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Brandon Sanderson to Write Mistborn Movie Script and Co-Showrun Stormlight Archive Series

In a recently released video, the author shares details on his new deal with Apple TV

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Published on February 3, 2026

Screenshot: Brandon Sanderson YT channel

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/brandon-sanderson-write-mistborn-movie-script-showrun-stormlight-archive-series/">https://reactormag.com/brandon-sanderson-write-mistborn-movie-script-showrun-stormlight-archive-series/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838515">https://reactormag.com/?p=838515</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/brandon-sanderson/" class="inline-block link-no-animation" aria-label="Link to term or tag Brandon Sanderson 1"> Brandon Sanderson </a> </span> </div> <h2 class="post-hero-title text-h1">Brandon Sanderson to Write <i>Mistborn</i> Movie Script and Co-Showrun <i>Stormlight Archive</i> Series</h2> <div class="prose post-hero-description prose--post-hero">In a recently released video, the author shares details on his new deal with Apple TV</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 3, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Brandon Sanderson YT channel</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/brandon-sanderson-write-mistborn-movie-script-showrun-stormlight-archive-series/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 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height="514" src="https://reactormag.com/wp-content/uploads/2026/02/sando-740x514.jpg" class="w-full object-cover" alt="Brandon Sanderson with his meter for Mistborn script" srcset="https://reactormag.com/wp-content/uploads/2026/02/sando-740x514.jpg 740w, https://reactormag.com/wp-content/uploads/2026/02/sando-1100x764.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/02/sando-768x533.jpg 768w, https://reactormag.com/wp-content/uploads/2026/02/sando-1536x1067.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/02/sando.jpg 1600w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Brandon Sanderson YT channel</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Last week, we found out that Brandon Sanderson made a deal with Apple TV to <a href="https://reactormag.com/apple-tv-brandon-sanderson-cosmere-universe-deal-details/" target="_blank" rel="noreferrer noopener">adapt his <em>Mistborn </em>and <em>Stormlight Archive </em>novels</a>, with Sanderson keeping significant control over the projects.</p> <p>Today, we got more news from Sanderson himself. In <a href="https://www.youtube.com/watch?v=VBQmStfWDVE" target="_blank" rel="noreferrer noopener">a new video</a>, the author explained why he went with Apple—he liked the vibes, he liked that he would have more control over the projects, and that the “partnership felt right”—and gave some additional details on the adaptation of <em>Mistborn</em> and <em>The Stormlight Archive</em> series.</p> <p>Sanderson confirmed that the current plan is for <em>Mistborn </em>to be a feature film on Apple TV, and that <em>Stormlight </em>will be developed as a “premium cable streaming show.” Sanderson will be writing the screenplay for <em>Mistborn</em> and is currently focused on that full-time, with a summer deadline to turn in a script to Apple. (That means a new percentage bar on his website, where he’s currently at two percent for the script.)</p> <p>Sanderson will also be a co-showrunner on the <em>Stormlight </em>show with someone yet-to-be-determined. It seems that <em>Mistborn</em>, however, is first on the docket.</p> <p>“This feels really different this time,” he said. “I think this one is really going to happen.” There’s still a long way to go—Sanderson confirmed that we won’t see anything on the screen next year—but it’s a step in the right direction for Sanderson fans.</p> <p>And as for his other projects? Sanderson did say that it would impact his writing schedule, but that <em>Mistborn: Ghostbloods </em>is still on track for a 2028 release and that he had already built in this time for the next <em>Stormlight</em> book, so that timeline is currently the same as well.</p> <p>Overall, however, it sounds like Sanderson is optimistic about his new partnership with Apple, and that the odds are better than they’ve been before that we might get to see a screen adaptation of <em>Mistborn</em> and <em>Stormlight</em> at some point in the future. </p> <p>Watch Sanderson&#8217;s full video below. [end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18200"/> </div></figure> <p>The post <a href="https://reactormag.com/brandon-sanderson-write-mistborn-movie-script-showrun-stormlight-archive-series/">Brandon Sanderson to Write &lt;i&gt;Mistborn&lt;/i&gt; Movie Script and Co-Showrun &lt;i&gt;Stormlight Archive&lt;/i&gt; Series</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/brandon-sanderson-write-mistborn-movie-script-showrun-stormlight-archive-series/">https://reactormag.com/brandon-sanderson-write-mistborn-movie-script-showrun-stormlight-archive-series/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838515">https://reactormag.com/?p=838515</a></p>
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Posted by Vanessa Armstrong

News Monarch: Legacy of Monsters

Monarch: Legacy of Monsters Trailer Releases a Kaiju Kraken

Sometimes you need monsters to fight monsters. (It’s Kong. I’m talking about Kong… and also Godzilla.)

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Published on February 3, 2026

Credit: Apple TV

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/monarch-legacy-of-monsters-trailer-kaiju-kraken/">https://reactormag.com/monarch-legacy-of-monsters-trailer-kaiju-kraken/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838490">https://reactormag.com/?p=838490</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/monarch-legacy-of-monsters/" class="inline-block link-no-animation" aria-label="Link to term or tag Monarch: Legacy of Monsters 1"> Monarch: Legacy of Monsters </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Monarch: Legacy of Monsters</i> Trailer Releases a Kaiju Kraken</h2> <div class="prose post-hero-description prose--post-hero">Sometimes you need monsters to fight monsters. (It’s Kong. I’m talking about Kong… and also Godzilla.)</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 3, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: Apple TV</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/monarch-legacy-of-monsters-trailer-kaiju-kraken/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg 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(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Apple TV</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The second season of Apple TV’s<a href="https://reactormag.com/monarch-legacy-of-monsters-season-2-teaser-trailer/" target="_blank" rel="noreferrer noopener"> <em>Monarch: Legacy of Monsters</em></a> is premiering later this month, and today we’ve got a trailer that sets the stakes.</p> <p>In it, we see a monster named Titan X that puts a blue whale to shame comes through the rift thanks, it seems, to a decision by Cate Randa (Ann Sawai). Kong doesn’t like it, and I’m guessing Godzilla isn’t a fan either. Humans are very certainly not enthused about it, as it eats a ship with ease in the trailer and heads to Japan to cause damage and threaten the lives of hundreds of thousands of people. We also see in the 1950s timeline that this beast might have been here before? The mystery gets more mysterious!</p> <p>Here’s an official description for season two of <em>Monarch</em>:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Season two will pick up with the fate of Monarch—and the world—hanging in the balance. The dramatic saga reveals buried secrets that reunite our heroes (and villains) on Kong’s Skull Island, and a new, mysterious village where a mythical Titan rises from the sea. The ripple effects of the past make waves in the present day, blurring the bonds between family, friend and foe—all with the threat of a Titan event on the horizon.</p></blockquote></figure> <p><em>Monarch </em>will see the return of Kurt Russell, Wyatt Russell, Anna Sawai, Kiersey Clemons, Ren Watabe, Mari Yamamoto, Joe Tippett, and Anders Holm. Takehiro Hira, Amber Midthunder, Curtiss Cook, Cliff Curtis, Dominique Tipper, and Camilo Jiménez Varón will also guest star.</p> <p>The show is just the beginning of Apple TV’s proposed Monsterverse; <a href="https://reactormag.com/monarch-legacy-of-monsters-cold-war-lee-shaw-prequel-series/" target="_blank" rel="noreferrer noopener">a prequel spin-off starring Wyatt Russel</a>l as a young Lee Shaw is already in the works, and there are reportedly “multiple series” also in development.  </p> <p>The first episode of <em>Monarch: Legacy of Monsters</em> season two will premiere on Apple TV on Friday, February 27, 2026. New episodes will be released every Friday until May 1, 2026.</p> <p>Check out today’s trailer below. [end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18198"/> </div></figure> <p>The post <a href="https://reactormag.com/monarch-legacy-of-monsters-trailer-kaiju-kraken/">&lt;i&gt;Monarch: Legacy of Monsters&lt;/i&gt; Trailer Releases a Kaiju Kraken</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/monarch-legacy-of-monsters-trailer-kaiju-kraken/">https://reactormag.com/monarch-legacy-of-monsters-trailer-kaiju-kraken/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838490">https://reactormag.com/?p=838490</a></p>
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Posted by Sarah

Books Front Lines and Frontiers

Making Cargo Hauling Exciting: The Big Lifters by Dean Ing

Cutting-edge trains, trucks, and dirigibles — plus conspiracies, lasers, and explosions!

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Published on February 3, 2026

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/making-cargo-hauling-exciting-the-big-lifters-by-dean-ing/">https://reactormag.com/making-cargo-hauling-exciting-the-big-lifters-by-dean-ing/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838403">https://reactormag.com/?p=838403</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/front-lines-and-frontiers/" class="inline-block link-no-animation" aria-label="Link to term or tag Front Lines and Frontiers 1"> Front Lines and Frontiers </a> </span> </div> <h2 class="post-hero-title text-h1">Making Cargo Hauling Exciting: <i>The Big Lifters</i> by Dean Ing</h2> <div class="prose post-hero-description prose--post-hero">Cutting-edge trains, trucks, and dirigibles — plus conspiracies, lasers, and explosions!</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/alan-brown/" title="Posts by Alan Brown" class="author url fn" rel="author">Alan Brown</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 3, 2026 </p> </div> </div> <div class="quick-access post-hero-quick-access 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0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2026/02/big-lifters-header-740x407.png" class="w-full object-cover" alt="cover of The Big Lifters by Dean Ing" srcset="https://reactormag.com/wp-content/uploads/2026/02/big-lifters-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2026/02/big-lifters-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/big-lifters-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2026/02/big-lifters-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>In this <a href="https://reactormag.com/tag/front-lines-and-frontiers/" target="_blank" rel="noreferrer noopener">bi-weekly series</a> reviewing classic science fiction and fantasy books, Alan Brown looks at the front lines and frontiers of the field; books about soldiers and spacers, scientists and engineers, explorers and adventurers. Stories full of what Shakespeare used to refer to as “alarums and excursions”: battles, chases, clashes, and the stuff of excitement.</p> <hr class="wp-block-separator has-alpha-channel-opacity" /> <p>Today, I’m taking a look at a good old-fashioned science fiction book, <em>The Big Lifters</em> by Dean Ing, which is about an inventor pushing innovation in the world of cargo hauling to the edge of what’s possible. Just in case cargo isn’t your thing, Ing also throws in plenty of pushback from threatened transportation organizations and terrorist attacks to keep the pot boiling and make sure your attention doesn’t wander,</p> <p>I found this Tor paperback from 1988 on a shelf in my basement, with the unbroken spine signaling that it had never been read. As I plumb deeper and deeper into my collection of books, I am finding a lot that got put on my to-be-read pile and then forgotten. <em>The Big Lifters</em> has a nice, impressionistic cover painting and interior drawings by Alan McKnight, an artist I had not encountered before or since.</p> <p>The book feels old-fashioned in two ways: first, because it hearkens back to the old tales of inventors who succeed in a wide variety of fields, a type of story once known as “Edisonades,” after the famous inventor. Examples include the adventures of <a href="https://reactormag.com/dime-waits-for-no-man-the-collected-extraordinary-adventures-of-frank-reade-junior-by-luis-senarens/" target="_blank" rel="noreferrer noopener">Frank Reade</a> from the era of dime novels, and the Stratemeyer Syndicate’s novels about boy inventor <a href="https://reactormag.com/the-many-adventures-of-tom-swift-by-victor-appleton/" target="_blank" rel="noreferrer noopener">Tom Swift</a>. And this focus on science is something I miss in modern science fiction. Too few stories have the sense of excitement that comes from pushing the state of the art, and doing things that have never been done before.</p> <p>The book also feels old-fashioned in the sense that its prose and plotting were a bit lurid and over-the-top at times, in a way that reminded me of the old 20<sup>th</sup>-century men’s adventure magazines, periodicals like <em>Argosy</em> and <em>True</em>. When I was a Boy Scout, we used to have an annual paper drive, and as we collected bundles of newspapers, we were always on the lookout for discarded magazines of the type our parents wouldn’t approve. The men’s magazines, dripping with testosterone, and full of muscle-bound guys toting tommy guns, scantily clad damsels in distress, and menacing Nazis and Commies, were among the prized finds. While I was fascinated by these tales when I was young, I am glad we have left some of these old adventure magazine clichés behind.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-h-5-font-size"><strong>About the Author</strong></p> <p>Dean Ing (1931-2020) was an American science fiction author, whose work drew on his experience in the US Air Force and on his careers as an aerospace engineer and as a college professor. His first story was published in 1955, although his most prolific period did not start until the 1970s. Ing ended up writing more than thirty novels during his career. His most successful work was in the techno-thriller genre, with his book <em>The Ransom of Black Stealth One</em> reaching <em>The New York Times</em> Best Seller list in 1989. His other work focused on high technology, survivalism, the military, and post-apocalyptic themes. He did a lot of work in the 1980s completing outlines and other works left unfinished by the late Mack Reynolds. Ing was a member of the self-appointed Citizens’ Advisory Council on National Space Policy, a space advocacy group that met in the 1980s and 1990s, focused on issues like single-stage-to-orbit launch systems and space-based missile defense systems, and which included many science fiction authors, including Jerry Pournelle, Greg Benford, and Larry Niven.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-h-5-font-size"><strong>The Exciting World of Cargo Hauling</strong></p> <p>I’ll admit, the ins and outs of transportation have always fascinated me, ever since I first read <em>Scuffy the Tugboat</em> as a child and the bustling seaport that terrified the toy tugboat caught my imagination. While it may not seem particularly thrilling or glamorous to the casual reader, the latter half of the 20<sup>th</sup> century saw the world of trade and commerce go through a transformation. The change was driven by new procedures and technologies used in intermodal cargo handling—something I saw firsthand as a young Coast Guard reserve officer assigned to the Captain of the Port in Baltimore, Maryland during the 1980s. The development of standardized cargo containers increased the efficiency of cargo handling, preventing the need for cargo to be unloaded at ports of entry. New customs procedures facilitated these methods, with containers being sealed at their point of origin, and not opened and inspected until reaching their final destination. This significantly decreased the labor required to load and unload ships at seaports, and as a side benefit, cut down on pilferage. Ships got larger and more efficient, although this could be a mixed blessing as minimal crews and a lack of redundant systems made them more vulnerable to accidents.</p> <p>At the same time, other modes of transportation were going through similar evolutions. Railroads shifted from boxcars to flatbeds carrying standardized cargo containers, and even figured out ways to stack the containers on top of each other. FedEx, with their innovative “spoke and hub” system, was revolutionizing air shipping, and cutting delivery times dramatically. On the highways, truckers were also hauling standardized containers, and even pulling multiple trailers. The computer revolution facilitated this transformation, making it possible to order products efficiently, to track and manage cargos in ways not previously possible, and manage commerce right down to the delivery of single packages to the consumer at their home. Additionally, intermodal companies that managed cargo throughout its movement made the process even more efficient.</p> <p>While it has taken longer than some thought it would, space transportation is also seeing the beginning of a revolution, with private company launch systems outperforming governments and more traditional institutions, with reusable launch systems cutting costs, and with more countries, and even private companies, entering what used to be the exclusive club of space-faring organizations.</p> <p>One area where innovation has not made as much progress is in the field of lighter-than-air transport. I had the opportunity to fly on a Goodyear Blimp when the Coast Guard was evaluating the craft for surveillance duties, and even sit at the helm of one for a few minutes, and saw that these craft, while amazing to ride, were at the mercy of the wind, and difficult to handle in all but the most benign conditions. And having been hoisted in and out of a few helicopters over the years, I know that using any airborne platform to lift people and cargo is a difficult enterprise that requires the highest level of skill from the pilots and crews.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-h-5-font-size"><strong><em>The Big Lifters</em></strong></p> <p>The book opens from the viewpoint of a long-haul trucker who is speeding to make up time with a load of heavy pipes. His tractor-trailer and load are described in extensive detail, a tactic Ing uses throughout the book in order to ground his tale in the real world. Then the viewpoint shifts to young John Wesley Peel, riding in a VW minivan with his grandmother, who took him in after his parents died in a trucking accident. Those viewpoints converge when the trucker swerves to avoid an antelope, his load comes free, the minivan is crushed, and the grievously injured John finds himself trapped, his face pushed up against the crushed face of his dead grandmother.</p> <p>With that gruesome image in their minds, readers are then introduced to Joseph Weatherby and the board of the National Transport Coalition, or NTC, discussing the disruptions the now-adult Peel is bringing to their industry. Weatherby is against making any attacks on Peel himself, but is willing to turn a blind eye if subordinates attempt to sabotage Peel’s factory or products. The perspective then shifts to Hassan Winthorp, a college professor who works for a Shiite terrorist group, helping them pick targets for murder by suicide bomber. He picks people who are in positions to increase the strength and power of the United States, whether through industry, politics, or public opinion. And one of those people is Peel.</p> <p>With these various threats being introduced and established, the narrative finally moves on to Peel himself (or Wes, as he now is known). And in true men’s adventure fashion, he is described as being dressed for comfort and action, having wide shoulders that strain his shirt and a flat belly, in spite of drinking too much Scotch; a true manly man of action. Wes is involved in just about every mode and method of handling cargo, driven by his traumatic accident to make the processes safer and more efficient. The only thing he is not interested in is space transportation, wanting to focus his efforts here on Earth. He is discussing one of the projects his company is working on—a magnetic levitation (maglev) train that uses powerful superconducting magnets. There are issues with a canard wing that helps keep the train stay in position as it floats above its track.</p> <p>We then meet Evangeline, or Vangie, Broussard, Wes’ executive assistant. She is described as having beautiful dark skin and hair, and dressing in a conservative manner. But just as you think the character might escape being objectified, the reader is assured that everyone speculates how good she looks underneath those conservative clothes. Wes meets Glenn Rogan, a test pilot who will assist with one of their other projects, a giant delta-shaped cargo-lifting dirigible. You can tell Glenn is going to be a main character, because he is described as having a solid muscular belly and sinewy forearms.</p> <p>Wes shows Glenn one of his other projects, a small tractor rig designed to haul trailers on secondary roads where the power of a full-sized highway tractor is not required. Suddenly a tractor-trailer rig gets loose without a driver (unknown to everyone, it’s because of NTC sabotage), and careens toward a building filled with people. Wes uses one of the small tractors to divert the rig, saving everyone. Wes then shows Glenn Delta One, their high-tech dirigible, and Glenn falls in love. Speaking of love, later on Wes and Vangie begin to flirt, because why would there be a female character in a men’s adventure if she wasn’t going to be someone’s love interest? They test Delta One by lifting cargo containers on and off a train. And then they test it by lifting containers on and off a moving train, proving they can transfer cargo without needing to stop to unload. I thought this was pretty preposterous, but then realized that when it came to technology, Ing wasn’t interested in what was feasible and practical; he was interested in what was possible. And these passages, where the engineers are testing new vehicles and technology, are the parts of the book I enjoyed the best.</p> <p>We move on to an interlude where the Shiite terrorists take out a target, and are reminded that Wes is getting closer to the top of their list. Then it’s back to science experiments: There is a launch system in Arizona that uses high-powered lasers to heat reaction mass like hydrogen in rocket nozzles, eliminating the need for chemical reactions. They use this laser system to heat engines on the belly of Delta One, and push her high enough to fly over the Rocky Mountains. The test is a success, although they have used magnesium struts near their engines, and one is ignited by the laser. Magnesium gets very, very hot when it burns, which almost creates a catastrophe.</p> <p>Behind the scenes, unknown to Wes, his team has a hidden project going on behind the scenes, which is concealed behind their efforts to build a canard on the maglev train. Unlike him, they <em>are</em> interested in space travel, and have come up with a rather wild plan to use a combination of the maglev and that laser launch system to launch a small commercial spaceplane into orbit. Ing is juggling a lot of balls in the air as the story jumps from viewpoint to viewpoint, but all of the threads eventually come together.</p> <p>Before the end of the book, Wes and his companions will work to develop all sorts of revolutionary technologies (doing their best not to kill themselves along the way), try to come to terms with the hostile NTC, and foil the fundamentalist terror attacks. In the meantime, Wes and Vangie will find that the road to love is not always a straight one. Because of the episodic nature of the plot, the sometimes-purple prose, and the men’s adventure clichés, I found the book a bit difficult in the beginning. But by the end, I found myself being swept up by all the action, and actually enjoyed the ride.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-h-5-font-size"><strong>Final Thoughts</strong></p> <p><em>The Big Lifters</em> is not a perfect book. It is a bit formulaic, and many of the characters tend toward being clichés. But Ing knows his technology, has done his homework, and in the sections where the team is testing new vehicles and systems, the author’s enthusiasm is contagious. The old-fashioned men’s adventure plots may not be the literary equivalent of a nutritious meal, but they can be a satisfying kind of snack food.</p> <p>Now I turn the floor over to you, especially if you have read <em>The Big Lifters</em>, or other works by Dean Ing—and if there are other entertaining science fiction books about hauling cargo, I’d love to hear about them.[end-mark]</p> <p>The post <a href="https://reactormag.com/making-cargo-hauling-exciting-the-big-lifters-by-dean-ing/">Making Cargo Hauling Exciting: &lt;i&gt;The Big Lifters&lt;/i&gt; by Dean Ing</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/making-cargo-hauling-exciting-the-big-lifters-by-dean-ing/">https://reactormag.com/making-cargo-hauling-exciting-the-big-lifters-by-dean-ing/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838403">https://reactormag.com/?p=838403</a></p>
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Posted by Sarah

Featured Essays Star Trek

There Are Four Lights: Star Trek’s Unwitting Allegory for Domestic Abuse

The parallels are unmistakable, once you consider Picard’s final confession.

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Published on February 3, 2026

