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Hidden Youth: Speculative Fiction from the Margins of History, edited by Mikki Kendall and Chesya Burke, is a companion volume to the Rose Fox edited Long Hidden, also published by Crossed Genres, the sadly defunct publishing house that, in its short life, nurtured some remarkable authors and released some important volumes of speculative fiction.

The focus of this anthology is marginalised youth - narratives of children and adolescents from many settings and time periods who share the experience of being outside, oppressed, ignored, othered, and sometimes worse. They represent those who exist in the margins of history and society.

Evocative as most of these stories are, not all reach the same heights of overall craft. Some deal in familiar times and places, others unveil pieces of history not often explored in fiction, or for that matter, in factual narratives. And as always in any collection, some touched me deeply, and others, even if technically admirable, were less engaging. Among my personal favourites are:

“A Name to Ashes,” by Jayme Goh, which tells a story I was not aware of, that of Asian workers pressed into slavery in Cuba under Spanish colonial rule.

“Trenches,” by Sioban Krzywicki, about a young trans person who magically comes into her own reality after leaving home to fight in the trenches during WWI.

“The Girl, The Devil and the Coal Mine,” by Warren Bull, in which a 12-year-old black coal miner’s daughter takes on the Devil in a battle of wits to save her brother.

“How I Saved Athens from the Stone Monsters,” by Erik Jensen, is a bawdy yet heroic tale of two child prostitutes in ancient Greece, a cityful of animated phallic statues, and Isis’ interest in a new penis for Osiris. Not recommended for folks with castration anxieties.

“North,” by Imani Josey is the story of a young black woman who moves north during the Great Migration, where she is given a choice between comfort, and love.

These and other stories collected here shine a light on times, places and people that history tends not to care about, letting us see into hidden lives. There is fantasy, and magic, and strange creatures, but there is also truth and history.


*There are 22 short stories in this anthology, 11 written by women, 10 written by men, and one written by a person who chose not to indicate their gender.

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One thing I'm loving about what's happening in the world of sff anthology editing these days is the growing number of projects devoted in one way or another to supporting the concept of diversity. Because, as editors Rose Fox and Daniel José Older note in the Introduction to their anthology Long Hidden: Speculative Fiction from the Margins of History,
We grew up reading stories about people who weren’t much like us. Speculative fiction promised to take us to places where anything was possible, but the spaceship captains and valiant questers were always white, always straight, always cisgender, and almost always men. We tried to force ourselves into those boxes, but we never fit. When we looked for faces and thoughts like our own, we found orcs and deviants and villains. And we began to wonder why some people’s stories were told over and over, while ours were almost never even alluded to.
The brief for this anthology was simple: to publish stories of speculative history, set between 1400 and the early 1900s, stories that are grounded in real events, that focus on marginalised people, and that have a speculative element. The stories in this anthology for the most part do this very well. They speak in the voices of the ones who did not have the power to tell their history, who were subsumed and made to disappear into the dominant narrative of the powerful, the colonisers, the privileged.
Most written chronicles of history, and most speculative stories, put rulers, conquerors, and invaders front and center. People with less power, money, or status—enslaved people, indigenous people, people of color, queer people, laborers, women, people with disabilities, the very young and very old, and religious minorities, among others—are relegated to the margins. Today, mainstream history continues to perpetuate one-sided versions of the past while mistelling or erasing the stories of the rest of the world. (http://longhidden.com/)
The stories collected in Long Hidden are examples of resistance to this dominant master narrative of history. And there is much good reading here.

Worth noting is that this excellent and prigressively-themed anthology comes from a small press - Crossed Genres (http://crossedgenres.com/) - that seems to be doing some intetesting projects. I have several more of their books in my TBR pile, and a few more on my To Be Acquired list.

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