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Leah Bobet’s An Inheritance of Ashes is a strong and often bitter draught indeed. Set in a world that is both post-apocalyptic, and recovering from a very recent brutal war with thr Dark God and the Twisted, poisoned creatures that followed it, the taint of loss and precarity leaves marks on every situation and relationship.

The centre of the story is life on Roadstead Farm, where two sisters struggle to eke out an existence, their childhood amity, borne out of a bond to protect each other from the anger of their widowed father, frayed by the tensions of survival. Marthe, the older sister, is pregnant; her husband Thom went away to the war and has not returned, and there is no word as to whether he is alive, or dead. Hallie, the narrator, is just 16, and has seen her family fragment around her, and her friend Tyler, one of the few who returned from the war, wounded, turn distant and bitter.

Into this place of quiet desperation comes another veteran of the war. Calling himself Heron, he has offered to serve as hired hand at Roadstead Farm in return for room and board over the winter. He bears with him in secret a dark relic, the weapon used to bring down the Dark God. John Balsam, the man who wielded the weapon, has been missing since the last battle, but the blade has come to Heron - how, he does not want to say - and he’s taking it home to Balsam’s family. But that road is long, and he will not get there before the winter falls and a man travelling alone is likely to freeze, or starve.

But not long after Heron’s arrival there are sightings on Roadstead farm, and elsewhere in the lake lands surrounding it, of the surviving misbegotten creatures, the Twisted Things. As winter draws near, more of the Twisted Things appear. Stranger still, someone, or something, is leaving messages written in stones on the riverside, begging for help. Fearing that Marthe will drive her away, as their father drove out his brother, Hallie is drawn into a web of secrets that only serves to further separate her from the grieving, angry Marthe.

Even what could be one bright thing in Hallie’s life, a slow growing attachment to her childhood friend Tyler, is burdened with secrets, sorrows, and the trauma of war and wounds, emotional and physical, that may never be whole.

But... when things are at their worst, and it seems that not just Riadstead Farm, but every homestead in the lake land, and the community of Windstown at its heart, are about to be overthrown by the same darkness that came before, love and truth find a way to break down the barriers of pride, and anger, and fear, and against all odds, prevail.
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Deep under the city, there's a place called Safe. A place for Freaks, Sicks. Beasts. But it's built on a lie, and it will be torn down by the lie and the person the lie was told about. And eventually it will be rebuilt by the truth, and the one who learns that you can't save everyone, sometimes not even yourself - but you can tell your own truths, and listen to the truths of others.

Matthew was born in Safe. His parents are dead, and he is being raised by Atticus, one of the founders of Safe, to be the community's new Teller - the communal memory, the person who learns and remembers and recites the tales of all the other members. The only tale he does not know is the tale of Corner, the other founder, who was exiled from the community and is now feared as an enemy who may return. Oh, he knows what Atticus has said about Corner, but he does not ubderstand intil the end that what he has been told is a lie. When Corner's Shadows invade and destroy Safe, Matthew and other survivors flee to seek refuge with helpers - so-called normal people who know about Safe but who live Above. Matthew, as Teller and as the apparent heir to Atticus, feels it is his responsibility to find and protect the other survivors, especially a very damaged young woman named Ariel, and to rebuild Safe.

It might be a coming of age YA novel, but then again, it might be a lot more than that

This might be a parable, about what happens to The Other - the one who isn't normal enough to be part of the world Above, who is pushed into the darkness because of issues of colour, or gender, or disability, or mental illness, or - because this is science fiction - mutancy. And about how the Other comes to see and interact with the world that casts them into darkness. And how the cycles of causing pain, and learning fear and hate, that bind both the Other and the ones who cast the Other out can be - no, not broken, it's never that easy - cracked a little by finding and telling and sharing truths about each other.

It's certainly a very complex book that looks at many difficult issues. As Brit Mandelo says in her review of the novel for tor.com:
Above is a book with sharp edges. Bobet casts a critical and incisive eye on her characters’ fears, failings, wants, needs—and what they are capable of, for better or worse. Above also deals intimately and wrenchingly with mental illness, the ways that we treat people who we deem Other in our society, the complexities of truth-telling, and what makes right or wrong. Issues of gender, race, abuse, and sexuality are also prevalent in this world of outcasts, both literally and metaphorically. (http://www.tor.com/blogs/2012/04/telling-tales-above-by-leah-bobet)
I enjoyed this book very much, and am looking forward to more from Bobet.



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