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Sharra's Exile (pub. 1981) is an extensive revision of Bradley's second Darkover novel, Sword of Aldones (pub. 1962), and the immediate sequel to The Heritage of Hastur. In Sharra's Exile, the consequences of the Sharra rising on all the participants are examined, and a final resolution is finally found to the threat of another Sharra rising.

Lew and Kennard have been offworld for five years. Kennard is aging and in poor health. Lew has learned that using Sharra has distorted his very genetic structure -Terran regeneration techniques can not restore his hand, and when he meets and falls in love with Diotima Ridenow, a Darkovan Comynara travelling offworld, their child is born premature and fatally deformed, which strains the relationship past the breaking point.

Then comes news from Darkover - the Comyn Council is preparing to void Kennard's lordship of Alton and, ignoring both Lew as his declared heir and his younger son Marius, choose a new lord of Alton. But before Kennard can return to defend his claim, he suffers a fatal stroke - and his dying act is to use the Alton gift of forced rapport to compel Lew to go back to Darkover and secure Marius' rights.

With both Lew and Sharra on Darkovan soil again, Sharra wakes, and the former members of the Sharra circle are drawn to it. Kadarin steals the Sharra matrix from the Alton residence in Thendara; Marius is killed in the attack. Meanwhile, rumours about a child of Alton blood are circulating; the child - a girl named Marja - is found, and proves to be Lew's child by Thyra, conceived while he was drugged and under Kadarin's control.

Meanwhile, the question of Terran-Darkovan relations is still a key issue, with several factions - including the Ridenow Domain - pushing for closer ties and others urging less involvement. The isolationists have gained influence over the young and mentally unstable Prince, Derik Elhalyn, who has, behind the Council's back, made a treaty with the Aldarans, to be sealed with a marriage between Beltran of Aldaran, and Callina Aillard, underKeeper of the Comyn Tower in Thendara.

Lew, after consulting the two Keepers - Callina Aillard and the unbelievably ancient Ashara - learns that the only force that can stand against Sharra is the ancient Hastur relic, the Sword of Aldones. But the Sword is guarded in an ingenious fashion. It lies within the Comyn Chapel, the rhu faed, which is so shielded that only one of Comyn blood can enter - but the Sword itself is warded such that no one with the slightest hint of Comyn blood or laran power can touch it. Callina and Lew use a giant matrix screen to "call" to them a person who will be best suited to help them reach the Sword. This person is Kathie Marshall, a Terran nurse from the planet Vainwal, who was present when Diotima and Lew's child was born, and who is also a perfect double for Linnell Lindir-Aillard, Camilla's half-sister, Lew's foster sister, and the betrothed of Derik Elhalyn.

In an attempt to bring Lew back under Sharra's control, Kadarin and Thyra attend the Midsummer Festival in disguise, but Regis, who has discovered that he has an instinctive gift that can counter Sharra's influence, manages to keep Lew from succumbing. Sharra strikes out, killing Linnell; Prince Derik, weakened by a mysteriously spiked drink, dies in the psychic backlash.

Callina, Lew and Kathie succeed in retrieving the Sword of Aldones from the rhu faed, but Lew is seriously wounded when Kadarin and Thyra try - and fail - to take the Sword from them. A Terran helicopter, authorised by Regis, arrives in time to transport Lew, Callina, Kathie, and - under arrest - Kadarin and Thyra - to Terran Medical, where Regis heals Lew with the power of the Sword.

Using the powers of Sharra, Kadarin teleports himself, Thyra and Lew to the forecourt of Comyn Castle. Lew is almost drawn into Sharra, but Callina and Regis arrive, and challenge Sharra's power, weakening its hold over Lew. A psychic battle begins, Aldones against Sharra, with Lew torn between them, unable to lend his power to either side. Suddenly Dyan Ardais arrives, and, driven by his ambition, arrogance, and jealousy of Lew, joins Sharra and cuts the ties that draw Lew to its fires. The final battle is joined, with Kadarin, Thrya and Dyan sealed to Sharra, and Regis, with the support of Callina and Lew, wielding the Sword of Aldones. In the end, Sharra is broken, Kadarin and Thyra drawn bodily into the vortex of its passing, and both Callina and Dyan lie dead or dying on the cobblestones. Only Lew and Regis remain alive, and Regis' hair has turned white.

As the novel ends, the loss of so many of the Comyn and the collapse of the treaty with Aldaran forces Darkover into a closer relationship with the Terran Empire. Lew, reconciled with Diotima, goes back into space with his wife and daughter, to serve as Darkover's first representative in the Empire Senate. And Regis, once more, takes up the Hastur mantle as Lew goes out among the stars.

This is in many ways a novel of character and relationship rather than plot. All of the large cast of characters - including many who do not appear in the summary above, such as Lerrys and Geremy Ridenow, Merryl Aillard, Danilo Syrtis-Ardais, Dan Lawton, Jeff Kerwin (aka Damon Lanart-Aillard), Gabriel Lanart-Hastur and his wife Javanne, Danvan Hastur, Rafe Scott - are interrelated by blood, fosterage, love, hate, loyalty and power. And it is through these relationships that we see the changes occurring in Lew and Regis, and in the structure of Darkovan society.

Sharra's Exile has little new to tell us about Darkovan society, but much to say about how flesh and blood people interact within that society.

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The Forbidden Tower (pub. 1977) is the story of the creation of the "heretical" circle of telepaths who, choosing to work outside of the Towers of Darkover, challenge the two most strongly held beliefs that underlie the Tower system - that a Keeper must be essentially asexual, and that only the members of the ruling Comyn caste have enough laran to work in the Towers.

The novel begins where The Spell Sword left off - with the clearing of the catmen and the planned union of Damon Ridenow to Ellemir Alton, and of Terran Andrew Carr to Callista Alton, formerly a Keeper of Arilinn under Leonie Hastur. Much of the main plot of the novel deals with the fusion of these two couples into a fourway bond, linked telepathically, emotionally and sexually. There are two main obstacles to this, and MZB deals with both in great detail. First, the realisation that not only has Callista been conditioned to have no sexual awareness or response, but that early in the training, Leonie performed a kind of psychic neutering on her, so that it would be impossible for her conditioning to ever be undone. Second, the painful misunderstandings and problems of culture shock brought about by the differences between Terran sexual mores and those found in a society of telepaths. In order to overcome the first, Damon must engage in the dangerous discipline of timesearch to find clues to a centuries-old tradition that could restore Callista's frozen sexuality. And only endless love and patience can overcome the second.

At the end of the novel, the four of them, fully bonded, are faced with a telepathic duel to prove Damon's right to namr himself Keeper and to direct the way his Tower will operate according to his own conscience and not the laws of Arilinn.

While largely focused on deconstructing the rigid role of Keeper and the assumption that only the Comyn can be effective telepaths, many of the Darkovan attitudes toward sexuality are clarified through the exploration of the differences between Terran and Darkovan sexual culture.

Darkovan society is to some degree polyamorous, and despite the strongly patriarchal nature of family relationship, women appear to have some sexual autonomy, but on strict class lines. As well, women must be discreet, and if unmarried, must be careful about pregnancy. The greatest shame seems to lie in bearing a child who has no acknowledged father. Some of the contradictions are shown in this account Ellemir gives to Callista about her sexual experience:
“It was that winter,” said Ellemir. “Dorian begged me to come and spend the winter with her; she was lonely, and already pregnant, and had made few friends of the mountain women. Father gave me leave to go. And later in the spring, when Dorian grew heavy, so it was no pleasure to her to share his bed, Mikhail and I had grown to be such friends that I took her place there.” She giggled a little, reminiscently. Callista said, startled, “You were no more than fifteen!” Ellemir answered, laughing, “That is old enough to marry; Dorian had been no more. I would have been married, had Father not wanted me to stay home and keep his house!” Again Callista felt the cruel envy, the sense of desperate alienation. How simple it had been for Ellemir, and how right! And how different for her! “Were there others?” Ellemir smiled in the darkness. “Not many. I learned there that I liked lying with men, but I did not want to be gossiped about as they whisper scandal about Sybil-Mhari—you have heard that she takes lovers from Guardsmen or even grooms—and I did not want to bear a child I would not be allowed to rear, though Dorian pledged that if I gave Mikhail a child she would foster it. And I did not want to be married off in a hurry to someone I did not like, which I knew Father would do if there was scandal."
There is some indication, however, that the circumstances in which women may engage in pre- or extra-marital sex are partly for the convenience of men. There is a reluctance among Darkovan women to engage in sex during pregnancy. As Callista explains, “Biologically, no pregnant animal desires sex; most will not endure it. If your women have been culturally conditioned to accept it as the price of retaining a husband's sexual interest, I can only say I am sorry for them! Would you demand it of me after I had ceased to take pleasure in it?”

While a man may take a concubine or mistress at his pleasure, and it is expected that he will do so if his wife is unavailable or unable to provide sex, it is considered not quite proper if he brings into the household a woman who is not acceptable to his wife. The kinswoman of one's wife is traditionally one of the more acceptable choices in such circumstances.
"This is our custom. If you were one of us, it would be taken for granted that my sister and I should… should share in this way. Even if things were — as they should be between us, if there was a time when I was ill, or pregnant, or simply not… not wanting you… It is very old, this custom. You have heard me sing the Ballad of Hastur and Cassilda? Even there, even in the ballad, it speaks of how Camilla took the place of her breda in the arms of the God, and so died when he was set upon. It was so that the Blessed Cassilda survived the treachery of Alar, to bear the child of the God…”
There is also a sense that men's desire should not be allowed to go unfulfilled, and that women are responsible for seeing to this when they arouse a man's sexual interest.
In both The Spell Sword and The Forbidden Tower, Callista tells Andrew that she is responsible for the fulfilment of desire he feels toward her. “I have been taught that it is… shameful to arouse a desire I will not satisfy."

Despite the suggestion of some choice in sexual expression, it is also clear that women, like children must always be under wardship - except, of course, for the Keepers. Women in the Towers are under the wardship of their Keepers - at one point, Leonie states that it is her responsibility to find suitable marriages for women who have given oath to her as Keeper and have worked in the Tower (this does not include young women who are sent to the Towers for a few years training in the use of laran) if they later choose to leave. Women outside the Towers are seen always as under the authority of father, husband, brother, or other kinsman.