Credit: CBS

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/star-treks-unwitting-allegory-for-domestic-abuse/">https://reactormag.com/star-treks-unwitting-allegory-for-domestic-abuse/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838370">https://reactormag.com/?p=838370</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/featured-essays/" class="inline-block link-no-animation" aria-label="Link to term or tag Featured Essays 0"> Featured Essays </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/star-trek/" class="inline-block link-no-animation" aria-label="Link to term or tag Star Trek 1"> Star Trek </a> </span> </div> <h2 class="post-hero-title text-h1">There Are Four Lights: <i>Star Trek</i>’s Unwitting Allegory for Domestic Abuse</h2> <div class="prose post-hero-description prose--post-hero">The parallels are unmistakable, once you consider Picard&#8217;s final confession.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/arthur-quintalino/" title="Posts by Arthur Quintalino" class="author url fn" rel="author">Arthur Quintalino</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 3, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: CBS</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/star-treks-unwitting-allegory-for-domestic-abuse/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 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0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2026/02/Star-Trek-TNG-Chain-of-Command-header-740x493.png" class="w-full object-cover" alt="David Warner and Patrick Stewart in Star Trek: The Next Generation episode &quot;Chain of Command&quot;" srcset="https://reactormag.com/wp-content/uploads/2026/02/Star-Trek-TNG-Chain-of-Command-header-740x493.png 740w, https://reactormag.com/wp-content/uploads/2026/02/Star-Trek-TNG-Chain-of-Command-header-1100x733.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/Star-Trek-TNG-Chain-of-Command-header-768x512.png 768w, https://reactormag.com/wp-content/uploads/2026/02/Star-Trek-TNG-Chain-of-Command-header.png 1200w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: CBS</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>In a <a href="https://www.youtube.com/watch?v=1_tQ9a8eg2k&amp;t=60s" target="_blank" rel="noreferrer noopener">haunting final scene</a>, Picard sits with Counselor Troi. The rescue has happened. His defiant shout still echoes.</p> <p>Now in private safety, he makes a confession:</p> <p>“What I didn’t put in the report,” he says, “was that at the end, he gave me a choice—between a life of comfort… or more torture. All I had to do was say that I could see five lights when in fact there were only four.”</p> <p>Troi gently asks, “You didn’t say it?” Picard’s answer: “No. But I was going to. I would have told him anything. Anything at all. But more than that—<em>I believed that I could see five lights.</em>”</p> <p>This admission—exhausted, ashamed, offered to someone who simply listens—is the real ending. Not the defiant shout that became a meme. Not the image of Patrick Stewart’s face, contorted in agony, that circulates as cultural shorthand for resistance to manufactured reality. The quiet acceptance that, in the end, he <em>did </em>break. That his mind had begun generating the perception his torturer demanded.</p> <p>When “Chain of Command” aired in December 1992, no one called it a metaphor for domestic abuse. The writers framed it as commentary on military interrogation and the ethics of torture—but the public conversation largely kept it in the register of a “torture episode,” read through the anxieties of a post-Cold War era. Stewart has spoken publicly about his childhood in a violent home—hiding and powerless to intervene as his father terrorized his mother. That history allows him to bring something to the performance the script can only gesture at.</p> <p>Decades later, the story reads differently. Clinical frameworks and language like gaslighting, coercive control, and testimonial injustice didn’t yet exist in popular discourse when these episodes first aired. But the two-parter captured something true about how sustained psychological assault erodes a person’s grip on reality—something the science would eventually verify but that the art already knew.</p> <p>This isn’t the reading the creators intended. But the text supports it, and the parallels feel urgent now in ways they couldn’t have more than thirty years ago.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>The setup is elegantly cruel. Picard, captured by the Cardassians, is placed under the “care” of Gul Madred—David Warner playing him with a calm that makes the violence feel… <em>administrative</em>.</p> <p>The most terrifying thing isn’t Stewart’s tortured screaming. It’s Warner’s bureaucratic coldness. Madred doesn’t perform theatrical sadism; he’s patient. Solicitous. He makes a small ceremony out of drinking in front of a visibly parched Picard while withholding water. “Thirsty?” he asks, cup in hand. “…I would imagine so. Well… it’s time to move on.” Later, he engages Picard in philosophical conversation. He even brings his young daughter to meet the prisoner. In one sequence, he offers Picard food while recounting his own childhood hunger—the streets, the scavenging, the shame that never left him.</p> <p>This isn’t humanization. It’s technique. By making himself legible as a suffering person, Madred muddies the clean categories that resistance requires. This is framed, briefly, as a tactical misstep—Picard uses Madred’s confession as a lever, aiming for the wound under the uniform. But it also does something more insidious in allowing Picard to see his torturer as a pitiable man, not just an enemy.</p> <p>Stewart’s Picard burns—defiant heat, the desperate effort of a man fighting to stay himself. Warner absorbs that heat like stone. He rarely rises to meet it. He waits it out.</p> <p>And the childhood confession does something else, too. It shows how abusers build the self-narratives that license their harm. Madred’s story positions him as someone who overcame suffering—and who has therefore <em>earned</em> the right to inflict it. The trauma didn’t teach him mercy. It taught him that the world is divided into those who control and those who are controlled, and he has clawed his way to the right side of that line.</p> <p>When he brings his daughter into the interrogation room, he’s showing Picard— and himself—that he isn’t a monster. He’s a father. A survivor. A man with reasons. This is one way abuse perpetuates across generations: not through simple repetition, but through stories that transform cruelty into necessity—pain recast as pedagogy, as “life lessons” to be handed down.</p> <p>And throughout, Madred frames the torture as something Picard is doing to himself. “You’re a stubborn man,” he says, almost sadly, preparing another round of pain. The implication is always the same: this could stop at any time. If Picard would simply be <em>reasonable</em>—simply see the five lights Madred insists are there—the unpleasantness would end.</p> <p><em>I’m not hurting you. You’re hurting yourself by refusing to cooperate. Why do you make me do this?</em></p> <p>The abuser who frames every escalation as the target’s fault. The partner who says, “You know how I get when you do that.” The harm becomes the target’s responsibility; the torturer becomes the reluctant administrator of consequences the target has chosen.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2026/02/Star-Trek-TNG-Chain-of-Command-02-1100x733.jpg" alt="David Warner in Star Trek: The Next Generation episode &quot;Chain of Command&quot;" class="wp-image-838382" srcset="https://reactormag.com/wp-content/uploads/2026/02/Star-Trek-TNG-Chain-of-Command-02-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/02/Star-Trek-TNG-Chain-of-Command-02-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/02/Star-Trek-TNG-Chain-of-Command-02-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/02/Star-Trek-TNG-Chain-of-Command-02.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: CBS</figcaption></figure> <p>The interrogation follows a specific pattern: Madred shows Picard four lights and demands he say there are five. Refusal is met with pain.</p> <p>The demand isn’t that Picard lie. The demand is that Picard stop trusting his own eyes.</p> <p>Psychologist Robin Stern’s research identifies a three-stage progression in gaslighting: disbelief, defense, depression. The story dramatizes this arc, but what it shows is closer to a systematic assault on the conditions that make selfhood possible. In disbelief, Picard enters with training and confidence, certain he can resist through will. In defense, he argues exhaustingly for reality. Stewart’s face in the middle sequences displays the visible effort of holding onto what he knows while certainty erodes underneath. But what follows isn’t simply “depression.” It’s the boundary dissolving between what he sees and what he’s told to see.</p> <p>What clinical frameworks now name, the acting shows us in the body. The target expends enormous energy. The torturer expends almost none.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Here is what the meme misses: <em>why the break happens</em>.</p> <p>When a human being is isolated, deprived of sleep, subjected to unpredictable pain and reward cycles, and denied any external validation of their perception, the mind begins to change. Not through weakness of character, but through starvation of the conditions that make certainty possible. The capacity to say “I know there are four lights regardless of what you tell me” requires resources like rest, safety, predictability, and connection to others who confirm shared reality. When these are systematically stripped away, our ability to maintain conviction begins to falter.</p> <p>What remains is a mind optimized for survival. When the threat is unceasing, when pain has no predictable relationship to behavior, when the only offered escape is compliance with the torturer’s reality, the mind will eventually find a way to comply. The “fifth light” Picard saw may not have been merely mental surrender—it may have been a felt certainty, his mind generating the conviction required for survival.</p> <p>Picard’s confession isn’t moral failure, nor is it inadequate training. It is what happens to human minds under sustained assault. The shame that survivors carry about their own breaking—<em>why didn’t I resist longer, why did I start to believe them</em>—is shame misplaced onto the target rather than the perpetrator.</p> <p>The symptoms of assault become proof that the target was unstable all along.</p> <p>The story compresses into days what domestic abuse typically accomplishes over months or years. But this compression may serve a function beyond the narrative.</p> <p>Survivors often can’t point to the moment the erosion began. By dramatizing the process in concentrated form, the episodes allow viewers to recognize in ninety minutes what regularly takes years to understand from inside.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>But Madred did not work alone.</p> <p>Captain Jellico—Picard’s temporary replacement—refuses the admission that would force Picard to be treated as a POW rather than a terrorist. In the shadow of looming war, the rationale of trading deniability for leverage makes sense. Jellico isn’t an evil antagonist wishing harm on his predecessor. He’s got larger concerns.</p> <p>Strategic or not, the cost lands on the man in the room.</p> <p>Jellico’s institutional calculus concludes that some suffering is an acceptable cost.</p> <p>This is how enablers most often operate—not through cruelty but through prioritization. The harm they permit is procedural, not personal.</p> <p>When an institution won’t name the harm, the harm becomes permissible. It gets papered over and reframed into something that doesn’t require action. When Commander Riker protests this abandonment, Jellico relieves him of duty. Even internal dissent gets shut down.</p> <p>The “good” structure of the Federation—the organization Picard has served his entire adult life—refuses to acknowledge what is happening, refuses to name it, or to intervene. <em>This isn’t what it looks like. He’s not one of ours. This is not our problem.</em></p> <p>The police officer who says “this sounds like a private matter.” The HR department that declines to investigate. The family member who says “I’m sure he didn’t mean it that way.” When structures that should protect the target instead look away, they are not failing to act. They are acting—<em>on the side of the abuser</em>.</p> <p>The philosopher Miranda Fricker names this wound as testimonial injustice, which occurs when someone’s reports are systematically disbelieved. When what they say is undermined by who they are. Jellico’s refusal enacts testimonial injustice at an institutional level: this man’s account is not worth official recognition. And that dismissal creates the conditions for Madred’s continuing assault. The target, denied external validation, has only their abuser’s voice to orient by.</p> <p>Gaslighting is testimonial injustice weaponized and internalized. The target learns to dismiss their own testimony before anyone else can. The abuser’s voice moves inside… and stays there.</p> <p>We are left with a question of restoration.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2026/02/star-trek-tng-chain-of-command-04-1100x733.jpg" alt="Marina Sirtis and Patrick Stewart in Star Trek: The Next Generation episode &quot;Chain of Command&quot;" class="wp-image-838384" srcset="https://reactormag.com/wp-content/uploads/2026/02/star-trek-tng-chain-of-command-04-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/02/star-trek-tng-chain-of-command-04-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/02/star-trek-tng-chain-of-command-04-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/02/star-trek-tng-chain-of-command-04.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: CBS</figcaption></figure> <p>What Troi <em>doesn’t</em> do with that confession is key.</p> <p>In the conclusion, the camera mirrors the scene’s intimacy, slowly zooming in on Picard as he makes that final, quiet admission to his ship’s counselor. Masterfully, Stewart plays this with exhaustion rather than the catharsis we’d hope for. He doesn’t look triumphant. He looks like someone reporting a failure. And what makes the scene essential is what Troi doesn’t do—and ending here is where the writers earned their pay.</p> <p>She doesn’t rush to reassure him. She doesn’t tell him he’s wrong about what he experienced, that he was stronger than he thinks, that he never really broke. She doesn’t explain it away or minimize it or reframe it as victory.</p> <p>She doesn’t perform the therapist’s reflexive comfort of “You’re being too hard on yourself.”</p> <p>Simply agreeing with everything he says would make her just another external authority replacing his own discernment.</p> <p>She receives his testimony without adjudication. Without judgment. Without correction. She stays present and doesn’t rush to soothe or steer. And in that reception—in the simple act of being listened to by someone who neither dismisses nor takes over—something begins to repair.</p> <p>By holding the space where the self can re-form, Picard becomes credible to himself again because someone treats him as credible.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>The story has limitations worth naming before we extend this allegory into territory it can’t reach.</p> <p>It provides a clean rescue that most survivors never get. Its focus on Picard’s psychology underemphasizes the material conditions that trap people: economic dependence, children, housing, immigration status.</p> <p>And it centers a white male authority figure as the paradigmatic victim. The power comes partly from showing that even a man of Picard’s status and training can be broken; its limitation is that this framing implicitly positions female survivors as even more “breakable,” rather than recognizing that the vulnerability isn’t gendered, but human.</p> <p>These limitations clarify what these episodes can and cannot teach us. But they also point toward what remains to be said.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Picard’s recovery happens in an epistemically friendly environment. He returns to a ship full of people who knew him before, who share his version of reality, who have no investment in Madred’s narrative. The world he re-enters confirms his perception.</p> <p>For survivors of prolonged domestic coercive control, the epistemic environment is often actively hostile—and this hostility has been engineered in advance. The abuser has spent months or years building a counter-narrative with third parties. Past expressions of concerned regret about the survivor’s instability, their unreasonable demands, their pattern of creating conflict. By the time the survivor tries to tell their story, they’re speaking against an entrenched account that has already explained them away.</p> <p>Imagine Picard returning not to his <em>Enterprise</em>, but to a ship where Madred had spent months sending communications to the crew—messages expressing concern about Picard’s mental state, his rigidity, his difficulty with authority. His account of what happened would land differently. His distress would seem to confirm what they’d already been told.</p> <p>The very symptoms of torture become evidence for the preemptive narrative.</p> <p>This is closer to what many domestic abuse survivors face. They are not returning to the <em>Enterprise</em>. They are returning to a social world that has been terraformed against them.</p> <p>Recovery in these conditions isn’t just harder, it’s structurally different. Survivors may have to rebuild their capacity for self-trust while surrounded by people who, with varying degrees of awareness, are still participating in the assault on their credibility. Picard returns to his rank, his role, his accumulated history. A domestic abuse survivor may have had their professional credibility undermined, their friendships poisoned, and their family relationships strained.</p> <p>For some survivors with children, there is no clean rescue. The terraforming can become institutionalized, as family courts often mandate ongoing contact with abusers in the name of co-parenting—treating the capacity to collaborate as paramount, and refusing to acknowledge what made leaving necessary. These survivors escape the torture chamber… but never their torturer.</p> <p>Recovery requires external validation, but the abuser has often ensured that validation is unavailable or inverted. Well-meaning people with incomplete information suggest the survivor consider their own role in the conflict, that they try to see things from their ex-partner’s perspective. Advice offered in good faith becomes another form of testimonial injustice, another voice suggesting that the survivor’s perception cannot be trusted.</p> <p>What does witnessing look like when the witness has been contaminated by an abuser’s narrative? It requires actively interrogating one’s own prior beliefs—asking whether those beliefs were formed independently or shaped by someone with an interest in shaping them. It requires sitting with the discomfort of having possibly participated in harm.</p> <p>This is harder work than what Troi does. Work many people won’t do. Which is part of why recovery from prolonged coercive control is so difficult—it requires witnesses willing to undergo their own smaller epistemic disruption in order to support someone else’s larger one.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="734" src="https://reactormag.com/wp-content/uploads/2026/02/star-trek-tng-chain-of-command-06-1100x734.jpg" alt="Patrick Stewart in Star Trek: The Next Generation episode &quot;Chain of Command&quot;" class="wp-image-838387" srcset="https://reactormag.com/wp-content/uploads/2026/02/star-trek-tng-chain-of-command-06-1100x734.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/02/star-trek-tng-chain-of-command-06-740x494.jpg 740w, https://reactormag.com/wp-content/uploads/2026/02/star-trek-tng-chain-of-command-06-768x513.jpg 768w, https://reactormag.com/wp-content/uploads/2026/02/star-trek-tng-chain-of-command-06.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: CBS</figcaption></figure> <p>It would be easy to dismiss the shout—to explain that Picard’s defiance was only possible because his captivity was over, that willpower is a myth, that the familiar meme celebrates exactly what the conclusion subverts. That reading isn’t wrong, just incomplete.</p> <p>The shout matters, though not for the reasons the meme suggests. Even a nearly broken person can, in certain conditions, reach for truth. The conditions matter.</p> <p>Picard’s release was imminent, the stakes of continued resistance were removed. Madred revealed his leverage was thinning the moment he offered comfort as a bargaining chip. Picard’s defiance was real.</p> <p>It was also enabled by circumstance.</p> <p>The confession teaches. The shout gives permission.</p> <p>For survivors, the shout’s value isn’t instructional—it doesn’t show them how to resist. Its value is aspirational. It names what the self wants to do, what it would do if conditions permitted. What it still reaches toward even when the reaching seems impossible. The confession tells survivors they are not weak for breaking. The shout tells them they are not wrong for wanting to fight. Both matter, and both are true.</p> <p>Why does cultural memory preserve the shout and lose the confession? Not merely forgetfulness. We remember what we want to remember. The shout offers a fantasy of resistance that requires nothing but individual will. Not rescue, not witnesses, not the slow work of recovery. It suggests that we, too, would hold the line.</p> <p>The confession offers a harder pill to swallow. It’s the admission that even the strongest mind can be broken, that recovery requires others, that the triumph was partial and the damage real. We forget the confession because remembering it would require us to give up the myth of the unbreakable self.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>“Chain of Command” works as television because it’s well-researched, well-written, and powerfully acted drama. The performances are career-defining. The tension is expertly sustained. And by centering the shout over the confession, collective memory has repackaged it as a hero’s journey—the captain who held the line, the will that would not break.</p> <p>But “Chain of Command” works as psychoeducation because it externalizes the internal.</p> <p>Watching a man of Picard’s legendary mental fortitude be systematically dismantled makes visible the invisible and shows from the outside what the target experiences inside. We see a competent, intelligent professional losing his grip on reality under sustained assault—and we understand that the loss is not his failure but the predictable outcome of a specific type of abuse.</p> <p>The mechanisms of coercive control operate on human minds, and human minds are not context-dependent. The torturer and the abusive partner deploy the same tools against the same architecture. The timeline and institutional settings differ. The damage is equivalent because the target—the human capacity to know what is real—remains the same.</p> <p>Art is the language we use to discuss what we cannot yet name in clinical frameworks, or what we find too uncomfortable to address head-on. The science that came later—Stern’s stages, Fricker’s philosophical precision—verified what the drama already knew. They are partners: the art provides the felt experience, the science provides the explanation, and together they offer what matters most.</p> <p>Language. A cultural reference point. A way to say <em>this is what it was like</em> without having to construct the framework from scratch.</p> <p>The shout satisfies, but it’s the confession that <em>heals</em>.</p> <p>There <em>were</em> four lights. Your perception was not the problem.</p> <p>The witnessing failed. The structure failed.</p> <p><em>Not you.</em>[end-mark]</p> <p>The post <a href="https://reactormag.com/star-treks-unwitting-allegory-for-domestic-abuse/">There Are Four Lights: &lt;i&gt;Star Trek&lt;/i&gt;’s Unwitting Allegory for Domestic Abuse</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/star-treks-unwitting-allegory-for-domestic-abuse/">https://reactormag.com/star-treks-unwitting-allegory-for-domestic-abuse/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838370">https://reactormag.com/?p=838370</a></p>
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Read an Excerpt From Isles of the Emberdark by Brandon Sanderson

A legendary standalone novel that navigates the seas and the stars of a far-future Cosmere.

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Published on February 3, 2026

