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The Children of Hurin, by J.R.R. Tolkien, with much editorial assistance from Christopher Tolkien, is one of those books that one feels duty-bound to own, but which unfortunately is not quite worth the owning.

As anyone who has looked at the massive volumes of Tolkieniana that have been released by his son is surely aware, Tolkien wrote and rewrote his stories over and over again, often coming at them in different ways, expanding, summarising, ch=changing, trying on many retellings.

Ultimately, it seems that there were two complete versions of the story of the Children of Hurin - the abbreviated one that is interwoven with all the other tales of men and Elves in Middle Earth before the defeat of Melkior that one finds in The Silmarilion, and a longer and more detailed, albeit unassembled one that Christopher Tolkien has now edited into a finished work.

The problem is that the version in The Silmarilion already tells you everything you need to know about the tragic story of Turin and Nienor, and it puts it into the larger context of the battle between Melkior and the combined forces of elves and the select tribes of men who stood with them. If I'd never read The Silmarilion, I'd probably have been much more excited reading The Children of Hurin. But if I hadn't read the Silmarilion, it would have been because I wasn't the Tolkien fan that I am, and I probably wouldn't have bought The Children of Turin anyway.

If you feel a need to have the complete Tolkien collection, by all means buy this and explore the additional information about the lives of Turin and Nienor that this volume provides. But if you are looking for something new to rekindle the excitement you had when you first started reading The Hobbit, or The Lord of the Rings - this is not where you will find that.

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The Lays of Beleriand
The Shaping of Middle Earth
The Lost Road and Other Writings
Sauron Defeated
J.R.R. Tolkien, ed. Christopher Tolkien

I first read J.R.R. Tolkien’s Lord of the Rings trilogy when I was 12, and I’ve re-read it at least a dozen times since then, and probably more. Each time I find new things to consider, new perspectives to explore.

I’ll grant that it’s a far from perfect creation, but what captivates is the scale of that creation. The weight and depth of history and custom and culture, of myth and poetry, that lies behind the story is evident in every page, and it’s the astonishing complexity of the world of Middle Earth that entrances. I never forget, when reading Tolkein, that he is one of the greatest world-builders in all of literature.

And the best way to see how it was done is to read the collected writings of J.R.R Tolkien, meticulously edited by his son Christopher Tolkien. I’ve been working my way though the 13 volumes of Tolkien’s early writings on the creation of Arda, the battles between Melkior and the Valar, the history of elves, dwarves and men, the tales of Middle Earth.

It’s exciting to watch the development of each element of The Silmarillion and The Lord of The Rings, the choices made and the roads not taken, and to see the wealth of detail growing, the world of Arda becoming more rich and solid with each successive approach to the material.

I’d read the two volumes of Lost Tales before this year, and have now read – due to the limited availability of specific volumes in a printing that uses paper stock that doesn’t emit some kind of chemical that doesn’t gas out and that I cannot tolerate – the books that cover the development of the material that went into The Silmarillion, some of the material that falls between the two great works and deals with the history of the Númenóreans, and the material that went into the last chapters of The Lord of the Rings. Not a problem, I sometimes read the books out of sequence, too.

A delight for literary detectives, and I’m looking forward to the rest of the books.

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