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The Heritage of Hastur (pub. 1975) and its immediate sequel, Sharra's Exile (pub. 1981) are in some ways the heart of the Darkovan cycle - they mark the end of the Comyn and the sociopolitical structure of Darkover as it was and, as Regis Hastur comes into his own, the beginnings of a new Darkover (which would be penned, not by Bradley, but by her successors Adrienne Martine-Barnes and Deborah J. Ross from outlines and notes).

The Heritage of Hastur details the events surrounding Regis' coming of age, amid the unleashing of Sharra, the powerful matrix we saw before in The Winds of Darkover. It is also a key part of the ongoing conversation about the position of Darkover within the Terran Empire. In all these strands of the narrative, the one common theme is responsibility for and abuse of power. In a sense, the true heritage of Hastur - and all Comyn are called the children of Hastur - is a heritage of extreme privilege and power, and its potential for abuse, as much as it is a heritage of responsibility. As Danvan Hastur acknowledges, "In the far-back days, we were given power and privilege because we served our people, not because we ruled them. Then we began to believe we had these powers and privileges because of some innate superiority in ourselves, as if having laran made us so much better than other people that we could do exactly as we pleased."

As the novel opens, relations between Terrans and Darkovans have once more grown tense, and the key issue is the Compact - an agreement banning all long-distance weapons that holds sway throughout the six lowland Domains. The Empire has technically agreed not to allow such weapons to be taken out of the Terran Zone in Thendara, but Terran officials do not really take the agreement seriously, or enforce it rigorously, and they have allowed the sale of range weapons in Alderan territory - realising that the compact exists to protect all Darkovans from the devastating matrix weapons - like Sharra. Again, this conflict adds to the themes of responsibility, power and abuse that inform all the narrative strands of the novel.

This narrative focuses on two young men - Regis Hastur and Lewis Alton - whose circumstances and experiences are in some ways counterpointed, but in other ways parallel. Regis is the grandson of Danvan Hastur (and great-grandson of Lorill Hastur), heir to the most powerful family on Darkover, the hereditary Regents of the Crown - a vital role, as many of the Elhalyn, hereditary Kings of Darkover, have been incompetent or even mad in recent generations. But Regis doesn't want to be the de-facto ruler of Darkover, he longs for the stars. Unlike the Comyn he is destined to lead, he appears to be almost completely lacking in laran - testing indicates he has the potential, but that it has been blocked from normal development.

Lew Alton is also the heir to a powerful Domain, but unlike Regis, he has had to fight to be recognised. He is the son of Kennard Alton (last seen as a boy in Star of Danger) and Elaine Montray, who is half Terran, half Darkovan, but of the outcast Aldaran Domain, who Kennard met and fell in love with on Earth. Although Kennard married Elaine di catenas - the most formal style of marriage - the Comyn refused to acknowledge his marriage and Lew has always been treated by most as a bastard, carrying both the barbarian blood of the Terrans and the traitor's blood of the Aldarans. In order to have his son declared as his heir, Kennard was forced to prove before witnesses that Lew carried the Alton Gift of forced rapport by forcing rapport on him - an act that might have killed Lew if he did not in fact have the gift. Only in the Towers, where Lew proved to be a powerful and skilled matrix technician, has he felt truly welcome, although he has won some degree of acceptance among the Guards, where he serves as an officer and his father's second - the Altons being the hereditary commanders of the Guard.

The events of the novel do in fact begin in the Guard, where Regis is beginning his duties as a cadet, where Kennard is Commander and both Lew and Kennard's cousin and childhood friend Dyan Ardais - the Lord of that Domain - are officers, as is Regis' brother-in-law (and Lew's cousin) Gabriel Lanart-Hastur. Also in his first year as a cadet is Danilo Syrtis, son of a minor Comyn house whose older brother was paxman and sword brother to Regis' father - both of whom were killed by bandits carrying Terran weapons.

As new cadets, Regis and Danilo initially become friends, but are driven apart by the actions of Dyan. As cadet master, he has the power to make any cadet's life a living hell, and when Danilo refuses his sexual advances, Dyan uses not only his official power but also his laran to torment the young man. At the same time, Dyan attempts a gentle seduction of Regis - the difference in his approach to the two being that he sees Regis as a social equal and Danilo as a social inferior. Before too long, Danilo has rejected Regis' friendship and, driven to desperation by Dyan's action, draws a knife on Dyan and is sent home in disgrace.

Meanwhile, Kennard has asked Lew to travel to Aldaran to investigate the situation with respect to Terran weapons there, under the pretext of visiting his Lord Kermiac and his other Alderan kinfolk. When Lew, who has seen Dyan in action before, witnesses the public disgrace of Danilo and senses what was behind Danilo's reaction, goes to Kennard in protest, his father will not listen to him. Lew leaves for Aldaran, but with a heart filled with anger and disgust at the abuses of power he has witnessed. Arriving at Castle Alderan he is welcomed into the family as the grandson of Kermiac's sister Meriel. Here he meets his cousin, Kermiac's son Beltran, Kermiac's wards, Thyra, Marjorie and Rafe Scott, and the mysterious Raymon Kadarin, and is drawn into their plan to recreate the old pre-Compact matrix sciences, using the Sharra matrix. As he works with Kadarin and the others, training them to be a working circle, he and Marjorie begin to fall in love, despite the fact that Lew has determined that Marjorie is the one best suited to serve as the circle's Keeper.

Regis, having completed his first year of training, travels to visit his sister; en route, he stops at Danilo's home, where the two renew their friendship, and Regis, learning what really happened to him, swears to make it right. On his return to Thendara, despite being ill with threshold sickness, a malady that often strikes telepaths whose laran has awakened, he confronts first his grandfather and then Kennard with the knowledge of Dyan's abuse. Kennard, reading his mind and the images he carries from Danilo's mind, is shocked, but accepts Dyan's guilt. He also realises that Danilo is a catalyst telepath, a rare gift thought to be extinct, and contact with him can stimulate latent laran - and that contact with Danilo is what has woken Regis' powers.

With the promise that justice will be done, Regis returns to Syrtis with Gabriel who is to take Regis to Neskaya for laran training and then bring Danilo back to Thendara, but they discover that Danilo has been kidnapped by the Aldarans. Gabriel returns to Thendara to report the crime. Regis promises to wait for Gabriel at his seat in Edelweiss, but instead, he pauses long enough to name Gabriel and Javanne's youngest son his heir, and sets out to find Danilo.

In Alderan, Lew is horrified when he learns that Beltran has kidnapped Danilo, particularly since he himself, having guessed Danilo's gift, had speculated about asking Danilo to join their circle and use his gift to help more latent telepaths find their powers. Kermiac chastises Beltran, and when Regis arrives, assures him that both he and Danilo are guests under his roof and will come to no harm, and will be allowed to leave when the weather is better.

Lew comes to the realisation that working with Sharra is corrupting all of them, awakening lust for power and dulling their consciences, he decides that they must return Sharra to the forge folk and find another way to bring about their goals. But when Kermiac dies suddenly, Beltran imprisons Regis and Danilo, and tries to force Lew to continue working with the Sharra circle. Marjorie rescues the three captives, and they flee Aldaran Castle. Lew and Marjorie set out to bring word of the Sharra circle to Arilinn, while Regis and Danilo head toward Thendara. Lew and Marjorie are recaptured, and Lew is drugged and, now controlled by Kadarin, returns to the Sharra circle. As Sharra rages, destroying the city of Caer Donn and the Terran Spaceport there, telepaths across Darkover feel the impact, and a force is sent from Thendara to stop the fires, no matter what. Regis and Danilo meet the party, led by Kennard and Dyan, on the road, and head back with them toward Alderan.

Marjorie convinces Kadarin to let Lew recover from the drugs, and together they decide that Sharra must be stopped, even if it takes their deaths - and the deaths of everyone in the Sharra circle - to close the dimensional gateway that fuels it. As they enter the circle and prepare to attempt it, Kennard finally reaches Lew and adds his power to theirs. The gateway is sealed, but Lew is gravely wounded and Marjorie close to death; with the strength of desperation, Lew manages to teleport himself and Marjorie to Arilinn, but it is too late for Marjorie.

Despite the closing of the gateway, the Sharra matrix remains too powerful to be left on Darkover where its power could be raised again; Kennard decides to leave Darkover, taking the matrix and Lew with him, hoping that Terran medicine can heal wounds that Darkovan psi power cannot. The Terrans, now aware of just what kind of long-range weapons the Compact was made to control, promise to do their part in keeping it. Dyan accepts responsibility for his abuse of Danilo, and names him heir to Ardais as recompense. And Regis relinquishes his dream of the stars and takes his place as the Hastur heir on the Council. Hard lessons have been learned - at least for a time.

The Heritage of Hastur is the first of the Darkover novels to deal extensively with male homosexuality. It is also the novel that many readers point to as one that embodies Bradley's personal philosophy as an enabler of the sexual abuse committed by her husband, and an abuser herself. I am going to first discuss attitudes toward male homosexuality in general as presented in the novel, and then look at the instances of sexual abuse and how they are dealt with. But first, I want to summarise certain aspects of what has been revealed so far about Darkovan attitudes toward sex in general.

Sexuality on Darkover has two aspects, social, and reproductive. Social sex is by necessity non-reproductive, as it is a great disgrace to produce a child without a father to claim it. It occurs between men, between women, and between men and women. It is common in the Towers, but is also found outside of them. It is a personal matter, and is expected to take second place to the duty of proper procreation.

Reproductive sex is heavily controlled, because a child without an acknowledged father has no place in the community. Paternity is also important, especially among the nobility, because of the role that inheritance rights play in a feudal society. In Heritage of Hastur, we learn that having at least one heir, if not more, is a legal necessity for an adult male in direct line to the overlordship of a domain.

Thus men are expected to concern themselves with having heirs, and for this they need recognised relationships with women whose fidelity can not be questioned. These relationships span a wide range of options, including a highly formal style of marriage, legal concubinage, a form of common-law marriage, and the taking of mistresses. As long as the man is sure enough of the paternity of his child to acknowledge it, the mothers are not stigmatised and the children have a place in the family and in society. The higher the social status of the woman, the more likely it is that she will be married formally to a man of equal or higher status.

