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Deep Roots is the second volume in Ruthanna Emrys’ fascinating and intensely readable series inspired by the Cthulhu Mythos. These books are told from the perspective of the last on-land members of the sea people who once lived in Innsmouth, before the US government kidnapped and interned them in a concentration camp in the desert where all but two - brother and sister Aphra and Caleb - died from lack of the ocean and the conditions required to make the change to their near immortal sea-dwelling form. Emrys begins from the assumption that everything we think we know about these people is wrong, based on twisted propaganda spread by those who hated and feared them.

In the first novel, Winter Tide, Aphra, who is a student of the ancient magics known to her people (and others), formed a confluence, or chosen family, comprised of an unlikely group of people with the ability for pursuing magic and a commitment to trying to rebuild the land community of the sea people: her brother Caleb; his lover DeeDee, a black woman recruited by the FBI as an informant, seductress and spy; Charlie, a gay man who is Aphra’s friend and student in the magical arts; Neko, the daughter of the Japanese couple who adopted and cared for Aphra and Caleb when when the internment camp they and the few other dying sea people were held in was repurposed to imprison Japanese Americans during WWII; Catherine Turnbull, a mathematician and scholar of magic who had been the host of one of the time-travelling, body-borrowing, and rather arrogant Yith; Audrey, a woman of mixed heritage, part ‘ordinary’ human (the people of the air), part descendent of a third human subgroup, subterranean dwellers called the people of the earth; and, on the periphery of this family, Ron Spector, Charlie’s lover, and an FBI agent working in a branch of the bureau established to investigate magical threats to the USA.

In Deep Roots, Aphra and her confluence have been following leads and rumours of other sea people who may have survived the genocidal actions of the government, ‘mistblooded’ descendants of he few who left the Innsmouth community and married into families of the people of the air. Having learned of a woman, Frances Laverne, and her son Freddie, who live in New York City, they travel to the big city, only to discover that Freddie - who could be Aphra’s only chance to bear a new generation of sea folk - has become involved with a community of Mi-Go and other humans.

Lovecraft’s Mi-Go are, alternatively, the origin of the Abominable snowman myth, or other-dimensional aliens, winged and clawed, technologically advanced, who take human minds and place them in cannisters which they can then transport across space. Emrys has taken the latter description as her starting point. Her Mi-Go - who are more properly referred to as the Outer Ones - see themselves as benefactors, travellers who set up communities on many worlds, recruit followers - or travel-mates, as they refer to them - from the indigenous populations, and offer them the same experiences they themselves spend their lives pursuing, the exploration of and communication with minds across the vastness of space. While the Outer Ones can travel in their own bodies, other races must be separated mind from body in order to travel, their minds placed in devices that the Outer Ones can carry with them as they travel. The process is reversible, but many who join the Outer Ones find themselves less and less inclined to return to physical form.

The Outer Ones have a long and not particularly positive relationship with Aphra’s people, not least because the mind-body separation process is more dangerous to the people of the sea and those who travel with the Outer Ones are likely to be unable to return to their bodies and remain healthy - thus, those lost to the Outer Ones are lost forever. Also, The Outer Ones and the Yith, with whom the people of the sea have a strong and positive relationship, are enemies at a deep philosophical level - the Yith are firm believers in non-interference, the Outer Ones often try to ‘save’ species they fear are on the verge of extinguishing themselves, often by interfering with the political and cultural life of the planet.

Aphra is drawn into contact with the Outer Ones because she hopes to extract Freddie Laverne from their fellowship, seeing him as a possible father for the children she must have fir her race to continue growing. At the same time, the FBI is drawn into the unstable mix because of all the disappearances reported by families of those who have joined the Outer Ones.

Aphra learns that the majority faction among Outer Ones are considering taking action to intervene in human affairs because of the tensions of the Cold War and their fear that the human race will destroy itself. Part of this manipulation involves discrediting Aphra, her confluence, and the sea people with the FBI branch involved with magic and non-human activities - a nit too difficult task, considering the extreme paranoia of the FBI and the existing distrust between the two. Yet the only chance for humanity to maintain control of its own destiny is for Aphra to convince the FBI agents that they must help her in putting the faction that favours non-intervention in charge of the Outer One’ colonies on Earth.

Emrys does a wonderful job of subverting the racist tropes of Lovecraft’s work, while keeping the real sense of potential menace - locating it in the institutions of a racist society instead. The novel ends in an uneasy truce between the surviving sea people and the government, with Innsmouth beginning to live again, though after some degree of compromise with the very people who once destroyed it. So eager for the next installment.
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Ruthanna Emrys’ debut novel, Winter Tide, is a treat. It revisits the lead character from her excellent novelette, “Litany of Earth.” This is a wonderful Lovecraftean historical fantasy, which starts from the premise that it is the victors who write the histories, and racists who invent stories of atrocities and foulness about those who are different, and so we - the readers - cannot trust what we have been told about the seapeople of Innsmouth.

