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“The Secret Life of Bots,” Suzanne Palmer; Clarkesworld, September 2017
http://clarkesworldmagazine.com/palmer_09_17/

Palmer’s suspenseful yet very funny novellette takes place on a nearly derelict space ship on a suicide mission to stop an enemy worldkiller from reaching Earth. So much of the ship is falling apart, all the available standard bots are working nonstop to keep the ship going just long enough to deliver its payload. When there are reports of an infestation, the Ship AI pulls an outdated bot with dangerous instabilities out of storage to deal with the problems. It turns out, the dangerous instability is creative thinking, and the ship needs some of that badly if it’s going to fulfil its mission.

“Cake Baby,” Charlie Jane Anders; Lightspeed Magazine, November 2017
http://www.lightspeedmagazine.com/fiction/cake-baby-kango-sharon-adventure/

“Cake Baby” may not be the funniest science fiction romp I’ve ever read, but it comes awfully close. Sharon and Kango are two surreal characters with a real talent for fucking things up royally, which is why they may not be the best pair of interstellar adventurers to hire for your dirty work. But they manage to survive, thanks to their far more practical crewmate, ex-cultist stowaway Jara, and their ship’s computer Noreen. Very funny stuff. Really. Read it.


“The Dark Birds,” Ursula Vernon; Apex Magazine, January 9, 2017
https://www.apex-magazine.com/the-dark-birds/

Vernon often tells dark tales. This is one of them. In the forest lives a family. There’s a Father, of curse. And there is always a Mother, a Ruth , a Susan, and a Baby. When Mother has a new daughter, Ruth disappears, Susan becomes Ruth, Baby becomes Susan. That’s how it always is. Until it isn’t.


“The Fall of the Mundaneum,” Rebecca Campbell; Beneath Ceaseless Skies, September 28, 2017
http://www.beneath-ceaseless-skies.com/stories/the-fall-of-the-mundaneum/

In 1914, in a building in Belgium that houses a vast collection of books and artefacts, a man is waiting for the German army to arrive. He imagines that this great building, an establishment of knowledge and history, will be handed over honourably, to those who, while conquerors, will respect its importance. Right up to the end, he answers letters sent in by those seeking answers from the great collection, cataloguing the strange contents of a valise sent from his colleagues in Köhn, with a hasty message he understands only too late.


“Queen of Dirt,” Nisi Shawl; Apex Magazine, February 7, 2017
https://www.apex-magazine.com/queen-of-dirt/

A young martial arts instruction with the gift of seeing things most people don’t must find a way to save herself from a hive of otherworldly things seeking a new queen, and her students from the potentially dangerous consequences of contact.


“Remnant,” Jordan L. Hawk and K. J. Charles; Smashwords
https://www.smashwords.com/books/view/404000

Historical m/m romance, of the explicit sort, about two pairs of occult detectives. Apparently each of the authors is known for writing a series based on one of the pairs in this story, which is well-written, and lots of fun, both in terms of adventure and eroticism. The setting is London. A long dead Egyptian spirit is killing people, and ghost hunter Simon Feximal, with his companion Robert Caldwell, is investigating. Arriving from America just in time to lend assistance is American philologist Percival Endicott Whyborne and his companion, Griffin Flaherty. A nice blend of mystery, adventure and erotica.


“These Deathless Bones,” Cassandra Khaw; Tor.com, July 26, 2017
https://www.tor.com/2017/07/26/these-deathless-bones/

Khaw has excellently inverted the trope of the evil stepmother here, with a story of a queen married to provide a new mother for a prince whose own mother has died. But in this dark fantasy, the queen is a just avenger, and the young prince a cruel budding psychopath whose years of torturing small animals and throwing tantrums to punish the servants have led step by step to the unforgivable.
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Last year, on International Women's Day, Tor.com published a series of short stories on a theme drawn from the silencing of American Senator Elizabeth Warren during the confirmation hearings for Jeff Sessions as Attorney General. Commenting on the silencing, Senate Majority Leader Mitch McConnell said:

"She was warned. She was given an explanation. Nevertheless, she persisted."