Women are often married young, well before the age of 20, unless they are marked for some training in a Tower, in which case their marriages may be put off for two or three years. Man may also be betrothed, or even married, at an early age. When discussing sexuality, it is important to remember that on Darkover, adulthood arrives early - around the age of 15. At this age, Darkovans take on adult responsibilities - they start work, get married, have children, begin training in Towers or in the Guards, whether they want to or not. As Regis says in speaking of the expected actions of a Comyn son: "It's all planned out for us, isn't it, Lew? Ten years old, fire-watch duty. Thirteen or fourteen, the cadet corps. Take my turn as an officer. Take a seat in Council at the proper time. Marry the right woman, if they can find one from a family that's old enough and important enough and, above all, with laran. Father a lot of sons, and a lot of daughters to marry other Comyn sons."

Nor are matters any different for women, as Lew thinks while watching Regis' sister Javanne at a party: "Javanne was dancing again. Well, let her enjoy herself. She had been married off at fifteen and had spent the last nine years doing her duty to her family."

Among the Comyn, sexuality and telepathy are strongly linked. Laran generally develops in early adolescence, and as Bradley constructs the physiology of psi, sexual and laran "energies" travel along the same "channels" in the body. As well, it is often mentioned that for telepaths, living in close contact is like "living with your skin off" - in a state of intimacy unimaginable among non-telepaths. It's also mentioned that telepathic men are often uninterested, or even impotent, with "head-blind" women. Telepathy both mimics and intensifies sexual bonding. As Lew says, in explaining why he refuses to marry at the command of the Comyn:
How could I tell Hastur, who was old enough to be my grandfather, and not even a telepath, that when I took a woman, all her thoughts and feelings were open to me and mine to her, that unless rapport was complete and sympathy almost total, it could quickly unman me? Few women could endure it. And how could I tell him about the paralyzing failures which a lack of sympathy could bring? Did he actually think I could manage to live with a woman whose only interest in me was that I might give her a laran son? I know some men in the Comyn manage it. I suppose that almost any two people with healthy bodies can give each other something in bed. But not tower-trained telepaths, accustomed to that full sharing.
With the exception of the cristoforos, whose attitudes toward sexuality, and particularly sexual expression between persons of the same sex are based on a remnant of Christian religious belief, Darkovans appear to have a relaxed attitude toward male homosexual expression - at least as long as the persons involved are either young, or if older, have done their duty to society by marrying and fathering children.
It was not considered anything so shameful to be an ombredin, a lover of men. Among boys too young for marriage, rigidly kept apart by custom from any women except their own sisters or cousins, it was considered rather more suitable to seek companionship and even love from their friends than to consort with such women as were common to all.
The Heritage of Hastur explores two instances of homosexual contact that may be characterised as abusive. The first, which occurs within the timeline of the novel, involves Danilo Syrtis, who comes to the attention of the sadistic hebephile Dyan Ardais while a cadet. While Danilo is not physically forced into sex, when he rejects Dyan's attentions, the older man responds with what essentially constitutes mental rape, by using his laran to infiltrate Danilo's mind - something telepaths are sworn not to do. There is a clear suggestion that Dyan has done this before, and that he has also had relationships with other young men, who may have been willing but were also under his authority as an officer of the Guard. Among his Comyn peers, his relations with consenting young men are not seen as problematic, but they clearly see his telepathic assault as wrong. In this context, it is important to remember that Darkovans are considered adult at 15, and capable of consent. By Darkovan standards, Dyan is guilty of abuse of power, but not of child abuse.

The second instance involves a single incident from the past, between 12-year-old Regis and Lew Alton, who is, as Bradley states in the text, "five or six years older than Regis." (It's interesting to note that reviewers have tended to cast Lew as ten or more years older than Regis.) Lew and Regis are foster-brothers, and Regis loves and worships Lew like the older brother he has never had. Lew is a telepath, Regis at twelve is just beginning to develop his laran. The two are out on the firelines together, in a situation of great stress.
And Regis had known Lew was afraid. He'd touched Lew's mind, and felt it: his fear, the pain of his burns, everything. He could feel it as if it had been in his own mind. And Lew's fear hurt so much that Regis couldn't stand it. He would have done anything to comfort Lew, to take his mind off the pain and the fear. It had been too much. Regis couldn't shut it out, couldn't stand it. But he had forgotten. Had made himself forget, till now.
Struggling with the simultaneous onset of puberty and telepathy, feeling Lew's distress and wanting to comfort him, Regis makes an effort to offer comfort that is both psychic and sexual in nature; Lew, not yet trained to control his telepathy, hurt and afraid and in need of comfort, responds in kind. Is this child abuse? Is Lew a homosexual pedophile? There is certainly no indication in the text that Lew has more than a minor interest in males as sexual partners; in fact, when he thinks of expressing his sexual desires, it is women he considers. Regis is the one who is drawn more to males than to females, who falls in love with Danilo. Regis is 12, Lew is no older than 18. The situation is, to my mind, ambiguous. Nor is it pictured as without consequence, for it is the intensity of the connection that causes Regis to block out the memory, and with it, his developing laran - until it is awakened three years later by the young man who will be his next lover.

It has become almost an article of faith in our society today that persons under some magic age - 16, 18, even 21 - are children, lacking in judgement and agency, incapable of freely consenting to sex. The problem is, that there is no sharp divide between childhood and adulthood and that not all people are alike or develop at the same rate. Even very young children are sexual beings, and it is not unnatural for age peers to engage in sex play. As children enter puberty, sexual interest increases, and many adolescents engage in sexual exploration. Consent is a situational thing. Can two 5-year-olds consent to "playing doctor"? Can a 12-year old consent to sexual exploration with a 13-year-old? A 15-year-old? A 17-year-old? A 25-year-old? The boundaries of free consent are fluid - at some point on this spectrum, the age range becomes too great, and issues of power and influence come into play, but at what point?

I think of my own personal experience. My first consensual sexual relationship occurred when I was 12, with a girl who was four years my senior. It was one of those boarding school romances - and anyone who tries to suggest that same-sex boarding schools are not full of same-sex sexual exploration doesn't know what they are talking about. Was my relationship fully consensual? As I look back, some 50 years later, my memories are of love, desire, longing, wanting to be with my lover as much as possible - to the best of my recollection, I was quite active in trying to seduce her, gain her affection. I was willing, and the only harm I took from the relationship came later, when my lover's parents pulled her out of school and put her into an institution because they discovered her same-sex desires.

This question of consent is particularly important for young people who are queer, because we may not always have age peers able to experiment in the ways we need to. Often we don't exactly know what we are or what we want, only that it is something different - and it may well be that the only people we can find who know what we want are older than we are, having gone through the stages of coming out to themselves that we are only just beginning. Regis' early experience with Lew may well read quite differently to such people, who have had to take different paths to owning their sexuality than most straight people do.

For my part, I read the narrative thread that deals with Regis' sexuality as a coming out story, with Regis and Danilo as a young gay men reaching an understanding and an acceptance of who they are and who they love. That's what made me love this book when I first read it, some 40 years ago, and that's still how it affects me.

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The Spell Sword (pub. 1974), tells the story of the beginning of the Forbidden Tower, introducing Ellemir and Callista Alton, Damon Ridenow, and Terran Andrew Carr. It begins when Carr, on a four-day layover at Thendara spaceport, goes out into the Trade City for some fun and patronises a "fortuneteller." In her "crystal ball" - probably a matrix - he sees a vision of a young woman which so captivates him that he immediately applies for a permanent posting on Darkover. Following a crash in the Hellers, while on a Mapping and Exploration Survey flight, he is contacted telepathically by Callista, the woman whose image he saw. She is being held captive - where and by whom she does not know, but she is able to help him to survive the storms of the Hellers reach safety at Armida, the house seat of the Altons. Meanwhile, Callista's twin sister Ellemir has called for help from their Tower-trained kinsman Damon after Callista's abduction while on a visit home from Arilinn Tower, where she is UnderKeeper to Leonie Hastur. Damon, having survived an attack by the catmen, sentient non-humans native to Darkover, deduces from the details of the raid on Armida that the catmen have not only abducted Callista and somehow blocked her from contacting them, but are also responsible for a strange blight in the nearby region of Corresanti. When Andrew arrives, his story, once told and accepted as true, fills in the remaining blanks.

Immediate rescue is out of the question, as there are few men-at-arms at Armida and Damon is not a warrior. While they wait for the arrival of Ellemir and Callista's father, the powerful Dom Esteban Alton, the telepathic rapport brought on by their searching for Callista and their attempts to train Andrew's latent laran to the point where he can help them find Callista has led to a deep emotional contact between all three of them, but particularly Damon and Ellemir. Meanwhile, Callista's total reliance on Andrew for any shred of human contact seems to be wearing down the barriers she built as Keeper, and Andrew is falling in love with her.

All seems lost when Dom Esteban is ambushed on his way home by the catmen and severely injured, leaving him paralysed from the waist down. However, Dom Esteban has the Alton gift of forced rapport, and he is able to use this gift to control Damon's reflexes, giving the younger man all the skill and experience of an expert swordsman. With Damon now able to lead Esteban's guardsmen, and Andrew's connection to guide them, Callista is rescued and the leader of the catmen, who has been using a huge unmonitored matrix left over from pre-Compact days, is defeated and the immediate menace ended.

The Spell Sword is a relatively short and plot-focused novel, but like most of MZB's novels, it explores aspects of relationships, sexuality, and gender roles. One theme that runs through much of MZB's Darkover writing is the intense nature of communication between telepaths, and how closely linked it can be to love and sexual desire. Both Andrew and Damon have been reluctant to enter into serious relationships, Andrew because every contact her has had, has seemed somehow lacking in something important, and Damon because he has been fixated on Leonie for years, at least in part because of the close rapport they had when he was a matrix worker at Arillan. Telepathic contact between Callista and Andrew, and between Ellemir and Damon, is enough to create an intense emotional and sexual bond in a matter of days, if not hours.

Interestingly, we see indications that while young Darkovan women are generally treated as though they were untouchable - Damon has to caution Andrew that on Darkover, men do not look directly at young women who are not their kin - this may be more appearance than fact. We have seen that women in the Towers, with the exception of Keepers, enjoy sexual autonomy. It must be assumed that if a woman who has worked in a Tower decides to retire and marry, the possibility of her bearing children with laran outweighs and issues of a possible lack of virginity. But when Damon begins to think of Ellemir as a lover, it is clear that he does not expect her to be virgin.
So young, Ellemir was not. She was old enough to care for this vast Domain when her kinsmen were away at Comyn Council. She must be nearly twenty years old. Old enough to have a lover; old enough, if she chose, to marry. She was Comynara in her own right, and her own mistress.
It may be that Damon's Tower experience has made him less insistent on sexual purity in a potential bride; certainly there are other passages and incidents in the Darkover novels that indicate that a woman who has been raped or who has been sexually involved with a man of a lower social status is often seen as defiled and disgraced. On the other hand, it also appears that a woman who becomes mistress or concubine to a man of higher rank is not, as long as he openly acknowledges her and any children she may have with him.

