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Kristen Britain’s latest novel in the Green Rider series, Firebrand, is an entertaining addition to the saga of Karigan G’ladheon, the exceptional young woman who so far has foiled the assassination of a king, cleaned out a corrupted centre of ancient evil, travelled to the future, seen visions from the past, uncovered and helped to foil a revolution, and various and sundry other things, Karigan is definitely a hero in the tradition of David Weber’s Honor Harrington, in that she does everything astonishingly well, gets showered with unusual accolades, and just keeps going on, facing more and more challenging enemies. She’s also clearly a ‘chosen one’ - there are all sorts of portents and prophecies and odd coincidences that of course are no such thing, but Britain pulls it off well. And despite all her heroic deeds, Karigan remains an approachable, human hero, who needs coffee, gets grumpy, loses people dear to her and grieves them, holds grudges and has doubts.

There’s a lot going on in this latest installment. Karigan is on a mission to the north, not far from the lands held by the Second Empire accompanied by the Eletian envoy Enver. (Eletians are an ancient, very long-lived race with unusual magical abilities, this world’s version of elves.) During one of her previous adventures, Karigan uncovered evidence suggesting that another ancient race, the p’edrose, long believed extinct, may yet live, and she has been sent to try and find them, with Enver’s help, and ask them to ally with Sacoridia. Travelling with them is Estral, a musician, daughter of the country’s chief bard, searching fir her missing father, and the unknown person who used magic to steal her voice.

Meanwhile, an ice elemental, summoned by the leader if the rebel Second Empire forces, which had been routed by the defenders of the palace including Karigan, has returned, infatuated by the vital life force and beauty of the queen of Sacoridia, who is carrying twin heirs to the throne. The elemental has trapped King Zachary, the ruler of Sacoridia, in its secret air two others, a human and an Eletian woman, that it has kidnapped for its amusement, and taken the king’s place by enchantment.

Other plotlines of some significance are the stories of a young servant girl, Anna, who aspires to become a Green Rider, and of Mr. Whiskers, the last known surviving gryphon, in search of a mate.

As usual, the book ends with several pointers toward the next planned adventure for Green Rider Karigan, and the series continues to be fun reading so I’ll be waiting for the next volume.
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Britain's Green Rider series featuring Karigan G’ladheon continues to be enjoyable. The series is set in one of those more-or-less generic pre-industrial vaguely European fantasy worlds, with elves and magic and such. Karigan is a member of the elite messenger core in service to the king of Sacoridia, but her adventures to date have shown her to be possessed with more talent both for magic and for getting into risky situations where the very future of the kingdom than is found in the average Green Rider.

In the last novel, Blackveil, Karigan was part of a group of humans and elves investigating the possible reawakening of a powerful dark wizard, enemy to both humans and elves. In order to keep a powerful artefact out of the wizard's hands, Karigan destroys it, and in releasing its power in such a fashion, flings the survivors of her party through space - and, as we learn in this volume, through time.

In fact, Karigan and one of her elvish companions are sent 200 years into Sacoridia's future, where they find a future empire built on slavery and almost empty of magic - a future so abhorrent that Karigan will sacrifice anything to return to her own time and try to change the course of history.

Looking forward now to volume six.

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It's a grab bag of volumes from some of my favourite fantasy series! Well, in a couple of cases, loosely associated with my favourite fantasy series.


Mercedes Lackey, Intrigues
Mercedes Lackey, Changes

Volumes two and three of The Collegium Chronicles. In some ways, this series is very much like Lackey's very first Velgarth series, in which Valdemar and the Heralds were introduced through the eyes of Talia, an abused child whisked away from a life of misery to become a person of importance and destiny. But the particulars are different and the time is different and it's still great fun.


Mercedes Lackey, Sleeping Beauty

The latest in Lackey's Five Hundred Kingdoms series. I actually think this series is among the most interesting work that Lackey has done. These are all engaging stories in their own right, but at the same time Lackey is both analysing and deconstructing traditional folk and fairy tale motifs, and rewriting those tales with a feminist perspective. I like.