The phrase has quickly become a feminist slogan, a cry of resistance against the worst injustices of the new American administration.

I read most of these last year, but wanted to bundle all the comments on them together in one post, so here, very late indeed, is that post. Links to all the stories can be found here: https://www.tor.com/series/nevertheless-she-persisted/


Kameron Hurley, "Our Faces, Radiant Sisters, Our Faces Full of Light"

The title is, of course, a direct reference to a short story by James Tiptree Jr (Alice Sheldon) writing as Racoona Sheldon - a woman who certainly persisted, writing about a woman driven mad by warnings and explanations, who resisted to the end. And the story is a grim, but somehow glorious fable of women’s persistence across the years, the centuries.


Alyssa Wong, “God Product”

This is not a happy story. It’s a story about a woman led to believe she is nothing, that she must destroy the thing she values in order to gain the respect she craves.


Carrie Vaughn, “Alchemy”

A paean to every woman who has ever labored, thankless, hindered, belittled, mocked, in a field designated as being “for men” and who has succeeded against all odds.


Seanan McGuire, “Persephone”

A bitter tale that touches powerfully on many painful things - poverty, desperation, the futility of hope in a capitalist dystopia, the delegitimising of non-standard relationships, the traffic in human flesh and blood, the dehumanising of the underclass by the powerful, and the anger that grows from all these and more.


Charlie Jane Anders, “Margot and Rosalind”

A slightly comic, slightly snarky, quite delightful story about a female “mad scientist” who’s building a brain in her basement, despite the efforts of everyone trying to stop her.


Maria Dahvana Headley, “Astronaut”

Reimagining the story of the first primate to survive a flight in space. It’s an all-too-familiar story with a sweetly triumohant ending.


Nisi Shawl, “More than Nothing”

Cora knows what’s expected of her, the sister if a pastor’s wife, a member of a black community, but Cora feels the call of other ways, and even more dangerously, she dares to hope.


Brooke Bolander, “The Last of the Minotaur Wives”

This story speaks of an inheritance of hope, generations of quiet resistance that build to the culmination, the moment when all is ready for the last in the chain to stand, to run, to leave the prison behind.


Jo Walton, “The Jump Rope Rhyme”

Important lessons are often encoded in children’s games and rhymes. Walton, an accomplished poet as well as writer of fiction, has built a skipping rhyme for future generations on the theme of persistence. A poem of hope.

“Persisting, in bad times, with only hope,
For you, in space, for the dream we share
Of a better future everywhere.”


Amal El Mohtar, “Anabasis”

Fir those who do not recognise the reference, Anabasis, which means, in the Greek, journey/expedition up from below, is the title of a book written by Xenophon describing the experiences of an army of Greek mercenaries fighting for the Persian would-be emperor Cyrus the Younger. After Cyrus was killed in battle, the Greeks faced a long and dangerous journey home, and it is this journey out of civil war that occupies most of the account.

El Mohtar writes in this powerful short story about a woman struggling to bring her child to safety, to a new home, and about her own identity as an Arab, a Muslim, a Canadian immigrant, a writer, a voice crying for justice. It’s a story about being a refugee, about borders and documents and human lives. It calls up the specific memories of Muslims trying to cross out of a suddenly far less welcoming US and into Canada during the winter of 2017 and Donald Trump.

Ironically, several months after this story was published, El Mohtar, a Canadian citizen traveling on a Canadian passport, was detained by American Customs agents while on her way to a writers’ retreat in the US. As a result of the interrogation, she missed her flight and was traumatised. (http://www.cbc.ca/news/canada/ottawa/ottawa-author-calls-out-canadian-government-border-questioning-1.4430916)


Catherynne M. Valente, “The Ordinary Woman and the Unquiet Emperor”

In a world where everything that is not required is forbidden, an ordinary woman has the chance to change everything. She is warned. She is given an explanation. She persisted, and the world changed.