We also see confirmation of the tradition of group marriage and polyamory that dates from the very beginnings of Darkovan history - at one point Ellemir says "when she [Callista] went to the Tower, and was pledged, I knew we could never, as so many sisters do, share a lover, or husband."

The necessity for the absolute virginity of a Keeper is mentioned several times - an interesting irony since it is these four people, and later the child of one of them, who will prove that such virginity is not necessary at all. Damon tries to explain the tradition of total chastity among Keepers to Andrew:
... it's a matter of nerve energies. People have only so much. You learn to protect your energy currents, how to use them most effectively, how to relax, to safeguard your strength. Well, what uses most human energy? Sex, of course. You can use it, sometimes, to channel energy, but there are limits to that sort of thing. And when you're keyed into the matrix jewels—well, the energy they will carry is limitless, but human flesh and blood and brainwaves can stand only so much. For a man it's fairly simple. You can't overload with sex because if you're too heavily overloaded, you simply can't function sexually at all. Matrix telepaths find that out fairly early in the game. You have to go on short rations of sex if you want to keep enough energy to do your work. For a woman, though, it's easy to, well, to overload. So most of the women have to make up their minds to stay chaste, or else be very, very careful not to key into the more complex matrix patterns. Because it can kill them, very quickly, and it's not a nice death.”
However, the combination of powerful laran and the sensitivity to mesh completely with others that makes a woman so valuable and revered as a Keeper seems to be a liability for a man. Damon suffers from insecurity and concerns about his masculinity so severe that it actually keeps him from being able to allow himself competence in masculine areas such as weapons training because he has been told by Leonie that he could have been a Keeper had he been a woman.
... you are too sensitive, you cannot barricade yourself. Had you been born a woman, in a woman's body,” she added, laying a light hand on his shoulder, “you would have been a Keeper, perhaps one of the greatest. But as a man," faintly, she shrugged—“you would destroy yourself, tear yourself apart. Perhaps, free of the Tower, you may be able to surround yourself with other things, grow less sensitive, less”—she hesitated, groping for the exact word—“less vulnerable. It is for your own good that I send you away, Damon; for your health, for your happiness, perhaps for your very sanity."
This underscores the occasional glimpses seen in this and other of the Darkover novels of a certain degree of contempt shown by Comyn men who have devoted themselves to the Guard or have gained some recognition for weapons skill toward men working in the Towers or lacking inclination or skill to be trained fighters. It is clear that the strict imposition of gender roles impacts men as well as eomen in Darkovan society.

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Darkover Landfall (pub. 1972) is the series' origin story. In this novel, set 2,000 years before contact, a space ship carrying colonists to an established Terran colony is thrown light-years off course by some gravitational anomaly and crash-lands on an uncharted world. The survivors make attempts to repair the ship, but without the ability to recreate the technologies required, even the crew - most of whom are highly resistant to the idea of being planetbound - accept that their only hope is to build a viable colony.

The portrayal of gender roles in this novel is wildly contradictory. There are professional women among both the crew and the colonists, who perform their tasks with competence and autonomy. The society they come from has, at least technically, adopted gender equality - "Do I have to read you the Terran Bill of Rights? No law shall be made or formulated abridging the rights of any human being to equal work regardless of racial origin, religion or sex--" - although we also learn that female colonists are normally required to give up some of this equality for the good of the colony.

Women - at least women on settled planets and in space - appear to have a fair degree of reproductive freedom. Contraception is readily available - indeed, compulsory on shipboard, as FTL flight is apparently harmful to children. While abortion is at one point described as "unthinkable" due to the universal availability of contraception, when it is discovered early on that the standard contraceptives are not working, due to the effects of being on an alien planet, one of the doctors worries "... we've been relying on hormones so long that no one knows much about the prehistoric kind any more. We don't have pregnancy-testing equipment, either, since nobody needs it on a spaceship. Which means if we do get any pregnancies they may be too far advanced for safe abortions before they're even diagnosed!" Later, one of the women who finds herself pregnant feels comfortable in approaching one of the medical staff to request its termination,

However, the attitudes of the men whose viewpoints we are treated to are overwhelmingly chauvinist, to use a phrase that was in common usage when the book was written.

Rafe MacAran, one of several POV characters, on being informed that one of the necessary personnel to accompany him on an exploratory expedition into the nearby mountains is astrogator Camilla Del Ray, protests "May I ask what for?" MacAran said, slightly startled. "Not that she isn't welcome, though it might be a rough trek for a lady. This isn't Earth and those mountains haven't any chairlifts!" Later, after learning two more women will be on the expedition, he thinks "Hell of a way to start a trip! And here he'd been, despite the serious purpose of this mission, excited about actually having a chance to climb an unexplored mountain--only to discover that he had to drag along, not only a female crew member--who at least looked hardy and in good training-but Dr. Lovat, who might not be old but certainly wasn't as young and vigorous as he could have wished, and the delicate-looking Heather." Ironically, MacAran also thinks to himself that he's "no male chauvinist."

As tenuous a concept as gender equality seems to be in this version of the early Terran Empire, it disappears completely under the supposed necessities of establishing a viable colony. Once it is obvious that there will be no way to repair the ship, restrictions on reproductive freedom are imposed based on regulations regarding government-sponsored colonies. When Camilla Del Ray requests an abortion, she is told "Surely you know that in the Colonies abortions are performed only to save a life, or prevent the birth of a grossly defective child, and I'm not even sure we have facilities for that here. A high birth rate is absolutely imperative for at least the first three generations—you surely know that women volunteers aren't even accepted for Earth Expeditionary unless they're childbearing age and sign an agreement to have children?"

Camilla's horrified reaction to being told that she must bear an unwanted child is answered by a patronising set piece that enshrines as "scientific truth" the notion that all women really want babies more than anything else.

"Camilla," Ewen said very gently, "this is biological. Even back in the 20th century, they did experiments on rats and ghetto populations and things, and found that one of the first results of crucial social overcrowding was the failure of maternal behavior. It's a pathology. Man is a rationalizing animal, so sociologists called it "Women's Liberation" and things like that, but what it amounted to was a pathological reaction to overpopulation and overcrowding. Women who couldn't be allowed to have children, had to be given some other work, for the sake of their mental health. But it wears off. Women sign an agreement, when they go to the colonies, to have a minimum of two children; but most of them, once they're out of the crowding of Earth, recover their mental and emotional health, and the average Colony family is four children--which is about right, psychologically speaking. By the time the baby comes, you'll probably have normal hormones too, and make a good mother. If not, well, it will at least have your genes, and we'll give it to some sterile woman to bring up for you. Trust me, Camilla."

Bye, bye, any pretense at gender equality and reproductive autonomy. Of course, it does make sense that a high birth rate and as much genetic diversity as possible would be vital to an isolated community's viability - but can't it be framed in some other fashion than medical authorities and legislators making pronouncements specific to women about forced repeated pregnancies? Why not a general meeting where the issues are discussed and men and women voluntarily agree to contribute as fully as possible to the production of a genetically diverse base population?

Another aspect of sexuality that is a common theme in the Darkover novels is that of polyamory, whether it be the open sexuality of the Towers or the custom of legal concubinage that develops among the Comyn families. In Darkover Landfall, it is the influence of the hallucinogenic pollen from the kirseeth flower that causes several instances of sexual play between multiple partners. However, by the end of the novel, the need for a diverse gene pool means that people are beginning to form polyamorous families and women are bearing children by several men.

Over the course of the series, we see that there are several different views of homosexuality on Darkover. The largest source of homophobic sentiment appears to be found in the teachings of the Cristoforo religious sect. In Darkover Landing, we meet the originator of the Cristoforos, Father Valentine Neville, a Catholic priest of the Order of St. Christoper of Centaurus. In the novel, Father Valentine participates in group sex with six other men while under the influence of kirseeth, and in the fog of recovery, murders the other men because he can't face the enormity of his sin.

The events of Darkover Landfall set the stage for the kind of society that will develop over the next two thousand years on Darkover. The importance of children, the tendency toward polyamorous relationships, the sacrifice of female autonomy to the needs of community survival, the use of matrix jewels to enhance psi ability, relationships between human and non-human inhabitants of the planet - all these will be seen again throughout the series.

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The World Wreckers (pub. 1971) is, in terms of internal chronology, the last book set in post-Contact Darkover written by Bradley alone, without a collaborator. It is a story of catastrophic endings and unlooked-for new beginnings, and is the book that gives us the most information about the original non-human inhabitants of Darkover, the chieri.

Andrea Closson is a world wrecker. For a fee, her company will destroy the economy of a planet, making it easier for her clients to step in and take it over. And she has been hired to damage Darkover so badly that the planet will have to give up its protected status and beg for Terran assistance. Her methods are ruthless. She targets three key resources - forests, soil, and the Darkovan telepaths - with arson, poison and assassination. The irony is that Andrea Closson is a chieri, and the world she is destroying is her home, the telepaths, her distant cousins.

Regis Hastur knows that something is wrong. The Comyn are dying, through illness and assassination, and the people are starving as forest fires and other disasters wreak havoc on Darkover's fragile ecology. Desperate to keep the knowledge of Darkovan matrix sciences alive, Regis offers to teach these sciences to Terran telepaths. The pilot project brings together Darkovans - Regis, his paxman and lover Danilo Syrtis, the elderly Desideria (from Winds of Darkover) and her granddaughter Linnea - and Terrans - David Hamilton, David Connor, and Rondo - and most unexpectedly, two chieri - Keral, one of the last fertile members of a dying race, and Missy, a foundling with no knowledge of her background who has wandered the Terran Empire for centuries, living by her ability to project a powerful femininity but so psychically damaged that she is barren. Supervising the project, which seeks to understand what makes a telepath, is Jason Allison (whom we met in the very first Darkover novel, The Planet Savers).

As matters grow worse, Regis puts out a call to bring together all the telepaths of Darkover - not just those of known Comyn heritage, but anyone with a trace of laran - to form a new Telepath's Council to replace the Comyn Council. Closson sees this as her chance to put an end to all the telepaths of Darkover, and plants a bomb to explode during the Festival of the Four Moons, when her spy within the project, Rondo, has reported that all the telepaths will be celebrating at Comyn Castle.