Aphra Marsh is one of the last of the seapeople of Innsmouth. She and her brother are the only survivors of 18 years spent in an American concentration camp in the desert, where all her land-dwelling people had been sent after a campaign of lies resulted in the government sweeping them all up into captivity. People of the water die easily in the dry desert air, and so it was that only she and Caleb and one old man on the verge of his death were still there when the camp was used again to intern Japanese Americans.

Finally freed after the end of WWII, Aphra moved to San Francisco to live with the Japanese family that adopted her in the camp, and since then she has been looking for the lost wisdom of her people, aided by antiquarian bookseller and aspiring student of magic Charlie Day.

The government still keeps tabs on her, of course, and they have come to her now as one if the few who know anything about the heritage of magic that is in her blood. The Cold War is on, and there are rumours that the Russians have found the lost secret of mind transference - taking over another’s body. If true, nothing prevents them from assuming the bodies of key people in the US government.

The FBI wants Aphra to find out everything she can about this old, forbidden magic. In return, they are giving her and her brother access to the restricted libraries of Miskatonic University, where the books seized from her people have been placed.

This is a wonderful book that speaks deeply about the experience of being other. In addition to Aphra and Caleb, the last children of a persecuted race, the cast of characters includes Neko, Aphra’s adopted sister; Charlie, a gay disabled man; Spector, the Jewish FBI agent who becomes Charlie’s lover; Dee, an black woman working undercover as the servant and mistress of a prominent Miskatonic professor; Audrey, a student at Miskatonic’s less-regarded sister college, Aphra’s student, and a woman who carries the blood of the third of humanity’s races, the rarely seen people of earth; and the most “other” of all, the ancient Yith consciousness currently occupying the body of Miskatonic’s only female professor, Dr. Trumbull.

Socially conscious fans of the Lovecraft mythos will also appreciate the reworking of the overtly racist horror tropes of that mythos into a religious practice that has been misunderstood and libelled as so many non-Christian spiritual traditions have, with specific Lovecraft tales reworked as cautionary stories about the misuse of power, or as accounts of the acts of criminals within the seapeople community.

Emrys writes in an afterword that she originally had no intention of returning to Aphra Marsh’s story after that initial novelette, but realised that there was more to say. I find myself hoping that at some point, she will return again to the characters of Winter Tide, because I want to hear more if the true stories of the people of water.

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I've been binging a bit on short fiction in the past few days. Between K. Tempest Bradford's weekly column on io9, and the new source for short fic recs, SFEditorsPicks (on Twitter and Facebook), in addition to all the standard review sites (Lois Tilton's short fic reviews at Locus, for example) there are lots of leads available to good short sff pieces. Here are some of the ones I thought sounded interesting.


"Damage" by David D. Levine, January 21, 2015, Tor.com
http://www.tor.com/2015/01/21/damage-david-levine/

An impressive and engaging milsf offering, the story's narrator is an AI hosted in the one-man combat ship JB6847½ (known affectionately as Scraps to the technician who assembled and services her) - a ship cobbled together from the remains of two crippled vessels, with the memories of both. Like other ships, she has been imprinted on her pilot, an iron-jawed and laconic warrior who knows himself to be the best pilot in the system and dreams of heroic destiny. Fighting on the losing side of a war between Earth and the Belt colonies, they are sent on a final mission which troubles Scraps greatly, although her beloved Captain accepts his orders with relish. In my opinion, this story is everything that 2015 Hugo Nominee "Turncoat" by Steve Rzasa should have been, but wasn't.


"These Were the Transitional Years" by Zak Smith, September 10, 2015, Motherboard
http://motherboard.vice.com/read/these-were-the-transitional-years

Very much reminiscent of the 1970s New Wave consumerist dystopias, this story provides a glimpse of a future where the means of satisfying every urge is at hand - but human relationships have been lost. Adult sexual situations and language.


"The Deepest Rift" by Ruthanna Emrys, June 24, 2015, Tor.com
http://www.tor.com/2015/06/24/the-deepest-rift-ruthanna-emrys/

In the deepest rift in all the inhabited worlds, a winged species known as mantas create sculptures from their own body secretions - but are they sentient, and do the sculptures constitute a language? Four scientists think the answer is yes, but their research so far is inconclusive. The story explores communication on many levels - within the team, one member of which is deaf and speaks in sign, between the team members and the AI that has come to determine whether their research should continue, among the mantas. Thought-provoking.


"The Sill and the Dike" by Vajra Chandrasekera, September 2015, Nightmare Magazine
http://www.nightmare-magazine.com/fiction/the-sill-and-the-dike/

In this story about the personal and cultural consequences of war, the unnamed narrator/protagonist is the only person out of an entire family to survive a long and bloody war with unspecified "aliens" who came to steal land but in the end "bled red just like people." Well-crafted and memorable.