Katharine Kerr, The Silver Mage

The last volume of Kerr's epic Deverry cycle. Truly epic in scope, what makes this series unique is that, it's not just about the heroics and politics of a rich and diverse fantasy world and the interplay of characters and nations, it's also a story of spiritual redemption across time for the key characters, who are reborn again and again until the actions that wove their spirits together are finally resolved, and in a sense for the nation of Deverry, for in this last volume we discover the events that set the movements of nations through the series, across hundreds of years. An excellent ending for one of the great fantasy series.


Tamora Pierce, Wild Magic

First volume of The Immortals series. Set in Pierce's Tortal universe, this new series shares some characters - at least so far - with her first series, Song of the Lioness (aka the Alanna Adventures). What I've liked about Pierce's work from the beginning is that these are YA novels in which young women get to do great and heroic things.


Kristen Britain, Blackveil

Fourth volume of the Green Rider series. This volume took the series to some very dark places - both in the Blackveil forest and in the kingdom of Sacoridia. Along with epic deeds, we also find deceit, betrayal of trust and corruption on a number of levels and in some disappointing places. But things have to get darker before dawn, don't they?


Michelle Sagara West, Cast in Fury

The fourth volume of the Chronicles of Elantra series (aka the "Cast" series). As this series has progressed, the protagonist Kaylin Nera, a member of the Hawks - the police force of the city of Elantra - has been drawn into situations that have given her entry and a unique understanding of the various races that live, more or less peaceably, in the City. In this volume, she must deal with some of the consequences of her last major mission, which involved the telepathic Tha'alani, while engaging in a personal quest to clear the name of her friend and superior officer, a Leontine accused of murder. And we are carried a bit further along in learning more about Kaylin's own past and powers and what is happening in the region known as Nightshade, where Kaylin once lived.


Jack Whyte, Order in Chaos

Final volume in the Templar Trilogy. Whyte completes the story of his alternate history secret order concealed within the historically secretive Order of Knights Templar with the destruction of the Templars. As with most Templar fantasies, the remnants of the order ( and the secret inner circle) flee to England and Scotland where their legacy lives on - an element of the Templar mythos that probably has its genesis in the fact that the Templars were not persecuted nearly as violently in England as they were in continental Europe, so that while the order itself was disbanded, many former Templars lived on in England and a number of survivors from Europe made their way across the Channel to begin new lives.


Liz Williams, Precious Dragon

Third volume in the series. The continuing adventures of Detective Inspector Chan and his demon partner Seneschal Zhu Irzh in Hell, Heaven, Singapore Three on Earth, and a few other assorted dimensions. Complete with dragons and the Emperor of Heaven.


Kage Baker, Nell Gwynne’s Scarlet Spy

This is more of a related stand-alone to Baker's Company series, but I thought I'd include it here anyway. Steampunk adventures of the Ladies' Auxiliary of the Gentlemen's Speculative Society, featuring Lady Beatrice. The two novellas collected here are all we shall ever see of Lady Beatrice, as they were written not long before the untimely death of Kage Baker - but at least we have these.

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The High King’s Tomb, Kristen Britain

Britain surprised me with this. Rather than the last of a trilogy, which is what I’d always assumed the Green Riders series would be, it seems that there is still a long way to go in Green Rider Karigan G'ladheon’s struggle to save her homeland of Sacoridia from the long-dormant evil that has waited centuries for its time to strike.

This remains an enjoyable series, although there’s no question but that Britain is leading her characters across ground that’s, for the most part, well-trodden. Still, the familiar elements are arranged in a pleasing way, and the characters are interesting enough to keep me reading.

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More volumes from series that I've been reading and enjoying.


Water Logic, Laurie Marks

Laurie Marks' Elemental Logic series is a tour de force. In the first book of the series, Fire Logic, Marks introduced us to the land and people of Shaftal, where one's character is defined by one's element, and where some children are born with such a strong elemental nature that they can wield the magic that is inherent in the nature of their element - earth blood means healing; water means time and space; air means truth-seeing; and fire means prescience and passion. Shaftal has been invaded by a people coming from across the eastern sea, the leader (G'deon) of the Shaftali people has died, naming as heir an unacceptable Earth blood named Karis, child of a Shaftali sex worker and a Sainite invader, and the Sainites are moving swiftly to destroy the magic and culture of the Shaftali.

The series follows the paths of a loosely defined family that gathers about the rejected G'deon Karis and their struggles to end the invasion, bring peace and - for what else can an earth blood do? - heal the wounds of war and empire on both sides, in both peoples.