When the Festival begins, Closson conceals herself nearby, to see the end of the those she thinks of as the usurpers of the place her own people once held. When the remaining chieri teleport into the festival, called by the newly pregnant Keral's joy, Closson's shock allows Rondo, to read her mind and discover her plan. A powerful telekinetic, he calls the bomb to himself and in a desperate attempt to save the others, hurls himself upward, still holding it; the bomb detonates high above the city, and Closson comes out of hiding to face her long-lost kin.

Now knowing that the Darkovans carry the heritage of her own people, Closson puts her knowledge and fortune to work saving Darkover; finally at peace, she dies holding the child of Keral and David Hamilton in her arms.

There is relatively little action in the novel; much of it is focused on a topic Bradley would return to again and again, the link between telepathy and sexuality. This is explored primarily in the relationships between David Connor and Missy, and David Hamilton and Keral. In both cases, there is the added dimension of the androgyny of the chieri, and the complex processes that result in a change from a neutral state - in which the chieri may appear somewhat male, somewhat female, both or neither - to a fertile state in which a male or female state becomes dominant, allowing the chieri either to inseminate or to conceive.

We learn that the chieri are almost extinct because their telepathic sensitivity and its relationship to the biological transformation necessary for reproduction makes it almost impossible for them to reproduce except in an environment of close telepathic bonding. (Many of the Darkovan telepaths also display such a sensitivity, though not to the same degree.) Most historical cases of interbreeding between chieri and human have been the result of a kind of madness and desperation to have a child. Add to this their relatively infrequent cycles of fertility and the fact that there is no guarantee that when a bonded couple both come into a fertile phase, the change will end with one in male phase and the other in female phase.

Many thousands of years ago, the chieri, already seeing the inevitable end of their species, took to space to try and find another species they could be compatible with. Failing to do this, most withdrew to Darkover, let the signs of their civilisation disappear, and prepared to die,leaving the planet to other developing species. Some, like Closson, remained on other worlds. There is a strong indication in the novel that Missy is Closson's child, the product of an episode of madness.

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The Winds of Darkover (pub. 1970), which takes place a few years after Star of Danger, begins the tale of Sharra that will be continued much later in The Heritage of Hastur and Sharra's Exile. Though we never really learn exactly what Sharra is - goddess, half-sentient rogue matrix, metaphysical psi focus, or something even stranger - it is a powerful force that was once worshipped by the forge-folk (yet another of the many non-human peoples of Darkover) and it plays a large part in the resolution of the novel.

The book opens with two apparently unrelated events. First, Terran Dan Barron, the high-tech version of an air traffic controller, makes a serious error in which a major crash is narrowly avoided only by the skill of the pilots. Decertified from his former position, he is given a chance to redeem himself when the Lord of Armida asks for Terran assistance in setting up a warning system using telescopes to watch for fire and bandits. What Barron has not said - because he can't understand it himself - is that he has been having involuntary visions of places and thing he has no context for, including a chained woman wreathed in flames. As it happens, one of his guides to Armida is Lord Valdir's foster-son Lerrys, aka Larry Montray. Lerrys picks up on some of Barron's visions and is prompted to offer him a knife, thus firming a bond of brotherhood between them.

Meanwhile, in the high Hellers, the bandit leader Brynat Scarface has succeeded in his siege of the ancient castle of Storn, forcibly wedded the Lady of Storn, and seeks to solidify his position. The Lord of Storn, blind from birth and thus incapable of mounting a defence, is nonetheless a powerful telepath, and after warding himself against all physical harm, has entered a trance. He is able to communicate with his younger sister Marietta, urging her to escape and travel to Carthon. He is also able to enter Barron's mind, and plans to take over his body and meet Marietta in Carthon. In fact, it is his efforts to build the necessary link with Barron - who Storn views as a legitimate target for a psychic invasion that would be unthinkable if directed at any Darkovan - that have been causing Barron's visions.

Long story made short - Marietta escapes, Storn overshadows Barron, they meet in Carthon. Finding no help there, they head to Aldaran. While the Lord of Aldaran offers no help, they meet Desideria, a powerful telepath trained to act as a Keeper, who upon learning that there are still forge-folk who worship Sharra at Storn, offers to help them by focusing the energies of the worshippers through Sharra to fight Brynat and his men. On the way to Storn, Barron regains control but upon figuring out what is happening, agrees to help Marietta and Storn of his free will. They defeat Brynat, take back Storn, and it seems very likely that there will soon be a double wedding - Barron and Marietta, Desideria and Storn.

This story is essentially self-contained, with only a few links to other installments in the Darkover series. The presence of Larry Montray in the opening sequences - and the brief mention of Valdir's foster-daughter Cleindori - place the story on the timeline. And we will see a much older Desideria in The World Wreckers. The most important element is the introduction of Sharra.

From time to time in the Darkover series, we are told that the women of the Hellers are not as sheltered as women of the lowlands. Here we see Marietta as a strong woman, competent in riding, capable of travelling by herself between Storn and Carthon without suffering insult. While we could argue that Desideria's independence comes from her status as a telepath with the power and skill of a Keeper, Marietta's actions suggest that at least some women of higher class - especially those who are unmarried and take part in the management of their family's estates have certain freedoms to act, and the confidence and experience to do so when needed.

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Star of Danger (pub. 1965) is one of the earliest written of the Darkover books, but in terms of the internal chronology of the series, it falls well after the time of first contact. Lorill Hastur, who is well advanced in years in this novel, was a boy of 15 or so when the Terrans came to Alderan. Valdir Alton, who was a child when the Forbidden Tower was formed, is now the father of two sons, the younger of whom is 16. And the third generation of Montrays comes home to Darkover. There are inconsistencies between this early novel and many of the ones that follow, but as with The Bloody Sun and The Planet Savers, certain key elements of Darkovan history were already well formed in the author's mind when the book was written.

In Star of Danger, Wade Montray returns to Darkover with his teenage son Larry after spending more than a decade on Earth. Larry, a curious young man with a desire to explore this new world, ventures into the Trade City and makes friends with Kennard Alton, son of Valdir, cadet guardsman. But when Larry is invited to spend the summer with Kennard at Armida, disaster strikes - Larry is kidnapped by bandits who mistake him for Kennard. Feeling personally responsible for Larry's fate, and knowing that if harm comes to Larry, his father will be caught up in a major diplomatic incident, Kennard sets out to rescue him.

The rescue succeeds, but in evading pursuit, Kennard and Larry are lost and must find their way through the rugged terrain of Darkover - forests inhabited by the non-human trailmen and mountains harbouring dangerous predators - to reach safe territory. During their difficult journey, Larry's latent telepathy is awakened and he and Kennard bond more deeply - although the harmony of that bond is often threatened by cultural issues. Eventually the two find ways to work together, relying on both Kennard's psi training and Darkovan survival skills, and Larry's scientific knowledge, to survive in the wilds.

As they near the territories of the Hastur domain, they encounter a lone chieri, who takes them in, offers them hospitality, tells them of the true history of humans on Darkover, and then teleports them to safety, just in time to ward off the brewing diplomatic firestorm. Larry's father explains that his late wife - Karry's mother - had in fact been a Darkovan woman, kin to the Alderan clan, who had followed him to Earth, and that Larry's laran comes from her. There is great hope that the friendship Larry and Kennard have formed will help to improve relations between Terrans and Darkovans.

As a "boy's adventure" story with no female characters at all, there is little to comment on in terms of portrayals of gender and sexuality in this novel. One thing that does strike me, though, is the odd history of Terran knowledge of and attitudes toward the Comyn and their use of laran. All through the series (at least up to the time of the waking of Sharra at Alderan, which is still to come at this point) the Terrans are portrayed as knowing very little about these issues, and by turns disbelieving, or desperately curious, about them. Even in this story, where one of the main characters is the product of a marriage between a Terran man who spent his youth on Darkover and a Darkovan of the ruling classes and a telepath in her own right, the Terrans see Larry's invitation to Armida as a chance to learn something about the Comyn and their abilities. One would think by this time the Terrans would have more clues than they appear to. But perhaps Darkovans have been more successful at keeping quiet, even when they marry Terrans, than one would think possible.

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Continuing with the great MZB re-read project, the next available novel is The Bloody Sun (pub. 1964, rewritten and repub. 1979). MZB did write a Darkover novel between The Planet Savers and The Bloody Sun - Sword of Aldones - but she later withdrew it from publication, including an extensive revision of the material in the later book, Sharra's exile. Sword of Aldones has been out of print for a very long time, and while I'd love to re-read it (having little memory of the original, which I read almost 50 years ago), it's been impossible to find. So... on to The Bloody Sun, which was itself revised from the original 1964 edition, but I've read both versions and the revision retains most of the character of the original.

In The Bloody Sun, Jeff Kerwin Jr, born on Darkover, returns to the planet of his birth to uncover the mystery of his parentage. He learns that he is the son of a former Keeper of Arilinn, Dorilys Aillard, who challenged ancient traditions about the use of laran (psi abilities) and was murdered for it. One of the traditions she challenged was the belief that a Keeper must be an asexual being, virgin in body and untouched by sexual feeling in order to keep her psychic "channels" free of energies that might make her unable to focus the power of a circle of working telepaths through her own mind and body, which is required of a Keeper. Her own background as a child of the "forbidden tower" - a community of polyamorous telepaths, including both high-born Comyn and commoners with laran - had taught her that anyone with sufficient ability, man or woman, could be a Keeper and keep their channels clear with various mental disciplines - rendering the ritual virginity of a Keeper unnecessary. When Kerwin is found to have inherited his mother's laran, he is invited to join one of the few remaining Keeper's circles, at Arilinn, where he falls afoul of all the sexual mores of the Tower community.

Keepers in Darkovan society at the time of Contact are heightened examples of the Madonna/whore split. A Keeper is a totally de-sexed being, presented as pure in mind and body, trained to have no sexual awareness or response. While a Keeper can "give back her oath" and retire from the Towers into an "honourable marriage" with one of her peers, any Keeper who becomes sexually involved outside of such a formal retreat, and especially one who continues to use her laran after asserting her sexuality is seen as a whore, a focal point of lust and depravity, a threat to society. It is interesting that it is only the Keeper - the most powerful of laran-gifted women - must live so completely constrained, either as virgin or as wife, under patriarchal control. Aside from the Keeper, other telepaths in the Towers, men and women, share sexual contact as freely as they do any other gesture of affection.

