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Two of the finalists in the Best Novelette category were stories I'd already read - “Folding Beijing” [1] by Hao Jingfang, translated by Ken Liu, which was one of my own nominations, and Brooke Bolander's "And You Shall Know Her by the Trail of Dead," [2] which had been on my 'for consideration' list right up to the final cut. Both were reviewed earlier in the year - URLs are in the footnotes.

While I don't feel that Stephen King's "Obits" is quite as powerful as either of these, it is nonetheless a creditable finalist. Dark fantasy rather than outright horror, it tells the story of a young journalist who inadvertently discovers that he kill anyone he chooses by writing their obituary. King explores both the addictive power of the ability to decide between life and death, and the visceral recoil of the average human from it. In the end, though, it is a story of hope, arguing that it is possible to turn away from the seductive draw of such power.

"Flashpoint: Titan” by Cheah Kai Wai, published in the anthology There Will Be War X, is a relatively straightforward milsf story about a battleship, its captain, and a battle in space that is won at significant cost. The writing is clear, with minimal infodumping, the story stripped of all narrative elements other than those which further the military encounter. Commander Hoshi at least emerges as a well-developed character - though this cannot be said about most of the other characters. The leanness of the narrative means that we have little sense of the political milieu in which the encounter takes place, and no real understanding of the motivation of the enemy combatants. This is essentially battletech porn - each manouevre is detailed, every strike and counterstrike described. The opening gambit, the set up, and the battle are the story. Competently written, but too limited in scope for my taste.

On the other hand, “What Price Humanity?” by David VanDyke, the second finalist in the novelette category from the There Will Be War X anthology, is a well-written and thought-provoking piece with much to recommend it. The premise of the story is that Earth is under sustained attack from aliens with superior firepower, the defense of Earth and its colonies is going poorly, and the only way to survive is to push both technology and ideas of appropriate use of personnel to the limits - and possibly beyond. The story begins with a crack pilot waking up in a virtual simulation. At first he assumes he has been injured and the simulation's purpose is to communicate with him and check on his healing while his body regenerates. But as time passes, the simulation widens to contain 23 other pilots, all of whom he's served with, some of whom he's sure were killed in action. There are simulations within the simulation, as the pilots are given the opportunity to train on a different kind of individual fighter ship, with new mission parameters and tactics.

While I was able to figure out quite easily what was really happening and why, the 'twist' at the end isn't really the point of the story. It's more about establishing the essential humanity of consciousness - done through solid characterisation and a deft balance between the simulated actions of the pilots and the introspective ruminations of the key protagonist - and asking each reader to decide the title question for herself. A good and thoughful story.



[1] http://bibliogramma.dreamwidth.org/185839.html
[2] http://bibliogramma.dreamwidth.org/178331.html
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"The Great Silence," Ted Chiang, May 2015, e-flux journal
http://supercommunity.e-flux.com/texts/the-great-silence/

A meditation on sentience, inter-species communication, language, and the consequences of co-existence with other intelligences. From the perspective of a parrot.


"Forestspirit, Forestspirit," Bogi Takács, June 2015,
http://clarkesworldmagazine.com/takacs_06_15/

An AI-driven battle machine, survivor of the last war, becomes the guardian of the forest at the instigation of a young boy.


"Folding Beijing," Hao Jingfang (trans. Ken Liu), January/February 2015
http://uncannymagazine.com/article/folding-beijing-2/

This elegant novelette from Hao Jingfang proposes a future China where overpopulation is so severe that the city of Beijing is redesigned and rebuilt so as to fold up and flip over twice in every 48 hour cycle. In the first 24 hours, the part of the city revealed is First Space - the world of the upper class, five million out of a total of 80 million. When First Space folds up and its inhabitants are tucked safely away in a drugged sleep, the city flips over and the next 12 hours belong to Second Space, the middle class, 25 million. After 12 hours, Second Space folds up and Third Space - the home of the working class and the poor - unfolds for another 12 hours. And the cycle repeats.

The protagonist of the story is Lao Dao, a worker in a refuse sorting plant in Third Space, who wants only one thing - to find enough money to educate his adopted daughter so that she can live in a better space. To do so on his own salary would be impossible, so he takes on an illegal commission to carry messages between people in other Spaces.

Through Lao's experiences, Hao delivers a profound critique of class, capital and the exploitation of the workers, while reminding us that the best parts of life are those that stand outside of the economic sphere - love, generosity, joy, simple pleasures, human interaction.


"Liminal Grid," Jaymee Goh, November 2015, Strange Horizons
http://www.strangehorizons.com/2015/20151109/gohliminalgrid-f.shtml

In a dystopic future Malaysia where government surveillance and control are close to absolute, the rebels of a new generation struggle to escape the confines of a society they hate and fear, and go
"off-grid."


"Hungry Daughters of Starving Mothers," Alyssa Wong, October 2015, Nightmare Magazine
http://www.nightmare-magazine.com/fiction/hungry-daughters-of-starving-mothers/

A compelling, visceral dark fantasy. Themes of vengeance on misogynist bile-mongers, intergenerational legacies and wounds, and the consequences of not being fully open with those one truly loves. I have to mention the effectiveness of the startlingly perfect use of imagery in this piece.


"Scarecrow," Alyssa Wong, originally published in Black Static, 2014, reprinted January 2015, Tor.com
http://www.tor.com/2015/01/27/scarecrow/

A powerful and moving dark fantasy story about love, self-deception, internalised homophobia, guilt and grief. A young man too afraid, or ashamed, to acknowledge his love for another joins his friends in tormenting his lover, with deadly consequences.


"The Fisher Queen," Alyssa Wong, 2014
http://fu-gen.org/crash/fisherqueen-wong.htm

The daughter of a fisherman discovers hidden truths about, not just her own family, but also about the trade she seeks to follow on her first fishing voyage. A dark story about family secrets and sexual violence.


"By Degrees and Dilatory Time," S. L. Huang, May 2015, Strange Horizons
http://strangehorizons.com/2015/20150518/dilatory-f.shtml

A story about bodily integrity, loss and healing. A young man who has already lost a promising career as a competitive figure skater to a sports injury and knee replacement surgery develops a rare cancer in both eyes and must accept replacement surgery - artificial eyes - in order to survive.

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