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Nisi Shawl's novel Everfair is a steampunk alternative history set largely in Central Africa, in the lands known in our history as the Belgian Congo. Its point of divergence from history lies in the decision of the British Fabian Society to purchase land in the Congo from Belgium's King Leopold and, in partnership with African-American missionaries, attempt to establish a sanctuary country - Everfair.

Everfair the novel has a dual purpose (aside from entertainment, of course, which it fulfill quite well). First, to present the attitudes and actions associated with colonialism and imperialism in Africa (including cultural colonisation, shown most clearly in the efforts of the black missionaries, themselves both victims and perpetrators of the colonisation of the mind), and second, to interrogate the ways in which
steampunk as a genre fails to recognise the ways in which it creates nostalgia for the colonial project. Inmy opinion, it manages both of these quite well.

The inhabitants of Everfair the nascent country - and its enemies, the violent armies and rubber harvesters of King Leopold - together form a microcosm of the conditions of colonialism. White and privileged freethinkers from the Fabian Society, Europeans seeking riches or adventure, African-American Christians seeking a home in the land of their lost roots, labourers from Macao and the Indian subcontinent, escaped black slaves from Leopold's rubber plantations, and the indigenous Afrucan peoples to whom the lands making up Everfair actually belong - it falls to these peoples to defeat the Belgians, survive the first world war, and surmount the supremacist assumptions of the white "founders" of Everfair and the African-American Christian colonists (themselves internally colonised by the experiences of abduction and slavery) they partner with.

And there are all the lovely steampunk things - aircanoes, and motorised bicycles and boats, and mechanical prosthetic limbs for all those mutilated by the Belgians, or in the battles of resistance.

I am not, generally speaking, enthralled by steampunk, but the genre worked for me here, possibly because of the context in which it is situated - not privileged Europeans or North Americans off on adventures, but oppressed peoples fighting for their freedom, their culture and their lives.

The novel covers a rather large span of time,and has quite a large cast of significant characters, which necessarily limits some detail in characterisation and plot, but I did not find that the story suffered from this in any way. An engaging read.

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"Trollbooth," Maureen Tanafon, April 2015, Crossed Genres
http://crossedgenres.com/magazine/028-trollbooth/

While the men around her bluster around violently in an attempt to save two children lost to supernatural captors, a courageous young woman takes another path to win their freedom.


"And the Balance in Blood," Elizabeth Bear, November 2015, Uncanny Magazine
http://uncannymagazine.com/article/and-the-balance-in-blood/

Bear's fantasy novelette is a marvellous story about an unusual hero, a grey-haired cloistered religieuse named Sister Scholique who has the gift of the gods' grace; her prayers are often answered by the gods, from small things like a prayer to allow her to overhear a conversation just beyond the range of her hearing, to prayers for the souls of the dead. In fact, it is this latter purpose that takes up most of her time, praying over wax recordings of prayers for the dead as she turns these cylinders in her chantry. When a dream gives her an idea of how to build an automated chantry that will give her more free time, she sets her church on a path that leads to potential abuses. A beautifully written tale that asks questions about the influence of the wealthy in accessing practices meant to be available to all.


"The House of Surrender," Laurie Penny, January 11, 2016, Der Freitag
https://www.freitag.de/autoren/der-freitag/the-house-of-surrender

In the future, people have learned to live mostly in harmony. Captialism, the belief in hierarchies and the idea that one person can with impunity interfere with the autonomy of another are all distant memories of the past. But sometimes people, being people, offend against others, and if there is no way for them to live among others, they come to the island of the House of Surrender. And there they stay. Until one day a man arrives at the House who claims to be from the past.