Taniquel, a powerful empath, offers comfort and healing freely to any of the other telepaths at Arilinn (we only see her interacting sexually with the men, however). When Kerwin joins the Tower circle, he is insecure, in culture shock, and finds that some of the other telepaths, Auster in particular, are hostile to him, Taniquel initiates emotional and sexual connection in an attempt to help integrate him into the community and make him feel better. He interprets this as a love affair and responds with jealousy and anger when she later offers comfort to Auster. From her reaction, and that of the other telepaths, to his slutshaming, it is clear that Tower women who are not Keepers are seen to have full sexual autonomy. Unlike the Keepers, they are free to have sex when and with whoever they choose, and Nyrissa confirms that Tower women are free to bear children by whoever they choose within the Tower community - attitudes at odds with the role of women outside of the Towers, where marriage or concubinage are the cultural norm for women, and where men control the lives, finances, fertilty and sexuality of their wives (with one strange exception, the Comyn-caste Ailliard family, where women hold political power).

We also see something of gender politics among the Terrans in The Bloody Sun, in the regulations regarding marriage between Imperial citizens and "native" women. This passage seems to sum things up:
The Empire Civil Service consists largely of single men; few Terran women care to accompany their men halfway across the Galaxy. This means that on every planet liaisons with native women, both formal and informal, are taken for granted. To avoid endless complications with various planetary governments, the Empire makes a very clear distinction. An Empire citizen may marry any woman, on any planet, by the laws of her own world and her own customs; it is a matter between the individual Terran, the woman, her family, and the laws under which she lives. The Empire has no part in it. Whether the marriage is formal or informal, temporary or permanent, or no marriage at all, is a matter for the private ethical and moral standards of the parties involved. And that man is carried as single on the Records of the Empire, making such provision for his wife as he privately chooses; although he may, if he wishes, file for citizenship for any child of the marriage, and obtain certain privileges for him.... But if he chooses to register the marriage through Terran records, or signs any Empire document speaking of any native woman on any world, legally, as his wife, she is so in fact.
It appears MZB's conceptualisation of the gender roles in the Terran Empire at this point is of a society where men do things and "their women" follow them - consistent with real life in Western society in the early 60s. While she has been able to imagine a particular subculture in which women (at least, women from the Comyn families with laran who choose the life of the Towers) are viewed as autonomous individuals with useful skills who own their bodies and their sexuality (as long as the virgin Keeper gives up hers completely), she cannot at this stage in her writing create a human society in which women are free and equal.
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It felt like time for another re-read of Marion Zimmer Bradley's Darkover novels - or at least some of them. This desire to re-read the Darkover novels Is a craving that grabs onto me every once in a while. I grew up reading this series. I wrote endless fanfic that no one else has ever seen based on these books. They inspired me.

I don't remember which was the first Darkover book that I read. It was probably either The Bloody Sun, or Star of Danger, or maybe The Planet Savers. Of course, some are more close to me than others - the Free Amazon trilogy and The Forbidden Tower are probably the ones that are my favourites.

This time I decided to skip the pre-Contact novels (except for Darkover Landfall, of course) and just do the ones that deal with Darkover in its various stages of relationship with the Terran Empire. After reading the first couple of books, I began to notice that even in some of the earliest books, gender roles, assumptions and politics were major issues, and thus was formed my specific focus for this re-reading - gender and sexuality. The order in which I re-read the novels was based on internal chronology, but I'll be making my comments based on publication order.

The Planet Savers (pub. 1958, repub. 1962) was the very first of the Darkover novels written, but it is set relatively late in the post-recontact sequence. It introduces many of the standard elements of Darkovan life - from the presence of non-human sentient life (in this case, the trailmen) to the legendary status of the Hasturs (in the person of the young Regis Hastur). There's a "free Amazon," Kyra, Jason Allison, a Terran raised on Darkover among the trailmen (especially in the books written early on, MZB often includes one or more of these transcultural people - Darkovan-born Terrans, Darkovans raised partly on Earth), Rafe Scott (a name we will hear again) and assorted other characters, both Terran and Darkovan.

What brings them together is a threatened outbreak of the 48-year fever (something MZB seems to have dropped later on) - a disease common and relatively minor among trailmen, which breaks out into the human population every 48 years, decimating them. As we are told in the largely expository first chapter, “We Terrans have a Trade compact on Darkover for a hundred and fifty-two years. The first outbreak of this 48-year fever killed all but a dozen men out of three hundred. The Darkovans were worse off than we were. The last outbreak wasn't as bad, but it was bad enough, I've heard. It had an eighty-seven percent mortality— for humans, that is. I understand the Trailmen don't die of it.”

In an attempt to stave off the next outbreak, due in five months, the Hasturs have asked the Terrans for help in finding a cure for the fever, on return for training Terran telepaths in their matrix sciences. Together, the Terrans and Darkovans have decided to mount an expedition into the territory of the trailmen, hoping to persuade them to provide blood samples that will help the Terrans synthesise a vaccine.

Unfortunately, the best person on paper to lead the expedition - Dr. Jason (Jay) Allison, displays all the signs of being a latent multiple personality. As a child, Jason was lost in the Hellers when the plane he and his father were in crashed. His father died but he was taken in by trailmen and raised among them until he was 15, when they brought him out of the Hellers to return to his own kind. Jason worked as a mountain guide for some years, then began to study medicine. At some point, the open, gregarious, risk-taking Jason began to metamorphise into Jay, a rigid, logical, scientist who no longer remembered his life among the trailmen. Persuaded that, as the only human known to have lived among the trailmen, and the only human to have survived the fever, his repressed memories are vital to the mission, Jay agrees to undergo treatment to bring out his younger self so Jason can lead the expedition.

There are difficulties of course - the Hellers are hard to traverse, they are attacked by a band of female trailmen living outside of the Nests, and there is reluctance on the part of the leader of the Nest Jason was raised in to allow volunteers among his people to risk their lives in the lowlands for the sake of humans. But Jason and Regis together persuade him, and everything ends well - for Regis, as a telepath, has figured out Jason's secret, that he is a repressed fragment of Jay Allison's personality, and he has the skill to integrate the two fragments into one person in balance.

In this, the earliest of the Darkovan novels, we see little of the exploration of gender roles and sexuality that will become so significant a focus in later novels. Indeed, there is only one woman in the main cast of characters, and while she's independent and competent and plucky and assures Jason that she's trained as a free Amazon not to stir up trouble in a team that's all-male except for her, there is sone element of competition for her between Jason and Rafe. And of course she ends up as the hero's ladyprize, despite her feistyness.

We also learn that among the trailmen, unattached women are not permitted in Nests. When a woman of the trailfolk becomes adult, she is exiled from her home and must not enter a Nest until some male tracks her down and claims her. Because there are more female trailfolk than male, some trailmen have multiple mates, and some trailwomen live their entire lives in the forests, unclaimed by males. Some of these aspects of Trailfolk sexual culture will be seen later to have analogues among the humans of Darkover.

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As any good sequel should, Inheritance resolves the threads left hanging at the end of Lo's previous novel, Adaptation.

Now that the presence of aliens on Earth has been revealed, the Imrians come forward and we learn why they are on Earth, and what they have been doing. Reese and David face massive media attention and government scrutiny over their experience with both secretive government organisations and the mysterious aliens. And they must come to terms with the changes in their personal lives and relationships brought about by Reese's attraction to the alien Amber.

Satisfying at many levels, not the least being the willingness of both Reese and David to explore more fluid understandings of sexuality and relationship.

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In 2012 I started several series that were either new to me, or in one case, a re-read of a series I last enjoyed as a child.


C. J. Cherryh, Pride of Chanur
C. J. Cherryh, Chanur’s Venture
C. J. Cherryh, The Kif Strike Back

i'm not sure why, but I found this series hard to get into, and while I'll probably finish reading it someday, it's not on the top at my list. The first volume was my favourite, I enjoyed getting to know the characters, especially the protagonist, Pyanfar Chanur, and the culture of the hani. The universe of the hani, their allies and other races, is one that Cherryh has used for other novels, and it is interesting and complex and full of the kinds of things that Cherryh does well, like interspecies communication (or lack of same). The next two volumes, I have gathered, are essentiallythe first two-thirds of a second complete story arc, and the fifth volune is a standalone sequel. Well, I really tried, but I couldn't get through all three volumes of the middle arc in a single go. The story seemed to be just an elaborated recapitulation of the first novel in the series - the same things happen, only more so, the same interspecies differences cause problems, the same people trust, betray, or come through for eachother in a pinch, and if there was a different ending in sight, I just didn't have the enthusiasm to keep pushing to the end.


Edgar Rice Burroughs, A Princess of Mars
Edgar Rice Burroughs, The Gods of Mars
Edgar Rice Burroughs, Warlord of Mars

The movie John Carter of Mars (or whatever its title ends up as) came out in 2012, so I found it only appropriate to re-read the first three closely linked volumes of the series so I could properly play the game of 'spot the inaccuracies and plot changes.'


Glenda Larke, The Last Stormlord
Glenda Larke, Stormlord Rising
Glenda Larke, Stormlord’s Exile

Larke is a brilliant writer. I raved over the first series I read, The Isles of Glory, and I am going to rave over this series as well. Complex worldbuilding, multi-dimensional characters with motivations that are very real, and compelling narratives are only part of what makes Larke's work so very, very good. Her situations are always original - there may be a limited number of themes available to writers, but even a well-used theme is fresh and fascinating when the story is clothed in new and exciting elements. The other aspect of Larke's writing that I love is that her characters live in, are influenced by, and affect in turn the natural world around them. Her books are not just fantasy worlds, they are ecologies made up of land, water, plants, animals and humanbeings, all interconnected.

This particular series is overtly about ecology and politics, scarcity, greed and control of resources - but it's also a tale of two people struggling to find who and what they are, to fully become themselves, and in so doing change their world. In short, I loved this series.


Glenda Larke, Heart of the Mirage

I'd been waiting for a very long time to read this series, as it appears not to be available in print in North America. I eventually found a copy of the first volume, and ordered the remaining two volumes from an English bookseller (they arrived just before Christmas). As mentioned above, I am a great fan of Larke's work, the intricacy, the originality, the awareness of the connectedness of things - people, power, emotion, the natural environment. She brings all of these things to yet another compelling narrative in this novel, and I am eager to read the next two volumes now that they are finally at hand.