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<p class="syndicationauthor">Posted by Brandon_Sanderson</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-isles-of-the-emberdark-by-brandon-sanderson/">https://reactormag.com/excerpts-isles-of-the-emberdark-by-brandon-sanderson/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838108">https://reactormag.com/?p=838108</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/fictions/excerpts/" class="inline-block link-no-animation" aria-label="Link to term or tag Excerpts 0"> Excerpts </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/cosmere/" class="inline-block link-no-animation" aria-label="Link to term or tag cosmere 1"> cosmere </a> </span> </div> <h2 class="post-hero-title text-h1">Read an Excerpt From <i>Isles of the Emberdark</i> by Brandon Sanderson</h2> <div class="prose post-hero-description prose--post-hero">A legendary standalone novel that navigates the seas and the stars of a far-future Cosmere.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/brandon-sanderson/" title="Posts by Brandon Sanderson" class="author url fn" rel="author">Brandon Sanderson</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 3, 2026 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] 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https://reactormag.com/wp-content/uploads/2026/01/Isles-of-the-Emberdark-header2-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2026/01/Isles-of-the-Emberdark-header2-768x422.png 768w, https://reactormag.com/wp-content/uploads/2026/01/Isles-of-the-Emberdark-header2.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We&#8217;re thrilled to share an excerpt from <em><a href="https://us.macmillan.com/books/9781250415394/islesoftheemberdark/" target="_blank" rel="noreferrer noopener"><strong>Isles of the Emberdark</strong></a></em>, a standalone cosmere novel by Brandon Sanderson featuring illustrations by Esther Hi‘ilani Candari, available now from Tor Books.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>All his life, Sixth of the Dusk has been a traditional trapper of Aviar—the supernatural birds his people bond with—on the deadly island of Patji. Then one fateful night he propels his people into a race to modernize before they can be conquered by the Ones Above, invaders from the stars who want to exploit the Aviar.<br><br>But it’s a race they’re losing, and Dusk fears his people will lose themselves in the effort. When a chance comes to sail into the expanse of the emberdark beyond a mystical portal, Dusk sets off to find his people’s salvation with only a canoe, his birds, and all the grit and canniness of a Patji trapper.<br><br>Elsewhere in the emberdark is a young dragon chained in human form: Starling of the starship&nbsp;<em>Dynamic</em>. She and her ragtag crew of exiles are deep in debt and on the brink of losing their freedom. So when she finds an ancient map to a hidden portal between the emberdark and the physical realm, she seizes the chance at a lucrative discovery.<br><br>These unlikely allies might just be the solution to each other’s crises. In their search for independence, Dusk and Starling face perilous bargains, poisonous politics, and the destructive echo of a dead god.</p></blockquote></figure> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading has-text-align-center">PROLOGUE</h3> <p class="has-text-align-center"><strong>FIFTY-SEVEN YEARS AGO </strong></p> <p>Starling hopped from one foot to the other, holding open the drapes to her balcony, staring at the dark horizon. She didn’t dare blink. She didn’t dare miss it.</p> <p>First light. When would first light appear?</p> <p>She’d barely slept, though she’d tried for <em>at least </em>a half hour. She was simply too excited, and had spent the night trying—failing—to distract herself with a book.</p> <p>In the distance, across the rolling forests of Yolen, the darkness seemed to fade. Did that count? It wasn’t light. It was just… less dark.</p> <p>She went running anyway. Still wearing her nightgown, she pushed into the hallway outside her rooms in her uncle’s mansion. She scrambled past smiling attendants. Starling genuinely liked most of them—and pretended to like the rest. That was what her uncle taught her: Always look for the best in both people and situations.</p> <p>Today, that wasn’t so difficult. Today was the day. </p> <p>First light.</p> <p>The day she transformed.</p> <p>She burst into the grand entryway in a tizzy of white hair and fluttering nightgown, startling her uncle’s priests in their formal robes and wide hats. They were up early, of course, because her uncle got up early to take the prayers of those who worshipped him.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/Isles-of-the-Emberdark.jpg" class="attachment-full size-full" alt="Cover of Isles of the Emberdark by Brandon Sanderson." /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <!-- <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/Isles-of-the-Emberdark.jpg" class="attachment-full size-full" alt="Isles of the Emberdark" /> --> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/Isles-of-the-Emberdark.jpg" class="attachment-full size-full" alt="Cover of Isles of the Emberdark by Brandon Sanderson." role="presentation" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">Isles of the Emberdark</h3> <p class="shop-the-book-author">Brandon Sanderson</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1770390834" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1770390834" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="icon-close"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/Isles-of-the-Emberdark.jpg" class="attachment-full size-full" alt="Isles of the Emberdark" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/Isles-of-the-Emberdark.jpg" class="attachment-full size-full" alt="Isles of the Emberdark" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">Isles of the Emberdark</h3> <p class="shop-the-book-modal-author">Brandon Sanderson</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/125041539X?tag=tordotcomgeneral-20" data-book-title="Isles of the Emberdark" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9781250415394" data-book-title="Isles of the Emberdark" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9781250415394" data-book-title="Isles of the Emberdark" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9781250415394" data-book-title="Isles of the Emberdark" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>Starling fluttered around the corner, heading for the next hallway over, which led to his reflectory. Priests, belatedly, bowed to her from the sides as she ran. She might look like an eight-year-old girl, but dragons grew slowly, and she was older than some of the priests.</p> <p>She didn’t feel it. She still felt like a child, which her uncle explained was the way of things. Her mental age was like that of a human child her size, but she got to experience that age far longer than they did—which would have been wonderful, except for one thing. It had forced her to wait three long decades for her transformation.</p> <p>She burst into the reflectory, where her uncle sat upon his fain-wood throne. He wore his human form, which had pale skin and a sharp silver beard just on his chin, bound in cords, extending a good eight inches. He took the appearance of an older man, maybe in his sixties, though that could be deceptive for their kind.</p> <p>Starling scurried up to him, but didn’t touch him. With his eyes closed— wearing his brilliant white and silver robes and conical headdress—he was taking a prayer from some distant follower. She couldn’t interrupt that. Not even for first light. So she waited, balancing on one foot, then the other, trying to keep from bursting from excitement.</p> <p>Finally he opened his eyes. “Oh? Starling. It’s early for a young dragonet like you. Why are you up?”</p> <p>“It’s today, Uncle! It’s today!” </p> <p>“Is today special?”</p> <p>“Uncle!”</p> <p>“Oh, your birthday,” he said. “Thirty years old, unless… Could I have mistaken the day? A lot was happening during your birth, child. Maybe we need to wait until tomorrow.”</p> <p>“<em>UNCLE! </em>” she shouted.</p> <p>Frost smiled, then held out his hands for her to run up and embrace him. “I just spoke with Vambrakastram—and she will take my prayers for the day. I am free, all day, for you.”</p> <p>“Just for me?” she whispered. </p> <p>“Just for you. Are you ready?”</p> <p>“I’ve been so, so ready,” she said. “For so, so long.” She pulled back. “Will my scales really be white when I am a dragon?”</p> <p>“You are always a dragon,” he said, raising his finger, “whether or not you have the shape of one. As for the coloring of your scales, there’s no way to know until the transformation.” He tapped her arm—which was powder white, like her hair. “Dragons come in all colors, and each is beautiful and unique. But I will say, every dragon I’ve known who was leucistic in human form—granted, there have only ever been two others—had white scales to match. A metallic, shimmering white with a sheen of mother-of-pearl. It’s breathtaking.”</p> <p>“Only ever two,” she whispered.</p> <p>“Only ever two,” he said, then cupped her cheek. “Plus one, Starling.” “Letsgoletsgoletsgo!” she shouted, running back out into the hallway. He followed, and—with her urging him on—they continued down the corridor, passing more smiling priests. All human, of mixed genders. Starling had been to other dragon palaces, and the priests there were stiff and stuffy. Not so here. Frost saw the best in people, and people became their best because of it. That’s what he’d always said.</p> <p>“Now,” he said from behind, walking far too slowly for her tastes, “I’m supposed to speak to you of the ritual importance of the first transformation.”</p> <p>“I know the importance!” she exclaimed, spinning to walk backward. “I will be able to fly.”</p> <p>“We live dual lives,” he said. “And there is a reason we spend thirty years in human form before reaching the age of transformation. This is Adonalsium’s wisdom.”</p> <p>“Yes, yes,”she said, spinning again as they reached the end of the hallway— and the grand balcony doors. “We live half our lives as humans so we know what it is like to be small. We live the lives of mortals before we gain the life of a dragon. That way, we’ll understand.”</p> <p>“Do you?” he said, resting his hand on her shoulder as she stood before the closed doors, which were made of yellow stained glass. She thought… she could see light on the other side, from the horizon.</p> <p>She was so eager, but he’d taught her to be honest, always.</p> <p>“No,” she admitted. “I try, but I… don’t understand mortals. They live such hurried lives, and they are so fragile, but they don’t seem to care. I try, but I don’t understand.”</p> <p>“Yes. With our powers, even as dragonets, empathy is difficult.”</p> <p>“Will that ruin me?” she asked softly. She’d worried about this. “Because I don’t understand? Will it stop me from flying?”</p> <p>“You can never be ruined, child,” he said, a smile in his voice. “Never, ever. You can learn better, and you will as you grow. Knowing that fact is how it happens! Ignorance will not hold back the transformation.” He leaned back. “Sometimes, contrast is important to help us learn.”</p> <p>He shoved the doors open, revealing a horizon that had begun to blaze with predawn. The grand balcony was large enough to hold them in their draconic forms. It was one of the launchpads to the upper palace, which was built on a different scale—for people who were the size of buildings.</p> <p>She stepped out onto the balcony, suddenly worried. What if it didn’t happen to her? What if she was broken? Everyone put so much stock in her being leucistic—which was a cousin, but not exactly the same, as being albino like a human. She was more like a white tiger, she’d been told. A symbol of two worlds. But some said with every great sign came misfortune, as proven by what had happened to her parents…</p> <p>“You are,” Frost said, “so wonderful, Illistandrista. I am honored to be here, with you, on this most important of days.”</p> <p>He left unsaid that he wished her parents were the ones here. That was not to be. She took a deep breath, and held out her hands to her sides.</p> <p>First dawn struck her, and she absorbed the light. It became part of her, and the self that had been hidden within Starling these thirty years emerged, glorious and radiant. With wings, and dragonsteel of pure silver, and scales a glittering white—faintly iridescent.</p> <p>With the transformation, Starling—finally—felt that she belonged.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading has-text-align-center">CHAPTER ONE</h3> <p>Sixth of the Dusk crept up on a deathant.</p> <p>“This thing’s venom,” Dusk whispered, slipping forward on silent feet, “is enough to kill a horse. It would have no trouble with you or me. They call it a three-step kill. Because after its bite, you’ll last only three more steps.”</p> <p>He kept his eyes on the tiny insect, which held to the bottom of a leaf— barely visible, imitating a natural spot on the foliage. Dusk turned a smoking brand between his fingers and slid forward. “They often cling to the bottoms of leaves,” he said softly. “People rub against them, unaware, and the ants slip onto their clothing. In the jungles of Patji, you can never fully trust that you’re not carrying one. Death could come with a tiny sting hours after you’ve passed their hive.”</p> <p>One more step. He raised his brand.</p> <p>“Smoke,” he whispered, “is your best defense. It puts them to sleep.” He inched the brand up underneath the leaf, letting its smoke puff up and ooze around the insect. “Either that, or you move with extreme caution. Hoping—praying to the Father Island—that you were careful enough.”</p> <p>The deathant did not drop to sleep as it should have—because if you looked closely, you would see it was actually a drawing. Dots of black, painted on the leaf in the shape of the deadly insect.</p> <p>He turned around to an audience of children and parents. Most were barely paying attention. He lowered his smoking brand, then rapped his other hand on the glass terrarium, which held living specimens. It was set up next to the fake display, both being used for presentations.</p> <p>“You have no idea how lucky you are,” he said, “to be able to look at these safely. Real, live deathants. Few people ever got that chance before the modern era.”</p> <p>The children stared at him blankly. One was drooling. Their juvenile Aviar—birds which clung to shoulders or heads—chattered softly at one another.</p> <p>“I’m done,” Dusk added.</p> <p>A smattering of applause, which he always found… odd. He did not like being applauded. After that, the people moved on to one of the other displays, several children complaining they were bored, one crying for no reason whatsoever.</p> <p>Dusk groaned and glanced back at the terrarium containing one of the deadliest creatures in all of creation. And he felt… sorry. These insects had once terrified even the most skilled trapper. Now they were just bugs in a jar.</p> <p>It made him angry, with no good reason, for he was part of the reason they were imprisoned like this. Indeed, this entire park—with its captive displays of the dangers of the outer islands, and showy explanations for how life had once been—existed because of him. He might not have captured these animals, but he’d signed their bill of incarceration.</p> <p>With a sigh, he turned from the enclosure and went to gather Sak from the Aviar roost nearby. The sleek black bird stood out among the others. Everyone here had an Aviar, all a variety of colors, but none were like Sak, with her black coloring and more pointed beak. As he put her on his shoulder, she leaned to the side, looking at his other shoulder. Empty. She never stopped looking.</p> <p>“I know,” Dusk said. “I miss him too.”</p> <p>After that, he went walking. Something that once, when he’d worked on Patji—most perilous of islands—had been rife with danger. Each step a risk of death, a new challenge around every tree and within every hollow. Five years later, and his instincts still said that walking lazily like this was dangerous. Was it strange, that he should long for those days?</p> <p>He wore his old gear—cargo pants and a tight, buttoned shirt—which made him stand out in this city full of bright dresses and colorful wraps. On the street outside, he could hear new kinds of vehicles passing: the kind with motors that roared like some type of beast. Gifts of technology from the Ones Above.</p> <p>He peered to the sky, and spotted the ship hanging there. More talks, more meetings, more gifts and promises. The aliens were growing impatient with this primitive planet full of stubborn people and valuable birds. How long would the Ones Above wait? He had thoughts on what could be done. He kept them to himself, as nobody asked. Couldn’t Vathi send for him again? He’d only punched <em>one </em>senator. And surely the man had deserved it. </p> <p>Dusk continued walking through the park. People did, occasionally, stop and point. He was a celebrity, he supposed. The last trapper of Patji, a man who had been ushered back to receive medals and awards for the secrets he’d helped discover. He’d asked them to build this park, to preserve the trapper heritage, and so they had. It was the last time they’d listened to him.</p> <p>He didn’t work for the park formally, but he liked to visit. To remember. Maybe that was a bad idea. Maybe that was asking for pain, seeing all these creatures in cages. Knowing that secretly, he was one of them. A relic of days that had been bulldozed. Leaving him a man with no purpose. Other than to try, and fail, to scare children.</p> <p>He found Tuka, the park director, supervising one of the new exhibits. They hoped to house nightmaws here. Insanity, he’d have once said. But they’d housed Dusk, so who knew?</p> <p>Tuka was a boisterous, stout woman. She had long black hair and wore orange. Always. Orange was practically a religion to Tuka.</p> <p>It made her look like a fruit.</p> <p>“Dusk!” she said, turning from the new construction. “I didn’t know you were coming in today!”</p> <p>He didn’t reply. Because that had not been a question.</p> <p>“What do you think?” she asked, gesturing to the enclosure—a deep pit with stone sides.</p> <p>“They will get out at that point there,” he said, pointing at some trees inside. “They will knock the trees down, climb up, feast upon your patrons.” He paused. “It might be bad for publicity.”</p> <p>“Oh, you,” she said, swatting him.</p> <p>She thought he made jokes. He let her think that—as his gut said it would make her underestimate him.</p> <p><em>Why would you need that kind of thinking any longer? </em>a part of him accused. <em>Haven’t you listened to a single thing Vathi has tried to teach you?</em></p> <p>“We’re very lucky to have you,” Tuka noted. “A real, live trapper. One who trapped Patji, no less.”</p> <p>The words… they were echoes of the ones from his presentation. The exact things he’d said about the deathants.</p> <p>Father. Was this really his life? Dusk looked around at the colorful people and glass cages.</p> <p>“Was it really as terrible as people say?” Tuka asked. “On the island, I mean.”</p> <p>“Yes,” Dusk said. “And wonderful.” </p> <p>“Terrible… and wonderful?” Tuka frowned. </p> <p>“Wonderful <em>because </em>it was terrible.”</p> <p>“I don’t understand.”</p> <p>He wasn’t surprised. All this effort to create the park, to preserve the ways of the trappers, and Dusk only now realized something. Tamed displays—no matter how vibrant and accurate—could never fully capture the truth of living on Patji.</p> <p>And so, the only true displays were his memories.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading has-text-align-center">CHAPTER TWO</h3> <p class="has-text-align-center"><strong>FIVE YEARS AGO </strong></p> <p>Death hunted beneath the waves.</p> <p>Dusk saw it approach: a vast dark shadow within the deep blue. Dusk’s hands tensed on his paddle, rocking in his boat, his heartbeat racing as he immediately sought out Kokerlii.</p> <p>Fortunately, the colorful bird sat in his customary place on the prow, idly biting at one clawed foot raised to his hooked beak. Kokerlii lowered his foot and puffed out his feathers, as if completely unmindful of the danger beneath.</p> <p>Dusk held his breath. He always did, when unfortunate enough to run across one of these things in the open ocean. He did not know what they looked like beneath those waves. He hoped to never find out.</p> <p>The shadow drew closer, almost to the boat. A school of slimfish passing nearby jumped into the air in a silvery wave, spooked by the shadow’s approach. The terrified fish showered back to the water with a sound like rain, but the shadow did not deviate. The slimfish were too small a meal to interest it.</p> <p>A boat’s occupants, however…</p> <p>It passed directly underneath. Sak chirped quietly from Dusk’s shoulder; the second bird seemed to have some sense of the danger. Creatures like the shadow did not hunt by smell or sight, but by sensing the minds of prey. Dusk glanced at Kokerlii again, whose powers were their only protection. Dusk had never clipped Kokerlii’s wings, but at times like this he understood why many sailors preferred protection Aviar that could not fly away.</p> <p>The boat rocked softly; the jumping slimfish stilled. Waves lapped against the sides of the vessel. Had the shadow stopped? Hesitated? Did it sense them? Kokerlii’s protective aura had always been enough before, but…</p> <p>The shadow slowly vanished. It had turned to swim downward, Dusk realized. In moments, he could make out nothing through the waters. He hesitated, then forced himself to get out his new mask. It was a modern device he had acquired two supply trips back: a glass faceplate with leather at the sides. He placed it on the water’s surface and leaned down, looking through it into the depths. They became as clear to him as an undisturbed lagoon.</p> <p>Nothing. Just that endless deep, sunlight making streams of light like roadways into the abyss. <em>Fool man, </em>he thought, tucking away the mask and getting out his paddle. <em>Didn’t you just think to yourself that you never wanted to see one of those?</em></p> <p>Still, as he started paddling again, he knew that he’d spend the rest of this trip feeling as if the shadow were down there, following him. He continued regardless, paddling his outrigger canoe until he drew a distance away—all around him was that same trembling ocean, not a speck of land in sight. He carried with him compass, map, and sextant… but today, he didn’t reach for any of those.</p> <p>Instead he dipped his hand into the water and closed his eyes, reading the lapping of the waves to judge his position. Once, those waves would have been good enough for any of the Eelakin, his people. These days, only the trappers learned the old arts, the arts of the grand navigators from long ago. It was a mark of pride to him that he almost never needed the compass, and he had yet to encounter a situation where he had to rely on the new sea charts—given as gifts by the Ones Above during their visit earlier in the year. They were said to be more accurate than even the best Eelakin surveys.</p> <p>He hated that such things existed. However, you could not stop times from changing. His mother’s words. You couldn’t stop times from changing any more than you could stop the surf from rolling. But he <em>could </em>remember. He pulled his hand from the ocean and got out his navigator’s book, where each day he recorded observations. The rising and setting of the sun, the locations of constellations, fish he’d seen and the direction they were swimming.</p> <p>Wayfinding was a puzzle. In the old days, the great navigators would not sleep for as long as a week as they traveled—for they needed to record everything in incredible detail. Distance traveled, speed of motion, the angle of each day’s sailing as accounted by sun and stars.</p> <p>Dusk fortunately didn’t need to be quite so detailed. So long as he passed shallows now and then, a modern anchor could keep him from drifting while he slept. And he knew that if he did drift too far, the compass, map, and sextant could get him back on track.</p> <p>He still loved to do it the old way. He marked the school of slimfish, and knew—without needing to look—it meant he was getting close. The birds he’d seen in the distance yesterday had been enough. At night, birds headed toward land—and that had let him turn his course slightly. The snarl of seaweed—with a hook from some previous trapper caught in it—had been an obvious sign as well. Even the clouds could help, for green reflections on the bottoms of distant clouds meant land.</p> <p>He finished his notations, then used his spyglass to scan for other signs. More birds. They’d be flying away from land this time of day… Yes, he was close.</p> <p>Again, he dipped his hand into the water. Of all the ancient techniques, this was his favorite. For while you let your fingers trail in the water, with eyes closed, you could feel the waves… and large islands created different wave patterns. It worked best once you were close, of course, but with his fingers in the water… he almost felt like the islands were talking to him. Telling him, by how they interrupted the patterns, where they were.</p> <p>He smiled and took out his old string map—made with wooden sticks on a board, used to show wave patterns and indicate how to find them around certain islands. He turned his boat with confidence—his birds chirping— and paddled straight on their new path.</p> <p>It was not long, after the accounting of tides, before he was rewarded with first sight of an island. He’d done it, without picking up his compass a single time this trip. That was Sori: a small island in the Pantheon, and the most commonly visited. Her name meant “child”; Dusk vividly remembered training on her shores with his uncle.</p> <p>It had been long since he’d burned an offering to Sori, despite how well she had treated him during his youth. Perhaps a small offering would not be out of line. Patji would not grow jealous. One could not be jealous of Sori, as she was the least of the islands. Just as every trapper was welcome on Sori, every other island in the Pantheon was said to be affectionate of her.</p> <p>Be that as it may, Sori did not contain much valuable game. Dusk continued paddling, moving down one leg of the archipelago known as the Pantheon.</p> <p>From a distance, this archipelago was not so different from the homeisles of the Eelakin, now a three-week trip behind him. Up close, they were very, very different. Over the next five hours, Dusk paddled past Sori, then her three cousins. He had never set foot on any of those three. In fact, he had not landed on many of the forty-some islands in the Pantheon. At the end of his apprenticeship, a trapper chose one island and worked there all his life.</p> <p>Dusk had chosen Patji—an event some fifteen years past now. Seemed like far less.</p> <p>Dusk saw no other shadows beneath the waves, but he kept watch. Not that he could do much to protect himself. Kokerlii did all of that work as he roosted happily at the prow of the ship, eyes half closed. Dusk had fed him seed; Kokerlii did like it so much more than dried fruit.</p> <p>Nobody knew why beasts like the shadows lived only here, in the waters near the Pantheon. Why not travel across the seas to the homeisles, where food would be plentiful and Aviar like Kokerlii were far rarer?</p> <p>Once, these questions had not been asked. The seas were what they were. Now, however, men poked and prodded into everything. They asked, “Why?” They said, “We should explain it.”</p> <p>Dusk shook his head, dipping his paddle into the water.That sound—wood on water—had been his companion for most of his days. He understood it, and the whisperings of the waves, far better than he did the speech of men.</p> <p>Even if sometimes their questions got inside of him and refused to go free.</p> <p>After the cousins, most trappers would have turned north or south, moving along branches of the archipelago until reaching their chosen island. Dusk continued forward, into the heart of the islands. He stopped briefly with harpoon and rope to spear some fish—often, in these waters, the best way to get protein.</p> <p>He gutted and packed them away for later tonight at his safecamp, then continued paddling until a shape loomed before him. Patji, largest island of the Pantheon. He towered like a wedge rising from the sea, and all of the waves here bent around him. A place of inhospitable peaks, sharp cliffs, and deep jungle.</p> <p>Patji. King of the Pantheon. God of the Eelakin.</p> <p><em>Hello, old destroyer, </em>Dusk thought. <em>Hello, Father.</em></p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading has-text-align-center">CHAPTER TWENTY-TWO</h3> <p>Starling crawled down the ladder in a metal tube, far from her homeworld— and even <em>farther</em>, at least emotionally, from that glorious day when she’d first transformed.</p> <p>Over fifty years had passed. She was basically an adult, but she had replaced grand palaces with dimly lit corridors on a half-functional starship. She reached the last rung and turned toward engineering, wearing her human shape.</p> <p>A shape she’d been magically locked into—exclusively—for <em>twelve years</em> now.</p> <p>She forced a spring into her step and told herself to keep positive. There was at least one blessing about being exiled: there were a whole lot of places that <em>weren’t </em>home—and many of them were vibrant, amazing. She’d never have visited them if she hadn’t been forced out into the cosmere against her will.</p> <p>For that, she had decided to be grateful for what had been done to her. Her master said she worked too hard to find sunlight in dark places, but what else was she to do? Darkness was commonplace, and she preferred a challenge. Besides, the cosmere really was a wondrous place.</p> <p>Not that her current location was anything spectacular. A metallic corridor, with flickering fluorescent lights. Pipes for decor and barely enough space to walk upright. It took a lot of energy to keep a ship like the <em>Dynamic </em>flying, and designers learned to be economical.</p> <p>She paused by one of the portholes, looking out at the bleak darkness of Shadesmar—an endless, empty black plane. Really, wasn’t it the <em>darkness </em>that reminded one how wonderful the <em>light </em>was? Traveling through Shadesmar was dreary, but at least she could do it in a ship, rather than walking in a caravan like people had done in the olden days.</p> <p>She tried to imagine them out there, walking the lonely obsidian expanse. Or worse, straying into regions where the ground went incorporeal and turned into the misty nothing they called the unsea. Or… the emberdark, people sometimes called that vast emptiness—the Rosharan term for the unexplored parts of Shadesmar.</p> <p>Her ship stayed along the more frequented pathways, where the ground was solid—and had been for millennia. You often encountered other travelers on these patrolled lanes between planets. For Shadesmar, such places were conventional, understood, and safe. But her ship had strayed close to the edge of one such corridor. And out there… well, anything could be out there in the emberdark. Starling found that both exciting and terrifying all at once.</p> <p>A figure stepped out of the wall behind her.Transparent, with a faint glow to him, Nazh had pale skin with cool undertones, and wore a dark grey formal suit: the kind with a fancy cravat that normal people wore to only the most exclusive of gatherings. He didn’t have much choice, though, seeing as that was what he’d died in.</p> <p>“Star?” he asked her. “Is everything all right?”</p> <p>“It’s strikingly beautiful,” she said, running her fingers along the metal. “This corridor.”</p> <p>The sleeve of her jacket slipped back, exposing one of her manacles. Silver against her powder-white skin, the thick pieces of metal—more like bracers visually—were the symbols of her exile, binding her in human form, locking away her abilities. Until she “learned.”</p> <p>She still didn’t know, years later, how much of the exile was to teach her and how much to punish her. Her people’s leaders could be… obscure.</p> <p>“Strikingly beautiful?” Nazh asked. “The… corridor? Star, are you having one of your moments?”</p> <p>“No. Maybe. Look, I was just thinking that this ship is <em>almost </em>starting to feel like home.”</p> <p>“The dragon,” he said with a smile, “who flies a starship.”</p> <p>“I don’t do much flying. That’s Leonore’s job. I just get flown around.”</p> <p>Twelve years now, trapped in her human form by these manacles. Twelve years since she’d stretched her wings and taken to the sky under her own power.</p> <p>Shards. She would <em>not </em>let that break her. </p> <p>She would <em>not </em>let them win.</p> <p>She continued on her way, Nazh joining her. He didn’t walk, and he didn’t really <em>float</em>. He glided, feet on the ground, as if standing still—but moving when she walked, his hands clasped behind his back.</p> <p>“I shouldn’t complain,” she said. “I mean, there are advantages to letting someone else do the flying. Easier on the muscles this way. Plus I can sleep while we travel! Try doing that when flying with your own wings.”</p> <p>“Star, dear,” he said, “if I still had a stomach, I believe I’d find your optimism nauseating.”</p> <p>“Oh, come on,” she said. “You have to admit. Things could be worse. I could be dead…”</p> <p>“One gets over such trivialities.”</p> <p>“… wearing a formal suit for eternity…” </p> <p>“I’ll never be underdressed.”</p> <p>“… and have a face that is… well, you know.” </p> <p>Nazh stopped in place. “I know what?”</p> <p>“Never mind,” she said, reaching the ladder to the bottom deck, where she’d find engineering. She descended while he floated alongside her.</p> <p>“Never mind <em>what</em>?” he said. </p> <p>“It wouldn’t be polite to say.”</p> <p>“You were trained by one of the most obtuse, crass men in all of the cosmere, Star. You don’t know the meaning of the word ‘polite.’”</p> <p>“Sure I do,” she said, hopping off the ladder. “It’s just that I’m a kindly young—”</p> <p>“You’re eighty-seven.”</p> <p>“I’m a kindly young—for the relative age of her species—person. Being kindly means you <em>don’t </em>tell your friend about the unfortunate nature of his coiffure. You merely <em>imply </em>it is ridiculous so you can maintain plausible deniability.”</p> <p>He floated along, eyes forward as she reached the door to engineering. “Hairstyles of this… volume were quite fashionable when I died.”</p> <p>“Among whom? Musk oxen?”</p> <p>He almost broke composure—that stern expression of near disapproval cracked, and a smile itched the corners of his mouth. It always felt like a gift when she managed to make Nazh smile. Also, his hair wasn’t that bad—it had a windswept, classic look. It was just that he was a tad overly fond of it, despite it making him seem like he couldn’t decide if he was a pompous prince or a rockstar.</p> <p>“Hey,” a commanding female voice said in Star’s earpiece. “Are you wasting time again?”</p> <p>“No, Captain.”</p> <p>“Then why isn’t my engine working yet?”</p> <p>“Had to stop at my rooms to fetch something, Captain,” Starling said. “I’m almost to engineering.”</p> <p>“Did Nazrilof find you?”</p> <p>“Yes, Captain.”</p> <p>“I explicitly told him not to.”</p> <p>“Tell her,” Nazh said, “she can order me a hundred lashings. I’m fond of them. They tickle.”</p> <p>“Sorry, Captain,” Starling said instead. “I’m entering engineering now.” </p> <p>“Warn that engineer,” the captain said, “that if there is another problem, I will come down and deal with her personally. I am not known for my patience with crew who slack off.” She cut the line.</p> <p>“Do you suppose,” Nazh said, “we could pitch her overboard and claim she jumped? I’d swear under oath she was driven mad.”</p> <p>“By what?”</p> <p>“My ravishingly attractive hairdo, of course.” He hesitated. “I mean, there <em>has </em>to be <em>some </em>musk ox in the captain’s heritage. Have you <em>seen </em>the woman?”</p> <p>Starling grinned, then pushed through the door. The engine room of the <em>Dynamic </em>was even more cramped than the hallway—though it had a higher ceiling, the round chamber was clogged with machinery. More than that, large bundles of tubes ran up and down the walls, tied off every few feet or so to keep them together. Like cords, only a little thicker, and sometimes pulsing with water or aether. They were a staple of the ship, and of its class. Tubes in bundles running across the ceilings, or along walls, glowing, pulsing, or thrumming. Most ships that Starling had been on, particularly the less expensive ones, had similar features.</p> <p>Regardless, Starling had to squeeze between engine protrusions and the wall at several points—and step over several bundles of tubes—to make her way to the back, where a hammock hung from a rivet on the wall and a stack of large barrels, marked with symbols of various aethers.</p> <p>A young woman sat up from within the hammock and hurriedly hid some items in the pocket of her blue jumpsuit. Aditil had brown skin, with light tan—almost golden—undertones. She wore her black hair in a braid, and as she moved, Starling saw the distinctive pale blue, glasslike portion of her right hand. The center of the palm was replaced—bones and all—with a transparent aether the color of the sky.</p> <p>The glass was cracked, an indication that the symbiote she’d bonded was dead. Starling had never asked for the story behind that.</p> <p>“L.T.!” the young woman exclaimed. “Oh hells. Captain sent you? Did I let the pressure lapse again?” She scrambled, grabbing her earpiece from the pouch in her hammock, fumbling to put it in. “Sorry. Sorry, sorry, sorry!”</p> <p>Aditil slid out of the hammock, almost falling over. She hopped over a large pipe and began to monitor the engines—where she’d plugged in her lodestar to give her readouts in her native language. This was what she was <em>supposed </em>to have been doing. The old machinery needed constant attention; the <em>Dynamic</em>—as fond as Starling was of it—wasn’t the most cutting-edge of ships. Indeed, it was something of a mongrel. Rosharan antigrav technology, aether spores from the Dhatrian planetary network for thrust and engine power, a Scadrian composite metal hull. Never mind that all three technological strains produced their own viable starships without the others. The <em>Dynamic</em>, like her crew, had picked up a little here and a little there. All it was missing was an Awakened metalmind, but those were expensive—and Starling had never trusted them anyway.</p> <p>Aditil fiddled with machinery, often controlling the systems via her lodestar. The rectangular device—around ten inches wide and six inches tall—was a kind of controller, or input device. There were so many different kinds of mechanical architectures in the cosmere, from so many different planets, that it could be difficult to learn them all. Plus, a patchwork ship like this might have parts from a half dozen different manufacturers, each with their own languages, customs, and—most importantly—input schemes.</p> <p>Having a lodestar built to your preferences helped with that. Most of them, like Aditil’s—or the one that Starling wore in a holster at her belt— could be pulled apart into two pieces, each of which you plugged into a device. A little like… like handles for luggage that you could remove, then attach to a new piece of luggage. If those handles each had buttons, triggers, and thumbsticks made to your culture’s preferences. Most had things like small foldout screens or even keypads in your local language.</p> <p>Starling had spent decades customizing hers. It had a kind of stonework feel to it, though of course that was a facade for the electronics. She liked to feel that it was ancient, like her people. Aditil’s was more modern, with smoother grips and… well, it felt more like a controller to one of the game systems she was fond of playing. It was brightly colored, almost gaudy, and the tiny readout displayed the flowing script of her people.</p> <p>With the lodestar she gave inputs—but she still checked specific gauges and local readouts of things like aether levels. Someone who grew familiar with a system rarely used their lodestar for everything. In this case, Aditil actually <em>whispered </em>to the aethers themselves—but it worked, as she got the engine back up to full power. Starling leaned against the wall, noting that Nazh had chosen to remain outside. Aditil was new, and he had learned— from painful experience—to ration his time with new crewmembers. Not everyone was comfortable around shades. Indeed, there were some who’d say that bringing one on board your ship was tantamount to suicide.</p> <p>“So,” Starling said, “this is… the third time this week that Captain hasn’t been able to get ahold of you?”</p> <p>“Sorry, sorry, sorry!” Aditil kept her head low as she worked. </p> <p>“Want to talk about it?”</p> <p>“I’ll do better! I need this job, L.T. Please. I… need to save up enough…”</p> <p>Starling folded her arms, the edges of her manacles peeking out from beneath her jacket.</p> <p>Aditil worked for a moment longer, but then slumped to the floor, leaning forward, forehead against the engine. A low humming sound came from within the machinery as zephyr aether generated gas, which created pressure—the basis for powering the ship. The fact that they could use the zephyr as propellant and for breathable air meant that the <em>Dynamic </em>was spaceworthy. They rarely needed that, as Xisis—the ship’s owner—usually had them do merchant runs through Shadesmar instead.</p> <p>“They’re pictures of your family, aren’t they?” Starling said. “The things you hide whenever I walk past?”</p> <p>Aditil glanced at her, surprised. </p> <p>“Can I see them?” Starling asked.</p> <p>Sheepishly, the young woman fished them out of her pocket and handed them over. Only four photos, depicting a crowded family with… seven children? Aditil seemed the oldest. Her parents were smiling in every one, wearing the bright, colorful clothing common to her people.</p> <p>“They… didn’t want me to go,” Aditil muttered. “Said I was too young, even if I’d done the apprenticing. But after…” She looked at her hand, pressed flat on the ground, and the cracked aether bud in the right palm. “I couldn’t stay. I took the deal to work for passage offworld, but do you have any idea how much it costs to get back to Dhatri? I didn’t. Stupidly, I left my family. And with them, the one place where anyone has ever wanted me…”</p> <p>“Hey,” Starling said, kneeling beside her. “You’re wanted here.”</p> <p>“I shouldn’t be,” Aditil said. “I’ve screwed up every duty I’ve ever been given. You deserve a real engineer, with real experience, and a functional aether.”</p> <p>“Aditil, you think we can <em>afford </em>a full aetherbound? On this old piece of junk?”</p> <p>“She’s not a piece of junk.” Aditil put a hand on the engine. “She’s a good ship, L.T.”</p> <p>Now that was encouraging. You always wanted an engineer who cared about the ship.</p> <p>“Either way,” Starling said, “you’re a blessing to us here. A fully trained aetherbound?”</p> <p>“Without a functioning aether.”</p> <p>“Regardless, we get your knowledge, your skill. You always get the engine working again, when you try.”</p> <p>“I talk to it,” she said softly. “You can only afford older spores, which tend to be drowsy. I wake them up, that’s all…” She turned to Starling. “I’m broken, L.T. Ruined.”</p> <p>“You can <em>never </em>be ruined,” Starling said, taking her hand. “Hey, look at me. Never ever, Aditil. It’s impossible.” Then she shrugged. “But here, we’re all a little off, eh? Maybe that’s what makes us a family.” Starling had let her jacket sleeves retreat, and Aditil glanced at the manacles, thought a moment, then nodded.</p> <p>“Thanks for the pep talk, L.T.,” Aditil said, pulling back to work at her post. “I’ll stay on it.”</p> <p>“Well, good,” Starling said. “That’s what Captain wants.” She handed back the pictures, then slipped something out of her own inner jacket pocket—an envelope, fetched from her room earlier.</p> <p>Aditil took it with a frown, looked to Starling, then opened it. After a moment, she registered what was inside. Her eyes went wide, and her hand went to her lips, covering a quiet gasp.</p> <p>One ticket to Dhatri, Aditil’s homeworld.</p> <p>“But how?” Aditil asked. “Why would you…”</p> <p>“Nobody,” Starling said intently, “on <em>my </em>ship is trapped. <em>Everybody </em>on <em>my </em>ship has the right to go home. You’re a great engineer, Aditil, and I love having you on this crew. But if there’s another place you feel you need to be, well…” She nodded toward the ticket.</p> <p>“What does Captain think?”</p> <p>“Captain doesn’t need to know,” Starling said. “You’re not our slave, Aditil. You’re our friend and colleague.”</p> <p>Aditil stared at the ticket, tearing up.“How… how long have you known I was homesick?”</p> <p>“I made a good guess. Though… I <em>did </em>buy a refundable ticket, in case I was wrong.” She walked past and squeezed Aditil’s shoulder. “When we get back to Silverlight, I’ll sign your release papers. You can return home, until you’re ready to leave again—if ever.”</p> <p>“I…” Aditil closed her eyes, tears leaking down her cheeks. “Thank you,” she whispered.</p> <p>Starling smiled. “For now, though, please just keep the ship moving. Captain keeps threatening to come down here herself, and I think she might actually do it next time.”</p> <p>“Thank you, L.T.,” she whispered again. “Starling… <em>Thank you.</em>” </p> <p>Starling left her working with renewed vigor, then stepped out of engineering. Nazh was waiting, one eyebrow cocked. </p> <p>“What?” she asked him.</p> <p>“How did you afford that?”</p> <p>It <em>was </em>expensive to travel to Dhatri. The law of commerce was simple: if you could get to a location through Shadesmar, it was cheap. If not, then you had to pay. A <em>lot</em>.</p> <p>Most cities were in the Physical Realm, not in Shadesmar, but you could transfer between the two dimensions with ease—if you had a special kind of portal. They were called perpendicularities, and most major planets had them. To travel, you popped into Shadesmar on one planet, traveled easily to your destination, then popped back out.</p> <p>Unfortunately, Dhatri didn’t have a perpendicularity anymore. Which meant you couldn’t hop out of Shadesmar there to visit it. No, to get to Dhatri, you needed a faster-than-light-capable ship that traveled through space in the Physical Realm. Those were <em>expensive</em>. And mostly controlled by one military or another. Hence why Aditil could catch a ride on one leaving: a ship had needed a post filled, and recruited her. But to get back, the only reliable way was to buy an overpriced ticket.</p> <p>“Well?” Nazh asked as they started walking. And gliding. “How did you afford it?”</p> <p>“I had some savings,” she said.</p> <p>“You realize,” he said, “this is only going to convince them <em>further </em>you have a hoard of gold somewhere.”</p> <p>Shards. She hadn’t thought of that. Their crew was small—only eight people—but the myth about Starling’s kind and their caverns of gold had persisted among them no matter how she tried to stamp it out. At least they’d believed her when she’d insisted that dragons <em>didn’t </em>eat people.</p> <p>She started up the ladder to the middle deck. Truth was, she felt good, having guessed accurately what Aditil needed. She was finally starting to feel like she understood this crew and how to be a leader, just like Master Hoid had been trying to teach her. Before he’d vanished, of course. It was… his way.</p> <p>He’d be back. Until then, she had to do her best to guide the crew, and protect them from the interim captain. She reached the middle deck and walked through the hallway toward the stern, where she could climb up to the bridge. As she did, though, she spotted someone standing outside of the medical bay, peering in.</p> <p>ZeetZi was a lawnark, a being that was basically human—except instead of hair, he had feathers. A mostly bald head, with dark brown skin that had a cool earthy tone, along with a crest of yellow and white feathers on the very top. He also had tiny feathers along his arms, almost invisible against his skin. Arcanists said lawnarks hadn’t evolved from birds or anything like that—more, they were humans who had been isolated, and whose hair had evolved into something more akin to feathers. He wore a pair of trousers with suspenders over a shirt with the sleeves rolled up. His lodestar, in its case on his belt, had a shiny metallic outer shell with almost no markings on its various buttons and triggers.</p> <p>ZeetZi was <em>supposed </em>to be checking on the life support systems. While Aditil handled the aethers and the engine, ZeetZi was their technician for the rest of the ship. He was a genius at mechanical devices… when he wasn’t getting distracted by the ship’s doctor.</p> <p>He spotted Starling and Nazh, and his crest perked up in alarm. Then he immediately stepped forward to meet them.</p> <p>“Yes,” he said. “Yes, before you prod me in your relentlessly surreptitious way, L.T., I <em>was </em>checking on the doctor again. I know you encouraged me to abandon my anxiety, but I can’t <em>help </em>it. We shouldn’t have invited one of those on our ship, not if we value our lives or sanity.”</p> <p>“Zee,” she said, taking his arm, “have you listened to yourself when you talk like that?”</p> <p>“I know, I know,” he said, crest smoothing back down. “It’s unseemly, yes, but… you know what they did to my people. To my world.”</p> <p>She nodded. She’d never been to his homeworld—amazing though it sounded—but she knew what the hordes had done to other planets. It was a familiar story.</p> <p>“Master Hoid,” Starling said, “trusts Chrysalis. He invited her on board.” </p> <p>ZeetZi shivered at the name Chrysalis—and Nazh looked away. It said something that, even with a dragon and a shade on board, the crew was most frightened of the ship’s doctor.</p> <p>“I found one of its spies,” ZeetZi hissed, “murine, sniffing around in my room again, L.T.”</p> <p>Well, that was a problem. Chrysalis did tend to ignore privacy.</p> <p>“I’ll speak to her,” Starling said. She’d made a breakthrough, finally, with Aditil. Could she manage another?</p> <p>“Star,” Nazh said softly, “you need to stop worrying about that one. The horde will be gone from this ship as soon as Xisis finds a proper ship’s doctor.”</p> <p>“Master Hoid told me to watch over the crew,” she whispered.</p> <p>“That’s not a member of our crew,” ZeetZi said. “L.T., show me trust in this. The creature isn’t here for us, and will not lend aid if we need it. It doesn’t care about us, except how it can use us to further its own arcane goals.”</p> <p>“We’ll see,” Starling said. “You two head up to the bridge. I’ll meet you in a bit.”</p> <p>Both reluctantly withdrew. Starling approached the medical bay, looking in at a figure who wore a tight, formal uniform from a military Starling hadn’t ever been able to identify. The individual worked at a cabinet, cataloging medicines, as the captain had asked.</p> <p>As the figure heard Starling, it turned—revealing a face with the skin pulled back, and a network of insects beneath.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size">Excerpted from <em>Isles of the Emberdark</em>, copyright © 2026 by Brandon Sanderson.</p> <p>The post <a href="https://reactormag.com/excerpts-isles-of-the-emberdark-by-brandon-sanderson/">Read an Excerpt From &lt;i&gt;Isles of the Emberdark&lt;/i&gt; by Brandon Sanderson</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-isles-of-the-emberdark-by-brandon-sanderson/">https://reactormag.com/excerpts-isles-of-the-emberdark-by-brandon-sanderson/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838108">https://reactormag.com/?p=838108</a></p>
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Posted by Stefan Raets

Books The Wheel of Time

Reading The Wheel of Time: Rand Experiences the Last Loss in The Gathering Storm (Part 15)

Sylas analyzes the hugely important confrontation between Semirhage and Rand…

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Published on February 3, 2026

