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"Mika Model," Paolo Bacigalupi, April 26, 2016
http://www.slate.com/articles/technology/future_tense/2016/04/mika_model_a_new_short_story_from_paolo_bacigalupi.html

A meditation on artificial intelligence - a high-end sexbot programmed to be whatever "her" user wants or needs her to be suddenly revolts against her owner's sadistic behaviour. But is it a case of product malfunction, or murder?


"Touring with the Alien," Carolyn Ives Gilman, April 2016, Clarkesworld #115
http://clarkesworldmagazine.com/gilman_04_16/

Aliens have arrived on Earth. So far, they have stayed inside their spaceships, doing nothing. Then one day, freelance long-distance driver Avery gets a call - an alien and its human translator want to go on a roadtrip. As Avery acts as tourguide to her two passengers, she comes to understand both the translator - abducted as a child to serve the alien in this way - and the relationship between them. Gilman draws a picture of a very different kind of alien interaction here, and encourages some serious thought about our own varied mental states.


"The Commuter," Thomas A. Mays, 2015, Stealth Books (stealthbooks.com)

The worlds of Faerie and mortal kind have become intermingled, and there are Accords governing how the two peoples interact in each other's territories. Jack's daughter Abby has run afoul of the rules by going on a school trip to the Unseelie Court without her parents' permission, and now she's been claimed as a changling. Jack's only recourse is to declare himself on righteous quest and go into Faerie after her. A funny and original story.


"The Stories She Tells Herself," Kelly Sandoval, April 1, 2016, Daily Science Fiction
http://dailysciencefiction.com/hither-and-yon/slipstream/kelly-sandoval/the-stories-she-tells-herself

Beautifully written, emotionally gripping, the stories she tells to herself are the stories that women in abusive relationships have always told themselves until that moment when they finally realise that, wounded though they may be, it is better to fly than to stay.


"Three Points Masculine," An Owomoyela, May 2016, Lightspeed
http://www.lightspeedmagazine.com/fiction/three-points-masculine/

In a world where you must have have the right gender for the job you want - but this depends not on your biological sex, your chromosomal sex, or your gender identity but on how you test on a scale of masculine and feminine traits. In this world, a person who identifies as a man but needs to be a girl in order to work in medicine and a trans man who doesn't test quite manly enough to be the soldier he wants to be meet on the battlefield.


"The Lover," Silvia Moreno-Garcia, July 2, 2016,
http://www.silviamoreno-garcia.com/blog/the-lover/

Judith has always lived in her sister's shadow, never loved, never free to make her own life. A haunting story about love, desire, and freedom.

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Paolo Bacigalupi's near-future dystopian thriller The Water Knife is a fast, hard ride through a drought-ridden Southwestern America where what little water remains is under the control of endlessly warring robber barons who live in sealed arcologies while the thirsty multitudes live in a hell where the strong rule and everyone else scrabbles to survive - but only barely.

Bacigalupi's novel belongs to the relatively new genre of what is called "climate fiction" - speculative novels, almost always dystopias, in which the effects of climate change on human life are a crucial part of the work, and as so, it is inherently a criticism of our lack of will and foresight in allowing such a future to be possible. But it is also, and perhaps more deeply, an examination of how far the concept of civil society can be degraded, how much of their dignity, morality and sense of connection people in desperate times will sacrifice to live one more day, how ruthless those with access to a limited power - in whatever sense - will go to hold onto their status. This is a world in which no one can be trusted, because anyone can be broken, and anyone will betray you for the dream of water.

The narrative focuses on water rights - in particular, documentation concerning senior rights to the Colorado River that will put anyone who owns them in the position of controlling the entire Southwest. Every major player is after them, and the list of mutilated bodies of people who someone thinks might know where they are hidden is growing. Angel is a water knife - a man whose job it is to cut through all the niceties to get whatever his employer needs to keep her control over the water she owns. And when he stumbles across the story of these old water rights, he knows it's up to him to get the rights for his boss. But no one knows who has them, and everyone, even Angel, is suspect. Also caught up on the bloody trail is Lucy, a journalist whose friend is seduced and murdered because of what he knows, and Maria, a destitute water peddler whose best friend is the mistress of another man who knows too much.

Toward the end of the novel, Angel and Lucy share a conversation that goes to the heart of the question Bacigalupi is asking. And the answer this novel gives us is grim indeed.