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Precursor, C. J. Cherryh


Yes, I am continuing to read Cherryh’s Atevi series, and continuing to enjoy it immensely. This really is the kind of novel/series that I love – full of social and political complexity, well-developed civilisations (particularly alien ones), and great characterisation.

Something that I am very interested in here is the way in which Bren Cameron, the viewpoint character of all the novels to date, is dealing with becoming a person without a home culture – he has sufficiently assimilated to atevi culture that he doesn’t feel at home in his birth culture, but at the same times, the divide of alien biology and psychology prevents him from becoming atevi, no matter how deeply he has come to identify with the atevi.

Also, the step-up in political complexity, now that both the atevi and the humans living on the planet have fully engaged the returning human shipdwellers, with their own unique social structure, aims, and factions, is just making me squee with delight.

And so, it’s time to go buy the next volume.

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OK, I'm getting all fangrrl crushy here.

I have now read Invader and Inheritor, the second and third books of C. J. Cherryh’s Foreigner series.

I continue to be enormously impressed with Cherryh’s ability to realistically convey alien cultures. And I am, as you’d expect, delighted by the complex political negotiations, speculations and plots that are multiplying as we see more factions within the atvei and the humans on Mospheira. It’s fascinating to watch as the central protagonist and man between two worlds, Bren Cameron, human paidhi, or translator/diplomat/cultural observer, among the atevi, becomes more and more integrated into the atevi “world” while still consciously remaining human in perspective – understanding and communication without assimilation – and yet how aliened and isolated he has become from the human “world” on the island of Mospheira. And how, at the same time, it is becoming a necessity for him to start to build a bridge with the “world” of the spaceship humans.

And then there's the whole bit about watching a species with a completely different understanding and perception of mathematics than the one that human have, tackling an accelerated industrial and scientific revolution based on the human path of development.

And just to underline the issues of cultural difference and how they affect communication no matter how important it is and how hard you try, there's Bren's personal relationships with not only the atevi around him (Jago, Tabini, Ilsidi in particular), but also with ship-born and ship-bred Jason, paidhi-in-training to the atevi from the ship.

I’m just loving this series.

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I have no idea why it’s taken me this long to read C. J. Cherryh’s Foreigner. It’s not as if I hadn’t read some of her other books, years ago. It’s not as if I didn’t know she was a total genius at writing alien cultures (the Faded Sun books are among my favourite sf books, period, and at least partly for that reason). It’s not as if I hadn’t read dozens of reviews of the book (and the series that follows it) and references to it over the years that would have been more than enough to pique my fancy. It’s not as if I had some bizarre idea that I wouldn’t like it.

It’s just that, somehow, I’d never actually gone into a store, picked up the book, bought it, brought it home and read it.

Well, that’s all changed.

As part of my current project to finally read all the books I knew I wanted to read but somehow never got around to actually doing it, I have now acquired and read Foriegner. It was everything I’d expected from a Cherryh book about the contact of cultures, the awareness of alienness, the politics of difference. It was brilliant, and of course I plan to acquire and all the other books in the series now (I figure one a month for the next year will bring me up to date).

What can one say about a masterpiece, especially when I suspect that almost everyone reading this has already read the book and agrees with my feeling of “well, damn, there she’s gone and blown me away again”?

For the few who don’t know the book, the set-up is this: a human colony ship, using kind of hyperjump technology, goes far off track and ends up in a part of the galaxy far from Earth, far from their original destination, with no idea where they are, no way to go back and limited resources to keep on going. They head for the closest star that appears likely to have a habitable planet, and find a world already inhabited by an intelligent species, the atevi who are well on their way to industrialisation but still a long way from spaceflight.

What to do now? They have the automated equipment on board to build a space station, so they do that, to provide themselves a base. The colonists, for the most part, decide that the only thing to do is go down to the planet (a one-way trip, as they will have to built a society capable of early space flight – either on their own, or with the planet’s inhabitants, before they can get off the planet again) and try to establish a small colony somewhere that won’t be too intrusive or have too much of an effect on the atevi. The crew decide to use what resources the have or can acquire from asteroids to keep on exploring in the general region.

Skip forward 200 years. Contact with the atevi has had its problems, and some degree of violence, but has now settled into an uneasy peace between the human colony, isolated on an island, atevi. The humans have formed a trade alliance with the most powerful of the atevi social and political units known as associations (Cherryh being the exceptional writer of alien cultures that she is, not only is their cultural and political diversity among the atevi, but their high-level social organising structure is not what we think of as a nation), and they as slowly and very carefully exchanging scientific knowledge for survival, hoping to bring the atevi to a point where it will be possible for them to regain spaceflight using the atevi’s industrial capacity while trying to behave ethically and steering the atevi away from the negative consequences of an unchecked industrialisation such as Earth experienced.

Of course, there is also the problem of communicating scientific worldviews across species and cultural borders – Cherryh raises the interesting question of whether science is indeed a universal language, as many have argued, or whether the physiological nature of the organs of thought and perception in different species, the different psychological structures that will develop in beings with different biologies and hence different mating, reproductive, parenting and other behaviours, and the different cultures that can evolve among aliens, with alien brains and minds, living in alien environments, means that certain elements of scientific knowledge will be seen and used differently.

The novel focuses on the experiences of Bren Cameron, the latest in a series of paid-hi, humans who serve as translator-diplomat-advisors to the ruler of the powerful western association, which is one of the key political units among the atevi. It is his job to try to interpret, not just language, but culture and science, between the two very different species, one of which is native to the planet and numerous, the other of which is an isolated colony of interlopers with superior scientific knowledge, in such a manner as to avoid war and ecological or economic disaster.

And of course, the biggest dangers in what he’s trying to do aren’t so much what he doesn’t know about the atevi, but what he doesn’t know he doesn’t know, and what he thinks he knows, but doesn’t.

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Companion to Wolves, Sarah Monette and Elizabeth Bear.

Some fantasy writers love to have humans and animals “bonding” together in some mysterious telepathic or empathic connection of mind, spirit and body – Lackey’s white, equine Companions and Tayledras bond birds, Gayle Greeno’s cat-like Ghatti, McCaffery’s dragons and fire lizards and watchwhers, Andre Norton’s kinkajous, meerkats and the like, to name just a few examples among many. It’s a sub-genre of fantasy unto itself, the companion animal fantasy. It’s certainly an appealing notion when you think about it, at a superficial level – never having to be alone again, but rather being accepted with the unconditional love and devotion we tend to associate with animals, plus all the imagined bonuses that come with having the option of seeing the world through an animal’s keener senses and commanding or at least negotiating access to the special or enhanced abilities the special “bond animals” often have. It surely sounds wonderful when you think of the relationship in terms of what the human wants from his or her companion animal, and how the human would choose to affect the companion animal.

In Companion to Wolves - as is suggested by the title, Monette and Bear have looked long and hard at the other half of the bond – what the animal wants to give to the human, and how the animal’s experiences affect the human. In this subversion of the traditional companion animal fantasy, it is the animal’s nature that determines how the bond works, and the humans must fit into their animal companions’ way of existence in order to make effective use of the animal’s abilities through the bond.

In a novel that draws on Germanic and Nordic myth and culture, it’s not at all surprising that the companion animals are wolves – pack animals with a complex social structure regulated by sex and dominance. The men who bond with the great trellwolves – mortal enemies of the trolls who repeatedly threaten the communities of humans scattered through the forests – must learn to fit into the social patterns of their lupine brothers and sisters, and when a bitch wolf goes into heat and the males fight for the privilege of attempting to cover her, their human companions – the wolfcarls – must follow suit, not just because of the surge of emotions that they feel during the bond, but because to do otherwise risks interfering with the only social organisation the wolves know and function within. Unlike McCaffery, who was never really comfortable dealing with the logical consequences of male riders of green dragons being driven into the sexual frenzy of their dragon’s mating flights, Monette and Bear are almost ruthlessly honest about how the mating and dominance displays of the wolves affect their human brothers.

Companion to Wolves is the story of an adolescent boy, Njall Gunnarson, son of a jarl or chief, who is claimed as a tithe-boy by the werthreat, the separate society of bonded wolves and men whose duty it is to protect the people of the towns and villages from marauding trolls and their war beasts, the wyrvens. Njall’s choice to go with the wolfcarl from the nearby werheall (wolfhall) will mean leaving behind everyting he knows, and facing the general animosity that wolfless men in this society often feel toward the wolfcarls, who are by necessity bisexual if not homosexual. His father is – for reasons that we discover later on in the tale – even more violently opposed to giving up his son to the werheall, but the tithe of young men to the werthreat is part of the agreement, the only way to maintain the fighting force of the werthreat, and so Njall goes with the wolf brothers, where he slowly learns about how this society of two species operates.

Life becomes more complicated – and the challenges of adapting to life as a wolfcarl more personally discomfiting – for young Njall, now called Isolfr, when he bonds with an alpha bitch pup or konigenwolf (queenwolf), and learns that his destiny, once the young female comes to full maturity, is to found, with his sisterwolf Viradechtis, a new werheall where he will necessarily become the partner, both sexually and as co-leader of the heall, the man whose wolfbrother Viradechtis chooses as mate.

But this book is more than just an exploration of how an society of bonded men and wolves might function, or a simple coming of age story. Before Isolfr and his sister wolf Viradechtis come of age, they, along with all the other wolfcarls , are faced with a growing threat from the north that may well spell the end of werheall and village alike. The northern trolls, who for generations have come south to raid the villages of men and then withdraw to their warrens, are on the move, and it will take more than an alliance of werthreat and wolfless men to defeat them.

I can’t say enough about the sense of reality I experienced while reading this book, Monette and Bear offer carefully constructed, well thought out worldbuilding, vital and memorable characters, and the kind of story that any skald would give his shield arm to sing.

More than that, each of the four intelligent species portrayed in the book – humans, trellwolves, trolls and svartalfar – present us with different perspectives on how sex, gender, fertility, reproduction and power can function as interrelated organising principles of societies. And even more than that, there is the way in which the novel tells us how societies and individuals that follow very different patterns can learn to communicate with each other if there is enough will, respect and compassion.

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Fledgling, Octavia Butler

This was Octavia Butler’s last published work, and I am deeply saddened that there will be no more new books. She left us far too soon, with so much more to say.

