bibliogramma: (Default)


Victor LaValle’s novel The Changeling begins as a piece of realistic fiction about a family in New York. It begins with the courtship of Lilian Kagwa, a Ugandan immigrant, secretary, refugee from a horrific regime, and Brian West, American-born, parole officer, child of alcoholics. The sorts of everyday people one finds in a great multi-ethnic city like New York. The marry, and have a son they name Apollo, and four happy years. Then Brian West disappears without a trace.

Some thirty years later, Apollo Kagwa, a successful though not prosperous used and rare book dealer marries Emma Valentine, a librarian from Boons Mill, Virginia. They have a son, and call him Brian. For the first few months, things are normal. Stressful, often sleepless, but normal for two people who have just had a baby. But then Emma does the unthinkable, and disappears.

And suddenly Apollo is in a world of fairy tales and monsters, both as old as time, and as young as the internet they foul. And to restore his family, he must question everything he thinks is true, except his love for his son and his determination to be the father his own father could not be.

The Changeling is a story about family above all, about how it can go so very wrong, but also how it can be made right. It is about the worst fears of parents, and the worst that parents can do. About abducted and murdered children, and parents who destroy what they cannot have, or who they cannot leave behind. It is about the stories that families construct, whether to hide the truth, or to give their existence meaning. LaValle has taken a hard look at the dysfunctions of the family - and he does not back away from how many of them can be traced to warped ideas about masculinity and fatherhood - and given us a horror story that leaves us thinking about how we can do family right.

bibliogramma: (Default)

Many readers of speculative fiction have a conflicted relationship with H. P. Lovecraft. I'm certainly one of them. There's a power, an allure, to the Cthulhu mythos that's hard to set aside - yet there's also the pervasive racism that makes so many of the specific works that form that mythos so difficult to read.

Victor LaValle's powerful novella The Ballad of Black Tom is both a retelling of Lovecraft's short story "The Horror at Red Hook" and a response to its appalling racism. I'd come across some reviews of LaValle's piece some time ago, and decided to reread Lovecraft's story before reading the novella.

"The Horror at Red Rock" has been called by some one of Lovecraft's most overtly racist works. It is set in a part of Brooklyn that Lovecraft populates with a "hopeless tangle and enigma" of "Syrian, Spanish, Italian, and negro element," "unclassified slant-eyed folk," and "swarthy, evil-looking strangers." The protagonist is a police detective named Malone, who works the human smuggling beat in Red Hook, investigating "the organised cliques which smuggled ashore certain nameless and unclassified Asian dregs wisely turned back by Ellis Island." In the course of his work, he encounters a reclusive scholar named Suydam who seems to be unaccountably involved with the more corrupt and violent elements of Red Hook society.

In The Ballad of Black Tom, LaValle inverts the characterisation of Red Hook, painting it as a vibrant multicultural community that suffers under the structural racism of American society and the callous brutality of the police, whose job it is to keep the people of Red Hook away from white New York.

The protagonist here is a young black man named Charles Thomas Tester, a hustler with a minor musical talent who skirts the edges of the occult world. Raised in poverty and always under the threat of race-based discrimination and assault, he accepts an invitation to play at a party being held by the eccentric and mysterious Suydam - and is introduced into the world of Cthulhu.

The general course of events outlined in Lovecraft's story unfold in similar fashion in LaValle's novella, but from the joint perspectives of Tester and Malone. A tragic act of police violence finally drives Tester to Suydam's side snd he becomes his primary lieutenant, Black Tom.

In LaValle's work, it is the promise of revenge for years of oppression by whites that draws members of the Red Hook community, including Tester, to embrace the worship of Cthulhu, and ultimately leads Tester to choose the end of human civilisation over the continuance of white supremacy. As Black Tom tells Malone at the climax of the story, " I’ll take Cthulhu over you devils any day."

Profile

bibliogramma: (Default)
bibliogramma

May 2019

S M T W T F S
   1234
567891011
12131415161718
19202122232425
2627282930 31 

Syndicate

RSS Atom

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 7th, 2025 04:03 am
Powered by Dreamwidth Studios