"The End of the War" by Django Wexler, June, Asimov's Magazine

A tightly plotted milsf-themed novelette. In this space-living civilization, humanity lives in two vast Arks - Circea and Minoa - which are at war with each other. This is a micro-war, based on competition for resources, as salvage operators from the two sides, singly or in small groups, battle over the bodies of dead ships; the winner takes all, but the loser usually survives to fight again. For the operators, this is more of a job than a war, and communication between those on both sides is common. In many ways, I was reminded of jousts or melees between knights in the medieval romances, who adopt a code of honor in which one side, after demonstrating superiority in the field, allows the defeated opponent the chance to retire with honour. Over the course of several encounters, the protagonist, a Circean named Myr, establishes such a relationship with the Minoan operator Gar, one that plays a significant role in determining the outcome of Myr's final mission - its goal, to end the war.


"The Closest Thing to Animals" by Sofia Samatar, September 2015, Fireside Magazine Issue #27
http://www.firesidefiction.com/issue27/chapter/the-closest-thing-to-animals/

Always a handmaiden, never a person of significance in her own right - this is how S., the otherwise nameless protagonist of the story, sees herself. Always living close to art, to fame, she has a gift for finding creative people just before they come into the public eye - but her relationships never seem to last. Desperate to be known and seen - and to know and see herself - as an artist yet lacking the trust to create, wrapt in envy and blame, she latches onto another artist, Hodan Mahmoud. In her quest to make Hodan a star, to attach herself more permanently to greatness - not realising that Hodan has been through that mill already - she has at last the chance to confront the things that have held her back. The story is timeless, the setting profoundly sfnal, with oblique references to quarantines that suggest a past, partial apocalypse of sorts. Deeply moving, profoundly human.


"Chasing Comets" by Brian Trent, September 2015, Crossed Genres Issue #33
http://crossedgenres.com/magazine/033-chasing-comets/

A powerful story about love, aspirations, possibilities, grief and guilt. A young boy, Sammy, longs to grow up to be an astronaut. His father encourages the dream, but at what cost? To say more would be to say too much.

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More short stories and novelettes from around the net.


"The Shape of My Name," Nino Cipri, March 15, 2015, tor.com
http://www.tor.com/2015/03/04/the-shape-of-my-name/

This was an amazing story about creating one's own identity. The narrator is part of a multi-generational time-travelling family whose members have access to gene-coded time capsules enabling them to travel into any time between 1905, the year that the mysterious Moses Stone built the machine for the family matriarch, and August 3, 2321 - the significance of that date is unknown to the characters, but my guess is that it's the date from which Moses travelled back in time to build the machine that would allow forward travel. But that's not part of the story, really. The story is about creating identity and finding freedom from ingrained expectations.


"When It Ends, He Catches Her," Eugie Foster, September 26, 2014, Daily Science Fiction
http://dailysciencefiction.com/fantasy/fairy-tales/eugie-foster/when-it-ends-he-catches-her

One of the short stories that would have been on the Hugo ballot this year had the Puppies not done their thing, and Foster's last story, published just before she died. A poignant and evocative story of love, art and death, two dancers rekindling the memories of their greatest achievement in the midst of the ruins of civilisation.


"Litany of Earth," Ruthanna Emrys, May 14, 2014, tor.com
http://www.tor.com/2014/05/14/the-litany-of-earth-ruthanna-emrys/

Another piece that might have been nominated fir a Hugo if not for the puppies, Emrys' novelette is a majestic and powerful reworking of the Cthulhu mythos, ever mindful of the fact that the winners not only write the history books, they demonise the ones who lose. Emrys presents the people of Innsmouth and other such communities as a race of immortal others among us, with a faith and a knowledge no more evil than any other, persecuted, incarcerated, experimented on and killed for their difference. A must-read for those who once loved Lovecraft but lament his casual racism.


"Seven Commentaries on an Imperfect Land," by Ruthanna Emrys, August 20, 2014, tor.com
http://www.tor.com/2014/08/20/seven-commentaries-on-an-imperfect-land-ruthanna-emrys/

I was sufficiently blown away by Emrys' "Litany of Earth" to want to read more. And I was not disappointed in doing so. "Seven Commentaries" is a perfect pearl. Told in seven vignettes filled with glorious detail, it is about communities of the heart and soul, the perseverance of imagination and hope, the healing and binding power of story, and seeing the spirit of your sister in a stranger's eyes.


"Kin, Painted," by Penny Stirling, July 29, 2015, Lackington's Magazine
http://lackingtons.com/2015/07/29/kin-painted-by-penny-stirling/

Lackington's specifies that they are specifically interested in publishing stylised speculative prose, and I must admit to enjoying stylised prose (when well-done, of course), but more than just being stylised, this piece by Penny Stirling was a beautiful thing to read. An extended metaphor on growing up and making personal choices, notable for its references to persons of many genders and preferences.

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