In Fledgeling, Butler takes the body of vampire legend and literature and turns it completely upside-down, turning the mythos of the predatory and solitary night stalker into a tale of an ancient and complex society of long-living, blood-drinking humanoids called the Ina and their at least nominally willing human symbionts.

Many of the topics that Butler has examined in her earlier works – among them identity, kinship, sex, gender, race, relationships between individual peoples, races and species, change and transformation, power, coercion and free – are strong themes in this book.

The story begins with a single, self-aware being, alone, in pain, and without memory of the past or knowledge of origins, with little more than the urge to survive as a guide to self-definition. These twin instincts – self-preservation and self-identification – drive the narrative as the protagonist seeks her identity, her past and her future, struggling all the while to discover who it is that has robbed her of so much of her past, and why.

In terms of identity, what you see is most definitely not what you get – the protagonist, Shori, appears, in human eyes, as a weak and traumatised black, female, human child, but she is instead a powerful, decades-old near-immortal who lives by exchanging intense, erotic pleasure for human blood. As she begins to form her own family of human symbionts, the narrative travels into uncomfortable places, depicting a sexual relationship between an adult white male and a black female child – who is actually older, stronger, and not human at all, and whose saliva contains substances that are both addictive and beneficial to humans, offering them improved health and longer life in return for their blood.

Shori, we discover, is the future – or at least one possible future – of the Ina, her melanin-rich skin (the gift of a mixture of genes from a black human) giving her the ability to walk by day as none of her Ina cousins can. And yet this human “taint” marks her as an outcast and potential target among those of the Ina who reject change and value “pure blood” over new potentials, tradition, no matter how limiting, over technological advances that bring greater freedom..

Triply Other – black among whites, Ina among humans, genetic experiment among Ina, Shori is kin to both species but welcomed by neither, and must find her own sense of who she is.

And that’s just the stuff that’s easy to put into words.

Thinking about this book after reading it, I wondered what Butler might have been saying about the history of black Americans in this story. Our initial view of Shori seems in so many way like the situation of black Africans brought to America as slaves, cut off from families and societies, their history torn from them, struggling to survive in physical bodies marked by their new world as weak, childish, not fully human – yet all the while, bearing within greater strength and power, and ancient traditions and wisdoms. I may be completely off the wall here, but I think I see in Shori’s quest for identity, family, security and recognition some sense – nothing so obvious and crude as allegory – of the issues faced in the journey of black people in North America toward all of these things.

And it seemed to me as I finished reading that Shori’s journey wasn’t over. Maybe Butler intended to give us more, or maybe she intended us to think about it ourselves. We likely will never know.

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Ordinary People, Eleanor Arnason

Ordinary People is a collection of six of Arnason’s short stories, one poem and a speech made as Guest of Honor at the 2004 WisCon. The collection begins with the poem “The land of Everyday People,” dedicated to John Lennon. I think he would have liked it. I know I did. An everyday hero is something to be.

And the stories in this collection are indeed about ordinary people going about their lives. They love, they work, they deal with family issues and concerns with their emotions, and hopes and discontents. Three of the stories feature stories and legends of the Hwarhath, the non-human race explored more extensively in Arnason's novel Ring of Swords, and it is, as always, a delight to learn more about this complex culture Arnason has created.

Included in this collection is the wonderful short story “The Grammarian’s Five Daughters” in which the nature and uses of the various parts of speech – nouns, verbs, adjectives, adverbs, and prepositions – illuminate some very important truths about language and life, and many fairy tale clichés are gently but firmly put in their place.

Closing the collection is the transcript of a speech, “Writing Science Fiction during the Third World War.” Arnason raises for consideration a number of observations about war, globalisation, nation states, and resistance. In the midst of her comments, she has this to say about science fiction today:
We are living in an age of revolution and a science fiction disaster novel. No, we are living in several science fiction disaster novels at once. The stakes are high. Human civilisation may be at risk. The solutions are going to require science and technology, as well as social and political struggle.

What are we – as science fiction readers and writers – doing about this? Historically, science fiction has been about big problems, use and misuse of technology, the broads sweep of history, and every kind of change. Historically, it has been a cautionary and visionary art form. Are we continuing this tradition? Are we writing books that accurately reflect our current amazing and horrifying age? Are we talking about the kind of future we want to see and how to create it?

Or are we, in the immoral words of the preacher in Blazing Saddles, just jerking off?


Arnason is, I think, one of our great science fiction writers, to be spoken of in the same breath as Ursula LeGuin. If you have not yet encountered her work, this is an excellent volume to begin with. (Available through Aqueduct Press)

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Karen Traviss has created a complex and fascinating universe in her (as yet uncompleted) Wess’har series. To this point, the series consists of:

City of Pearl
Crossing the Line
The World Before
Matriarch
Ally

The Wess’har series is not only entertaining, exciting, well-paced, character-driven writing at its best, it is also a very serious examination, from multiple viewpoints, of a host of very serious issues – personal and societal responsibility, facing consequences, the inter-relationship of living things, the ethics of pre-emptive action, the dangers of the slippery slope in trading off ethical positions for personal or practical goals, and the nature of conflict resolution being some of them.

The first novel in the series delineates the setting and the context within which these issues are examined through the actions of a number of factions: the time, in terrestrial measurement, is the late 24th century; the place, a planetary system where three planets are inhabited by five sapient species. The two species native to the system are the issenj – a technologially capable and aggressively expansionist species that has destroyed the ecology of its own world though overpopulation and urbanisation of all usable land –and the bezeri, a non-technological but socially and culturally complex aquatic species almost driven to extinction when the issenj landed on their native planet and began to destroy its ecology as well. The third species, the wess’har, have assumed the role of protectors of the bezeri, after destroying the issenj colony; they have set up their own colony on a third world in this solar system to maintain a protective presence. The fourth species, the ussi, are natives of the same planet as the wess’har and travel with them as diplomatic and communications specialists; scrupulously neutral in their relations with other species, they have established a colony on the same world as the wess’har, but also work with the issenj. Finally, there is a small colony of humans living on the planet of the bezeri – a religious settlement devoted to protecting the genetic treasury of unmodified plant and animal DNA they have brought with them from Earth.

The story revolves around several sequences of actions initiated by various members of a human exploratory party sent to find out what has happened to the human colony and to investigate indications of “alien contacts” with the colony. The human contingent consists of a number of people with very divergent aims and philosophies, representing (although not always officially) military, government, intelligence, big business, and journalistic mindsets.

The series’ primary protagonist is the human Shan Frankland, a very hard-nosed cop with an environmental agency; her professional function is to arrest people for polluting the environment; in the past, she has harboured sympathies for the eco-terrorist movement. The series’ crucial species are the wess’har, who draw no distinction between forms of life, be they intelligent or not, and who have chosen to act, in this planetary system and in others, as the protectors of natural ecological balance and the enforcers of environmentally conscious action on an interplanetary scale. Both Frankland and the Wess'har have very strong positions on thinking about the implications of what you do, taking responsibility for what you do and dealing with the consequences of your actions.At a micorcosmic and a macrocosmic level, Frankland and the Wess'har pose important questions about ethics and ecology. You may not like their answers, but you will think hard about your own.

This is SF that makes you think, and rethink, your assumptions about that is going on inside the story and in the world we live in, at the same time that it immerses you in a compelling narrative with well-realised, and realistic characters (including the aliens, in their own fashion).

I cannot recommend these books strongly enough.

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Tooth and Claw, by Jo Walton

Tooth and Claw is a Victorian-style family drama, complete with dark secrets, stolen inheritances, and impoverished young members of the gentry struggling to regain – or improve on – their social standing in a world where even the most skillful veneer of manners can’t conceal the vicious competition for place and status, and where even the slightest misstep can mean catastrophe for one’s self and one’s family.

The plot is quite traditional for such novels. To quote my partner [personal profile] glaurung (from an email discussion list):
… two brothers and three sisters gather for the premature death of their father. The elder brother has become a parson, and the elder sister is married with a generous dowry, but the younger brother is trying to build up his wealth in the civil service, and there isn't enough wealth left to properly dower the two younger sisters. There's a dispute over an ambiguity in the will, with the selfish brother-in-law bullying a full share for himself and his wife, leaving the younger siblings even more impoverished than they had thought they would be. One unmarried sister goes to live with the her brother the parson, and the other is forced to live with her overbearing brother-in-law and her sister, whose character has sadly changed since marriage to resemble her husband's. Against all the odds, all three younger siblings find someone who wishes to marry them, who is of a higher station than their own, and who, coincidentally, they happen to love as well.
And it’s all about dragons.

As Walton says in her prefatory notes to the novel:
It has to be admitted that a number of the core axioms of the Victorian novel are just wrong. People aren't like that. Women, especially, aren't like that. This novel is the result of wondering what a world would be like if they were, if the axioms of the sentimental Victorian novel were inescapable laws of biology.
As it was for humans in the Victorian novel which Walton takes as her starting point, social status is everything for the propertied class. The gentry live off the peasant class, while those who make their fortunes through trade life off the working class. Males achieve their ambitions through careful management of their estates and businesses, through political and social alliances, through schemes and deals and application of power and status. Females take their social place from their fathers, then their husbands; making a good marriage is the only respectable way to gain status, and only a respectable – that is to say chaste and uncompromised – female can rise in society.

Walton’s dragons literally improve their social standing by consuming the flesh of other dragons – the only way they can grow larger and become stronger. A dragon’s greatest inheritance is the flesh of his or her parents. A dragon of property grows powerful off the flesh of his tenants’ and workers’ offspring. A dragon who wins in a battle of law, business or honour may advance to greater heights by consuming the flesh of his opponent. Female dragons must follow the rules of respectability without exception, because a female dragon, once made aware of passion, changes colour – appropriate, even required, in a bride or matron, but forever damaging to an unmarried female of whom unsullied maidenhood is demanded. All the “axioms of the Victorian novel” regarding human behaviour are literalised in the bodies of Walton’s dragons.

The title of Walton’s novel is from Tennyson’s In Memoriam A.H.H., with the crucial lines quoted at the beginning of the novel itself: “Nature, red in tooth and claw/ With ravine.” Appropriately enough, not two stanzas further on, one finds the lines “Dragons of the prime,/ That tare each other in their slime.” These dragons, red in tooth and claw, make for excellent reading.

Each book of Walton’s that I read, impresses me more and more, with her originality, her versatility, her wealth of literary and historical knowledge that serves to deepen and enrich everything she writes, and her stunning talent in creating characters that live in one’s mind for a very long time after one turns the last page.

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