In addition to all the other stuff that I love about complex worldbuilding and strong, well-drawn characters and great writing, part of what thrills me about these books is the rejection of gender norms. In Shaftal, people don't act in a certain way or enter a certain profession because they are male or female, they do so because it is in their element to do so. Marks uses the concept of elemental natures to show us how arbitrary is our belief that gender is the most important defining characteristic of personality - the one thing that one has to know about another human being. What follows from this lack of gender norms is a completely different way of defining sexual relationships and families - since male and female are not particularly relevant, there is no real distinction between people who are in a relationship others of the same sex and people who are in relationships with people of another sex. Families form based on love and the desire to share lives, not exclusively around sexual relationships, and can involve a number of adults who relate with each other on many levels, and their children.

In this series, Marks has also attempted to write each book in a style that is suited to her definition of one of the four elements. This has, I think, led some people to like some but not all of the books, because the styles are different in each book, but in my opinion, this is one of the things that has made this series so very special.


Aerie, Mercedes Lackey

This wraps up the Dragon Jousters series quite nicely, pulling together most if not all of the loose plot threads while providing one last enemy - the Nameless Ones, whose powers may have been behind the rule of the Magi over the twin lands of Alta and Tia. Kiron finds love, the united lands find peace, prosperity and leadership, the new community of dragon riders find a home and a function for themselves that doesn't involve killing each other, and all's well that ends well... unless Lackey decides to play in this particular universe some more, which is certainly possible.


First Rider’s Call, Kristen Britain

In the sequel to Green rider, the stakes are raised as the ancient evils awakened in the first book grow more powerful and begin to call up old allies and Karigan G'ladheon finds she can no longer resist the powerful call to commit herself to a life as a Green Rider. As the enemies of the kingdom - human and inhuman, within and without - gather their strength and lay their plans, Karigan begins to discover why she is so important to the coming fight, and in the process uncovers much that had been long forgotten about the early days of the kingdom and the founding of the Green Riders. A good sequel that builds well on what came before and promises a satisfying climax to come.


Tides of Darkness, Judith Tarr

The last of the Avaryan Resplendent trilogy, this book takes Mirain's descendants into the far-flung corners of the universe to combat the growing evil that threatens all the worlds and the magical gateways between them. While most of the action in this novel takes place on distant planets among peoples we have not met before, the slow realisation that this threat the seem to come from so far away is really the other side of everything we have come to love about the world of Avaryan brings everything full circle, as everyone, including the immortal Mirain, finds the long road home. While I found the second of the trilogies, Avaryan Resplendent, less compelling than the first, Avaryan Rising, Judith Tarr at less than her best is still much better than a lot of the fantasy that's out there.

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Green Rider, Kristen Britain

This is the first novel in a series by a relatively new fantasy writer. Some of the tropes are very familiar: the unfairly maligned child/adolescent – in this case, merchant’s daughter Karigan G'ladheon who is expelled from school for fighting after being taunted unmercifully by nasty young nobles – with a great destiny whose life is altered by an event of great import when she finds herself, out of the blue, the only person who can complete an important quest that you wouldn’t really expect she would have the skills to fulfil, but being a plucky and courageous and resourceful and, let’s admit it, lucky young person of destiny, she does pull it off, and saves the day, only of course there’s a bigger quest waiting for her now that she’s taken the first step on the path to greatness. The overall plot, both of the immediate quest – treachery and corruption threatening the court of the good ruler – and of what seems to be the longer series arc – the awakening of an ancient evil – are also part of the standard repertoire of fantasy.

What makes or breaks a story like this is the details, the particulars – after all, a lot of what I said above also could be used to describe The Lord of the Rings or half a dozen other classics of fantasy – and Britain has done a very good job with those. There’s good characterisation, nice fast pacing, an interesting plot, and a slow unveiling of a backstory that holds a great deal of promise for future adventures. The hero is someone you care about and the world she lives in has a character of its own.

There’s perhaps more than a hint of Mercedes Lackey’s Heralds of Valdemar in the pedigree of Britain’s Green Riders, but then, I really like the Heralds of Valdemar, so that’s hardly a drawback as far as I’m concerned. This was a fun read, and I’ll be coming back for more from Britain.

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