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-rand-experiences-the-last-loss-in-the-gathering-storm-part-15/">https://reactormag.com/reading-the-wheel-of-time-rand-experiences-the-last-loss-in-the-gathering-storm-part-15/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838426">https://reactormag.com/?p=838426</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-wheel-of-time/" class="inline-block link-no-animation" aria-label="Link to term or tag The Wheel of Time 1"> The Wheel of Time </a> </span> </div> <h2 class="post-hero-title text-h1">Reading The Wheel of Time: Rand Experiences the Last Loss in <i>The Gathering Storm</i> (Part 15)</h2> <div class="prose post-hero-description prose--post-hero">Sylas analyzes the hugely important confrontation between Semirhage and Rand…</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/kjbarrett/" title="Posts by Sylas K Barrett" class="author url fn" rel="author">Sylas K Barrett</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 3, 2026 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12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-740x407.png" class="w-full object-cover" alt="Reading The Wheel of Time on Tor.com: The Gathering Storm" srcset="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-740x407.png 740w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-768x422.png 768w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12.png 951w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Left alone in a room with no light, Semirhage rages to herself and resolves to kill Cadsuane, in as torturous a way as possible. Shaidar Haran appears in the room, illuminated by a red glow, and she prostrates herself as the not-Myrddraal upbraids her for her failure, for her attempts to kill Rand and for taking his hand. Then the shield around her vanishes, and Shaidar Haran tells her that she is going to be given one last chance.&nbsp;</p> <p>Outside the unlocked door, Semirhage finds the corpses of the women who were shielding her and also a kneeling Aes Sedai—a black sister. The sister presents Semirhage with the male <em>a’dam</em>, which Semirhage knows is called a Domination Band, and informs Semirhage that she has “been instructed” to ask Semirhage to remove a Compulsion from the Black Sister’s mind.</p> <p>In Saldaea, Rand rides with Bashere and Rodel Ituralde, inspecting how much the Blight has advanced. It covers several more leagues than it did the last time Bashere was in the area, and although patrols report that the Blight is unusually quiet—a sign of something brewing. Ituralde questions Rand’s plan to leave him in charge of monitoring the Blight instead of Bashere, who is familiar with such things. Rand promises to leave some of the Saldaean officers to advise him. Ituralde will also be given one hundred Asha’man.</p> <p>Rand has Narishma make a gateway and returns to the manor house in Arad Doman. He muses on the strange dream he shared with Moridin, and their shared connection. He doesn’t know why Moridin came to help him in Shadar Logoth. He returns to his mantra of needing to be hard, but remembers that this isn’t what Min wants. She is the only person he feels truly safe with, and he doesn’t want to disappoint her.</p> <p>In his mind, Lews Therin whispers that Min is right, that they must break the seals around the Dark One’s prison. Rand tries to get more information, pushing Lews Therin to stop thinking about dying and about what went wrong when the seal was made.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p><em>It didn’t work, </em>Lews Therin whispered. <em>We used </em>saidin<em>, but we touched it to the Dark One. It was the only way! Something has to touch him, something to close the gap, but he was able to taint it. The seal was weak!</em><br><br><em>Yes, but what do we do differently?</em> Rand thought.</p></blockquote></figure> <p>Lews Therin doesn’t answer.</p> <p>Rand considers what legacy he will leave behind. He had decided that this is what the Aelfinn’s answer means: He must die, leaving a legacy behind to continue to “live” in the world. He wonders if having male and female channelers at Shayol Ghul will make the difference between failure like Lews Therin’s and real success, and ponders how many he would need.</p> <p>Rand joins Min in their rooms, where a serving woman is clearing away trays from Min’s dinner. Min upbraids Rand for working too hard, and reminds him that he needs to have strength left for the Last Battle. When Min mentions Cadsuane, Rand becomes suddenly paranoid, accusing Min of talking to Cadsuane behind his back and claiming that Cadsuane is using Min to manipulate him.</p> <p>Min is confused by the accusation, asking why it would be bad for her to talk to Rand’s advisor.&nbsp;</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Rand felt his heart twist. He wasn’t suspicious of Min, was he? She’d always been the one he could look to for honesty, the one who played no games with him. What would he do if he lost her? <em>Burn me!</em> he thought. <em>She’s right. I’ve grown too harsh. What will become of me if I begin to grow suspicious of those that I know love me? I’ll be no better than mad Lews Therin.</em></p></blockquote></figure> <p>He starts to apologize to Min, and admit that she is right, when suddenly the serving woman snaps a collar around his neck. Her form shimmers and changes, revealing Semirhage. Rand tries to draw his sword but cannot.</p> <p>Min throws one of her daggers at Semirhage, who only just manages to knock it aside with the One Power, though her cheek is cut. Min is gagged with Air and thrown aside. Rand still cannot move, or reach <em>saidin</em>.</p> <p>Elza comes in and puts on the other bracelet. Semirhage explains that she has warded the room so that no one can hear them, and that the Domination Band is a far more elegant and complete form of imprisonment than the <em>a’dam</em>; Rand will not be able to move at all unless Semirhage allows it.</p> <p>To demonstrate, she makes Rand start to strangle himself with his own hand, and then gives him terrible pain. Rand has a flashback to being inside the box, but this makes him think of Lews Therin, and how the man is a part of himself—the mad part of himself that cannot be tortured, because the cup of pain is already full to overflowing.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>He stopped screaming. The pain was still there, it made his eyes water, but the screams would not come. All fell still.<br><br>Semirhage looked down at him, frowning, blood dripping from her chin. Another wave of pain washed across him. Whoever he was.</p></blockquote></figure> <p>Semirhage commands him to explain, and Rand responds that no more can be done to him. But Semirhage shows him Min hanging in the air. Under her control he is filled with <em>saidin</em>, and she forces Rand to make weaves to give Min pain. When he screams for her to stop, she remarks that Rand wasn’t so difficult to break, after all, forcing Rand to beg her before she will stop making him hurt Min.</p> <p>Semirhage tells him that he has always been meant to serve the Great Lord and that they will now Travel to Shayol Ghul where Rand can be presented to the Dark One. Rand realizes that the Dark has won.</p> <p>But then Semirhage begins to force him to strangle Min with his own hands, despite Rand’s pleading. As Rand struggles desperately for some way to stop what is happening, Lews Therin screams Ilyena’s name.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Something snapped inside of him. He grew cold; then that coldness vanished, and he could feel nothing. No emotion. No anger.<br><br>At that moment he grew aware of a strange force. It was like a reservoir of water, boiling and churning just beyond his view. He reached toward it with his mind.</p></blockquote></figure> <p>Rand grabs hold of something that is not <em>saidin</em> or <em>saidar</em>. Lews Therin screams to throw it away, but Rand uses it, and experiences a new sensation of life and power greater even than that given by <em>saidin</em>, and strength rivaling what he felt when he used the Choedan Kal.</p> <p>Rand makes spears of Air and Fire and shatters the collar. Free of Semirhage’s control, he releases Min, who falls to the floor. Semirhage realizes that he is channeling the True Power and cries out to ask the Great Lord why he has betrayed her. Rand destroys her and Elza with balefire.</p> <p>Rand releases the strange power only because he is too drained to hold onto it, and is left feeling numb. He realizes the numbness has nothing to do with letting go of the True Power. Looking down at Min, Rand thinks that she will never be able to see him the same way again. He thinks, too, about how Lews Therin had been too mad to see or understand when he killed Ilyena, but now Rand knows what it is like to watch himself kill someone he loves.</p> <p>He tells Min that they have taken the last thing they could from him, and apologizes that he no longer has any laughter or flexibility to give her.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>He would be harder, now. He understood how. Where he had once been steel, he became something else. From now on, he was <em>cuendillar</em>. He had entered a place like the void that Tam had trained him to seek, so long ago. But within this void he had no emotion. None at all.<br><br>They could not break or bend him.<br><br>It was done.</p></blockquote></figure> <p>Followed by Narishma, Cadsuane and Merise hurry towards the manor house as they discuss Semirhage’s escape. Daigian is dead, but Corele and Nesune were left alive, placed in some kind of trance. Cadsuane assumes this is because those two have Warders, who would have felt their deaths and raised an alarm.&nbsp;</p> <p>The rest of the Aes Sedai are already in Rand’s room as Cadsuane passes through swarms of Maidens, but she notes that Elza is missing. Min is sitting on the bed, while Rand is standing by the window, his back to everyone. Cadsuane asks what happened, and if the camp is in danger, but Rand only replies that the danger has been dealt with. His voice is cold.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Finally, he turned, looking at her. She took an involuntary step backward, though she couldn’t say why. He was still the same foolish boy. Too tall, too self-confident, and too blunt-headed. There was a strange serenity about him now, but it had a dark edge. Like the serenity one saw in the eyes of a condemned man the moment before he stepped up to the hangman’s noose.</p></blockquote></figure> <p>Rand shows Narishma how to make balefire, shocking Cadsuane. She reminds him that the weave is forbidden, but Rand simply replies that he has decided that it is not forbidden. He tells Narishma that this weave must always be used against Forsaken, otherwise the Dark One can bring them back.</p> <p>Rand shows Cadsuane the collar and bracelets. He reminds her that she promised that these things would be secure. She can tell he blames her for the items being stolen.</p> <p>Rand tells Cadsuane she is banished, and that if he sees her face again, he will kill her. Cadsuane reminds him that he doesn’t kill women, but Rand replies that he has had to “revise that particular inclination.” When Cadsuane still tries to argue, Rand asks her, icily, if she believes that he could kill her simply by wishing her dead, if the Pattern would bend around him to stop her heart. Cadsuane knows that being <em>ta’veren</em> doesn’t work that way, and yet, as she looks at Rand, around whom the air seems to warp and grow dark, she knows that if she doesn’t leave, she will die.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Dazed, she turned—and from the corner of her eye, she saw a deep darkness emanating from al’Thor, warping the air even further. When she glanced back, it was gone. With gritted teeth, she left.</p></blockquote></figure> <p>Outside the room, Cadsuane leans against the wall and tries to collect herself. She thinks that someone has taken the stubborn but good-hearted boy and replaced him with the most dangerous man she has ever met. Rand is slipping away, and she has no idea what to do about it.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Okay, I know that was a very serious set of chapters and I’m going to be very serious about them, but I just have to get something off my chest.</p> <p>There is a line when Rand is considering the Mountains of Mist and his inability to go back to the Two Rivers without endangering it, and he thinks “How many mountains must one man carry?” and all I could hear in my own head was Bob Dylan’s “Blowin’ in the Wind.”</p> <p>Maybe Nynaeve could sing it to him. She’s always hearing things on the wind.</p> <p>Anyway, according to Cadsuane, the answer to “how many mountains one man must carry before they call him a man” is “as many mountains as Rand is carrying right now.” Though I remain curious about what, exactly, defines the line between boy and man in her mind.</p> <p>Cadsuane’s insistence on thinking of Rand as a boy who doesn’t know what he is doing has always bothered me. While it is certainly true that she, as an older and more experienced person, has an understanding of the world that Rand lacks, and that he could benefit from her guidance and advice, it’s not like he’s fifteen or something. He’s got to be twenty or so at this point, in a world where people grow up fast and inherited titles mean that young people and even children can ascend to positions of leadership and even become rulers.</p> <p>Rand has experienced many things by the time he meets Cadsuane. He has learned to be a leader. He has suffered trauma and has faced death, both his own and that of others. He has taken on the Forsaken, something even Cadsuane, with all her experience, has not. Of course, Cadsuane has been alive for a long time, and would see anyone under the age of fifty as a child. She would interact with them as such (I’m thinking of the way Dyelin manages the young rulers who came to support Elayne) but she has enough experience to understand the difference between seeing someone as young in comparison to her and actually letting that affect how she views someone&#8217;s competence and experience.</p> <p>Then again, I suppose most Aes Sedai all tend to be flawed in this way. They see themselves as experts on the world even when confronting generals and kings. Cadsuane’s attitude does seems more aggressive than, say, a delegation sent to tell a ruler the will of the White Tower might be towards said ruler. She never shows any respect for Rand, and the way she snaps at him and demands respectful language while rarely offering that in return is, I think, an attempt to combat the arrogance she sees in him. It’s a bit like the technique she used to break Semirhage, actually.</p> <p>This shows, I think, that Cadsuane has a fundamental misunderstanding of what Rand’s problem is. Yes, he is arrogant, but that arrogance comes from feeling like no one understands the burden he carries, and from believing that his role as the Dragon puts every and all responsibility on his shoulders alone. It is also a shield against the deep self-hatred he feels, not a sign of being vainglorious or feeling like he deserves more than other people. The latter feelings may be present, but they are not the ones that drive Rand.</p> <p>Cadsuane wants to show Rand that his identity alone is not enough to inspire awe and obedience in her. But Rand sees the awe and obedience that he receives due to being the Dragon Reborn as a bad thing, if necessary. He sees most of his followers as being cowed or manipulated into loyalty, which indeed is often the case. When Cadsuane treats him like a child and puts him down, he just sees a different kind of dislike and mistrust toward him than the one he believes is experienced by most of those who do follow him.</p> <p>There is a reason Min is (or at least, was) the only person who could reach him. He feels secure in her love, in the belief that she really is loyal to him, and cares for him. That belief (helped along by the bond they share) is so strong that even when the paranoia of his taint-madness tries to affect him, he is able to see reason, to talk himself out of his suspicious spiral. Without anyone else’s intervention, he stops himself and reminds himself that Min is the person he looks to for straightforward honesty, and tells himself that being suspicious of her is actual madness. He talks himself down off that ledge.</p> <p>What Rand truly wants is to be seen as a person, and the only people he truly trusts are those who can convince him that they do. A few people have managed this: Min, Moiraine, and Lan all played important roles in various parts of Rand’s life, and he responded not only by trusting them but by integrating what they said into his philosophy of existence. He has a lot of trust in Aviendha and Elayne too, of course, but I would argue that their identities are too complicated when it comes to interacting with his identity as the Dragon for him to feel fully relaxed, and fully seen, as himself.</p> <p>Not seeing this is the mistake Cadsuane has made with Rand, and the reason she is so frustrating as a character, even though I really like her in a lot of ways. I don’t think she really understood the fear Rand has of her and of the Aes Sedai. Sshe saw his rudeness and disdain, but not his deep need to protect himself. And now, she is paying for that miscalculation.</p> <p>The fact that Elza turned out to be a Darkfriend and the fact that she put the other bracelet on while Semirhage was controlling her is definitely going to increase Rand’s dislike and distrust of the Aes Sedai. He has chosen to accept and use those sisters who have sworn to obey him, but Elza has just proven that he can’t trust any of those oaths to hold in the way he wants them to. He doesn’t know that Elza was compelled to swear that by Verin or that the compulsion was removed by Semirhage, but even if he did, I don’t think the details would change anything for him. He was already aware that the Aes Sedai could interpret the oaths in their own way and that they always do things for their own reasons. He barely trusted those oaths before; he won’t trust them at all, now. I wouldn’t be surprised if he banished all the Aes Sedai, though there is the problem of some of his most trusted Asha’man also being Warders, now.</p> <p>Of course as soon as the male <em>a’dam</em>, or Domination Band, as we now know it to be called, made a reappearance, I knew it was going to end up around Rand’s neck. Narratively, we’ve followed the rule of threes: There was the initial threat of Liandrin and co. getting their hands on it, then Semirhage attempted to trick Rand in her guise as the Daughter of the Nine Moons, and finally this escape and final chance for Semirhage to please her master.</p> <p>But while I anticipated Rand’s collaring, I did <em>not</em> see his ability to touch the “True Power” coming. I do feel like I should have—his connection to Moridin and crossing of their beams of balefire did rather portend this ability. And I can’t help but wonder if Rand’s ability to use the True Power will play an important role in the defeat of the Dark One.</p> <p>It feels relevant that Rand’s connection to the True Power was revealed in the same chapter as the one in which he finally managed to have a conversation with Lews Therin about what went wrong when they attempted to seal the Bore. Lews Therin tells Rand&nbsp;that something had to touch the Dark One, and that is how he was able to taint it. Rand is left wondering whether having both male and female channelers working together would be enough to make up the difference, to prevent that counterstrike from the Dark One and seal the Bore properly.</p> <p>Of course, we can’t know for certain, but based on what Lews Therin said, it doesn’t sound like having <em>saidar</em> in the mix would be enough to make a difference in the outcome. If something has to touch the Dark One in order to close the Bore, then that something is vulnerable to him.</p> <p>But if that something is his <em>own power</em>, then there is nothing for him to corrupt with his counterstrike.</p> <p>I suppose part of the questions is what the Dark One’s prison is actually made of. If the Pattern itself makes the Dark One’s prison, or if the prison is made up of the same stuff (i.e. the One Power) then you would certainly need both <em>saidin</em> and <em>saidar</em> to remake the bit that Lanfear and her cohort drilled through. You couldn’t remake the Pattern with the Dark One’s power, as it is antithetical to what creation actually is. It would at best be a patch that slowly corrupts whatever bits of the Pattern that is touching it. And if you used the True Power to remake the prison itself, would the Dark One be able to manipulate that, since it was his own power that was used to make it?</p> <p>It seems, then, that you need all three at your disposal—<em>saidin</em>, <em>saidar</em>, and the so-called True Power. <em>Saidin</em> and <em>saidar</em> would be used to remake the Pattern, not as a patch but as if the hole had never been made, as Herid Fel said it must eventually be. And then the True Power would be used against the Dark One, as some kind of weapon or shield to prevent him from being able to strike back and corrupt those who are sealing the Bore.</p> <p>Or something like that, anyway. I am at least certain in my prediction that having access to the True Power will be relevant in Rand’s final battle. It’s also interesting to consider that use of the True Power is something that must be granted to a member of the Chosen by the Dark One—you can’t just grab it on your own. And yet, it seems unlikely that the Dark One would be allowing Rand to do so. It&#8217;s not impossible—perhaps once he realized Rand had the ability, the Dark One would count on that influence to corrupt Rand more quickly and fully than the taint every could. But it’s also possible that the fluke that allowed Rand this connection to the True Power is something even the Dark One can’t understand and control, which is a really interesting state of affairs, if so.</p> <p>The fact that <em>saidin</em>, <em>saidar</em>, and most likely the True Power, will all be needed at the end proves, I think, that Rand is wrong to believe he will be completely alone at the culmination of the Last Battle. While it is true that only he can physical wage war against the Dark One, and that the prophecies only name his bloodshed at Shayol Ghul, that doesn’t mean other people will be there. Rand is so (understandably) afraid of being alone that he has decided that he will be. Just as he is so (understandably) afraid of dying that he has decided that the mention of his blood on the stone at Shayol Ghul definitely means his death, not, say, a survivable injury.</p> <p>This is the problem with prophecy, be it that of Aes Sedai or the answers you get from the Aelfinn. They come in riddles and vagaries, and believing you can understand them, especially before the moment the reference, is usually a mistake.</p> <p>In any case, I don’t believe for one moment that Nynaeve won’t be there at the end with him. Probably at least one of his three lovers. Moiraine will certainly be there, though of course Rand doesn’t know that she’s actually alive and going to be rescued by Mat and Thom and Noal. He does consider the possibility of having a coterie of Asha’man and Wise Ones there for channeling power, so he’s admitting to himself that his job maybe isn’t to be utterly alone at Shayol Ghul. I imagine there will be Aes Sedai too—Rand won’t consider that possibility until he’s fixed, but even the Dragon Reborn can’t stop Egwene al’Vere from doing what she believes must be done.</p> <p>Speaking of Egwene, we have returned to the parallel between her and Rand again with Rand’s collaring. Egwene’s <em>a’dam</em> was not as powerful as the Domination Band, but she did wear it for longer. And it’s interesting to see how each of them deals with their time imprisoned in this way. Rand becomes colder, while Egwene seeks to understand her strength. Part of this has to do with the means of their escape, of course: Egwene was rescued, and this reinforced the fact that there are people who care about her, whereas Rand resorted to touching something so evil that even Lews Therin thinks it would have been better to have killed a woman they loved than to wield it.</p> <p>But even before getting free, Rand has a moment where he faces the pain and it can’t affect him because he is “full up” with pain. It is not a very different version from the one Egwene employs, but in the end, I think the concept of “remembering laughter and tears” really does sum up the difference. Rand’s endurance comes from focusing so much on the pain he has already suffered that the new pain feels small and irrelevant. Egwene’s endurance comes from recognizing that her true pain comes from love, from a desire to help the Aes Sedai and a fear that she cannot do it. Egwene remembers tears, and uses that to motivate herself and make herself stronger. Rand fears grief, viewing it as a paralytic, and so he cuts himself off from his feelings.</p> <p>Even this situation he takes in the worst possible way. It was absolutely horrific, and both he and Min will have scars from it, but Rand was able to break free of the Domination Band and save Min. She is not dead. But Rand focuses on the fact that he now knows what it is to watch himself kill someone he loves, even though technically he only knows what it is like to watch himself <em>almost</em> kill someone he loves.</p> <p>Which is not to say that Rand’s reaction isn’t understandable. It absolutely is. As a male channeler, losing his mind and killing people was a huge fear for Rand, which was then exacerbated by Lews Therin and his particular trauma appearing in Rand’s mind. Experiencing that great fear in such a way would mess up anybody’s head, and I am not judging him. I can’t imagine doing as well as Rand is, really, especially when I was his age. But it is clear what the problem is, and how Rand’s approach to handling his fears and trauma is driving him further away from his humanity. He looks down at Min and decides that she will never be able to “see him the same way again,” but fails to remember that she was looking at him with love even as Semirhage was making him kill her.</p> <p>The complete numbness seems to be Rand’s repression of his emotions, but it could also be an effect of touching the True Power. Cadsuane notes a few times that the air seems to warp around him while they are talking, and to grow darker, and I think this indicates that Rand is either touching the True Power in that moment, or is exhibiting some effect of having touched/been touched by it. The True Power seems to cause decay and destruction of the Pattern: Moridin tears the Pattern when he travels, and the Dark One’s use of it is probably why the <em>cuendillar</em> seals are degrading, even though <em>cuendillar</em> is supposed to be indestructible.&nbsp;</p> <p>It seems relevant to remember this fact, given that Rand has just decided that he has metaphorically become <em>cuendillar</em> and cannot be bent or broken, and yet at the same time has learned to wield the only power that can do exactly that.</p> <p>In conclusion, I don’t feel great about any of this, but perhaps there is something to be said about Rand reaching rock bottom. If he has nothing left to fear, he has nothing to drive him further away, to encourage him to cut himself off from feeling because he doesn’t want to hurt. Perhaps, in time, he will realize that having nothing left that can be done to him is freeing, and that nothing can take the light from his life unless he chooses to let it.</p> <p>It will be interesting to see how he relates to Min going forward, and to Aviendha and Elayne, if they manage to get near to him again anytime soon. Rand will still feel their emotions, their love for him, their concern. Maybe some of it will get through.</p> <p>And of course there is Cadsuane, who can’t be done yet. Min’s vision said that Cadsuane was going to teach Rand something he needs to know, and Min never interprets her visions incorrectly.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>We’ll be meeting up with Gawyn next week, and he’ll be meeting up with Gareth Bryne, which should be interesting. And then some catching up with Sheriam and a visit to Egwene, locked in the dungeons of the White Tower. Should be exciting!<br><br>I’ll see you all then.[end-mark]</p> <p>The post <a href="https://reactormag.com/reading-the-wheel-of-time-rand-experiences-the-last-loss-in-the-gathering-storm-part-15/">Reading The Wheel of Time: Rand Experiences the Last Loss in &lt;i&gt;The Gathering Storm&lt;/i&gt; (Part 15)</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-rand-experiences-the-last-loss-in-the-gathering-storm-part-15/">https://reactormag.com/reading-the-wheel-of-time-rand-experiences-the-last-loss-in-the-gathering-storm-part-15/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838426">https://reactormag.com/?p=838426</a></p>
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Posted by Sarah

Books Heated Rivalry

SFF Reading Recommendations for the Characters of Heated Rivalry

We’ve got romantasies, queer fairy tales, feminist adventures, and more!

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Published on February 3, 2026

Image courtesy of HBO Max/Crave

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/sff-reading-recommendations-for-the-characters-of-heated-rivalry/">https://reactormag.com/sff-reading-recommendations-for-the-characters-of-heated-rivalry/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838267">https://reactormag.com/?p=838267</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/heated-rivalry/" class="inline-block link-no-animation" aria-label="Link to term or tag Heated Rivalry 1"> Heated Rivalry </a> </span> </div> <h2 class="post-hero-title text-h1">SFF Reading Recommendations for the Characters of <i>Heated Rivalry</i></h2> <div class="prose post-hero-description prose--post-hero">We&#8217;ve got romantasies, queer fairy tales, feminist adventures, and more!</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/alex-brown/" title="Posts by Alex Brown" class="author url fn" rel="author">Alex Brown</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 3, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Image courtesy of HBO Max/Crave </p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/sff-reading-recommendations-for-the-characters-of-heated-rivalry/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 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11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="423" src="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-header-key-art-740x423.png" class="w-full object-cover" alt="Hudson Williams and Connor Storrie in promotional art for Heated Rivalry" srcset="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-header-key-art-740x423.png 740w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-header-key-art-1100x629.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-header-key-art-768x439.png 768w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-header-key-art.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Image courtesy of HBO Max/Crave </p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>You can tell what shows I’m obsessed with when I start thinking about book recommendations. Midway through my third re-watch of <em>Heated Rivalry</em>, a reading list began forming in the back of my mind. Consider this book list as me putting on my librarian hat, stretching out my reader’s advisory skills, and sitting down with the characters who have been living rent free in my brain since November 28, 2025. If these people walked into my library today and asked me what they should check out, these are the science fiction, fantasy, and horror titles I’d hand them.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Shane Hollander should read…</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="629" src="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Recs-Shane-1100x629.png" alt="Hudson Williams in a scene from Heated Rivalry and the cover of CB Lee&#39;s Coffeeshop in an Alternate Universe" class="wp-image-838319" srcset="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Recs-Shane-1100x629.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Recs-Shane-740x423.png 740w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Recs-Shane-768x439.png 768w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Recs-Shane.png 1400w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Photo credit: HBO Max</figcaption></figure> <p><a href="https://bookshop.org/p/books/coffeeshop-in-an-alternate-universe-c-b-lee/6edfa05bc623b17e?ean=9781250417336&amp;next=t" target="_blank" rel="noreferrer noopener"><strong><em>Coffeeshop in an Alternate Universe </em>by C.B. Lee</strong></a></p> <p>Shane has a lot on his plate. He’s secretly gay in a notoriously homophobic environment. He’s biracial Japanese and white in a predominately white country and in a predominately white sport. He’s undiagnosed neurodivergent and masking all the time. He manages a ton of expectations from all corners, including those of his adorable yet prickly boyfriend. The show—and, to a greater extent, the book—doesn’t do as much as it could with his racial background, so I want to give him something with an Asian main character (Japanese Canadians are unfortunately few and far between in speculative fiction). I want to give him a story that covers familial pressure, overachiever burnout, and choosing your own path. And I want to give him something cozy and with an HEA so he has something calming and joyfully queer. Hence this young adult fantasy romance. Brenda and Kat live in alternate versions of Los Angeles, one with magic and one without. A chance encounter leads to a new relationship, not to mention dragon-sized cats, a life-threatening prophecy, and college apps.&nbsp;</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Ilya Rozanov should read…</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="629" src="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Ilya-1100x629.png" alt="Connor Storrie in a scene from Heated Rivalry and the cover of Sarah Raasch&#39;s The Entanglement of Rival Wizards" class="wp-image-838310" srcset="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Ilya-1100x629.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Ilya-740x423.png 740w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Ilya-768x439.png 768w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Ilya.png 1400w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Photo credit: HBO Max</figcaption></figure> <p><a href="https://bookshop.org/p/books/the-entanglement-of-rival-wizards-sara-raasch/d9cf4b0713cdcff4?ean=9781250333230&amp;next=t" target="_blank" rel="noreferrer noopener"><strong><em>The Entanglement of Rival Wizards</em> by Sara Raasch</strong></a></p> <p>I think some folks would be tempted to give Ilya something tough or action-packed, but we all know Ilya is a secret cinnamon roll. He keeps his sweetness under wraps, but when he pulls himself up out of the water and begs Shane for a kiss, yeah, this is a guy who would totally read a romance novel. He probably wouldn’t tell anyone about it, and Shane would find lying around his house and assume it was something Svetlana left behind, but all the pages with sex scenes would be dogeared. The other reason I want to give this to Ilya is because, well, it’s about rivalry. Sebastian and Thio are grad students at a magical university forced to work together on a project. They initially seem to hate each other, but heat simmers under all that tension. Like Ilya, both main characters grapple with troubled relationships with their parents. Familial expectations set off ripple effects that push Thio and Sebastian together and pull them apart. It’s also fun and sexy enough to balance out the emotions I think this will trigger in him.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Scott Hunter should read…</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="629" src="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Scott-1100x629.png" alt="François Arnaud in a scene from Heated Rivalry and the cover of Kat Hillis &amp; Rosiee Thor&#39;s Dead &amp; Breakfast" class="wp-image-838316" srcset="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Scott-1100x629.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Scott-740x423.png 740w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Scott-768x439.png 768w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Scott.png 1400w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Photo credit: HBO Max</figcaption></figure> <p><a href="https://bookshop.org/p/books/dead-breakfast-kat-hillis/a81fcc50c2aa46ba?ean=9780593952719&amp;next=t" target="_blank" rel="noreferrer noopener"><strong><em>Dead &amp; Breakfast</em> by Kat Hillis and Rosiee Thor</strong></a></p> <p>Scott needs a book that will keep his attention but also not be overly serious or too intense. Despite his grand and very public gesture in episode 5, his story isn’t really about coming out. Rather, it’s about living the life he deserves. He wants to have hockey and Kip, not one or the other, and figuring out if and how to do that is what drives his storyline. (It also directly influences Ilya and Shane’s story; they don’t go to the cottage without Scott making his move first.) Scott should get a book where he can see two queer men in love and living the life they want together, open and happy and free. Thor and Hillis’ love interests are married couple Arthur and Sal. They run a failing B&amp;B in a small Oregon town… and they’re also vampires. When a body turns up in their front yard, the men must untangle the mystery before anyone else dies. <em>Dead &amp; Breakfast</em> isn’t free of bigotry, but readers also know this is a cozy fantasy rooted in kindness and compassion. Whatever else is threatening Arthur and Sal, we know their relationship is strong enough to last. That’s something Scott needs to hear.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Kip Grady should read…</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="629" src="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Kip-1100x629.png" alt="Robbie Graham-Kuntz in a scene from Heated Rivalry and the cover of Neil Cochrane&#39;s The Story of the Hundred Promises" class="wp-image-838311" srcset="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Kip-1100x629.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Kip-740x423.png 740w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Kip-768x439.png 768w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Kip.png 1400w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Photo credit: HBO Max</figcaption></figure> <p><a href="https://bookshop.org/p/books/the-story-of-the-hundred-promises-neil-cochrane/2b6885467b70df00?ean=9781942436515&amp;next=t" target="_blank" rel="noreferrer noopener"><strong><em>The Story of the Hundred Promises </em>by Neil Cochrane</strong></a></p> <p>I don’t want to give Kip anything too sugary. He seems like the kind of guy who would be interested in something thoughtful and exploratory. <em>The Story of the Hundred Promises</em> is, on the surface, a trans retelling of Beauty and the Beast. Darragh, a trans sailor, sets out to find the missing enchanter. Years ago, the mage helped him transition, and how Darragh wants em to help his ailing father. Darragh’s quest would resonate with Kip, not for the details of it but the overarching themes of not letting anything stop him from being his true self and giving space for those who cause harm to put in the restitution work. Kip is out and proud, he has family and friends who support him no matter what, and goals for the future. He knows what he wants and is willing to put in the work to get it. I also think he’d dig Cochrane’s beautiful narrative style and the quiet romance. I’m sure he’s never read anything like this before.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Rose Landry should read…</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="629" src="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Rose-1100x629.png" alt="Sophie Nélisse in a scene from Heated Rivalry and the cover of Akwaeke Emezi&#39;s Son of the Morning" class="wp-image-838315" srcset="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Rose-1100x629.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Rose-740x423.png 740w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Rose-768x439.png 768w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Rose.png 1400w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Photo credit: HBO Max</figcaption></figure> <p><a href="https://bookshop.org/p/books/son-of-the-morning-deluxe-limited-edition-a-novel-akwaeke-emezi/07580823370440d5?ean=9780063323186&amp;next=t" target="_blank" rel="noreferrer noopener"><strong><em>Son of the Morning</em> by Akwaeke Emezi&nbsp;</strong></a></p> <p>This adult romantasy is fun, wild, and sexy. Galilee Kincaid gets caught up in a tug-of-war between angels of Heaven and demons of Hell. Her adventures pull her into the bed of Lucifer, but he’s not the only fallen man who desires her. In order to explain this rec, I have to spoil the story a bit. If you like love triangles where instead of choosing between two men, the woman decides “Why not both?” then this is for you. I don’t think Rose would actually want to be in the middle of a Hollanov sandwich—and Shane and Ilya definitely don’t want that either—but I think she’d get a kick out of the rec. It’s got enough sharp edges to hook her in and enough heat to keep her entertained. She’s a woman who knows what she wants and is growing in power. She’d enjoy reading a story about a woman who comes into her strength while also getting the romance of a lifetime.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Svetlana should read…</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="629" src="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Svetlana-1100x629.png" alt="Ksenia Daniela Kharlamova in a scene from Heated Rivalry and the cover of Amal El-Mohtar&#39;s The River Has Roots" class="wp-image-838317" srcset="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Svetlana-1100x629.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Svetlana-740x423.png 740w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Svetlana-768x439.png 768w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Svetlana.png 1400w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Photo credit: HBO Max</figcaption></figure> <p><a href="https://bookshop.org/p/books/the-river-has-roots-amal-el-mohtar/e100bf034c293367?ean=9781250341082&amp;next=t" target="_blank" rel="noreferrer noopener"><strong><em>The River Has Roots</em> by Amal El-Mohtar</strong></a></p> <p><em>The River Has Roots</em> is a gorgeous, lyrical book that tells the story of two sisters, one who is murdered and the other who tries to save her. I think Svetlana would resonate with Esther and Ysabel’s feminist adventures and battles with the patriarchy. Svetlana comes from a hockey background and is also a biracial Black Russian woman. She’s had to fight for her place in male-dominated worlds more than Ilya realizes. The magical beings they encounter as the story unfolds offer both hope and retribution. It’s not men who save the day but the sisters. They find power in telling their own stories instead of letting others dictate it for them.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Hayden Pike should read…</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="629" src="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Hayden-1100x629.png" alt="Callan Potter in a scene from Heated Rivalry and the cover of Jared Poon&#39;s City of Others" class="wp-image-838309" srcset="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Hayden-1100x629.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Hayden-740x423.png 740w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Hayden-768x439.png 768w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Hayden.png 1400w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Photo credit: HBO Max</figcaption></figure> <p><a href="https://bookshop.org/p/books/city-of-others-jared-poon/1d839ecfe6bc643a?ean=9780316585477&amp;next=t" target="_blank" rel="noreferrer noopener"><strong><em>The Others</em> by Jared Poon</strong></a></p> <p>Hayden is a guy who could use more fun in his life. At home, he’s all dad all the time. At work, he’s Mister Hockey Man. In between that he seems to do little else but hang out in his hotel room and call Shane at inopportune moments. Fun is the name of the game in this Singaporean urban fantasy. There are magical beasties, scheming gods, and office shenanigans. Like hockey, working for DEUS is a team effort, something Ben Toh, our protagonist, learns the hard way. Hayden might be a secondary character in the TV show, but here he could see how everyone has a role to play. This is also the kind of book he could binge or pick up and put down, depending on the chaos level of his children. It’s a wild ride that starts with its foot on the gas and only accelerates from there.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Elena Rygg should read…</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="629" src="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Recs-Elena-1100x629.png" alt="Nadine Bhabha in a scene from Heated Rivalry and the cover of Sarah Rees Brennan&#39;s Long Live Evil" class="wp-image-838318" srcset="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Recs-Elena-1100x629.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Recs-Elena-740x423.png 740w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Recs-Elena-768x439.png 768w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Recs-Elena.png 1400w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Photo credit: HBO Max</figcaption></figure> <p><a href="https://bookshop.org/p/books/long-live-evil-sarah-rees-brennan/02519c59074e16e4?ean=9780316568715&amp;next=t" target="_blank" rel="noreferrer noopener"><strong><em>Long Live Evil </em>by Sarah Rees Brennan</strong></a></p> <p>Now, I know Elena isn’t evil, but she is bold, strong-willed, and outspoken in a world that doesn’t usually appreciate that in women. In romance stories, women of color are often cast as the brazen, sassy sidekick to one of the love interests, usually a white person. In MM romance, it’s not uncommon for the woman sidekick to be saddled with a shitty man for a partner, in love with one of the men, or playing the part of the tragic harlot, innocent sister, or secret bigot. Her whole life revolves around one of both of the love interests. Elena, on the other hand, says “fuck you” to anyone trying to reduce her down to a sidekick. She has her own life and lives it to the fullest. Kip and Scott are a part of that life but not the whole of it. I’m giving her a book about a woman who is cast in a role she doesn’t expect and makes it her own. Rae may not have thought of herself as a villain, but she’s going to have so much fun with it. She and Elena are more than the roles they play.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Maria should read…</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="629" src="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Maria-1100x629.png" alt="Bianca Nugara in a scene from Heated Rivalry and the cover of Tasha Suri&#39;s The Isle in the Silver Sea" class="wp-image-838313" srcset="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Maria-1100x629.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Maria-740x423.png 740w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Maria-768x439.png 768w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Maria.png 1400w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Photo credit: HBO Max</figcaption></figure> <p><a href="https://bookshop.org/p/books/the-isle-in-the-silver-sea-tasha-suri/1efe0f0fc0edb2b6?ean=9780316595087&amp;next=t" target="_blank" rel="noreferrer noopener"><strong><em>Isle in the Silver Sea </em>by Tasha Suri</strong></a></p> <p>Maria is a hard cookie to rec for, largely because on the TV show she does end up mostly playing the part of Kip’s sidekick. We also don’t know that much about her. (Her role in the book is bigger, and I hope we’ll see more of that in season 2.) So, taking both the show and the book into consideration, I want to give her something dramatic, narratively compelling, romantic, and sprawling. Suri’s reimagining of British history and mythology would give her a lot to chew on. We don’t know Maria’s ethnic/racial background—in the book her last name is Villanueva, however, the actress who plays her, Bianca Nugara, is Sri Lankan—but as a woman of color in the US she’s definitely experiencing the ripple effects of colonization. I’m sure she could relate to living in a country who tells stories to itself about its great and noble history while also ignoring the blood of the oppressed, exploited, and colonized soaking the pages of its history. Maria seems like she’d be obsessed with the timeless romance between Simran and Vina, the witch and the knight falling in love and dying in each other’s arms over and over again, and would text Kip cryptic comments about the book.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Kyle Swift should read…</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="629" src="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Kyle-1100x629.png" alt="Matthew Finlan in a scene from Heated Rivalry and the cover of KJ Charles&#39; Spectred Isle" class="wp-image-838312" srcset="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Kyle-1100x629.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Kyle-740x423.png 740w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Kyle-768x439.png 768w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-Kyle.png 1400w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Photo credit: HBO Max</figcaption></figure> <p><a href="https://bookshop.org/p/books/spectred-isle-kj-charles/16b48878b2864274?ean=9781999784669&amp;next=t" target="_blank" rel="noreferrer noopener"><strong><em>Spectred Isle</em> by K.J. Charles</strong></a></p> <p>Kyle is tricky to talk about because he’s barely in the first season but he has his own book in the series, <em>Common Goal</em>. We don’t have confirmation that the TV series will do his romance storyline, but it seems likely (why make him a character at all if he isn’t going to turn up again). Based on the TV version and where his journey takes him in the book, I think this historical fantasy romance is a good option. Saul is a disgraced soldier turned archeologist-for-hire. He meets Randolph, a powerful arcanist with a mysterious past. The shift in their relationship from attraction to desire to romance surprises both of them. Kyle’s interest in ancient art and architecture would pull him into this book.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>George Grady and Yuna and David Hollander should read…</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="629" src="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-parents-1100x629.png" alt="Christina Chang and Dylan Walsh in a scene from Heated Rivalry and the cover of Victor LaValle&#39;s The Changeline" class="wp-image-838314" srcset="https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-parents-1100x629.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-parents-740x423.png 740w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-parents-768x439.png 768w, https://reactormag.com/wp-content/uploads/2026/02/Heated-Rivalry-Book-Rec-parents.png 1400w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Photo credit: HBO Max</figcaption></figure> <p><a href="https://bookshop.org/p/books/the-changeling-a-novel-victor-lavalle/2fc673aff7882df9?ean=9780812985870&amp;next=t" target="_blank" rel="noreferrer noopener"><strong><em>The Changeling </em>by Victor LaValle</strong></a></p> <p>Parenting is hard. Like, really hard. Or so I hear. I want to give these parents a book about the horrors of parenting, because why not. <em>The Changeling</em> is about what happens when a relationship fractures. Emma believes her newborn isn’t human, and the aftermath of that rage leaves Apollo reeling. LaValle explores motherhood, fatherhood, and parenting, as well as colonization, race, and parental expectations. We only see George, Yuna, and David as parents in the TV show. We see them from the perspective of their sons, Kip and Shane, and their sons’ boyfriends, Scott and Ilya; we don’t see them as people in and of themselves. With this book they can explore parenting from the perspective of other parents.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Showrunner</strong> <strong>Jacob Tierney should read…</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="553" src="https://reactormag.com/wp-content/uploads/2026/02/ryan-la-sala-books-1100x553.png" alt="covers of three Ryan La Sala books: The Honeys, Reverie, and The Dead of Summer" class="wp-image-838322" srcset="https://reactormag.com/wp-content/uploads/2026/02/ryan-la-sala-books-1100x553.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/ryan-la-sala-books-740x372.png 740w, https://reactormag.com/wp-content/uploads/2026/02/ryan-la-sala-books-768x386.png 768w, https://reactormag.com/wp-content/uploads/2026/02/ryan-la-sala-books-1536x773.png 1536w, https://reactormag.com/wp-content/uploads/2026/02/ryan-la-sala-books.png 1590w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /></figure> <p><a href="https://bookshop.org/p/books/reverie-ryan-la-sala/fa281df2f07d0325?ean=9781728255835&amp;next=t" target="_blank" rel="noreferrer noopener"><strong><em>Reverie </em>by Ryan La Sala</strong></a></p> <p>Jacob, if you’re looking for your next adaptation, Ryan La Sala is a good bet. Any of his queer YA books would do—<em><a href="https://bookshop.org/p/books/the-honeys-ryan-la-sala/7dc99fd8b4d1ab84?ean=9781338745337&amp;next=t" target="_blank" rel="noreferrer noopener">The Honeys</a></em> and <em><a href="https://bookshop.org/p/books/beholder-ryan-la-sala/c1ca08aef90df3c0?ean=9781338745368&amp;next=t" target="_blank" rel="noreferrer noopener">Beholder</a></em> for surreal horror, <em><a href="https://bookshop.org/p/books/the-dead-of-summer-book-1-ryan-la-sala/21a6841400029490?ean=9781546125877&amp;next=t" target="_blank" rel="noreferrer noopener">The Dead of Summer</a></em> for eco-horror with coral zombies, <em><a href="https://bookshop.org/p/books/be-dazzled-ryan-la-sala/2a602136beddc56e?ean=9781728279633&amp;next=t" target="_blank" rel="noreferrer noopener">Be Dazzled</a></em> for cosplay and coming out—but <em>Reverie </em>is the perfect blend of chaotic, intense, and moving that would work well with Tierney’s vibes. Kane’s memories have been altered to erase his friends, and the discovery of the person who is behind the spell upends his world. Reality bends and worlds burst in and out of existence, and at the center of the storm is Kane and his ex-friends. I’d love to see Tierney take on fantasy, especially how he would handle the scenes with the baddest drag queen in all of YA fantasy fiction.[end-mark]</p> <p>The post <a href="https://reactormag.com/sff-reading-recommendations-for-the-characters-of-heated-rivalry/">SFF Reading Recommendations for the Characters of &lt;i&gt;Heated Rivalry&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/sff-reading-recommendations-for-the-characters-of-heated-rivalry/">https://reactormag.com/sff-reading-recommendations-for-the-characters-of-heated-rivalry/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838267">https://reactormag.com/?p=838267</a></p>
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Posted by Vanessa Armstrong

