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In her Introduction to Angela Ritchie’s Invisible No More: Police Violence Against Black Women and Women of Color, Angela Y. Davis writes:

“Invisible No More: Police Violence Against Black Women and Women of Color is a very important twenty-first-century document. It reminds us how little in the way of material progress has been made during the last century in purging our societies of officially condoned racist violence. At the same time, Andrea Ritchie’s multifaceted and unrelenting antiviolence practice over the last decade, to which her book bears witness, reveals extraordinary progress in the way we conceptualize state violence and antiviolence strategies. She does not urge us simply to add women of color to the list of targets of police violence—a list that is already longer than anyone would wish. She asks us to consider what the vast problem of state violence looks like if we acknowledge how gender and sexuality, disability, and nation are intermeshed with race and class. In other words, Ritchie’s feminist approach reminds us that the job of purging our worlds of racist violence is far more complicated than advocates of simple police reform would have us believe. It is not only Black women and women of color who are “invisible no more” but also the immensity and complexity of the problem of rooting out the nexus of racist violence.”

It is this intersectional approach to the documenting of state violence against women of colour that makes this book so important. The issue is far more deeply embedded in white society than any approach that focuses primarily on police and prison reform can affect. It is part and parcel of whiteness itself, and must be addressed by radical change, not liberal reform. As Mariame Kaba notes in her Introduction, “Today, my organizing work is focused on abolishing police, prisons, and surveillance. It took a long time for me to embrace abolition as praxis. I bought into the idea that more training, more transparency, better community oversight, and prosecuting killer cops would lead to a more just system of policing. I was wrong. The origin story of modern American policing is slave patrols and union busting. A system created to contain and control me as a Black woman cannot be reformed.”

In this book, Ritchie exposes state violence against black, Indigenous, and other women of colour, starting with the early history of policing as a means of controlling the lives of Indigenous people and African-descended slaves. She gives voice to the many black and Indigenous women who experienced sexual violence at the hands of American soldiers, slave patrollers, and later, police officers. She also examines the gender-specific forms of border policing waged against immigrant women throughout American history, many of which are based on, and reinforce, racist stereotypes of hypersexuality, promiscuity, indiscriminate child-bearing, criminality, and sexual and gender non-conformity among women of colour.

She painstakingly traces the links between race, disability and sexual and gender non-conformity, demonstrating how all are factors placing women, trans men, and queer and non-binary people of colour at high risk from violence, and frequently sexualised violence from police and other state agents. She looks at laws and policing strategies, from anti-loitering and anti-prostitution laws to “broken windows” and “quality of life” policing to child welfare and domestic violence interventions as sites of racial profiling, invasion of privacy, gender role policing and violence.

Yet in this painful litany of injustice upon injustice, there is also a record of resistance. “There is no question that the shroud of invisibility around Black women’s and women of color’s experiences of police violence has been irrevocably lifted in the post-Ferguson moment and movement. It has been forcefully pushed aside by young women on the front lines in Ferguson and by bloggers and organizers across the country who were speaking out in the days and months following Mike Brown’s killing, who were outraged at Dajerria Becton’s assault in McKinney, who rose up in widespread protest following Sandra Bland’s death in police custody, and who unapologetically demanded attention and action around #AssaultatSpringValleyHigh and the rape of thirteen Black women by Oklahoma City police officer Daniel Holtzclaw, and who demanded justice for Rekia Boyd.”

But as each new day’s newspapers and twitter feeds inform us, the state’s assault on black, Indigenous and other racially marginalised women, trans men and non-gender conforming people continues, and so must the resistance.
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Like many science fiction fans of my generation, the appearance of Star Trek on my television screen in 1966 was a pivotal moment (these days, people call it ST: The Original Series, but for me there is only one Star Trek, which cannot ever be confused with The Next Generation, or Deep Space Nine, or any of the others). I watched it faithfully. I and several of my friends began writing fan fiction, something that had never occurred to any of us before then, but which was something we could no more not do than we could choose not to breathe. Something about Star Trek demanded that we join as co-creators, that we find ways to explore the consequences of what we were watching in the universe where they had happened, that we give those mesmerizing characters more to do, that we put ourselves into the world of Kirk and Spock and Scotty and Uhura and all the others.

So I wrote genfic and Mary Sues, and slash, and all the kinds of fanfic that everyone in fandom knows about today - but were almost completely new in the late 60s.

And something else happened then - other people started writing new stories set in the Star Trek world and getting them published. And I read those just as avidly as I had watched to show itself.

Every once in a while, I still get in the mood to read - or re-read - official star Trek novels, though I'm rather picky - I only read novels set in the original Star Trek setting. The Star Trek novel-reading itch hit me again in early 2011, and these are the books I picked to satisfy it, almost all of them re-reads:


Dave Galanter, Star Trek: Troublesome Minds
Melinda Snodgrass, Star Trek: Tears of the Singers
Barbara Hambly, Star Trek: Ishmael
Margaret Wander Bonanno, Star Trek: Strangers from the Sky
Jean Lorrah, Star Trek: The Vulcan Academy Murders
A.C. Crispin, Star Trek: Time for Yesterday
Diane Duane, Star Trek: Doctor’s Orders

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Publisher Pocketbooks has released an omnibus volume titled Star Trek: Sand and Stars, which contains two novels that focus on the series's main Vulcan characters and on Vulcan culture – Diane Duane’s Spock’s World, and A.C. Crispin’s Sarek. The two writers, of course, have their own visions of what lies behind the aspects of Vulcan culture and character portrayed in the various TV incarnations of Star Trek.

I must confess that for me, just as Duane’s Rihannsu are the real Romulans, her Vulcans are the real Vulcans. This in no way detracts from Crispin’s work, it’s just that what Duane writes, is Vulcan history; what Crispin and other interpreters of the Vulcan way of life write is... alternate history. If an imaginary people can be said to have history, let alone alternate histories.

But I digress.

Duane’s definitive account of the history of Vulcan is set within a frame of a defining moment in Vulcan-Federation relations, as Vulcans debate a referendum proposal to withdraw from the Federation, and Sarek, Spock and Kirk are called to Vulcan to take part in the proceedings. Interspersed with the political strategies, underlying motivations and arguments for and against secession, are snapshots of crucial events in the evolutionary and social history of the Vulcan people. It is unquestionably (at least in my mind) one of the classics of Star Trek literature.

Crispen’s Sarek also looks at interplanetary relations as Sarek and the crew of the Enterprise are drawn into a plot to drive a wedge between Earth and Vulcan, and to ensnare the Federation in war with the Klingon empire. At the same time, the novel explores the story of Sarek’s past, his first marriage, his life with Amanda, his relationship with his son.

Choice reading for the Star Trek fan.

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