"Two to Leave," Yoon Ha Lee, May 28 2015, Beneath Ceaseless Skies
http://www.beneath-ceaseless-skies.com/stories/two-to-leave/

Yoon Ha Lee writes in a style all his own, lyrical, elegant, packed with images and delicate allusions. His writing seems to speak to the heart and the unconscious - when I read one of his stories, I often feel that I've just encountered something deeply profound, yet something I cannot quite capture in words, something that partakes of the nature of our dreams. So it is with this story, and deservedly so, for this is a story of a ferryman, and a river that cannot be crossed without sacrifice, a mercenary who kills with a swarm of bees, a messenger raven, and of eyes, and vision, taken and given. Of life and death and the states inbetween and the ways to reach them.


"Vulcanization," Nisi Shawl, January 2016, Nightmare Magazine
http://www.nightmare-magazine.com/fiction/vulcanization/

King Leopold of Belgium seeks to rid himself of the ghosts of the Congo. A steampunk meditation on atrocity, remembrance and guilt. Powerful.


"Our Lady of the Open Road," Sarah Pinsker, June 2015, Asimov's Magazine
http://www.sarahpinsker.com/our_lady_of_the_open_road/

In the future, people's fears of mingling with those they don't know, combined with increasingly sophisticated technology that makes possible holographic displays of concerts and sports events in the safety and security of one's home, have almost destroyed the idea of live performance and the travelling band. But a few artists remain on the road, committed to the belief that performance art involves the immediate relationship between performer and audience, no matter how high the cards are stacked against them.


"The Killing Jar," Laurie Penny, January 2016, Motherboard
http://motherboard.vice.com/read/the-killing-jar

In the not too distant future, the simulated murders of television and film are no longer sufficient to satisfy the public craving for blood and circuses. Society has recognised and legitimated a new kind of performance, the serial killer - who is free to kill as long as he follows the rules.
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Filter House, Nisi Shawl

Filter House is Nisi Shawl’s first book, a collection of short stories that all fit under the broad umbrella of speculative fiction, some leaning more toward science fiction, some toward fantasy, some toward magic realism, some toward the supernatural, all drawing on African/African-American experience and story. Shawl tends toward a literary voice, but I found all the stories in this collection accessible and immensely readable. Shawl looks fearlessly at the intersection of race, class and gender, and speaks from a post-colonial perspective that makes her work thought-provoking as well as entertaining.

I’m very much anticipating Shawl’s next published fiction, no matter what it is or when it arrives on the bookstore shelves.

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Writing the Other: A Practical Approach, Nisi Shawl & Cynthia Ward

Nisi Shawl and Cynthia Ward are professional writers of speculative fiction who jointly developed and teach the workshop "Writing the other: bridging cultural differences for successful fiction." This book contains material adapted from their workshop, as well as two essays written by Shawl, “Beautiful Strangers: Transracial Writing for the Sincere,” and “Appropriate Cultural Appropriation.”

This volume is designed to be used by authors concerned about honestly, effectively and respectfully writing about people, settings and cultures that diverge from the dominant paradigm -the unmarked state. I can’t venture an opinion on how well it does this, because I am not myself a writer. But I have found it to be, whether by design or not, an excellent book for the reader who is interested in seeing more clearly how successfully the books she reads are at writing the other.

The authors give many examples of successful and unsuccessful attempts at writing culturally diverse works. While there is a strong focus on race, they also consider sex and sexual orientation, culture and religion. Oddly enough, they seem to consider social class not a major category of "Other," at least in North American writing. I would tend to disagree, but I imagine that in a workshop, one must choose topics carefully, as there is not time enough to cover everything one might want to.

I was personally most engaged by the section on cultural appropriation, because it's something that I worry about a lot in my own life. I have a very strong sense of attraction, indeed resonance, to aspects of the art, culture, philosophy and religion of a number of other peoples, and it is often an inner struggle for me to try to work out whether I'm being a cultural poacher or a respectful learner. I'm still not sure I know the answer, but this essay gave me more ways in which to think about what it is that I do.

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