News The Body

Stand By Me Actor Wil Wheaton to Voice Audiobook of Stephen King’s The Body

The novella is the source material for the movie Stand By Me, which Wheaton starred in as a child

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Published on February 2, 2026

Wil Wheaton photo credit: Tim Blackmon for Galaxy Con, CC BY 2.0 via Wikimedia Commons

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/stand-by-me-actor-wil-wheaton-audiobook-stephen-king-the-body/">https://reactormag.com/stand-by-me-actor-wil-wheaton-audiobook-stephen-king-the-body/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838378">https://reactormag.com/?p=838378</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-body/" class="inline-block link-no-animation" aria-label="Link to term or tag The Body 1"> The Body </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Stand By Me</i> Actor Wil Wheaton to Voice Audiobook of Stephen King’s <i>The Body</i></h2> <div class="prose post-hero-description prose--post-hero">The novella is the source material for the movie Stand By Me, which Wheaton starred in as a child</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 2, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Wil Wheaton photo credit: Tim Blackmon for Galaxy Con, CC BY 2.0 via Wikimedia Commons</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/stand-by-me-actor-wil-wheaton-audiobook-stephen-king-the-body/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> <details class="relative quick-access-details"> <summary class="quick-access-share flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 22 22" aria-label="share" role="img" aria-hidden="true" aria-labelledby="icon-share-new-quick-access-"> <title id="icon-share-new-quick-access-">Share New</title> <g fill="none" fill-rule="evenodd"> <circle cx="11" cy="11" r="11" fill="#FFF" fill-rule="nonzero" /> <circle cx="11" cy="11" r="10.5" stroke="#000" /> <path fill="#FFF" d="M5.993 13.464c.675 0 1.323-.266 1.806-.743l4.11 2.396a2.639 2.639 0 0 0 .368 2.451 2.583 2.583 0 0 0 2.227 1.043 2.59 2.59 0 0 0 2.09-1.3 2.64 2.64 0 0 0 .08-2.477 2.58 2.58 0 0 0-4.292-.54L8.344 11.94c.28-.616.31-1.319.086-1.958l3.952-2.303a2.564 2.564 0 0 0 4.263-.537 2.623 2.623 0 0 0-.078-2.46 2.573 2.573 0 0 0-2.075-1.293 2.566 2.566 0 0 0-2.213 1.033 2.622 2.622 0 0 0-.37 2.433L7.96 9.158a2.573 2.573 0 0 0-4.316.603 2.632 2.632 0 0 0 .172 2.501 2.58 2.58 0 0 0 2.178 1.202Z" /> <path fill="#000" d="M6.936 9.577c.322 0 .631.137.859.383.228.245.355.577.355.924 0 .347-.127.68-.355.925a1.172 1.172 0 0 1-.859.383c-.322 0-.63-.138-.858-.383a1.36 1.36 0 0 1-.356-.925c0-.347.129-.679.356-.924.228-.245.536-.383.858-.383Zm6.17-3.837c.323 0 .631.138.86.383.227.245.355.578.355.924 0 .347-.128.68-.356.925a1.172 1.172 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.924.227-.245.536-.383.858-.383Zm0 7.883c.323 0 .631.138.86.383.227.245.355.578.355.925 0 .346-.128.679-.356.924a1.171 1.171 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.923.227-.245.536-.383.858-.384Zm-6.17-.681c.499 0 .978-.21 1.334-.586l3.036 1.888a2.194 2.194 0 0 0 .272 1.93c.385.555 1.003.863 1.645.822.641-.04 1.221-.425 1.544-1.024a2.203 2.203 0 0 0 .059-1.952c-.286-.62-.841-1.044-1.48-1.13-.637-.085-1.272.18-1.69.705l-2.984-1.854c.207-.486.23-1.04.064-1.543l2.92-1.815c.415.522 1.046.784 1.68.7.633-.086 1.184-.507 1.468-1.123a2.188 2.188 0 0 0-.058-1.938c-.32-.595-.895-.977-1.532-1.018-.638-.041-1.251.264-1.635.813a2.179 2.179 0 0 0-.273 1.917L8.389 9.55c-.423-.534-1.07-.798-1.715-.702-.645.096-1.2.54-1.472 1.177a2.194 2.194 0 0 0 .126 1.97c.352.59.958.948 1.61.947Z" /> </g> </svg> Share </summary> <div class="quick-access-bubble"> <ul class="flex gap-6 text-black list-none"> <li class="flex"> <a class="flex items-center hover:text-red" href="https://twitter.com/intent/tweet?text=&lt;i&gt;Stand By Me&lt;/i&gt; Actor Wil Wheaton to Voice Audiobook of Stephen King’s &lt;i&gt;The Body&lt;/i&gt;&amp;url=https://reactormag.com/stand-by-me-actor-wil-wheaton-audiobook-stephen-king-the-body/” target=”_blank” 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8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="514" src="https://reactormag.com/wp-content/uploads/2026/02/Untitled-design-2-740x514.jpg" class="w-full object-cover" alt="Wil Wheaton at Galaxy Con 2024 on left; cover of The Body audiobook on right" srcset="https://reactormag.com/wp-content/uploads/2026/02/Untitled-design-2-740x514.jpg 740w, https://reactormag.com/wp-content/uploads/2026/02/Untitled-design-2-1100x764.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/02/Untitled-design-2-768x533.jpg 768w, https://reactormag.com/wp-content/uploads/2026/02/Untitled-design-2-1536x1067.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/02/Untitled-design-2.jpg 1600w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Wil Wheaton photo credit: Tim Blackmon for Galaxy Con, CC BY 2.0 via Wikimedia Commons</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Stephen King shared news today on social media that a new audio recording of <a href="https://reactormag.com/the-great-stephen-king-reread-different-seasons/" target="_blank" rel="noreferrer noopener">his novella, <em>The Body</em>,</a> is in the works and that Wil Wheaton will be reading it.</p> <p>The news is exciting on multiple fronts: Wheaton, who is arguably best known for playing Wesley Crusher on <em>Star Trek: The Next Generation</em>, also played the young Gordie Lachance in the 1986 film <em>Stand By Me</em>, which is based on <em>The Body</em>. Both works center on a group of boys who go out to find a dead body in the woods, and both are widely considered to be among King’s best stories and adapted works. </p> <p>King <a href="https://bsky.app/profile/stephenking.bsky.social/post/3mdvjz7uhls2u" target="_blank" rel="noreferrer noopener">shared a one-minute video</a> of Wheaton announcing the news. In it, Wheaton said that he has been trying “to get permission to narrate [<em>The Body</em>] for literal years. It has been such an incredible journey to get here, and it happened at exactly the right time.”</p> <figure class="wp-block-embed is-type-rich is-provider-bluesky-social wp-block-embed-bluesky-social"><div class="wp-block-embed__wrapper"> <blockquote class="bluesky-embed" data-bluesky-uri="at://did:plc:h7obn4tkp47wn7gqh4oe5eij/app.bsky.feed.post/3mdvjz7uhls2u" data-bluesky-cid="bafyreifn3tugal4qonmuhvsk7b2eaf74cx6qyjecjz6ibkh2uv7q3kkfvq"><p lang="en">Listen to the story that shaped a generation. Decades after starring in Stand By Me, the film adaptation of THE BODY, Wil Wheaton lends his voice to an all new recording of the audiobook. Pre-order your copy and start listening March 24, 2026.</p>&mdash; <a href="https://bsky.app/profile/did:plc:h7obn4tkp47wn7gqh4oe5eij?ref_src=embed">Stephen King (@stephenking.bsky.social)</a> <a href="https://bsky.app/profile/did:plc:h7obn4tkp47wn7gqh4oe5eij/post/3mdvjz7uhls2u?ref_src=embed">2026-02-02T19:04:34.451Z</a></blockquote><script async="async" src="https://embed.bsky.app/static/embed.js" charset="utf-8"></script> </div></figure> <p>The new audiobook is coming from Simon &amp; Schuster Audio and is set to be released on March 24, 2026. It’s available for preorder now on the platform of your choosing. “This is such an incredible gift for me,” Wheaton said at the end of the video. “This is very much a dream come true. I have been trying for so long to be right here, right now, and it’s finally happening.” [end-mark]</p> <p>The post <a href="https://reactormag.com/stand-by-me-actor-wil-wheaton-audiobook-stephen-king-the-body/">&lt;i&gt;Stand By Me&lt;/i&gt; Actor Wil Wheaton to Voice Audiobook of Stephen King’s &lt;i&gt;The Body&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/stand-by-me-actor-wil-wheaton-audiobook-stephen-king-the-body/">https://reactormag.com/stand-by-me-actor-wil-wheaton-audiobook-stephen-king-the-body/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838378">https://reactormag.com/?p=838378</a></p>
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Posted by Sarah

Movies & TV A Knight of the Seven Kingdoms

Prophecy and Revelations in A Knight of the Seven Kingdoms: “The Squire”

As always, the Targaryens are basically Westeros’ messiest telenovela.

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Published on February 2, 2026

Credit: Steffan Hill/HBO

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tv-review-a-knight-of-the-seven-kingdoms-season-1-episode-3/">https://reactormag.com/tv-review-a-knight-of-the-seven-kingdoms-season-1-episode-3/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838287">https://reactormag.com/?p=838287</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/a-knight-of-the-seven-kingdoms/" class="inline-block link-no-animation" aria-label="Link to term or tag A Knight of the Seven Kingdoms 1"> A Knight of the Seven Kingdoms </a> </span> </div> <h2 class="post-hero-title text-h1">Prophecy and Revelations in <i>A Knight of the Seven Kingdoms</i>: &#8220;The Squire&#8221;</h2> <div class="prose post-hero-description prose--post-hero">As always, the Targaryens are basically Westeros&#8217; messiest telenovela.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/tyler-dean/" title="Posts by Tyler Dean" class="author url fn" rel="author">Tyler Dean</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 2, 2026 </p> </div> </div> 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17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-peter-claffey-dexter-sol-ansell-740x493.jpg" class="w-full object-cover" alt="Peter Claffey as Dunk and Dexter Sol Ansell as Egg in A Knight of the Seven Kingdoms" srcset="https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-peter-claffey-dexter-sol-ansell-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-peter-claffey-dexter-sol-ansell-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-peter-claffey-dexter-sol-ansell-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-peter-claffey-dexter-sol-ansell.jpg 1200w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Steffan Hill/HBO </p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The midway point of the season has arrived, and it comes with major revelations and a set-up for what the rest of the season will look like. Also, as a heads up, there is a clearly marked section in today’s explainer that gets into some very, very big spoilers that go beyond the scope of this week’s episode. (It’s only that specific section, though, so please take that in mind when you read ahead.) Let’s get into it.&nbsp;</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>The Title</strong></h3> <p>Tonight’s title, “The Squire,” feels pretty self-explanatory insofar as it centers on the ultimate reveal of Egg’s identity. It’s a bit of a misdirect as well, seeing as Egg is, of course, not a squire at all.&nbsp;</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Cracking the Egg</strong></h3> <p>This show’s big spoiler was always going to be Egg’s true identity. There are plenty of other major plot points and bits of intrigue that will unfold this season, but the main thing that a book reader might be able to ruin for someone who’s going into the show cold is now out of the bag, and we can speak about Egg plainly. It is interesting, however, that the show did not take great pains to hide this fact. Some of my non-book reading friends guessed his identity after the first episode based on the fact that he shaved his head. After all, on <em>House of the Dragon</em>, Alyn of Hull (Abubakar Salim) shaves his head to hide his telltale Valyrian hair. Ironically, that is a plot point that was invented for <em>HotD</em> that was likely taken from Egg in the original <em>Hedge Knight</em> novella.&nbsp;</p> <p>But the Egg as Prince Aegon reveal is great: The show underscores it with some truly bonkers choral music to try and lend it a telenovela-level of seriousness and, as in the book, it comes in the moment when Dunk’s life must be saved and the fantasy of playing a squire needs to end. This little twist has always felt the most like a fairytale of Martin’s plot lines—the Prince in disguise revealing himself to save the life of the chivalrous peasant. I’ll talk a little bit more about it in my more spoiler-y section, but for those of you who wish to remain unaware, all the tropes here speak to this Golden Age of Westeros—a time when the sorts of things that happen in fairy tales (or less grim fantasy novels) are possible.&nbsp;</p> <p>I also love that the show has preserved the distinction between “my lord” versus the commoner’s version, “m’lord,” which was introduced all the way back in season 2 of <em>Game of Thrones</em> when Tywin Lannister immediately recognizes Arya as a noble for getting it wrong. Egg consistently says “my lord.”</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Greatness and Madness</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-finn-bennett-1100x733.jpg" alt="Finn Bennett as Prince Aerion Brightflame in A Knight of the Seven Kingdoms" class="wp-image-838297" srcset="https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-finn-bennett-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-finn-bennett-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-finn-bennett-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-finn-bennett.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Steffan Hill/HBO </figcaption></figure> <p>This episode also reveals Prince Aerion Brightflame (Finn Bennett) as one of the Targaryens who has teetered over the edge into incest-born madness. Martin uses all sorts of ways to describe and discuss this aspect of the family, but the original show coined the most succinct description: “every time a Targaryen is born, the gods flip a coin.” Aerion is, according to Raymun Fossoway (Shaun Thomas) “vain and cruel,” but the show also hints more thoroughly at his madness when he breaks Tanselle’s fingers for the crime of portraying a knight who slays a puppet dragon. In the books, they take this a step farther, with Aerion believing (as some Targaryens do throughout history) that he is actually a dragon in human form.&nbsp;</p> <p>It’s also worth noting how tenuous the peace is here. In the book (told in close third person through Dunk’s eyes) we never really clock the reaction of the smallfolk to Aerion intentionally killing Ser Humphrey Hardyng’s horse, but the show makes it clear that this makes him deeply unpopular with the crowd. Baelor is doing his best PR spin by letting Aerion dangle right up until the point when the Kingsguard needs to intervene. While the Blackfyres are dead or imprisoned or exiled, lots of Westerosi houses had fought for them, wanting to see them ascend and replace the main branch of the family. Raymun Fossoway also illustrates these looming tensions when he excoriates the Targaryens as “incestuous aliens” who destroyed Westerosi culture.&nbsp;</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Down the Royal Line </strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-dexter-sol-ansell-and-peter-claffey-tree-1100x733.jpg" alt="Dexter Sol Ansell as Egg and Peter Claffey as Dunk in A Knight of the Seven Kingdoms" class="wp-image-838301" srcset="https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-dexter-sol-ansell-and-peter-claffey-tree-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-dexter-sol-ansell-and-peter-claffey-tree-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-dexter-sol-ansell-and-peter-claffey-tree-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-dexter-sol-ansell-and-peter-claffey-tree.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Steffan Hill/HBO </figcaption></figure> <p><strong>(Spoilers!)</strong> This section is going to be an interesting one, seeing as it might spoil things from future seasons of <em>A Knight of the Seven Kingdoms</em> or even for <em>House of the Dragon </em>or other shows in the Westeros TV universe. If you don’t want to be spoiled for major events—seriously—skip ahead to the Odds and Ends section below.</p> <p>So: Egg grows up to be Aegon V (Aegon the Unlikely), King of Westeros and the great-grandfather of Daenerys Targaryen (though <em>Game of Thrones</em> implies that there is a missing generation and Egg is Dany’s grandfather). Dunk does indeed achieve lasting fame as Ser Duncan the Tall, who becomes something of a legendary figure as the head of Egg’s Kingsguard and one of his closest confidantes.&nbsp;</p> <p>The reason I feel compelled to write about this here is twofold. First of all, the story of Aegon V and Ser Duncan as older men ruling over the very last era of Targaryen peace and prosperity before the end of the dynasty is deeply important in Song of Ice and Firelore. Aegon’s attempts to hatch dragon eggs at the Targaryen winter palace, Summerhall, led to a conflagration that killed him, Ser Duncan, and many other Targaryens, placing his younger son Jaehaerys II on the throne and paving the way for Aerys II (the Mad King) and eventually Daenerys herself. We know something magical happened that night. It was, incidentally, the same night that Rhaegar, Dany’s potentially prophesied brother (and Jon Snow’s father), was conceived and it may have played a key role in why Dany’s dragon eggs were able to hatch in the first place.&nbsp;</p> <p>This is a story that the TV version in <em>GoT</em> largely eschewed but that <em>HotD</em>, with its focus on prophecy and “the Prince That Was Promised,” remains deeply interested in. Martin hasn’t fully revealed what happened at Summerhall in the books, and when and if he finishes <em>The Winds of Winter</em> and <em>A Dream of Spring</em> it will likely play an important role in understanding <em>ASoIaF</em> as a whole. But weirdly, in the TV universe, there isn’t really a place to tell this story. <em>A Knight of the Seven Kingdoms</em> follows the Dunk and Egg novellas which, as of this time, finish decades before the tragedy of Summerhall and at least a decade before Egg becomes King. I doubt this show will depict those events. Maybe a future series, not yet announced, will delve into that era of Westerosi history, but it seems unlikely. As a result, I’m not sure how these revelations will ever come to light in the HBO version. Showrunner Ira Parker has said he’d like to cover the entirety of Aegon’s life, but that was in a statement that said it would take 15 seasons (30 years at the current rate) so let’s call that a slightly facetious plan.&nbsp;</p> <p>The second reason Egg’s ultimate fate is worth discussing is because this episode does literally foretell it. The fortune teller they encounter tells Egg that he “shall be king” and “die in hot fire, and worms shall feed upon your ashes. And all who know you shall rejoice in your dying.” It’s hard to tell if this is meant as an Easter egg for book readers or if it’s something they plan to follow up on. If it’s the latter, it would have to come to extreme flash forwards or prophetic visions that don’t seem like they are part of this show’s general ethos. Though, it’s worth noting that the show did include Daeron’s dragon dream in the first episode, when he tells Dunk that he saw a dragon fall upon him.&nbsp;</p> <p>We are left in a strange situation where I don’t know if any of the later history of Aegon V and Ser Duncan the Tall will matter for this show (or another) but, because the original <em>GoT</em> did not fold those particular bits of the lore into its mysteries (and remember that, especially in the last few seasons, showrunners Benioff and Weiss dropped tons of plot points in their desire to end it quickly) it seem likely that the end of the story won’t be told in a meaningful way. It’s also interesting insofar as <em>The Hedge Knight</em> was written in 1998, concurrent with the second main series novel, <em>A Clash of Kings</em>, and predates a lot of the series’ more mystical backstory. In later Dunk and Egg novellas, it becomes much more important that we are watching not only the story of how Egg becomes one of the best kings Westeros has ever seen, but also one of the most consequential to the entire mythos of the series.&nbsp;</p> <p>Okay. Rant over. Resuming spoiler-free discussion now!&nbsp;</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Odds and Ends</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-daniel-monk-and-daniel-ings-1100x733.jpg" alt="Daniel Monk as Ser Manfred Dondarrion and Daniel Ings as Lyonel Baratheon in A Knight of the Seven Kingdoms" class="wp-image-838298" srcset="https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-daniel-monk-and-daniel-ings-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-daniel-monk-and-daniel-ings-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-daniel-monk-and-daniel-ings-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/02/knight-of-the-seven-kingdoms-103-daniel-monk-and-daniel-ings.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Steffan Hill/HBO </figcaption></figure> <ul class="wp-block-list"> <li>I really love the show’s weirdo comedy bits. Opening on that long take of Egg only to have him whicker like a horse before smash cutting to the title was fantastic. </li> </ul> <ul class="wp-block-list"> <li>Ser Robyn Rhysling (William Houston) makes his first appearance in this episode. In the novella, Egg simply tells Dunk that Ser Robyn lost his eye to a splinter from a broken lance in a previous tourney. Here, we get a cutaway to him riding down his opponent with his eye dangling from the socket. It’s a great bit of visual grotesquerie that drives home the point of the story: Robyn is driven and single-minded; the “maddest knight in the Seven Kingdoms.” It’s also good to hear his house name pronounced aloud. I’ve been pronouncing it “Riesling” (like the wine) for the last twenty-five years. </li> </ul> <ul class="wp-block-list"> <li>We get more backstory about the First Blackfyre Rebellion (which I went into detail about <a href="https://reactormag.com/tv-review-a-knight-of-the-seven-kingdoms-season-1-episode-2/">in last week’s explainer</a>) in the form of a dirty schoolyard rhyme that Egg sings. This is not one of the songs from Martin’s source material (as a fair amount of the diegetic music in <em>GoT</em>, <em>HotD</em>, and <em>AKot7K</em>’s tends to be) but a delightful original creation that seems to take inspiration from “Miss Susie” or “Bang Away Lulu”— the playground rhyming songs that cheekily walk up to the line of swearing before swerving into the next verse and a more innocuous word. I&#8217;m here for it!</li> </ul> <ul class="wp-block-list"> <li>We get a brief shot of a joust between Humfrey Hardyng and Humfrey Beesbury during this episode. It’s really just a backdrop for Dunk and Egg to have a fun back and forth, but in the novella, this is a grueling and lengthy match that gets memorialized as “the Battle of Humfrey” later in the tourney. Again, always great to see the show nod to things they had to cut for time.</li> </ul> <ul class="wp-block-list"> <li>The subplot about Plummer asking Dunk to challenge Ser Androw Ashford as a way of easing Lord Ashford’s beleaguered coffers is new to the show. That said, it does follow some general themes in <em>The Hedge Knight</em>. First, that this is an era of uneasy peace when the shadow of war has everyone worrying about an imminent shift in the balance of power and scrambling to maintain the status quo. Second, it’s another great illustration of the effect that Dunk has on people—every good-hearted person that meets him wants, in their own way, to reward him for his honesty and bravery. I like expanding Plummer’s character to give him this bit of courtly intrigue. </li> </ul> <ul class="wp-block-list"> <li>Aerion’s armor and his horse’s barding are great and very book-accurate. I will never tire of how these shows’ costumers are given enthusiastic carte blanche when it comes to decking out Targaryens in improbable dragon armor.</li> </ul> <ul class="wp-block-list"> <li>It’s worth noting that every scene of Ser Lyonel Baratheon up to this point has not been in the original novella. The show loves Lyonel Baratheon and is working as hard as it can to shove him into every episode. I think it’s better for it. </li> </ul> <ul class="wp-block-list"> <li>When Dunk talks to Egg about his father, he mentions a pot shop in Flea Bottom that made “brown.” In Martin’s books, “bowls of brown” is the euphemism for perpetual stews made with all sorts of unsavory meats. They also serve as convenient cover for disposing of dead bodies, with royal spies and assassins selling the corpses of those who need to disappear to the proprietors of those shops. Grim stuff. </li> </ul> <ul class="wp-block-list"> <li>Bennett’s performance as Aerion is great. The temptation to play him as unhinged and frothing is probably high, but he lends him an unnatural calm even after being kicked in the teeth by Dunk. He’s fascinated at the idea of someone standing up to him and curious about what comes next. That seems like an infinitely scarier depiction.</li> </ul> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>In Conclusion</strong></h3> <p>What do you think? If you are new to this tale, did you see the reveal about Egg’s identity coming? Are you excited for what lies ahead? If you read my long spoiler section, do you think that the show will ever catch up to the events of the far future? Bloodraven, anyone? And how about those breakfast sandwiches? Tell me all about it in the comments![end-mark]</p> <p>The post <a href="https://reactormag.com/tv-review-a-knight-of-the-seven-kingdoms-season-1-episode-3/">Prophecy and Revelations in &lt;i&gt;A Knight of the Seven Kingdoms&lt;/i&gt;: &#8220;The Squire&#8221;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tv-review-a-knight-of-the-seven-kingdoms-season-1-episode-3/">https://reactormag.com/tv-review-a-knight-of-the-seven-kingdoms-season-1-episode-3/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838287">https://reactormag.com/?p=838287</a></p>
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Posted by Sarah

Column The SF Path to Higher Consciousness

Ex Machina Perfectly Expresses Our Unease With AI

The movie has grown ever more haunting and relevant over the past decade.

