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Yes, I've been galloping through a few more Arthurian novels in recent months.

Percival and the Presence of God, Jim Hunter

In this short novel, Hunter works with the essense of the story of Percival, his dual quest for King Arthur and the Holy Grail, as told by Chretien de Troyes and later writers. Percival begins his quest with the naïvité and enthusiasm of youth, believing that he can have it all - love, glory and God - that he can complete his quests and return to his belived Whiteflower/Blanchefleur. But instead, he discovers that life is fraught with mischance and danger, and that not all quests can be fulfilled, not all desires can be attained. Through it all runs the theme of Percival's desire to witness the Grail, as a symbol of his spiritual call; but not even that is give to him fully. As Hunter said in an interview with Arthurian scholar Raymond Thompson:
"The Grail ceremony that is not understood or recognized, and is bewildering; then the need to go back and find it again, and possibly never succeed. That to me was the core. It provides the whole sense of the hero's destiny. He is trapped by his destiny in a way that I imagine people like Lancelot and Galahad aren't. He's a bit like a Flying Dutchman or an Ancient Mariner. He's got to go on searching and looking, and he may or may not find the lord of the Grail."


Legends of the Pendragon, ed. James Lowder

James Lowder has collected an anthology of fascinating variations on the theme of the days before the coming of Arthur the High King - tales of Vortigern and the coming of the Saxons, of the young Merlin, of Uther Pendragon, and of the adventurs of the knights of legend, before there was a Round Table. A well-edited collection with some real gems; my favourites include Nancy Varian BerBerick's "Hel's Daughter," Beth anderson's "The Time in Between," Keith Taylor's "A Spear in the Night," and Aaron rosenberg's "six for the Sword."

The Life of Sir Aglovale de Galis

Clemence Houseman's book, originally written in 1905, is an interesting (although not always easy to engage with) study of the psychology of tempatation, moral failure, despair and the struggle for redemption, told through an examination of the life of one of the minor knights of the Arthurian cast of characters, Sir Aglovale de Galis.

There are few extensive references to Sir Aglovale in the body of Arthurian literature; for this novel, Houseman collected each refernce from Malory, created a logical timeline (not always easy when dealing with Malory) and fleshed out the interior life of her protagonist. Sir Aglovale is a man with grave character flaws, who at times gives in to his impusles toward envy, greed, violence, anger, lust and all the other sins of the material world, sometimes wallows despairingly in his capacity for doing wrong and his sense of damnation, and sometimes fights heroically to find redemption - but never deceives himself or others about his nature. In this he is shown to be in some ways more worthy of redeption than many others at Arthur's court, who commit sins of equal measure, but conceal them or disguise them beneath a veneer of noble contention to be the best knight of the realm.

Houseman copies Malory's style with great art and precision, with the consequence that this is not exactly the most accessible text - but it is worth the while for the serious Arthurian enthusiast.

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The Doom of Camelot, (ed.) James Lowder.

This is a collection of original stories (and a few poems), all of which focus, in their own way, on the tragedy of Camelot, its fatal flaw – whatever the author envisions that to be. What brought about the end of the age of Arthur, the promise that has inspired so many visions since the first elements of this Matter of Britain were set to song or memory or paper?

For some authors in this collection, it is an inevitable doom, brought on by the slow failing of an ageing king, whether in body or in fighting spirit and kingship, which brings about weakening of alliances, an increased Saxon threat from outside and challenges to leadership from within (“A Hermit’s Tale” by Catherine Wells, “The Last Road” by Elizabeth Wyrick Thompson, “Saxon Midnight” by Darrell Schweitzer).

For others, it is some variation or consequence on the tragic lovers’ triangle – Arthur, Guenivere and Arthur’s greatest knight (usually but not always Lancelot) – that carries within it the seeds of doom. (“In the Forest Perilous” by Cherith Baldry, “Hidden Blades” by Elaine Cunningham)

Another theme addressed by some of these stories is that of the failure of the Quest in its deepest sense – the great ideals which are simply too much for humans, with their frailties and flaws, to sustain for long, and which even detract from the simple task to do what is right. (“The last Idle of the King” by Phyllis Ann Karr, “Grail Wisdom” by India Edghill, “The Shadow of a Sword” by Ed Greenwood, “The Knight Who Wasn’t There” by Douglas W Clark).

Some stories focus on the idea of struggle between good and evil, light and darkness – often positioning Arthur’s sister (whether she be named Morgaine, Morgause, or something else) as the great rival who will eventually find a way to introduce corruption into the heart of her brother’s bright and shining hour (“The Corruption of Perfection” by Mike Ashley, “How Sharper than a Serpent’s Tooth” by Meredith L Patterson).

For some authors the doom of Camelot lies in multiple weaknesses and flaws, woven together with the light and hope. (Three Queens Weeping” by C.A. Gardner, “Surrendering the Blade” by Marcie Lynn Tentchoff, “Avillion” by Verlyn Flieger).

And at the end of it all, Susan Fry reminds us in “The Battle, Lost” of how little the great deeds of noble men and women have meant throughout the centuries to the simple peasant who lives at the mercy of weather, war and the demands of those great nobles as they pursue their glorious dreams.

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