. S. E. Cooney, "Though She Be But Little"; Uncanny Magazine, September/October 2017
https://uncannymagazine.com/article/though-she-be-but-little/

Something strange has happened - the Argentum, the sky turning silver - and strange things have happened - people turning into mythical pirates, floating alligators and parrots that can act like cellphones - and things have arrived from somewhere else, many of them monstrous. Emily Anne was a widow in her sixties before the Argentum; now she's an eight-year-old child and a nightmare creature, The Loping Man, is coming to kill her. Where the story focuses on Emily Anne's resourcefulness, courage, and ability to adapt to this new world, it was enjoyable, but I felt as though I'd been dropped into something complex with no explanation and that aspect was not as pleasing. I'd have enjoyed it more if it were presented as straight absurdist fantasy, but presenting it as something that's happened to a real world not unlike our own makes me want at least some clues toward answers to 'how' and 'why.'


Fran Wilde, "Clearly Lettered in a Mostly Steady Hand"; Uncanny Magazine, September/October 2017
https://uncannymagazine.com/article/clearly-lettered-mostly-steady-hand/

This one cut me deeply. It's a horror story about the way society and the medical profession deal with "freaks" - those of us who are visibly different - and how those freaks feel and think. The story is told as a monologue by a tour guide through a freak show, but the tone drips with rage at the 'normal' person, the voyeur come to see the horrifying strangeness of the 'different.' Intense.


N. K. Jemisin, "Henosis"; Uncanny Magazine, September/October 2017
https://uncannymagazine.com/article/henosis/

A short story about fame, fans, and legacy. An aging author nominated for a prize that it quite literally intended as the culmination of a stellar career is kidnapped by a fan. Interesting and somewhat savage commentary on what it's like to become famous and to be seen as possessing an artistic legacy.

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In her novel All the Birds in the Sky, Charlie Jane Anders defies conventions and overthrows dichotomies with a joyous aplomb. A story that is both science fiction and fantasy, about a boy who dreams of rockets and time machines and a girl who can talk to the birds and the trees, about the war between those who value technology over nature and those who value nature over technology, about those who think man can be outside of, control and manipulate the natural world and those who think man is a part of and must live within and be guided by it.

As children, Patricia and Laurence are both outcasts - misunderstood, bullied, gaslighted, rejected by parents, schoolmates and the educational system itself. They form a fragile alliance, which even as it grows is being undermined by Theodolphus Rose, an assassin turned guidance counselor who has had a mystical vision that they will grow up to start an apocalyptic war between science and magic. Together they create a true AI, using Laurence's code and Patricia's non-linear conversations with the nascent intelligence - an AI that Laurence names Peregrine and sets free to evolve. Eventually their friendship, frayed by Rose's manipulations and lies, shatters when Patricia allows Laurence to see her doing magic.

Seven years later, Laurence is working with a semi-underground group of scientific geniuses trying to find a way to save at least part of the human race from the coming global upheaval being triggered by climate change. Their plan is to find a way to move large numbers of people to another planet, leaving the earth behind to face its destruction. Meanwhile, Patricia has been taken into the fellowship of witches, and trained in the two branches of magic, Healing and Trickery. The witches are devoting their energies to an attempt to balance the energies of the planet, serving nature through small acts of healing or prevention, developing their own solution, one that will preserve the earth at the cost of humanity.

When Laurence and Patricia meet each other once more, the path is set for a dramatic and violent confrontation, but beyond that, a chance for reconciliation of man and nature, science and magic, and for a future where empathy and understanding can open the door to the survival of all.

I've never been fond of Cartesian divides, and the skill with which Anders exposes the humanity vs. nature, intuition vs logic axes as barren and ultimately destructive was quite gratifying. I also appreciated the focus on ethical decisions - everyone in the novel is trying to do the ethical thing, based on their partial understanding - and the ease with which ethical reasoning can be subverted to questionable ends when it is not tempered with empathy and compassion.

But this is much more than a novel of ideas. The characters are appealing despite their flaws, the writing is crisp, and the style engaging. The story flows smoothly, and it isn't until you get to the end that you realise just how much there is to think about. Well worth the critical praise it has received.

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