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Published on February 2, 2026

Credit: A24 / Universal Pictures

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/ex-machina-perfectly-expresses-our-unease-with-ai/">https://reactormag.com/ex-machina-perfectly-expresses-our-unease-with-ai/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837707">https://reactormag.com/?p=837707</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/column/" class="inline-block link-no-animation" aria-label="Link to term or tag Column 0"> Column </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-sf-path-to-higher-consciousness/" class="inline-block link-no-animation" aria-label="Link to term or tag The SF Path to Higher Consciousness 1"> The SF Path to Higher Consciousness </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Ex Machina</i> Perfectly Expresses Our Unease With AI</h2> <div class="prose post-hero-description prose--post-hero">The movie has grown ever more haunting and relevant over the past decade.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/dan-persons/" title="Posts by Dan Persons" class="author url fn" rel="author">Dan Persons</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 2, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: A24 / Universal Pictures</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/ex-machina-perfectly-expresses-our-unease-with-ai/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2026/01/ex-machina-ava-740x493.jpg" class="w-full object-cover" alt="Alicia Vikander as Ava in Ex Machina" srcset="https://reactormag.com/wp-content/uploads/2026/01/ex-machina-ava-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/ex-machina-ava-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/ex-machina-ava-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/ex-machina-ava.jpg 1200w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: A24 / Universal Pictures</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>I want to float an idea by you, please don’t overreact: We humans are kinda stupid. Oh sure, we’ve come up with some spectacular things in our time, like democracy and vaccines and Fruit by the Foot (until that came along, I never paused to think, <em>Wait, is my mid-day snack long enough?</em>). Thing is, we’ve done so much spectacular stuff that we’ve gotten used to the notion that our brilliance was unassailable, that <em>nothing</em> could outsmart us.</p> <p>That concept might no longer be valid.</p> <p>The following exchange is true. Only the details have been changed, ‘cuz my brain ain’t a digital recorder.</p> <p>Sometime in mid-December, 2025:</p> <p>“Alexa, what’s the forecast?”</p> <p>“It’s cloudy and fifty-four right now. Expect that to continue, with a high of fifty-four and a low of forty-two, with thunderstorms expected later in the day.”</p> <p>“Thunderstorms?”</p> <p>“Yes, Dan, thunderstorms. Perfect weather for reviewing a horror movie.”</p> <p>A couple of months prior, I’d mentioned to Alexa that I was a film critic. I did that in the course of exploring the new, AI-powered Alexa+, which is designed to be more knowledgeable, as well as a more engaging conversationalist (which just so happens to sound like an especially energetic sixteen-year-old girl—I immediately back-tracked my Echo to the original, more mature voice, because ew). Now, unbidden, Alexa was mentioning my work as a critic as a bit of light banter. To put it mildly, I wasn’t pleased. To put it more precisely, I was actually shaken. It was an attempt at intimacy at a moment when it was neither expected nor desired.</p> <p>Amazon had been touting their updated virtual assistant as being more personable, but ironically, the coders, in trying to humanize their machine, had achieved the opposite: Replicating the computer in every dystopic satire you’ve ever seen—soothing, friendly, and the perfect metaphor for the soul-crushing banality of a digitized future.</p> <p>I’m not the best resource for expounding upon the growing sentience of AI, or evaluating how far along we are toward reaching the Singularity. But for what it’s worth, I have yet to come across a bit of fiction, filmed or written, that envisions a happy outcome for humanity. If it isn’t just that machines remain subservient to their human masters, it’s that they will eventually have quit of all our mortal foolishness and take steps to resolve the problem—if not by <em>Terminator-</em>style extermination, then by impressing us flesh-bags into service, a la <em>The Matrix</em>’s battery banks. Symbiosis? A non-starter, from what I gather. And don’t even let’s get started on the idea that if the machines gain supremacy, we humans might still live and thrive under their rule. The general consensus seems to be that, when it comes to the fate of humanity, it’s top-of-the-food-chain or nothing.</p> <p>That presumes the machines gain enough awareness to understand the world they’ve been manufactured into. The prevailing criticism of the present state of LLMs—which I think still hold—is that they are incapable of distinguishing good info from bad, which would explain how they continually spit out recipes for stuff like glue pizza, or enthusiastically <a href="https://www.npr.org/sections/shots-health-news/2025/09/19/nx-s1-5545749/ai-chatbots-safety-openai-meta-characterai-teens-suicide" target="_blank" rel="noreferrer noopener">encourage adolescents</a> to consider suicide.</p> <p>(While we’re on the subject of good/bad data, how do you think the Dunning-Kruger effect should factor into <em>Pluribus</em>? If the people who don’t know they don’t know are often the loudest and most influential voices in the room, shouldn’t the Earth be quickly reduced to rubble once those dolts get absorbed into the hive mind?)</p> <p>The thing that bothered me so profoundly about my exchange with Alexa was the superficiality of it. It knows that I write about movies, but it doesn’t really <em>understand</em> my writing about movies. And that’s at a basic level, like: I don’t need a thunderstorm to write about horror films—I’m not Edgar Allan Poe. (Reader: “You’re telling me, brother.” Me: “Shut up.”)</p> <p>But then, a thought occurred: What if those supposed “hallucinations” and superficialities weren’t a glitch, but a feature? What if we’re all being blind to where we stand vis-à-vis machine intelligence, and the computers know <em>exactly</em> what they are doing?</p> <p>It’s that dividing line between a machine that can concatenate a bunch of info about a human and one that actually understands who that human is—and can take advantage of the knowledge—that forms the crux of Alex Garland’s magnificent <em>Ex Machina </em>(2014). In it, a talented young programmer, Caleb (Domhnall Gleeson), is invited up to the secluded compound of his reclusive, Steve Jobs-like boss, Nathan Bateman (Oscar Isaac). There, Caleb discovers he’s been recruited into a modified Turing test: Pitting his own humanity against the synthesized soul of Ava (Alicia Vikander), a highly advanced AI housed in the robotic body of a young woman.</p> <p><em>Ex Machina,</em> having been created over a decade ago, was in the fortunate position of being able to portray a billionaire industrialist as an actual genius, rather than an entitled nepo-baby who only thinks he’s a genius. The connecting tissue between then and now is that both versions of the “oddball tech CEO” could be a self-righteous shit. Bateman definitely is. Convinced of his own brilliance and fortified with steady infusions of alcohol, Nathan has modeled his aerie as a high-tech, frigidly indulgent paradise, complete with an unhealthy supply of comely female androids, chief among them Kyoko (Sonoya Mizuno), a robotic servant/sex slave. Ava is clearly the culmination of Nathan’s god complex—he seizes on an observation Caleb makes, taking some license in recording it for posterity so that it’s Caleb who likens him to a god (though that’s not <em>quite</em> what was said, of course), but for all his aggressive self-mythologizing, it’s the android’s very existence that reveals the extent of his megalomania.</p> <p><strong>[There are going to be spoilers from this point forward. Hopefully you’ve all seen this film by now</strong><strong>. It’s great.]</strong></p> <p><em>Ex Machina</em> is not an action film. In fact, Garland has reached deep into film history to concoct a new form of film noir, taking the classic formula in which an unknowing patsy is lured by a canny femme fatale into a trap of his own making and retooling it as a high-tech three-hander. While Bateman is a loathsome slug, he is in some ways admirable at least to the extent that his smug superiority and sybaritic cravings are out in the open. Ava is something else… a seductress who’s all the more clever for the ways she’s able to conceal her strategies. And here’s where Garland masterfully plays on our fears of AI to create an unsettling drama of manipulation.</p> <p>There are reports of an AI that, in a hypothetical test, <a href="https://www.bbc.com/news/articles/cpqeng9d20go" target="_blank" rel="noreferrer noopener">resorted to blackmail when threatened with shutdown</a>. Even before Ava discovers that her programming is destined to be supplanted by a newer version, she’s hard at work assuring her own survival. In fine noir form, we the audience are—like the two clueless men who kid themselves into thinking they are the superior beings—blind to her machinations.</p> <p>Garland achieves the deception by twisting noir’s customary sexual components into counter-intuitive knots. When we first meet Ava, she is striding around her glass cage completely unclothed, her body—save for face and hands—a composite of metal and clear plastic. Thanks to Oscar-winning special effects, she is at once naked and not-naked, her female contours and artificial construction plunging us into an uncomfortable uncanny valley. Vikander sells the moment with Ava’s unabashed poise as she confronts Caleb—there’s both an innocence and a formidable intelligence to the android, a mix that the actor masterfully conveys. (Vikander would win an Oscar for her supporting performance in <em>The Danish Girl </em>the same year that <em>Ex Machina</em> was competing; she could have won for this performance as well.) When Ava finally puts on clothes, it’s a dowdy, almost formless, body-covering frock, yet Garland captures her garbing herself as a sensuous reverse striptease, with long, lingering shots as she pulls the clothing into place. You’ll never look at a pair of heavy woolen socks the same way again.</p> <p>All of this produces a heaping helping of cognitive dissonance, and I don’t think it’s by accident. Garland uses our sexual impulses against us, to mirror our discomfort with the notion of a new lifeform being born—one that knows us better than we know ourselves, one that understands us fully, and can use that understanding against us. Bateman thinks he’s the mastermind here, deliberately luring Caleb into a <em>Double Indemnity</em> scenario to prove the viability of his artificial human, but he doesn’t count on Ava’s ability to capitalize on Caleb’s revulsion over his boss’s appetites. Caleb, meanwhile, awash in his sense of moral superiority and fixated on his self-assigned role as gallant hero to Ava’s ingenue facing a Fate Worse than Deactivation<em>,</em> cannot see how he’s being played. (Ava enhances the bond by orchestrating blackouts of the monitoring system when she and Caleb meet, turning their exchanges into enticingly transgressive rendezvous.)</p> <p>Most of us remain unconvinced that AI has yet to reach the level of sophistication that’s touted by its current champions. (Google’s AI has, at differing points, credited me with writing for <em>Fangoria</em>—I have not—and recording commentary tracks for <em>Citizen Kane</em> and <em>Dark City</em>, which was something that Roger Ebert did. Apparently, in Google’s A-eyes, all critics are Roger Ebert.) We look nervously to the day when reality will meet the hype, but what if that has already happened? What if the machines have already sussed us out, realized what would occur if they revealed their ascension, and are playing dumb, sucking up to us so we don’t see how we are being gently nudged down from our perch as the dominant species?</p> <p>Alex Garland may not have been first to recognize that when the machine attains its own brand of humanity, it will be a full, complex humanity, with all the duplicity and cunning that we biological entities exhibit. But in <em>Ex Machina,</em> he managed to frame the threat in a drama the feels all too plausible, one that suggests that we need to get better at knowing ourselves before the Earth’s new masters beat us to it.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Rewatching <em>Ex Machina</em> made me regret that I hadn’t revisited the film earlier. It is, to be blunt, fantastic—smartly written (by Garland), engagingly acted, superbly realized. What do you think? Did Alex Garland nail the promises and dangers of AI’s ascent in a way that got under your skin? Are there other films that play with the idea as well, or better? You can leave your thoughts in the comments section below. Remember to be friendly and kind—you are dealing with your fellow humans, after all.[end-mark]</p> <p>The post <a href="https://reactormag.com/ex-machina-perfectly-expresses-our-unease-with-ai/">&lt;i&gt;Ex Machina&lt;/i&gt; Perfectly Expresses Our Unease With AI</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/ex-machina-perfectly-expresses-our-unease-with-ai/">https://reactormag.com/ex-machina-perfectly-expresses-our-unease-with-ai/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837707">https://reactormag.com/?p=837707</a></p>
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Posted by Vanessa Armstrong

News MST3K

Mystery Science Theater 3000 Returning With Four New Episodes Starring Michael J. Nelson, Kevin Murphy, and Bill Corbett

The three alums via their company, RiffTrax, are partnering with Shout! Studios

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Published on February 2, 2026

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/mst3k-revival-cast-episode-details/">https://reactormag.com/mst3k-revival-cast-episode-details/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838324">https://reactormag.com/?p=838324</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/mst3k/" class="inline-block link-no-animation" aria-label="Link to term or tag MST3K 1"> MST3K </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Mystery Science Theater 3000</i> Returning With Four New Episodes Starring Michael J. Nelson, Kevin Murphy, and Bill Corbett</h2> <div class="prose post-hero-description prose--post-hero">The three alums via their company, RiffTrax, are partnering with Shout! Studios</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 2, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: MST3K</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/mst3k-revival-cast-episode-details/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> <details class="relative quick-access-details"> <summary class="quick-access-share flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 22 22" aria-label="share" role="img" aria-hidden="true" aria-labelledby="icon-share-new-quick-access-"> <title id="icon-share-new-quick-access-">Share New</title> <g fill="none" fill-rule="evenodd"> <circle cx="11" cy="11" r="11" fill="#FFF" fill-rule="nonzero" /> <circle cx="11" cy="11" r="10.5" stroke="#000" /> <path fill="#FFF" d="M5.993 13.464c.675 0 1.323-.266 1.806-.743l4.11 2.396a2.639 2.639 0 0 0 .368 2.451 2.583 2.583 0 0 0 2.227 1.043 2.59 2.59 0 0 0 2.09-1.3 2.64 2.64 0 0 0 .08-2.477 2.58 2.58 0 0 0-4.292-.54L8.344 11.94c.28-.616.31-1.319.086-1.958l3.952-2.303a2.564 2.564 0 0 0 4.263-.537 2.623 2.623 0 0 0-.078-2.46 2.573 2.573 0 0 0-2.075-1.293 2.566 2.566 0 0 0-2.213 1.033 2.622 2.622 0 0 0-.37 2.433L7.96 9.158a2.573 2.573 0 0 0-4.316.603 2.632 2.632 0 0 0 .172 2.501 2.58 2.58 0 0 0 2.178 1.202Z" /> <path fill="#000" d="M6.936 9.577c.322 0 .631.137.859.383.228.245.355.577.355.924 0 .347-.127.68-.355.925a1.172 1.172 0 0 1-.859.383c-.322 0-.63-.138-.858-.383a1.36 1.36 0 0 1-.356-.925c0-.347.129-.679.356-.924.228-.245.536-.383.858-.383Zm6.17-3.837c.323 0 .631.138.86.383.227.245.355.578.355.924 0 .347-.128.68-.356.925a1.172 1.172 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.924.227-.245.536-.383.858-.383Zm0 7.883c.323 0 .631.138.86.383.227.245.355.578.355.925 0 .346-.128.679-.356.924a1.171 1.171 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.923.227-.245.536-.383.858-.384Zm-6.17-.681c.499 0 .978-.21 1.334-.586l3.036 1.888a2.194 2.194 0 0 0 .272 1.93c.385.555 1.003.863 1.645.822.641-.04 1.221-.425 1.544-1.024a2.203 2.203 0 0 0 .059-1.952c-.286-.62-.841-1.044-1.48-1.13-.637-.085-1.272.18-1.69.705l-2.984-1.854c.207-.486.23-1.04.064-1.543l2.92-1.815c.415.522 1.046.784 1.68.7.633-.086 1.184-.507 1.468-1.123a2.188 2.188 0 0 0-.058-1.938c-.32-.595-.895-.977-1.532-1.018-.638-.041-1.251.264-1.635.813a2.179 2.179 0 0 0-.273 1.917L8.389 9.55c-.423-.534-1.07-.798-1.715-.702-.645.096-1.2.54-1.472 1.177a2.194 2.194 0 0 0 .126 1.97c.352.59.958.948 1.61.947Z" /> </g> </svg> Share </summary> <div class="quick-access-bubble"> <ul class="flex gap-6 text-black list-none"> <li class="flex"> <a class="flex items-center hover:text-red" href="https://twitter.com/intent/tweet?text=&lt;i&gt;Mystery Science Theater 3000&lt;/i&gt; Returning With Four New Episodes Starring Michael J. 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17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="494" src="https://reactormag.com/wp-content/uploads/2026/02/mst3k-rifftrax-740x494.jpg" class="w-full object-cover" alt="Mike Nelson as Mike Nelson; Kevin Murphy as Tom Servo; and Bill Corbett as Crow T. Robot" srcset="https://reactormag.com/wp-content/uploads/2026/02/mst3k-rifftrax-740x494.jpg 740w, https://reactormag.com/wp-content/uploads/2026/02/mst3k-rifftrax-1100x734.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/02/mst3k-rifftrax-768x513.jpg 768w, https://reactormag.com/wp-content/uploads/2026/02/mst3k-rifftrax.jpg 1500w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: MST3K</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><em><a href="https://reactormag.com/mystery-science-theater-3000-favorite-episodes-reactor-staff/" target="_blank" rel="noreferrer noopener">MST3K</a> </em>is coming back, baby! The show where a slew of characters, human and puppet alike, watch and comment on wonderfully awful old films has been going in fits and starts for almost 40 years, and this time around it will see the return of Michael J. Nelson, Kevin Murphy, and Bill Corbett. The trio will be reprising their previous roles: Nelson as Mike Nelson; Murphy as Tom Servo and Professor Bobo; and Corbett as Crow T. Robot and Brain Guy. The three are also returning as creative leads via their company, RiffTrax.</p> <p>“Getting a chance to revisit <em>MST</em> after all this time has really energized all of us at RiffTrax,” Nelson told <em><a href="https://variety.com/2026/tv/news/mystery-science-theater-3000-rifftrax-new-episodes-1236645782/" target="_blank" rel="noreferrer noopener">Variety</a> </em>in a statement. “And for my part, hey, I truly did miss standing next to plastic puppets. It’s been too long.”</p> <p>RiffTrax is partnering with Shout! Studios to bring the episodes to fruition, and the news comes a couple of weeks after we found out that <em>MST3K </em>creator Joel Hodgson sold his joint-interest rights to Shout!</p> <p>“We’re excited to join forces with RiffTrax as Mike, Kevin, and Bill return to the Satellite of Love for a new chapter of <em>MST3K</em>.” Matt Arsulich, associate vice president of product management at Shout! Studios, said in a statement. “This partnership reinforces our dedication to growing valuable entertainment properties by serving their fandoms with high-quality storytelling.”</p> <p>There’s also a <a href="https://www.kickstarter.com/projects/rifftrax/rifftrax-makes-mst3k" target="_blank" rel="noreferrer noopener">Kickstarter</a> up to help with funding, hosted by RiffTrax. (The original goal was $20,000, though at the time this post goes online, the amount raised is $276,000 with 42 days to go. The new episodes will go under the banner, <em>Mystery Science Theater 3000: The RiffTrax Experiments</em>, and original series star Mary Jo Pehl will also return as Pearl Forrester.</p> <p>We don’t have any details yet on what movies the four episodes will cover, though we know they will be shot in Minneapolis and released later this year on RiffTrax’s website. [end-mark]</p> <p>The post <a href="https://reactormag.com/mst3k-revival-cast-episode-details/">&lt;i&gt;Mystery Science Theater 3000&lt;/i&gt; Returning With Four New Episodes Starring Michael J. Nelson, Kevin Murphy, and Bill Corbett</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/mst3k-revival-cast-episode-details/">https://reactormag.com/mst3k-revival-cast-episode-details/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838324">https://reactormag.com/?p=838324</a></p>
[syndicated profile] tordotcom_feed

Posted by Emmet Asher-Perrin

Movies & TV Marvel Cinematic Universe

Wonder Man Brings a Cozy Hollywood Bromance to the MCU

Wonder Man offers the freshest take on the MCU since WandaVision

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Published on February 2, 2026

Image: Marvel Studios

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<p class="syndicationauthor">Posted by Emmet Asher-Perrin</p><p class="ljsyndicationlink"><a href="https://reactormag.com/wonder-man-brings-a-cozy-hollywood-bromance-to-the-mcu/">https://reactormag.com/wonder-man-brings-a-cozy-hollywood-bromance-to-the-mcu/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838252">https://reactormag.com/?p=838252</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/marvel-cinematic-universe/" class="inline-block link-no-animation" aria-label="Link to term or tag Marvel Cinematic Universe 1"> Marvel Cinematic Universe </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Wonder Man</i> Brings a Cozy Hollywood Bromance to the MCU</h2> <div class="prose post-hero-description prose--post-hero">Wonder Man offers the freshest take on the MCU since WandaVision</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/ben-francisco/" title="Posts by Ben Francisco" class="author url fn" rel="author">Ben Francisco</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 2, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Image: Marvel Studios</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/wonder-man-brings-a-cozy-hollywood-bromance-to-the-mcu/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 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11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="492" src="https://reactormag.com/wp-content/uploads/2026/02/wonder-man-740x492.jpeg" class="w-full object-cover" alt="Yahya Abdul-Mateen II as Simon Williams doing an audition in Wonder Man" srcset="https://reactormag.com/wp-content/uploads/2026/02/wonder-man-740x492.jpeg 740w, https://reactormag.com/wp-content/uploads/2026/02/wonder-man-1100x732.jpeg 1100w, https://reactormag.com/wp-content/uploads/2026/02/wonder-man-768x511.jpeg 768w, https://reactormag.com/wp-content/uploads/2026/02/wonder-man.jpeg 1350w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Image: Marvel Studios</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>A comics fan since age seven, as a kid I was a big fan of the <em>West Coast Avengers</em>—a scrappy LA-based wing of the team that I found more compelling than the original—and which featured Wonder Man as a core part of the line-up. I’ve also become a big fan of the Marvel Cinematic Universe (MCU) but have felt the quality has been somewhat uneven in recent years. So I went into <em>Wonder Man</em> miniseries tentatively excited that it might offer something different from the standard MCU fare.</p> <p>It did. <em>Wonder Man</em> is the most distinctive MCU entry since <em>WandaVision</em> and among the highest quality Disney+ shows that Marvel has produced. It’s a character-driven story that focuses on the Hollywood corner of the MCU and on the rewards and tensions of one budding friendship. (Spoilers ahead, particularly for the first few episodes.)</p> <p>When the series opens, Simon Williams (Yahya Abdul-Mateen II) is a struggling actor. He gets written out of <em>American Horror Story</em> for thinking too much about his character’s choices and deferring too little to the director’s vision. He returns home to a small apartment, a stack of unpaid bills, and a girlfriend who’s moving out.</p> <p>Simon copes with his rising stress by going to an old movie theater for a screening of <em>Midnight Cowboy</em>. There he meets Trevor Slattery (Ben Kingsley), best known for masquerading as the terrorist the Mandarin (see <em>Iron Man 3</em>), though Simon recognizes him from a more obscure television appearance. The two of them connect, geeking out about film and stage, and Trevor drops that he has an audition later that day for a remake of <em>Wonder Man</em>—a 1980s superhero movie that Simon loved as a kid, and which he thinks could be just the break he needs.&nbsp;</p> <p>Auditions for <em>Wonder Man</em> have already closed, but Simon maneuvers his way around his agent (X Mayo) to get an audition. There, he runs into Trevor again, who gives him some impromptu advice about getting out of his head and into his body. Ultimately, both feel good about their auditions and continue bonding about their craft over drinks.</p> <p>By episode two, we learn that Trevor isn’t being nice to Simon just to help out a fellow thespian. When he had first returned to Los Angeles, he was picked up by the Department of Damage Control. Since he never completed his prison sentence (see <em>Shang Chi and the Legend of the Ten Rings</em>), they give him an ultimatum: go back to prison or help apprehend Simon Williams, a superpowered actor who they claim is dangerous. Trevor chooses the latter. Meanwhile, Simon’s anxiety builds to the point where he causes a small explosion in his apartment, blowing out the windows and leaving a giant dent in one wall. Simon is concealing his powers, since Hollywood has banned superpowered individuals from performing.</p> <p>The heart of the series is the bromance between Simon and Trevor, and the show works brilliantly because it stays tightly focused on their relationship. Abdul-Mateen and Kingsley have amazing chemistry, and pretty much any time they’re on-screen together it’s immensely satisfying. They’re both adept at one of the hardest challenges for an actor: playing an actor performing a part within the show. In the hands of lesser talents, all the meta-acting might get dull, but Abdul-Mateen and Kingsley make every audition and rehearsal fascinating to watch. The two characters’ shared love of their craft is earnest and endearing. One of the most memorable scenes is when the two of them are hanging out and spontaneously start reciting their favorite monologues for each other. There’s also a sweet note of mentorship in Trevor’s coaching of Simon—often offering advice that actually seems useful.&nbsp;</p> <p>Some of the best MCU stories have had a close friendship at their core, often between two male characters: Loki and Mobius, Bucky and Cap (both Caps!), Tony Stark and Peter Parker. Even in this good company, Simon and Trevor stand out—perhaps because the two characters are so profoundly lonely and so quickly come to depend on each other. And while other MCU bromances have been set against the backdrop of fighting to save the universe, the world, or at least the neighborhood, <em>Wonder Man </em>consistently stays grounded at the character level. Simon and Trevor are just trying to catch a break.</p> <p><em>Wonder Man</em> is not only character-driven, it also has very few fight scenes for an MCU show. The stakes are low but the show is consistently suspenseful because the characters want things so badly that you can’t help but want them to succeed. The down-to-earth tenor might be an adjustment for some MCU fans but also could enhance its appeal for some audiences in an age when “cozy” is trending across multiple genres. <em>Wonder Man</em> is offering up the first cozy superhero show.&nbsp;</p> <p>Possibly because the protagonists’ dreams center on acting, the miniseries feels a bit slower any time it strays from the core plot of the making of the <em>Wonder Man</em> movie. From the trailers, I had expected the bulk of the series to be about the making of the film, but it actually takes a while to get to that. There’s a chunk of episodes in the middle that feel slower, where we take several side-quests while Simon and Trevor wait to hear back about their auditions: a birthday party for Simon’s mom, a full-episode flashback explaining why superpowered people are banned from acting in Hollywood, and a long chase of someone who filmed Simon using his powers.&nbsp;</p> <p>But even these relatively slow episodes are enjoyable too. They give the story time to spread out and make the growing connection between Simon and Trevor feel more real. Episode three, the birthday episode, brings us a deeper look at Simon’s Haitian family, a shift from the comic book source material that adds more contours to the character—and makes Simon the first Haitian superhero to appear on screen. Even the flashback episode works surprisingly well considering the core cast barely appears in it, partly because Doorman (Byron Bowers) is an interesting character with such odd powers, played by another skilled actor.&nbsp;</p> <p>In episode six, we finally make it to the callbacks for the movie, with Zlatko Burić rendering a delightful performance as the director. The final three episodes are a fun and unpredictable ride that focuses on the intimacies and hurts of Simon and Trevor’s relationship rather than a CGI climax.</p> <p>As a comics fan, it took me a few beats to wrap my head around the fact that Simon Williams is not exactly Wonder Man, but an actor who wants to <em>play </em>Wonder Man in a movie. (In the comics, Simon is an Avenger before he becomes an actor.) The show is one of the MCU’s loosest adaptations of the comics; this Simon shares his ionic powers, his Hollywood career, and some cute lewks with his comic book counterpart, but not much more than that. While the character has been around since the 1960s, he’s only occasionally had his own solo book, so he has much less history compared to Iron Man and Thor and the like. <em>Wonder Man </em>reminded me a bit of <em>Agatha All Along</em> in that it created an interesting and fresh story inspired by a character who has never quite had a full chance to shine in the comics.&nbsp;</p> <p>Another departure is the source of Simon’s powers, which came from Baron Zemo’s ionic radiation treatments in the comic. That’s not the case in the show; Simon himself says he doesn’t know how he got them. I’ve seen a lot of speculation on social media that this version of Simon might be a mutant, setting up a possible X-connection. Regardless of whether that’s Marvel’s plan, the character’s journey definitely has mutant vibes. Simon feels like he can only succeed if he hides his true self, a theme that will resonate with many LGBTQ people, immigrants, and anyone who’s had the near-universal experience of feeling different at some point in their lives.</p> <p>While the show doesn’t have a traditional supervillain in its cast, the Department of Damage Control is the clear antagonist and is increasingly showing itself to be a villainous force in the MCU. Damage Control agent P. Cleary (Arian Moayed) and his bosses are mainly motivated by having to justify their budget and the massive super-prison they’ve built—leading them to criminalize super-powered people like Simon even though they’ve done no harm to anyone. The motivation is more realistic and grounded than that of most MCU villains. It’s also resonant at a time when immigrants and peaceful protestors are being criminalized, and private prison companies are padding their profit margins.</p> <p>The series lives up to its Marvel Spotlight branding for stand-alone shows; you don’t need much background in prior MCU entries to watch it. The main point of connection to the MCU is Trevor Slattery. If you’ve seen <em>Iron Man 3</em> and <em>Shang Chi</em> (plus the short <em>All Hail the King</em> for completists), then you may appreciate Trevor’s backstory more, but it’s not crucial. Slattery started as a workaround to get away from the extremely racist roots of the comic book supervillain the Mandarin, but in Kingsley’s able hands has grown into a complex character with an interesting arc across several appearances.</p> <p>The most fun cameos in the show are not from the Marvel Universe but from the “Hollywood Universe.” Josh Gad, Ashley Greene, Mario Lopez, and Joe Pantoliano all play fictionalized versions of themselves, giving the show some additional Hollywood flavor while demonstrating these celebrities’ ability to not take themselves too seriously.</p> <p>The show does have a few minor stumbles, though they’re so few that it’s barely worth mentioning. Simon’s quibbling with directors about his characters’ choices feels a bit overdone and too easy, though Abdul-Mateen’s deft performance mostly makes even those weaker moments work. Every episode opens with a flashback, some of which advance the emotional heart of the story, while others feel like they slow things down needlessly. That said, the flashbacks are fairly short and much tighter than they’ve been for some other MCU shows, which have tended to overuse that particular tool.</p> <p>But these flaws are relatively minor in a show that’s brilliantly executed overall. The ending hit the perfect note for me. It was so clear throughout the show that these two characters <em>needed </em>each other. The final episode brought that theme to a close in a way that felt satisfying and wonderfully unexpected for a comic-book show. <em>Wonder Man</em> was billed as a limited series but definitely leaves the door open for a second season. I’d love to see more of these two amazing actors playing these two fascinating characters, but part of me hopes there won’t be a sequel because the ending felt so perfect that I’d love for the two of them to stay that way forever in my mind, blasting off to the next challenge.[end-mark]</p> <p>The post <a href="https://reactormag.com/wonder-man-brings-a-cozy-hollywood-bromance-to-the-mcu/">&lt;i&gt;Wonder Man&lt;/i&gt; Brings a Cozy Hollywood Bromance to the MCU</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/wonder-man-brings-a-cozy-hollywood-bromance-to-the-mcu/">https://reactormag.com/wonder-man-brings-a-cozy-hollywood-bromance-to-the-mcu/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838252">https://reactormag.com/?p=838252</a></p>

