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I did a lot of catching up with various series in 2013. The Completed series:

David Anthony Durham, the Acacia series
Acacia: The Other Lands
Acacia: The Sacred Band

N. K. Jemisin, the Inheritance series
The Broken Kingdoms
Kingdom of the Gods

Christopher Paolini, the Inheritance series
Brisingr
Inheritance

Glenda Larke, the Mirage Makers series
The Shadow of Tyr
The Song of the Shiver Barrens

Charles Saunders, the Imaro series
Imaro: The Naama War

C. J. Cherryh, the Chanur Saga
Chanur's Homecoming
Chanur's Legacy

Elizabeth Bear, Jacob's Ladder series
Chill
Grail

Kage Baker, The Company series
Not Less Than Gods
(Probably the last, given Baker's untimely death)

Michael Thomas Ford, Jane Austen, Vampire series
Jane Goes Batty
Jane Vows Vengeance


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In 2012 I started several series that were either new to me, or in one case, a re-read of a series I last enjoyed as a child.


C. J. Cherryh, Pride of Chanur
C. J. Cherryh, Chanur’s Venture
C. J. Cherryh, The Kif Strike Back

i'm not sure why, but I found this series hard to get into, and while I'll probably finish reading it someday, it's not on the top at my list. The first volume was my favourite, I enjoyed getting to know the characters, especially the protagonist, Pyanfar Chanur, and the culture of the hani. The universe of the hani, their allies and other races, is one that Cherryh has used for other novels, and it is interesting and complex and full of the kinds of things that Cherryh does well, like interspecies communication (or lack of same). The next two volumes, I have gathered, are essentiallythe first two-thirds of a second complete story arc, and the fifth volune is a standalone sequel. Well, I really tried, but I couldn't get through all three volumes of the middle arc in a single go. The story seemed to be just an elaborated recapitulation of the first novel in the series - the same things happen, only more so, the same interspecies differences cause problems, the same people trust, betray, or come through for eachother in a pinch, and if there was a different ending in sight, I just didn't have the enthusiasm to keep pushing to the end.


Edgar Rice Burroughs, A Princess of Mars
Edgar Rice Burroughs, The Gods of Mars
Edgar Rice Burroughs, Warlord of Mars

The movie John Carter of Mars (or whatever its title ends up as) came out in 2012, so I found it only appropriate to re-read the first three closely linked volumes of the series so I could properly play the game of 'spot the inaccuracies and plot changes.'


Glenda Larke, The Last Stormlord
Glenda Larke, Stormlord Rising
Glenda Larke, Stormlord’s Exile

Larke is a brilliant writer. I raved over the first series I read, The Isles of Glory, and I am going to rave over this series as well. Complex worldbuilding, multi-dimensional characters with motivations that are very real, and compelling narratives are only part of what makes Larke's work so very, very good. Her situations are always original - there may be a limited number of themes available to writers, but even a well-used theme is fresh and fascinating when the story is clothed in new and exciting elements. The other aspect of Larke's writing that I love is that her characters live in, are influenced by, and affect in turn the natural world around them. Her books are not just fantasy worlds, they are ecologies made up of land, water, plants, animals and humanbeings, all interconnected.

This particular series is overtly about ecology and politics, scarcity, greed and control of resources - but it's also a tale of two people struggling to find who and what they are, to fully become themselves, and in so doing change their world. In short, I loved this series.


Glenda Larke, Heart of the Mirage

I'd been waiting for a very long time to read this series, as it appears not to be available in print in North America. I eventually found a copy of the first volume, and ordered the remaining two volumes from an English bookseller (they arrived just before Christmas). As mentioned above, I am a great fan of Larke's work, the intricacy, the originality, the awareness of the connectedness of things - people, power, emotion, the natural environment. She brings all of these things to yet another compelling narrative in this novel, and I am eager to read the next two volumes now that they are finally at hand.

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The Aware
Gilfeather
The Tainted

I’m really not certain how to begin praising Australian writer Glenda Larke’s Isles of Glory trilogy. Do I begin with her detailed and intricate world-building? Her skill in characterisation? Her original take on the whole business of magic? Her seamless incorporation of highly intellectual explorations of the psychology of perception, the social and personal functions of religion and the dynamics and consequences of colonialism into a damned jolly action thriller with a truly kick-ass, take-no-prisoners swordswoman? The structure of the trilogy that permits not only multiple perspectives on the action, each from characters with their own culture and personal philosophy, but also a metanarrative from another culture altogether?

Larke’s novels are deceptively easy to read and enjoy, but so difficult to talk about. And they’re brilliant. The Isles of Glory, where the novels are set, form an isolated archipelago of many small kingdoms and divergent cultures, dominated by a ruling class of magic-users. In the Isles of Glory, a person may have one of three orientations with respect to magic: most people do not use magic, but are wholly susceptible to it; some both use it and are susceptible to it; and some, the Aware, can see magic but are not affected by it. The three main protagonists of the series (who are, each in turn, the focal point one of the three novels) are Blaze, a swordswoman, a half-breed outcast, an agent of the magic-users and an Aware; Kelwyn Gilfeather, a physician from an obscure part of the Isles of Glory who seems to be something new – he neither casts magic, nor is affected by it, nor is Aware of it; and Flame, an illusionist with a past full of intrigue and tragic love, and a future that it seems almost everyone in the Isles of glory wants to control. Two other key characters who plays significant roles in all three novels are Tor Ryder, a priest of a religious order that is challenging the control of the magicians over the Isles of glory, and Morthred, a powerful practitioner of dunmagic or evil magic.

The three novels are framed within a completely different perspective, that of colonial scholars from some decades after the events of the narrative proper who are editing accounts of interviews with surviving witnesses into what they feel are charming legends of a magical past among these inhabitants of a slightly backward and recently discovered part of the world. From the framing narrative, we learn that the Isles of Glory have undergone rapid and massive cultural changes in the years since the beginning events of the trilogy, changes which are finally explained from the perspective of the Glory Islanders by the end of the third novel, when one colonial scholar finally chooses to encounter the Glory Islanders who remember how things were as equals, not as examples of a quaint and somewhat primitive people.

And I haven’t even mentioned the considerations of changes in gender roles, the horrors of religious intolerance, the nature of corruption, the necessary values of living an sustainable life in a fragile ecology, the challenges faced by stateless persons, or any of the other issues that Larke weaves into her narrative.

Oh, and did I mention a great action adventure story, and a damned fine love story to boot, with realistic characters who aren’t always right, and aren’t always heroic, and don’t always save the day, or if they do, it’s not what they hoped it would turn out to be?

Oh, just read the books. You won’t be sorry.

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