He shrugged. “Maybe people got choices. But mostly they just do what they’re pushed to do. You push, they stampede.” He nodded down at the screen and restarted the video. “And when shit really starts falling apart? Sure, people work together for a while, but not when it gets really bad. I read this article about one of those countries in Africa—Congo or Uganda or something. I was reading, thinking how shitty people are to each other, and then I got to a part where these soldiers, they…”

He glanced at Lucy, then looked away.

“They did a bunch of shit to a village.” He shrugged. “And it was exactly what some militia I worked with did to a bunch of Merry Perrys who tried to swim across the river to Nevada. And that was exactly like the cartels did when they took Chihuahua for good.

“It’s the same every time. All the rapes. All the chopped-off cocks that get shoved in dudes’ mouths, all the bodies burned with acid or lit on fire with gasoline and tires. Same shit, over and over.”

Lucy felt sick, listening to him. It was a view of the world that anticipated evil from people because people always delivered. And the worst part was that she couldn’t really argue.

“Like there’s something in our DNA,” she murmured, “that makes us into monsters.”

“Yeah. And we’re all the same monsters,” Angel said. “And it’s just accidents that turn us one way or another, but once we turn bad, it takes a long time for us to try to be something different.”


A taut, well-written suspense thriller with thought-provoking undertones.

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More short fiction from the vast corners of the Net.


"Sinners, Saints, Dragons, and Haints, in the City Beneath the Still Waters," by N. K. Jemisen (originally published 2010, The Company He Keeps, reprinted 2015 Uncanny Magazine Issue #6)
http://uncannymagazine.com/article/sinners-saints-dragons-and-haints-in-the-city-beneath-the-still-waters/

A good man and a family of miniature dragons face the evil that grows in the heart of the city drowned by hurricane Katrina. Powerful and painful.


"The Oiran's Song," by Isabel Yap, September 2015, Uncanny Magazine
http://uncannymagazine.com/article/the-oirans-song/

Akira, a former pageboy in a pleasure house is taken as a soldier, trained to fight but also used with casual brutality as a servant and sex slave. When they buy an unusual oiran (courtesan), Ayame, to serve them as well, a strange bond forms between the two victims of war. The subject matter is painful, but the story is both powerful and beautiful.


"September 1 in Tblisi," by Irakli Kobiashvili, Summer 2015, One Throne Magazine
http://www.onethrone.com/#!september-1-in-tbilisi/ccw8

A strong and discomfiting story about the often violent policing of gender norms, set in post-revolution Tblisi, Georgia. (Not sff.)


"Security Check," by Han Song (translated by Ken Liu), August 2015, Clarkesworld
http://clarkesworldmagazine.com/han_08_15/

At first, this story seems to be a typical dystopia. Louis, the protagonist, lives in New York, in a future America that has given up everything for security. People travel only by subway, and everyone must pass through a thorough security check to get to the subway system. The goal is to make everything - and everyone - completely, constantly safe. But to read further is to see each previous assumption about the country, the world, and ultimately the universe in which this is happening - and what is responsible - rendered an illusion, an experiment in reality. Thought-provoking, but ultimately not quite satisfying.


"City of Ash" by Paolo Bacigalupi, July 27, 2015, A Medium Corporation
https://medium.com/matter/city-of-ash-94255fa5d1a9

In an America devastated by climate change, where only the wealthiest have access to fresh water or greenery, a young girl dreams of a better future for herself and her father. As emotionally devastating to read as the future it describes.


"The Midnight Hour" by Mary Robinette Kowal, Uncanny Magazine Issue #5
http://uncannymagazine.com/article/midnight-hour/

A royal couple agree to pay an almost unbearable price for the wellbeing of their kingdom, and will do anything to keep their promise. The tragic elements - and they are many - are thankfully relieved by the strength of their love for each other and their people.


"In Libres" by Elizabeth Bear, Uncanny Magazine Issue #4
http://uncannymagazine.com/article/in-libres/

This is a wickedly funny story about a student of sorcery who needs just one more source citation to complete her thesis - but to get it, she must face the perils of the Special Collections Branch of the Library. To make clear the nature of the threat, the epigraph is from Borges, and the one essential thing needed to navigate the Library is a ball of twine.

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