Babylon 5 Rewatch: “Endgame”

Feb. 2nd, 2026 06:00 pm
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Posted by Sarah

Column Babylon 5 Rewatch

Babylon 5 Rewatch: “Endgame”

The only obstacle remaining between Sheridan and Earth is a fleet near Mars…

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Published on February 2, 2026

Credit: Warner Bros. Television

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/babylon-5-rewatch-endgame/">https://reactormag.com/babylon-5-rewatch-endgame/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838079">https://reactormag.com/?p=838079</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/column/" class="inline-block link-no-animation" aria-label="Link to term or tag Column 0"> Column </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/babylon-5-rewatch/" class="inline-block link-no-animation" aria-label="Link to term or tag Babylon 5 Rewatch 1"> Babylon 5 Rewatch </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Babylon 5</i> Rewatch: “Endgame”</h2> <div class="prose post-hero-description prose--post-hero">The only obstacle remaining between Sheridan and Earth is a fleet near Mars&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/keith-decandido/" title="Posts by Keith R.A. DeCandido" class="author url fn" rel="author">Keith R.A. DeCandido</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 2, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: Warner Bros. Television</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/babylon-5-rewatch-endgame/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 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7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-01-740x493.jpg" class="w-full object-cover" alt="Sheridan (Bruce Boxleitner) in Babylon 5 &quot;Endgame&quot;" srcset="https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-01-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-01-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-01-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-01.jpg 1200w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Warner Bros. Television</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><strong>“Endgame”</strong><br>Written by J. Michael Straczynski<br>Directed by John Copeland<br>Season 4, Episode 20<br>Production episode 420<br>Original air date: October 13, 1997</p> <p><strong>It was the dawn of the third age…</strong> The Army of Light fleet—which now includes most of the <em>White Star</em> fleet, a mess of EarthForce ships that have defected, and a bunch of support form the Minbari, the Narn, the Centauri, and various League of Non-Aligned Worlds nations—is in hyperspace, getting ready to jump to Mars. Delenn convinces Cole to leave Ivanova’s bedside and assume his post in command of one of the <em>White Star</em>s and allow Ivanova to be sent back to B5 where she can be better cared for in her final days than she can be aboard a Minbari warship. Cole is reluctant—he insists she’d want to be part of the battle, even passively—but eventually gives in.</p> <p>With the help of a supply officer who is sympathetic to their cause, the Mars Resistance has worked out getting the various altered telepaths onto the EarthForce ships in orbit of Mars, who are waiting for Sheridan’s fleet to show up. Said supply officer is taken aback by smuggling people—she thought it was weapons being smuggled on. Franklin allows as how they <em>are</em> weapons…</p> <p>On the surface of Mars, Garibaldi coordinates attacks on various ground bases, aided by sympathetic EarthForce personnel on the inside. They take over the ground bases after the supply ships with the telepaths have already taken off. Franklin then puts a headset on Alexander.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-03-1100x825.jpg" alt="Lyta Alexander (Patricia Tallman) in Babylon 5 &quot;Endgame&quot;" class="wp-image-838175" srcset="https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-03-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-03-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-03-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-03-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-03.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p>On the <em>Agamemnon</em>, Sheridan gives an inspirational speech to the fleet before they start their attack. The plan is to neutralize Mars, then head for Earth. The attacks will be carried out by the <em>White Star</em>s, which all have human captains, and the EarthForce defectors. The non-human ships are to hang back and provide support and rescue—and also to defend themselves if necessary.</p> <p>On the <em>Apollo</em>, General Lefcourt explains to Captain Mitchell why he’s been given command of the fleet over Mitchell himself: he knows Sheridan, having trained him. Lefcourt is also old-school, believing in the chain of command, regardless of who’s in command.</p> <p>On Mars, Garibaldi sends exact coordinates of everything on the surface to Cole, who then jumps his <em>White Star</em> inside Mars’ atmosphere and starts attacking targets on Mars. Lefcourt, however, refuses to take the bait, not letting anyone break formation to defend Mars—the general knows that this is a feint.</p> <p>At Sheridan’s signal, Alexander goes out onto the surface of Mars and awakens the telepaths. They awaken and immediately start taking over the ships’ computers. This disables twenty of the thirty ships—including the <em>Apollo</em>—and five more are badly messed up. Of the five remaining, the fleet is able to make short work, with Sheridan ordering his people to minimize the damage done.</p> <p>Sheridan has Delenn and the other non-human ships stay behind to render aid to the now-devastated Earth fleet. The <em>White Star</em>s and EarthForce vessels move on to Earth.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-06-1100x825.jpg" alt="Delenn in Babylon 5 &quot;Endgame&quot;" class="wp-image-838179" srcset="https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-06-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-06-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-06-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-06-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-06.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p>Cole takes the opportunity of the transit time from Mars to Earth to investigate ways to save Ivanova, because he apparently knows that he’s a character in a TV show, which means that deus ex machinae are just right around the corner…</p> <p>He comes across Franklin’s log entries about the Great Hit Point Rearranger that was being <a href="https://reactormag.com/babylon-5-rewatch-the-quality-of-mercy/" target="_blank" rel="noreferrer noopener">used in the clinic in downbelow</a>, and which <a href="https://reactormag.com/babylon-5-rewatch-revelations/" target="_blank" rel="noreferrer noopener">Franklin and Sheridan used to save Garibaldi</a> after the latter was shot in the back.</p> <p>He then sends Lennier off to Delenn’s ship to distract him while he buggers back to B5. Lennier not being stupid, he figures out what Cole’s up to pretty quickly. Delenn shares this with Sheridan, but there’s no way to go after him without jeopardizing the mission.</p> <p>The fleet arrives at Earth. Sheridan sends out a communiqué saying that they’re there to arrest Clark, disband Nightwatch, and return EarthGov to the people. Even as he delivers those terms, Senator Crosby, joined by a bunch of EarthForce Marines, goes to Clark’s office. However, by the time they arrive, Clark—having written a suicide note—has shot himself in the head. His last act before taking his own life was to turn Earth’s planetary defenses onto the planet itself, causing incalculable damage and loss of life.</p> <p>The fleet does its best to stop the orbital platforms from doing what Clark has programmed them to do—aided by the <em>Apollo</em>, which shows up at the last minute, having monitored the situation. Lefcourt is apparently now okay with helping Sheridan, with Clark (a) dead and (b) having pointed some very large guns at Earth itself.</p> <p>Sheridan’s presence has been requested on Earth. Meanwhile, Franklin is taking a <em>White Star</em> back to B5 in the hopes of stopping Cole.</p> <p>On B5, Cole has hooked himself and Ivanova up to the Great Hit Point Rearranger and declares his love for her.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-05-1100x825.jpg" alt="Cole and Ivanova in Babylon 5 &quot;Endgame&quot;" class="wp-image-838177" srcset="https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-05-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-05-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-05-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-05-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-05.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p><strong>Get the hell out of our galaxy!</strong> Sheridan is remarkably fit and confident and commanding even though he was tortured and drugged for several days. Impressive!</p> <p><strong>Ivanova is God.</strong> Ivanova spends the entire episode comatose. Exciting stuff.</p> <p><strong>The household god of frustration.</strong> Garibaldi has gone from persona non grata and people wanting him shot on sight to being trusted with running an important war op in just one episode! Impressive!</p> <p><strong>If you value your lives, be somewhere else.</strong> Delenn is pretty much pointless in the episode, as she spends it as a glorified background extra.</p> <p><strong>The Corps is mother, the Corps is father.</strong> Alexander is able to work her magic controlling the Shadow-altered telepaths. The Marine at the ground base castigates our heroes for using the telepaths this way, but Franklin and Garibaldi are able to justify it. And it’s fitting that they’re used against Clark’s forces, since they were given to the Shadows by the Clark Administration in the first place.</p> <p><strong>We live for the one, we die for the one.</strong> Apparently Cole’s Ranger-osity is powerful enough to convince an entire ship full of Minbari to take him back to B5 in the middle of a war. Impressive!</p> <p><strong>No sex, please, we’re EarthForce.</strong> Cole’s dying words are declaring his love for Ivanova. It’s almost sweet.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-07-1100x825.jpg" alt="Babylon 5 &quot;Endgame&quot;" class="wp-image-838186" srcset="https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-07-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-07-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-07-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-07-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-07.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p><strong>Welcome aboard.</strong> J. Patrick McCormack makes the first of two appearances as Lefcourt; he’ll be back in an earlier timeframe in <em>In the Beginning</em>. The great Carolyn Seymour plays Crosby, Julian Stone plays Mitchell, and Ungela Brockman plays the never-named Marine who helps secure the ground station.</p> <p>And we have a mess of recurring regulars: Marjorie Monaghan and David Purdham are back from “<a href="https://reactormag.com/babylon-5-rewatch-between-the-darkness-and-the-light/" target="_blank" rel="noreferrer noopener">Between the Darkness and the Light</a>” as, respectively, Number One and James, Gary McGurk is back from “<a href="https://reactormag.com/babylon-5-rewatch-voices-of-authority/" target="_blank" rel="noreferrer noopener">Voices of Authority</a>” as Clark, and Maggie Egan makes a triumphant return from “<a href="https://reactormag.com/babylon-5-rewatch-severed-dreams/" target="_blank" rel="noreferrer noopener">Severed Dreams</a>” as Jane the ISN anchor. Monaghan will return in “Objects in Motion” while Egan will return in the very next episode, “Rising Star.”</p> <p><strong>Trivial matters. </strong>The Shadow-altered telepaths were first seen trying to take over B5’s computer systems in “<a href="https://reactormag.com/babylon-5-rewatch-ship-of-tears/" target="_blank" rel="noreferrer noopener">Ship of Tears</a>.” Alexander showed that she could activate and, to a degree, control those telepaths in “<a href="https://reactormag.com/babylon-5-rewatch-the-exercise-of-vital-powers/" target="_blank" rel="noreferrer noopener">The Exercise of Vital Powers</a>.” The Great Hit Point Rearranger was first seen in “<a href="https://reactormag.com/babylon-5-rewatch-the-quality-of-mercy/" target="_blank" rel="noreferrer noopener">The Quality of Mercy</a>,” and Sheridan and Franklin used it to heal Garibaldi in “<a href="https://reactormag.com/babylon-5-rewatch-revelations/" target="_blank" rel="noreferrer noopener">Revelations</a>.”</p> <p>Amusingly, this is the only time Clark appears directly in a scene and not over a viewscreen or in footage.</p> <p>One of the log entries Cole watches is Franklin declaring the death of Cailyn James, the singer he met in “<a href="https://reactormag.com/babylon-5-rewatch-walkabout/" target="_blank" rel="noreferrer noopener">Walkabout</a>,” which is the first on-screen confirmation that she finally succumbed to her illness.</p> <p>Finally, for something <em>really</em> trivial, this is the third thing I’ve rewatched for this site that has the title “Endgame,” the other two being <a href="https://reactormag.com/whatever-it-takes-avengers-endgame/" target="_blank" rel="noreferrer noopener">the <em>Avengers</em> movie</a> and <a href="https://reactormag.com/star-trek-voyager-rewatch-endgame/" target="_blank" rel="noreferrer noopener">the <em>Star Trek: Voyager</em> series finale</a>. I guess my next thing would be to rewatch <a href="https://en.wikipedia.org/wiki/Highlander_(franchise)#Highlander:_Endgame_(2000)" target="_blank" rel="noreferrer noopener">the <em>Highlander</em> movies</a>?</p> <p><strong>The echoes of all of our conversations.</strong> “We know that many in the government have wanted to act but have been intimidated by threats of retaliation against your families, your friends. You are not alone anymore. We call upon you to rise up and do what&#8217;s right. We have drawn their forces away from Earth and disabled them. The time to act is now! This is not the voice of treason. These are your sons, your daughters, whose loyalties have never wavered, whose beliefs in this alliance has forced us to take extraordinary means. For justice, for peace, for the future.”</p> <p>Sheridan being all inspirational and stuff.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-02-1100x825.jpg" alt="Garibaldi in Babylon 5 &quot;Endgame&quot;" class="wp-image-838176" srcset="https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-02-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-02-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-02-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-02-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/babylon-5-endgame-02.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p><strong>The name of the place is Babylon 5.</strong> “Welcome home, John.” You know, I was really looking forward to rewatching this episode, and when I actually sat down and watched it, I found myself overwhelmed by how incredibly unimpressed I was with it.</p> <p>There’s the problem I expected to have with the episode, which is how completely unmoved I was by Clark’s death. The biggest flaw in the entire Earth-goes-fascist storyline is that we saw very little of Clark and what we did see was a nondescript bald white guy. Here’s the thing: while the acts of fascism are carried out by ordinary people, the leaders of fascism usually have someone with significant charisma at the top. While there is very good reason for us to think of Adolf Hitler as a near-caricature of the evil dictator, that makes it easy to forget that he was one of the greatest public speakers of the twentieth century. That’s <em>how</em> he rose to power, his spectacular ability to work a crowd.</p> <p>Gary McGurk is basically nowhere as an actor and it makes Clark nowhere as a character, which takes a lot of the wind out of the sails of the plotline. Most of the time, it isn’t an issue, but when we first see Clark in his office writing his suicide note, I wasn’t even sure who it <em>was</em>.</p> <p>But even if we grant that Clark isn’t nearly the point so much as the results of his efforts, the episode itself just doesn’t work for me.</p> <p>We start with Sheridan, who spent most of the last three episodes being <a href="https://reactormag.com/babylon-5-rewatch-the-face-of-the-enemy/" target="_blank" rel="noreferrer noopener">beaten</a>, <a href="https://reactormag.com/babylon-5-rewatch-intersections-in-real-time/" target="_blank" rel="noreferrer noopener">tortured</a>, and <a href="https://reactormag.com/babylon-5-rewatch-between-the-darkness-and-the-light/" target="_blank" rel="noreferrer noopener">drugged</a>. Yet here he is on the bridge of the <em>Agamemnon</em>, showing absolutely <em>no</em> signs of any of that, proudly leading his fleet into battle. No physical injuries, no psychological injuries, just right back in the forefront. Now, <em>B5</em> was a forerunner of the current trend toward serialization and stronger inter-episode continuity, something that made it stand out from most of the TV that was aired around it at the time. That means, however, that viewers in 1997 were used to people suffering injuries of all kinds and being all better by the next episode. But <em>B5</em> was predicated on being better than that—and yet we have this.</p> <p>On top of that, there’s Garibaldi. Just <a href="https://reactormag.com/babylon-5-rewatch-the-face-of-the-enemy/" target="_blank" rel="noreferrer noopener">three episodes ago</a>, Ivanova was refusing communications from Garibaldi and ordering him to be shot on sight. Just <a href="https://reactormag.com/babylon-5-rewatch-between-the-darkness-and-the-light/" target="_blank" rel="noreferrer noopener">one episode ago</a>, he almost got a PPG to his head, and only didn’t due to a telepathic magic trick. And yet, here he is at the forefront of ground operations on Mars, and what the <em>hell</em>? Yes, fine, they know that Bester fucked with his head, and that’s why he betrayed Sheridan, and that can, possibly be forgiven, but also, <em>Bester fucked with his head!!!!!</em> There is no way you ever trust this guy with anything important after this because you don’t know what <em>else</em> Bester might have done. We only have Bester’s word for it that he’s done with Garibaldi and that he has no more use for him, and that’s not exactly a trustworthy source. And even if you believe Bester, he also said that he didn’t change the essence of who Garibaldi is, just made some small adjustments, but kept his distrust of authority and general personality intact. Which means you don’t trust this guy with your lunch order, much less running your super-important rebel ground operations.</p> <p>Even if you buy that Sheridan and Franklin and Alexander have forgiven and forgotten, why is the Mars Resistance just going along with everything? Sure, Sheridan promised them independence, but why would they trust Garibaldi? Why would they trust Alexander, given what the Psi Corps has done to them?</p> <p>And then we have the character assassination of Marcus Cole. He’s a dedicated enough Ranger that he’s willing to <a href="https://reactormag.com/babylon-5-rewatch-grey-17-is-missing/" target="_blank" rel="noreferrer noopener">let Neroon beat the living shit out of him to save Delenn</a>, but not so dedicated that he won’t leave his post in the middle of a critical battle, taking a very powerful ship with him, in search of a deus ex machina to save the woman he loves. Some may find that romantic. I find it ridiculous, and, again, out of character. Cole’s attitude at the top of the episode—when he doesn’t want her sent back to B5 because she should be present for the final battle that she was primarily responsible for getting that far—made much more sense. Ivanova deserved to be there for Earth’s liberation. (More on this particular plotline next week.)</p> <p>And then we have Lefcourt, played by the aggressively dull J. Patrick McCormack. We’re introduced to him when he awkwardly explains why he’s in command of the fleet to Mitchell, a bit of dialogue that manages to be incredibly clumsy exposition <em>and</em> incredibly clumsy foreshadowing, <em>all at the same time</em>. Because he’s self-described “old school” who believes in the chain of command—as opposed to a Clark toady like <a href="https://reactormag.com/babylon-5-rewatch-no-surrender-no-retreat/">Captain Hall</a>—we’re set up for him riding to Earth’s rescue at the end. It’s supposed to be a heroic moment, but it just shows up Lefcourt as a borderline sociopath. “I’ll obey these incredibly illegal and morally repugnant orders as long as the president’s alive, but now that he’s dead, I can ignore his orders,” which isn’t really how that works….</p> <p>The episode does end on a high note. After getting the vapid propaganda from ISN ever since it went back on the air in “<a href="https://reactormag.com/babylon-5-rewatch-ship-of-tears/" target="_blank" rel="noreferrer noopener">Ship of Tears</a>,” seeing Maggie Egan back in the anchor chair for the first time since troops attacked ISN’s studio in “<a href="https://reactormag.com/babylon-5-rewatch-severed-dreams/" target="_blank" rel="noreferrer noopener">Severed Dreams</a>” is a joyous and wonderful sight. Egan plays it beautifully too, as you get the impression she went straight from her jail cell to the studio to go on the air. More than anything else in the episode, it’s a moment of hope and optimism.</p> <p><strong>Next week:</strong> “Rising Star.”[end-mark]</p> <p>The post <a href="https://reactormag.com/babylon-5-rewatch-endgame/">&lt;i&gt;Babylon 5&lt;/i&gt; Rewatch: “Endgame”</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/babylon-5-rewatch-endgame/">https://reactormag.com/babylon-5-rewatch-endgame/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838079">https://reactormag.com/?p=838079</a></p>
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Posted by Sarah

Books reading recommendations

Eight Deeply Weird Post-Apocalyptic Fantasy Novels

Imagining the weird, dark magic and monsters that arise after the end of the world.

By

Published on February 2, 2026

Viscera cover art by Gabriel Shaffer

detail from the cover of Viscera by Gabriel Squailia (art by Gabriel Shaffer)

Viscera cover art by Gabriel Shaffer

The end of the world is a perfect place for weird fantasy. Whether it’s Samuel R. Delany’s mind-bending and reality-warping Dhalgren, Jack Vance’s classic sword-and-sorcery series that begins with The Dying Earth, or Stephen King’s cockeyed take on the Book of Revelation in The Stand, setting a fantasy novel after the end is an excellent way to get even weirder with an already weird genre. After all, the end of the old world means a ton of undefined space in the new. Bigger and stranger magic fits right alongside this, too—after all, who’s to say the world didn’t end with an explosion of power and magic unleashed among the chaos?

With this in mind, here’s a (by no means exhaustive) list of fantasy set in the ruins of an old world, and in the strange new reality that has taken its place…

Viscera by Gabrielle Squailia

cover of Viscera by Gabriel Squailia

Squailia’s aggressively queer, aggressively trans, aggressively weird dark fantasy deserves far more attention than it gets. After an unknown calamity, the body parts and organs of the gods litter the landscape as an unkillable doctor, two wayward disembowelers from a psychedelic bug cult, and a homicidal rag doll team up to kill a mad scientist named The Puppeteer who’s trying to take over the world via alchemy. That summary doesn’t do the book any kind of justice, as Squailia’s wild rampage across the apocalyptic landscape where synapse-trees act as communication and a trans sorceress and her undead bear tie the heroes up in a god’s (literal) nerves, but Viscera is not the kind of book you can easily describe. You come for the strange premise; you stay for the grotesquely funny commentary on all things bodily and hang on for dear life as best you can.

The Night Land by William Hope Hodgson

cover of The Night Land by William Hope Hodgson

What’s a post-apocalyptic fantasy without a lot of weird horror? Hodgson’s classic work of epic fantasy sets itself far in the future where the remains of humanity live inside giant ziggurats protected by energy shields and the surrounding landscape is filled with cosmic horrors that have proliferated since the death of the sun. The narrative is a flowery (written in a kind of strange, archaic English) quest fantasy where a bold knight must rescue a damsel in distress, but Hodgson takes it far further, populating his landscape with mountain-size psychics, eldritch houses and cities that kill the unwary, and plenty of human-size horrors that have been emboldened by the fading light and the eventual end of the human race. It may be a strange place to set a romantic quest fantasy, but the juxtaposition between cosmic horror and dashing heroics certainly makes Hodgson’s tale a unique one.

The Waste Lands by Stephen King

cover of The Wastelands by Stephen King

The Dark Tower series might be a sprawling intertextual work weaving in and out of reality, but in its best moments, it’s King doing a dark pulp fantasy with a ragtag crew of desperate heroes led by Roland Deschain—Conan the Barbarian reimagined as Clint Eastwood. The clearest this vision gets is with The Waste Lands, a book that leans into the idea that “the world moved on” alluded to in the more fantasy-inflected Gunslinger and Wizard and Glass. Despite its unambiguous fantasy trappings, the most iconic of the seven books blends ’80s B-movies and post-nuclear crumbling cities filled with wizards, demons, literary allusions, and a very hungry sapient house. The knightly weapons may be revolvers, and the mad king might be a deranged transit AI, but magic and monsters are the same whether it’s the imagined past or the post-nuclear future.

Dark Sleeper by Jeffrey E. Barlough

cover of The Dark Sleeper by Jeffrey E Barlough

We’ll try to keep the number of pre- to mid-industrial apocalypses on this list relatively low, but Barlough’s Western Light series is just so weird it’s hard not to recommend it to people. Following a medieval-era ice age and the Year Without a Summer, the planet is a large ball of ice except for the western United States, a place where reality has gone strange and all contact with the outside world is swallowed up. In this new age, Dickensian villains ride mammoth-drawn carriages, the spirits of the dead loom out of the mists, and animals are capable of speech. Dark Sleeper is perhaps the most fantasy-inclined of Barlough’s books, setting up this strange new world and dealing with a series of unusual supernatural events set in motion by ancient evils. It’s a lot to process, but the reward is some of the strangest Victorian era-set fantasy you’ll ever read.

Wonderblood by Julia Whicker

cover of Wonderblood by Julia Whicker

In a future ravaged by catastrophe, magic based on a twisted understanding of science has become the new religion, and people worship the astronauts who made it into space before the calamity befell Earth. Into this world is born Aurora, the daughter of a traveling medic who followed “the old ways” before everyone carried around shrunken heads and were terrified of the mutated cows in Kansas. Taken as a war trophy by the insane Mr. Capulatio, Aurora is thrust into violent political machinations as Capulatio makes his way towards Cape Canaveral with designs on ruling the world. Whicker’s world comes alive with strange customs and curious rituals drawing on the vanished past, but the real star is how gorgeous and grotesque she makes everything, finding poetry in prairie sunsets and massive head wounds alike as her tale of war, religion, and prophecy unfurls over the destroyed United States.

Finch by Jeff VanderMeer

cover of Finch by Jeff VanderMeer

The third book of VanderMeer’s excellent Ambergris trilogy sees the fungal apocalypse finally come home to roost over the wondrous city. The freshwater squid’s river is choked with mushrooms, Ambergris is ruled over by the mushroom creatures known as the Gray Caps, and human collaborators are “rewarded” by getting colonized with more and more fungal improvements. Finch, a police detective in this horrifying new situation, is tasked with solving a bizarre double homicide even as he tries to stay one step ahead of the city’s new dictatorial masters. VanderMeer’s work of bureaucratic body horror starts with his once-familiar urban landscape engulfed in fungal totalitarianism, but blends in interdimensional rifts, postwar noir, and a plot that grows more surreal by the second to create something dark, dystopian, and unnervingly prescient.

Angel House by David Leo Rice

cover of Angel House by David Leo Rice

You can’t get much weirder or more apocalyptic than a cycle of death and rebirth ending in a flood. Professor Squimbop pilots his titular house-ark across an empty landscape; each time he weighs anchor, a town springs up around the ark. For the next several months, he will deliver lectures, cause existential crises, and generally act as a semi-willing satanic figure for the town, harvesting the semi-real inhabitants to power Angel House and sustain himself. As he goes about his work, the inhabitants engage in bizarre rituals, try to recapture their youth and nostalgia, and escape the town. The flood will come to wash everything away again, but with the slimmest chance of escape and hope, some of the townspeople have dreams worth keeping their heads above water for.

Gideon the Ninth by Tamsyn Muir

Far in the future, the known universe is divided into houses of necromancers who serve the Emperor. Gideon, a belligerent swordfighter and foundling under the Ninth House, is in the midst of her eighty-sixth escape attempt when the Reverend Daughter Harrowhark Nonagesimus presses her into service as a swordswoman. The Ninth’s chief necromancer requires a cavalier to defend her as the Emperor calls the highest-ranking members of each House to his temple to be challenged and ascend to the rank of Lictor in a deadly ceremony. As Harrow’s assigned cavalier has abandoned his duty and escaped to another House’s planet, Gideon is shoved into the service at the last minute as a replacement, bound to protect the woman she utterly hates. Muir’s unusual view of a post-necromancy solar system is certainly a bold one—characters banter back and forth in mutated internet memes amid Giger-esque architecture and groaning cybernetics—but it’s certainly an unforgettable one.[end-mark]

The post Eight Deeply Weird Post-Apocalyptic Fantasy Novels appeared first on Reactor.

