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Justina Ireland’s Dread Nation may be labeled as young adult fiction, but this is no light and easy read. IT’s just after the Civil War in America, and the dead have begun to rise. The shamblers are variously blamed on Emancipation, the wrath of God, or a strange new infectious agent. In America, black and indigenous people have been designated as shock troops, and from the age of 12, young girls and boys of colour are taught how to fight zombies and keep the white folks of America safe.

Dread Nation is the story of one such girl, mixed race Jane McKeene, daughter of a white southern woman of means to an unspecified black man, certainly not her absent husband. She’s being taught to be an Attendant - a lady’s bodyguard - at one of the best schools for Negro girls, but Jane is not exactly a devoted scholar or dutiful pupil, though she does excel at marksmanship and hand to hand combat.

In the course of her somewhat unapproved extracurricular activities, Jane, her ‘bad boy’ friend Jackson, and her fellow student, Katherine, a black girl light enough to easily pass, discover some nefarious plots, of course, and are sent off to languish in the coils of one of them - Summerland, a western colony patrolled day and night by black and indigenous folk kidnapped into service to keep the community safe for white settlers.

But even Summerland hides dangers and secrets still unknown to Jane and Katherine. As the situation grows ever worse Jane needs al her intelligence, ingenuity, and battle skills to survive.

First in a series.
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I decided to read this because I thought it might be interesting to see the perspective of a Nigerian author on the whole zombie novel genre. After all, the zombie we can't get enough of is based on traditions associated with Haitian vodoun, which itself has roots in West African voudon.

The book was a curious mix of abysmally amateurish writing combined with decent characterisation and a fast-paced and at times even exciting story. The prose was awkward and filled with cliches - sighs and groans repeatedly burst from people's lips as they tore in this and that direction, for example. Much of the dialogue was stilted. The editing was non-existent - grammatical and punctuation errors littered the pages, footnotes, often unnecessary, were incorporated into the body of the text.... I could go on, but you probably get the idea. Despite this, the main characters were believable and clearly differentiated, and the plot was tight and interesting.

The differences between this and western versions of the classic zombie horror story were subtle, but there was, to the eyes of this western reader, more of a sense that zombies are the servants of ancient evil embedded in the land - in fact, some of the elements of this African-based zombie tale were reminiscent of the European vampire tradition.

The quality of the writing is such that I can't recommend the novel, but.... If you're a zombie fanatic and also the sort of person who can wade through really bad fanfic because it features your One True Pairing, then you might want to give it a chance.

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May 2019

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