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Like the lives of most people without wealth, status or high-tech credentials in Silvia Moreno-Garcia’s novella Prime Meridian, Amelia’s life is shit. After dropping out of university to cate for a dying mother, she lost her scholarship, and with that, her chance at a life she’s dreamed of forever, a life on Mars. Instead, she lives in her dead mother’s house with her sister and her nieces, and the best job she’s been able to find in months is working as a pretend companion for Friendrr.

In Moreno-Garcia’s future world, there really are colonies on Mars, but a girl like her is never going to get there. Still, the idea of Mars - fresh starts, getting away, escape - pervades her world. One if her clients is a retired actress who constantly reminisces about her one successful film, Conquerer Women of Mars. Another of her clients, a former boyfriend who ghosted her in college, had planned to emigrate with her before his rich father knocked some sense into him. The text is intercut with scenes from a movie that perhaps exists only in Amelia’s mind, a movie about a stalwart adventurer on Mars.

This is the future of today, if we are honest. All the toys of the futures that have been written about, but only for the favoured few. The rest of us will only see the future in small things, in the kinds of apps our cheap smartwatches can offer, while we struggle to find work and security in an Uber-style world. Our dreams will always be that, just dreams, until we lose them altogether. Or unless we are one of the very, very fortunate few who get a second chance, and setting everything else aside, take it.

This story will break your heart for all but the last few pages, and then it will make it soar. May we all find our way to Mars after all.
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"Mika Model," Paolo Bacigalupi, April 26, 2016
http://www.slate.com/articles/technology/future_tense/2016/04/mika_model_a_new_short_story_from_paolo_bacigalupi.html

A meditation on artificial intelligence - a high-end sexbot programmed to be whatever "her" user wants or needs her to be suddenly revolts against her owner's sadistic behaviour. But is it a case of product malfunction, or murder?


"Touring with the Alien," Carolyn Ives Gilman, April 2016, Clarkesworld #115
http://clarkesworldmagazine.com/gilman_04_16/

Aliens have arrived on Earth. So far, they have stayed inside their spaceships, doing nothing. Then one day, freelance long-distance driver Avery gets a call - an alien and its human translator want to go on a roadtrip. As Avery acts as tourguide to her two passengers, she comes to understand both the translator - abducted as a child to serve the alien in this way - and the relationship between them. Gilman draws a picture of a very different kind of alien interaction here, and encourages some serious thought about our own varied mental states.


"The Commuter," Thomas A. Mays, 2015, Stealth Books (stealthbooks.com)

The worlds of Faerie and mortal kind have become intermingled, and there are Accords governing how the two peoples interact in each other's territories. Jack's daughter Abby has run afoul of the rules by going on a school trip to the Unseelie Court without her parents' permission, and now she's been claimed as a changling. Jack's only recourse is to declare himself on righteous quest and go into Faerie after her. A funny and original story.


"The Stories She Tells Herself," Kelly Sandoval, April 1, 2016, Daily Science Fiction
http://dailysciencefiction.com/hither-and-yon/slipstream/kelly-sandoval/the-stories-she-tells-herself

Beautifully written, emotionally gripping, the stories she tells to herself are the stories that women in abusive relationships have always told themselves until that moment when they finally realise that, wounded though they may be, it is better to fly than to stay.


"Three Points Masculine," An Owomoyela, May 2016, Lightspeed
http://www.lightspeedmagazine.com/fiction/three-points-masculine/

In a world where you must have have the right gender for the job you want - but this depends not on your biological sex, your chromosomal sex, or your gender identity but on how you test on a scale of masculine and feminine traits. In this world, a person who identifies as a man but needs to be a girl in order to work in medicine and a trans man who doesn't test quite manly enough to be the soldier he wants to be meet on the battlefield.


"The Lover," Silvia Moreno-Garcia, July 2, 2016,
http://www.silviamoreno-garcia.com/blog/the-lover/

Judith has always lived in her sister's shadow, never loved, never free to make her own life. A haunting story about love, desire, and freedom.

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Signal to Noise, Silvia Moreno-Garcia's debut novel, is a rich and complex tale of power, music, magic, and love, told in two times and set in the working class neighbourhoods of Mexico City.

For 15-year-old Mercedes "Meche" Vega, music is the structure of her life, what connects her to her father - an alcoholic dreamer who never manages to carry through with his dreams - and to the magic she discovers within herself. Her family is breaking apart under the weight of her father's fecklessness and her mother's disappointment. The only subject that interests her at school is math. She's an outsider among the other young people in the neighbourhood. So when magic comes her way, and she - and her friends Sebastian and Daniela, outsiders themselves - discover that together they can use music to cast magic spells to make their lives better - and the lives of those who torment them worse - it seems only right that they should.

In her mid-thirties, Meche is a programmer, living in Oslo, when her father's death brings her home to Mexico City for the funeral. When she meets Sebastian and Daniela again, old grudges, mistakes and betrayals rise to the surface that demand resolution.

The narrative weaves between past and present, unraveling the complicated relationships between the three friends, and between Meche and her family. Power - interpersonal, magical, institutional - is used and abused, to ends that become increasingly disruptive and divisive. But in the end this is a love story, where the path not taken - indeed, the path carelessly cast away in youth - is not forever lost.

As a person rather deeply involved with music myself, I loved the way musical references, from jazz greats to Latin music to the Who, were woven into the narrative. I could hear major parts of the soundtrack of Meche's adolescent life and her forays into sorcery, which made reading the novel all the more engaging.

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