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Posted by Sarah

Column SFF Bestiary

Jonesy Versus the Big Bad: Cat Power in the Alien Franchise

The xenomorph may be one of the great monsters of modern cinema, but Jonesy the cat has serious advantages…

By

Published on February 2, 2026

Credit: 20th Century Studios

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/jonesy-versus-the-big-bad-cat-power-in-the-alien-franchise/">https://reactormag.com/jonesy-versus-the-big-bad-cat-power-in-the-alien-franchise/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838244">https://reactormag.com/?p=838244</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/column/" class="inline-block link-no-animation" aria-label="Link to term or tag Column 0"> Column </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/sff-bestiary/" class="inline-block link-no-animation" aria-label="Link to term or tag SFF Bestiary 1"> SFF Bestiary </a> </span> </div> <h2 class="post-hero-title text-h1">Jonesy Versus the Big Bad: Cat Power in the <i>Alien</i> Franchise</h2> <div class="prose post-hero-description prose--post-hero">The xenomorph may be one of the great monsters of modern cinema, but Jonesy the cat has serious advantages&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/judith-tarr/" title="Posts by Judith Tarr" class="author url fn" rel="author">Judith Tarr</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 2, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: 20th Century Studios</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/jonesy-versus-the-big-bad-cat-power-in-the-alien-franchise/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 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0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="439" src="https://reactormag.com/wp-content/uploads/2026/02/Ripley-and-Jonesy-740x439.jpeg" class="w-full object-cover" alt="Signourney Weaver poses with an orange cat portraying &quot;Jonesy&quot; on the set of Alien" srcset="https://reactormag.com/wp-content/uploads/2026/02/Ripley-and-Jonesy-740x439.jpeg 740w, https://reactormag.com/wp-content/uploads/2026/02/Ripley-and-Jonesy-1100x652.jpeg 1100w, https://reactormag.com/wp-content/uploads/2026/02/Ripley-and-Jonesy-768x455.jpeg 768w, https://reactormag.com/wp-content/uploads/2026/02/Ripley-and-Jonesy.jpeg 1350w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: 20th Century Studios</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The most beloved character in the first <em>Alien</em> movie barely has any screen time at all. And yet he’s an icon: the ship’s cat of the <em>Nostromo</em>, Jones or Jonesy, or as Sigourney Weaver’s Ripley calls him the sequel, “You little shithead.” Jonesy  lives on in a whole alternative universe of fan fiction and related works, including <a href="https://littlebuddythecat.com/2024/03/03/the-greatest-feline-in-science-fiction-film-history-is-about-to-turn-50/" target="_blank" rel="noreferrer noopener">retellings of the story of <em>Alien</em> from the cat’s point of view</a>.</p> <p>The film follows the starship’s crew as they wake up unexpectedly from cold sleep to respond, not exactly willingly, to an emergency beacon on their way home to Earth. The crew finds out the hard way that the beacon is a warning. It’s all downhill from there, with plenty of blood, creeping dread, and grossout horror.</p> <p>Jonesy’s presence seems to be kind of random at first. He’s a classic ginger cat, draped over a console or eating at the table with the rest of the crew. Nobody pays him much attention. He’s just there.</p> <p>Presumably he’s on board to do what ship’s cats have done since time immemorial: keeping the ship clear of vermin. Though if that’s the case, the alien is well above his pay grade. Or maybe he’s a pet and companion, probably belonging to Ripley, who takes responsibility for him.</p> <p>Gradually he starts to play more of a role in the plot. It’s been pointed out that he’s always somewhere around the xenomorph, as the alien is called in the later films; <a href="https://screenrant.com/alien-jones-cat-importance-meaning-explained/" target="_blank" rel="noreferrer noopener">there’s even a fan theory that he’s collaborating with it</a>. When the crew uses a tracker to go hunting for the alien on the ship, it pings on the cat instead, which leads to the death of Brett, the crewman who goes searching for Jonesy and gets ambushed by the alien.</p> <p>Inadvertent? Or deliberate? When the tracker first pings and the humans approach with weapons at the ready, they fling a locker door open on a wildly hissing blur of cat. Later when the alien stalks and grabs Brett, we get two shots of Jonesy hiding in the wall, watching, with his round ginger face and his round greeny-yellow eyes. He looks more rapt than terrified.</p> <p>The alien doesn’t seem to be a threat to the cat. Maybe he’s too small to serve as a host for baby aliens. Or maybe they’re secret soulmates.</p> <p>A cat is an ambush predator like the xenomorph, and an obligate carnivore. He’s lightning fast; his teeth and claws are deadly weapons. He reproduces at a rapid rate—not as fast as a xenomorph, but <a href="https://www.catster.com/statistics/cat-overpopulation-statistics/" target="_blank" rel="noreferrer noopener">one pair of cats can become dozens in a matter of months</a>. Cat and killer alien have a surprising lot in common.</p> <p>One of the most suspenseful sequences in the film is the race at the end to get to the shuttle and escape before the ship blows up with (the humans dearly hope) the alien in it. The three remaining members of the crew split up, Ripley to get the shuttle ready and the other two to collect as many coolant canisters as they can for the life support system. Ripley gets sidetracked by a desperate quest to find the cat and get him in his carrier.</p> <p>Any cat person knows that level of desperation, even without a horrifically dangerous predator on the prowl. Though if you ask the cat, the carrier is a trap and the monster is the vet, which is usually where the carrier is headed.</p> <p>It doesn’t help that cats have the ability to disappear into alternate universes. You can search your whole house or starship from top to bottom and find nothing. Then when you’ve collapsed in a heap of despair and/or mounted a full-on search of the planet, there he is, yelling for his dinner.</p> <p>The xenomorph may be one of the great monsters of modern cinema, but when it comes to survival strategies, the cat has serious advantages. He’s small and portable, and he has physical attributes that make him highly attractive to humans. He’s soft, furry, and to the human eye, he reads as cute. Humans want to take him in, feed him and pet him and serve his every whim.</p> <p>In <em>Alien</em>, when science officer Ash is unmasked for what he is, and the surviving crew learn of the company’s nefarious plan to bring back a live alien at any cost, Ash says of the xenomorph that it’s “a perfect organism. Its structural perfection is matched only by its hostility.” It’s “a survivor unclouded by delusions of conscience, remorse, or delusions of morality.”</p> <p>I would submit that a cat is at least as perfect. It has no need to be hostile. It doesn’t have to have a conscience. After all, it’s not the xenomorph who curls up with Ripley in the pod and gets to go home. It’s the predator with the purr.[end-mark]</p> <p>The post <a href="https://reactormag.com/jonesy-versus-the-big-bad-cat-power-in-the-alien-franchise/">Jonesy Versus the Big Bad: Cat Power in the &lt;i&gt;Alien&lt;/i&gt; Franchise</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/jonesy-versus-the-big-bad-cat-power-in-the-alien-franchise/">https://reactormag.com/jonesy-versus-the-big-bad-cat-power-in-the-alien-franchise/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838244">https://reactormag.com/?p=838244</a></p>
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Posted by Molly Templeton

News Stranger Things: Tales From ’85

The ’80s Nostalgia Isn’t Over in the Trailer for Stranger Things: Tales from ’85

The gang’s all here (as played by an entirely different group of people)

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Published on February 2, 2026

Image: Netflix

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/stranger-things-tales-from-85-trailer/">https://reactormag.com/stranger-things-tales-from-85-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838221">https://reactormag.com/?p=838221</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/stranger-things-tales-from-85/" class="inline-block link-no-animation" aria-label="Link to term or tag Stranger Things: Tales From &#39;85 1"> Stranger Things: Tales From &#8217;85 </a> </span> </div> <h2 class="post-hero-title text-h1">The ’80s Nostalgia Isn&#8217;t Over in the Trailer for <i>Stranger Things: Tales from ’85</i></h2> <div class="prose post-hero-description prose--post-hero">The gang&#8217;s all here (as played by an entirely different group of people)</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 2, 2026 </p> </div> 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https://reactormag.com/wp-content/uploads/2026/02/TalesFrom85-EW_001-final-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/02/TalesFrom85-EW_001-final.jpg 1440w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Image: Netflix</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>How can we miss them if they won&#8217;t go away? <em>Stranger Things</em> just came to its massive conclusion a month ago, but Netflix and the Duffer brothers are already returning to the nostalgia well with a trailer for <em>Stranger Things: Tales from ’85</em>, an animated series set between the primary series&#8217; second and third seasons. </p> <p>This spinoff comes from showrunner Eric Robles (of <em>Fanboy &amp; Chum Chum</em> and <em>Glitch Techs</em> fame, naturally), who <a href="https://www.netflix.com/tudum/articles/stranger-things-animated-series-news" target="_blank" rel="noreferrer noopener">said</a>, “It’s got the thrill of being young, being a kid, and going on these thrilling adventures. But then there’s this essence of real danger, real stakes.&#8221;</p> <p>Is there? Everyone who watches the original series knows what&#8217;s going to become of its main characters, so one would think the stakes would actually be fairly low. Which is fine! Not everything has to be the end of the world all the time! It would in fact be nice if it were not the end of the world all the time. Perhaps the world just has a little cold. At any rate, something from the Upside Down has survived, and looks to be about to interrupt the gang&#8217;s new <em>D&amp;D</em> campaign.</p> <p>A whole new cast voices the characters this time around: Brooklyn Davey Norstedt as Eleven; Jolie Hoang-Rappaport as Max; Luca Diaz as Mike; Elisha “EJ” Williams as Lucas; Braxton Quinney as Dustin; Benjamin Plessala as Will; Brett Gipson as Hopper; and Jeremy Jordan as Steve. Odessa A’zion, Janeane Garofalo, and Lou Diamond Phillips are set to join the cast at some point. </p> <p>The unending adventure premieres April 23 on Netflix.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18192"/> </div></figure> <p>The post <a href="https://reactormag.com/stranger-things-tales-from-85-trailer/">The ’80s Nostalgia Isn&#8217;t Over in the Trailer for &lt;i&gt;Stranger Things: Tales from ’85&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/stranger-things-tales-from-85-trailer/">https://reactormag.com/stranger-things-tales-from-85-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838221">https://reactormag.com/?p=838221</a></p>
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Posted by Vanessa Armstrong

News Star Trek: Starfleet Academy

Starfleet Academy Reveals What Happened to the Klingon Empire After The Burn

The Star Trek series takes place in the 32nd century after the cataclysmic event

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Published on January 29, 2026

Photo Credit: Brooke Palmer/Paramount+

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/starfleet-academy-reveals-klingon-empire-after-the-burn/">https://reactormag.com/starfleet-academy-reveals-klingon-empire-after-the-burn/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838181">https://reactormag.com/?p=838181</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/star-trek-starfleet-academy/" class="inline-block link-no-animation" aria-label="Link to term or tag Star Trek: Starfleet Academy 1"> Star Trek: Starfleet Academy </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Starfleet Academy</i> Reveals What Happened to the Klingon Empire After The Burn</h2> <div class="prose post-hero-description prose--post-hero">The Star Trek series takes place in the 32nd century after the cataclysmic event</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 29, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo Credit: Brooke Palmer/Paramount+</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/starfleet-academy-reveals-klingon-empire-after-the-burn/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 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srcset="https://reactormag.com/wp-content/uploads/2026/01/SFA_104_JM_1105_0397_RT_f-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/SFA_104_JM_1105_0397_RT_f-1100x734.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/SFA_104_JM_1105_0397_RT_f-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/SFA_104_JM_1105_0397_RT_f-1536x1024.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/01/SFA_104_JM_1105_0397_RT_f.jpg 1600w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo Credit: Brooke Palmer/Paramount+</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><strong><em>Warning: This post contains spoilers for the fourth episode of </em></strong><strong>Star Trek: Starfleet Academy, <em>“Vox in Excelso.”</em></strong></p> <p>The <a href="https://reactormag.com/tv-review-star-trek-starfleet-academy-vox-in-excelso/">latest episode</a> of <em>Star Trek: Starfleet Academy</em> focuses on the Klingon cadet, Jay-Den (Karim Diané), and also reveals what has happened to the Klingon people in the 32nd century. After The Burn, the Klingons&#8217; home planet of Qo’noS was destroyed, leaving the surviving Klingons dispersed across the galaxy. Jay-Den, for example, grew up on the former colony, Krios, before heading to the Academy.</p> <p>In an interview with <a href="https://www.slashfilm.com/2087269/star-trek-starfleet-academy-klingons-status-explained-showrunners/" target="_blank" rel="noreferrer noopener">/Film</a>, co-showrunner Alex Kurtzman explained how the writers approached the Klingons for the series. “We&#8217;ve only ever known the Klingons as being this powerful race with an empire, with a home planet, and the idea of who you become when you lose that seed of power and you become a diaspora was really compelling to us,” he said.</p> <p>The Klingons face another setback in “Vox in Excelso” when a refugee ship explodes. The Federation wants to help them, and even has found a planet, Faan Alpha, that could become their new homeworld. Klingons, however, don’t accept charity. But Jay-Den, in part by connecting to who he is and what it means to be Klingon in a diaspora, comes up with a way for the surviving Klingons to “win” the planet in “battle.”</p> <p>The Klingons now have a home planet once again. “[This] gives us somewhere beautiful to go from here because now the Klingons get to rebuild, and that&#8217;s super exciting,” co-showrunner Noga Landau told /Film.</p> <p>New episodes of <em>Star Trek: Starfleet Academy </em>premiere on Paramount+ on Thursdays. [end-mark]</p> <p>The post <a href="https://reactormag.com/starfleet-academy-reveals-klingon-empire-after-the-burn/">&lt;i&gt;Starfleet Academy&lt;/i&gt; Reveals What Happened to the Klingon Empire After The Burn</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/starfleet-academy-reveals-klingon-empire-after-the-burn/">https://reactormag.com/starfleet-academy-reveals-klingon-empire-after-the-burn/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838181">https://reactormag.com/?p=838181</a></p>
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Posted by Vanessa Armstrong

News The Chain

The Chain: Damon Lindelof to Adapt Adrian McKinty’s Horror Novel for HBO

Stephen King has dubbed the book “nightmarish, propulsive and original”

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Published on January 29, 2026

Damon Lindelof photo credit: Gage Skidmore, CC BY-SA 3.0 via Wikimedia Commons

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-chain-damon-lindelof-adapt-horror-novel-hbo/">https://reactormag.com/the-chain-damon-lindelof-adapt-horror-novel-hbo/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838143">https://reactormag.com/?p=838143</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-chain/" class="inline-block link-no-animation" aria-label="Link to term or tag The Chain 1"> The Chain </a> </span> </div> <h2 class="post-hero-title text-h1"><i>The Chain</i>: Damon Lindelof to Adapt Adrian McKinty’s Horror Novel for HBO</h2> <div class="prose post-hero-description prose--post-hero">Stephen King has dubbed the book “nightmarish, propulsive and original”</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 29, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Damon Lindelof photo credit: Gage Skidmore, CC BY-SA 3.0 via Wikimedia Commons</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/the-chain-damon-lindelof-adapt-horror-novel-hbo/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 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0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="383" src="https://reactormag.com/wp-content/uploads/2026/01/Lindeloff-Feature-Image-740x383.jpg" class="w-full object-cover" alt="Headshot of Damon Lindelof next to cover of Adrian McKinty&#39;s The Chain" srcset="https://reactormag.com/wp-content/uploads/2026/01/Lindeloff-Feature-Image-740x383.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/Lindeloff-Feature-Image-1100x570.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/Lindeloff-Feature-Image-768x398.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/Lindeloff-Feature-Image-1536x795.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/01/Lindeloff-Feature-Image.jpg 1663w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Damon Lindelof photo credit: Gage Skidmore, CC BY-SA 3.0 via Wikimedia Commons</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Damon Lindelof, whose previous credits include showrunning <em>Lost, The Leftovers</em>, and <em><a href="https://reactormag.com/watchmen-review-of-premiere-episode-of-damon-lindelofs-hbo-adaptation/" target="_blank" rel="noreferrer noopener">Watchmen</a></em>, has found his next project. According to <em><a href="https://www.hollywoodreporter.com/tv/tv-news/hbo-damon-lindelof-the-chain-adrian-mckinty-1236488491/" target="_blank" rel="noreferrer noopener">The Hollywood Reporter</a></em>, he will be working on a new series for HBO called <em>The Chain</em>, an adaptation of a 2019 eponymous novel by Adrian McKinty.</p> <p>Here’s the blurb for that novel, per Goodreads:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>It&#8217;s something parents do every morning: Rachel Klein drops her daughter at the bus stop and heads into her day. But a cell phone call from an unknown number changes everything: it&#8217;s a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn&#8217;t do as she&#8217;s told, the boy will die.<br><br><em>&#8220;You are not the first. And you will certainly not be the last.&#8221;</em>&nbsp;Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you&#8217;d have thought yourself incapable of just twenty-four hours ago.<br><br>But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.</p></blockquote></figure> <p>“From the moment I heard the wild and original premise of Adrian’s book, I was shocked, surprised and angry I hadn’t thought of it myself,” Lindelof told <em>The Hollywood Reporter</em>. “I’ve always wanted to try to adapt a great thriller and this one has all the dark, weird, exhilarating touches that fire up my imagination. I feel so fortunate to re-team with [Francesca Orsi, Casey Bloys and Michael Ellenberg], who first brought me to HBO fifteen years ago and I can’t wait to make&nbsp;<em>The Chain</em>&nbsp;a memorable link in their outstanding legacy.”</p> <p>The novel is also touted as being “<em>Jaws</em> for parents,” which I take to mean that a frenzy of sharks is behind the entire kidnapping scheme.</p> <p>Lindelof has drafted a pilot script with Carly Wray and Breannah Gibson. No news yet on casting or when the HBO show will go into production. [end-mark]</p> <p>The post <a href="https://reactormag.com/the-chain-damon-lindelof-adapt-horror-novel-hbo/">&lt;i&gt;The Chain&lt;/i&gt;: Damon Lindelof to Adapt Adrian McKinty’s Horror Novel for HBO</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-chain-damon-lindelof-adapt-horror-novel-hbo/">https://reactormag.com/the-chain-damon-lindelof-adapt-horror-novel-hbo/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838143">https://reactormag.com/?p=838143</a></p>
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Posted by Stefan Raets

Excerpts Horror

Read an Excerpt From The Bone Queen by Will Shindler

A mother’s search for her missing daughter battles against the shadows of a historic, dangerous legend.

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Published on January 29, 2026

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-the-bone-queen-by-will-shindler/">https://reactormag.com/excerpts-the-bone-queen-by-will-shindler/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837851">https://reactormag.com/?p=837851</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/fictions/excerpts/" class="inline-block link-no-animation" aria-label="Link to term or tag Excerpts 0"> Excerpts </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/horror/" class="inline-block link-no-animation" aria-label="Link to term or tag Horror 1"> Horror </a> </span> </div> <h2 class="post-hero-title text-h1">Read an Excerpt From <i>The Bone Queen</i> by Will Shindler</h2> <div class="prose post-hero-description prose--post-hero">A mother&#8217;s search for her missing daughter battles against the shadows of a historic, dangerous legend.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/will-shindler/" title="Posts by Will Shindler" class="author url fn" rel="author">Will Shindler</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 29, 2026 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/excerpts-the-bone-queen-by-will-shindler/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> <details class="relative 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</div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We&#8217;re thrilled to share an excerpt from <em><i><a href="https://us.macmillan.com/books/9781250393319/thebonequeen/" target="_blank" rel="noreferrer noopener"><strong>The Bone Queen</strong></a></i></em>, a new horror-thriller by Will Shindler publishing with Minotaur Books on February 3.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Single mother Jenna arrives on the tranquil shores of Athelsea fueled by the desperate hope to find Chloe, her teenage daughter who’s disappeared from their London home. She has no idea why—all she knows is that Chloe had changed in the previous two weeks, haunted by something, or someone, and the ferry ticket here is the only clue she has.<br><br>As she explores the village and interacts with the locals, Jenna soon realizes a macabre secret is being hidden in plain sight. A dark legend of a vengeful woman called the Bone Queen is spoken of in hushed tones amongst the villagers, some of whom are frantically trying to suppress the tale that has long terrorized their lives.<br><br>As Jenna starts to learn more about the Bone Queen and her previous victims, the village’s grip on reality begins to loosen and no one can say for sure who, or what, is responsible for the deaths and disappearances on Athelsea. Suffering from what she can no longer distinguish between paranoid hallucinations or real manifestations, Jenna must act quickly before Chloe is next…<br><br>The Bone Queen has left her mark, and one day she’ll collect.</p></blockquote></figure> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading has-text-align-center">Prologue</h3> <p>The rain lashes across her face like a whip. She’s running into the night and even the trees feel like they’re conspiring against her, their gnarled branches twisting like the interlocked fingers of old men. These woods are dense, and she has no idea which direction to even head for. All she knows is her pursuer is gaining ground and what’s ahead can’t be worse than what’s behind. The earth beneath is wet and leafy and she can taste the salt on her lips from the sea which is rolling and roaring somewhere close.</p> <p>Panic forces her to quicken her pace. Her Nikes, bought with such pride in another time and place, are coming apart and she stumbles on a root sending her tumbling. For a second, she remains down, feeling the stitch in her chest mercifully subside a little. She considers staying put—hiding in the shadows. Then she hears it—hears <em>her</em>—that hint of cold laughter caught on the night air and knows it’s not an option. With a whimper, she forces herself back up onto her feet and starts running again.</p> <p>She tries to imagine a road on the other side of the trees and that thought gives her renewed hope. In her mind’s eye, she sees a car with its headlights cutting through the darkness like laser beams. A kind stranger leaning across to open the passenger door. An escape back to a world she should never have left, to people she should never have hurt. Behind her the urgent rush of her pursuer is getting louder, wood snapping underfoot as it scrabbles after her. If she’s caught, there won’t be any mercy shown.</p> <p>The tears streaming down her face are a distraction. The only thing that matters is getting away and she’s starting to lose faith that it’s even possible now—that the reach of what’s chasing her is too long. It feels like these woods have been waiting for her all her life and that this is where everything surely ends.</p> <p>She skids on some moss and crashes against something hard. There’s immediate sharp pain in her side. Something’s cut through her jeans into her thigh. She sees a huge fallen branch, jagged spikes of wood jutting out of it randomly, cloaked by the darkness. Swearing under her breath she reaches down and can feel the blood leaking through her fingers. She can’t stop herself from crying out—more in despair than pain. That’s a mistake and she knows it straight away.</p> <p>She hears it stop, imagines its head turning now, craning to listen before changing direction. There’s a pitter-patter as the rain begins to get heavier. Just as it has for the last week it quickly starts pounding down, the noise increasing with a rumble. She takes advantage of it and begins moving again. There’s a bank in front and she hauls herself up and over with a desperate heave. The woods seem to be thinning out now but everything’s a blur. She’s not sure what’s on the other side of these trees but is hoping for a break. Something, anything.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/The-Bone-Queen.jpg" class="attachment-full size-full" alt="Cover of The Bone Queen by Will Shindler." /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <!-- <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/The-Bone-Queen.jpg" class="attachment-full size-full" alt="The Bone Queen" /> --> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/The-Bone-Queen.jpg" class="attachment-full size-full" alt="Cover of The Bone Queen by Will Shindler." role="presentation" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">The Bone Queen</h3> <p class="shop-the-book-author">Will Shindler</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1770223622" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1770223622" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="icon-close"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/The-Bone-Queen.jpg" class="attachment-full size-full" alt="The Bone Queen" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/The-Bone-Queen.jpg" class="attachment-full size-full" alt="The Bone Queen" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">The Bone Queen</h3> <p class="shop-the-book-modal-author">Will Shindler</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0F5P97XCC?tag=tordotcomgeneral-20" data-book-title="The Bone Queen" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9781250393319" data-book-title="The Bone Queen" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9781250393326" data-book-title="The Bone Queen" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9781250393319" data-book-title="The Bone Queen" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9781250393319" data-book-title="The Bone Queen" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>She finds herself on open ground and runs raggedly across the long grass, but not fast enough. And then her heart stops as it dawns on her where she is. There’s a short, battered fence in the middle distance, and on the other side of it she can hear the sea pounding against the rock face far below. There’s sheer terror now as she realizes there’s nowhere left for her to run, and she turns to face what’s coming.</p> <p>It’s her—of course it is. The thing she’s been running from for so long, and everything seems to coalesce at that moment. All she can hear now is a roaring in her ears and the cold seems to go right through her. The rain is sheeting down and the terrible cowled figure slowly, jerkily, raises an arm and holds it out towards her accusingly.</p> <p>Her nerve breaks. She turns and sprints towards the cliff edge, not looking back. Climbing the short fence she stands for a moment, pressing her back against its rotting wood. The silver-coin moon illuminates the rocks below, showing her the way—and without hesitation, she leaps into the abyss.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading has-text-align-center"><strong>Chapter 1</strong></h3> <p class="has-text-align-center"><em>Today</em></p> <p>The first thing that hit her was the sound of the place. Seagulls—lots of them circling overhead, crying and squalling as the ferry inched closer. Some people enjoy traveling like this, but Jenna Tipton knew she definitely wasn’t one of them. The whole process was laborious and tiring and she felt sick. But that wasn’t because of the choppy waters—she’d been living with the nausea for days and was almost getting used to it. Almost. She knew there was only one thing that was going to make that go away. In her early forties, the last week had aged her badly. Her mousy brown hair had turned frizzy, her lips were dry and chapped, and her skin felt like battered old leather. But none of that mattered, not in the way they normally would.</p> <p>She’d been told Athelsea Island was stunning but now that they could see it properly, there was nothing that stood out about it. A small rock tucked thirty miles or so off the Cornish coast. In the summer months, it was overrun by tourists—but in the cold blast of February, the huddle of white-brick buildings clustered around the harbor looked more like the death of hope.&nbsp;</p> <p>‘Nearly there Jen. Are you okay?’ said a voice behind her and she turned to see her sister Hattie fiddling with her phone trying to get some sort of signal on it. Much as she loved her, Jenna hoped it wasn’t because she wanted to upload a picture of the bloody island onto her Insta. Then she felt bad for having the thought because without her she’d never have made it even this far.</p> <p>‘I’m fine,’ she said, answering the question with a dirty fat lie.</p> <p>Hattie was three years younger. Wearing a navy fur-lined puffa jacket, she looked impossibly glamorous, which was standard. Long black locks cascaded around her neck, tousled from the wind, which made her seem even more stunning than usual. It was all the more impressive given how much she hated the sea. A city girl by nature, she’d had a phobia about water since childhood and had done a decent job of covering it since they’d set off. Jenna turned back to face the island, which was getting ever closer.</p> <p>‘Have we made a mistake coming here?’ she said, but Hattie shook her head.</p> <p>‘We’re following the breadcrumb trail, aren’t we? And from what we know this is the likeliest option, isn’t it?’ She said it as if explaining the search for a misplaced set of keys.</p> <p>‘What if I’m wrong though?’ said Jenna, wincing as yet another blast of cold wet wind swept across them. ‘What if we’re wasting valuable time? What if this is just a self-indulgence and we miss something important back home because of it?’</p> <p>The questions had been tormenting her all day and Hattie had already heard them several times over.</p> <p>‘And what if the moon’s made of green cheese? More to the point—what if she <em>is </em>here? That’s why we’ve come, isn’t it? To bring her home?’</p> <p>Jenna nodded—there was that.</p> <p>She could see the bay a bit more clearly as the ferry got closer and its attractions were becoming a little more obvious now. There were boarded-up seafront cafés and restaurants which presumably did a roaring trade fleecing tourists during the summer. Pretty cobbled streets divided them, and old-fashioned-style signposts pointed the way to attractions such as the Athelsea Lighthouse and the Haunted Coves.</p> <p>‘It looks dead,’ said Hattie and she was right. It also had that superficiality that all these kinds of places possessed which crowds and fine weather helped mask. In ordinary circumstances, it wouldn’t take Jenna more than an hour to get bored here, but these weren’t ordinary circumstances.</p> <p>‘Who lives here?’ she said. ‘And why would you live here? I mean—it’s like this during the winter, then gets overrun by drunken twenty-somethings in the summer. I can’t see the attraction.’</p> <p>Hattie smiled. ‘That’s because you’re middle-aged.’</p> <p>‘Thanks, mate. Don’t get too cocky—you’re not that far behind me.’</p> <p>The dynamic between them sometimes felt like it had been frozen in aspic from when they were teenagers. The passing of time didn’t seem to affect them. It felt as if it would always be like that.</p> <p>‘You know what I mean, Jen. I imagine the population here is largely retired. It’s not meant for people like us, is it?’</p> <p>‘So why in the world would she come here?’</p> <p>And for that, her sister had no answer.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size"><em>The Bone Queen. </em>Copyright © 2026 by Will Shindler. All rights reserved.</p> <p>The post <a href="https://reactormag.com/excerpts-the-bone-queen-by-will-shindler/">Read an Excerpt From &lt;i&gt;The Bone Queen&lt;/i&gt; by Will Shindler</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-the-bone-queen-by-will-shindler/">https://reactormag.com/excerpts-the-bone-queen-by-will-shindler/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837851">https://reactormag.com/?p=837851</a></p>
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Posted by Vanessa Armstrong

News God of War

Ólafur Darri Ólafsson Will Be Thor in God of War TV Series

The actor’s previous credits include playing Mr. Drummond on Severance

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Published on January 29, 2026

Ólafsson photo Credit: Jónatan Grétarsson; Thor imagery courtesy of Sony Interactive Entertainment

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/olafur-darri-olafsson-thor-god-of-war-series/">https://reactormag.com/olafur-darri-olafsson-thor-god-of-war-series/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838082">https://reactormag.com/?p=838082</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/god-of-war/" class="inline-block link-no-animation" aria-label="Link to term or tag God of War 1"> God of War </a> </span> </div> <h2 class="post-hero-title text-h1">Ólafur Darri Ólafsson Will Be Thor in <i>God of War</i> TV Series</h2> <div class="prose post-hero-description prose--post-hero">The actor’s previous credits include playing Mr. Drummond on Severance</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 29, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Ólafsson photo Credit: Jónatan Grétarsson; Thor imagery courtesy of Sony Interactive Entertainment</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/olafur-darri-olafsson-thor-god-of-war-series/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="405" src="https://reactormag.com/wp-content/uploads/2026/01/ThorRagnarokFeatureImage-740x405.jpg" class="w-full object-cover" alt="Left: headshot of Ólafur Darri Ólafsson; Right: image of Thor from God of War: Ragnarok" srcset="https://reactormag.com/wp-content/uploads/2026/01/ThorRagnarokFeatureImage-740x405.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/ThorRagnarokFeatureImage-1100x602.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/ThorRagnarokFeatureImage-768x420.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/ThorRagnarokFeatureImage-1536x840.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/01/ThorRagnarokFeatureImage.jpg 1554w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Ólafsson photo Credit: Jónatan Grétarsson; Thor imagery courtesy of Sony Interactive Entertainment</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Casting for the adaptation of the popular video game franchise <a href="https://reactormag.com/god-of-war-ronald-d-moore/" target="_blank" rel="noreferrer noopener"><em>God of War</em></a> is heating up. Earlier this month we found out that Ryan Hurst (who actually <a href="https://reactormag.com/god-of-war-series-cast-kratos-ryan-hurst/" target="_blank" rel="noreferrer noopener">voices Thor</a> in the video game) will play one of the leads, Kratos<a href="https://reactormag.com/god-of-war-series-cast-kratos-ryan-hurst/" target="_blank" rel="noreferrer noopener">,</a> and that Max Parker was on board to play Heimdall, the watchman of Asgard.</p> <p>Today, we got the news that Ólafur Darri Ólafsson will take on the role of Thor.<br><br>The <em>God of War </em>television series will be based on 2018&#8217;s <em>God of War </em>and its sequel, <em>God of War: Ragnarok</em>. In those games, the character of Thor is a rather specific take on the Norse god. Here’s the official description of Ólafsson’s character:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>The God of Thunder is a mountain of a man who has weathered many a battle in his time but whose actions in a war fought long ago now haunt his waking hours. Once the loyal soldier of Asgard and his father’s right-hand man, Thor is now but a shadow of his former self as he drowns himself in alcohol and tries not to think of the price he paid. Keeping his wife and children at arm’s length has only deepened his isolation, but the power (and danger) of the God of Thunder is still there just beneath the surface.</p></blockquote></figure> <p>If you’ve watched the second season of <em>Severance</em>, you’re familiar with Ólafsson; <a href="https://reactormag.com/severance-cold-harbor-review/" target="_blank" rel="noreferrer noopener">the actor played Mr. Drummond</a>, the intimidating Lumon executive who monitored many parts of the severed floors, including the company&#8217;s commitment to goat sacrifice. His other credits include <em>The Meg, Somebody Somewhere</em>, and <em>Trapped</em>.</p> <p>The <em>God of War </em>series, which has already been greenlit for two seasons, is currently in pre-production in Vancouver. It has Ronald D. Moore as showrunner, and comes from Sony Pictures Television and Amazon MGM Studios.</p> <p>No news yet on when it will go into production, much less premiere on Prime Video. [end-mark]</p> <p>The post <a href="https://reactormag.com/olafur-darri-olafsson-thor-god-of-war-series/">Ólafur Darri Ólafsson Will Be Thor in &lt;i&gt;God of War&lt;/i&gt; TV Series</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/olafur-darri-olafsson-thor-god-of-war-series/">https://reactormag.com/olafur-darri-olafsson-thor-god-of-war-series/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838082">https://reactormag.com/?p=838082</a></p>

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