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The Heart of Valor, Tanya Huff

This is the third novel in Huff’s series about Marine Sergeant Torin Kerr. The series takes place in a future in which several younger and more aggressive species (humans among them) have been granted membership in a Confederation of many species, most both non-violent and much older, on the understanding that their peoples will staff the Confederation’s military forces in the ongoing war against mysterious invader known only as the Others.

Sgt Kerr (recently promoted to Gunnery sergeant) serves, with great skill and efficiency, in this future military. Up to this point, she has been a perfect soldier – carrying out her mission, doing her best (and her best is pretty damn good) to keep her senior officers from doing something foolish and the Marines under their command alive. But something is changing.

In her last adventure, Sgt. Kerr was involved in a first contact situation with an apparently sentient space ship, and now Kerr discovers that she and a handful of those who were with her on the alien ship have memories that no one else involved in the mission have. And no one seems willing to listen to her when she tries to tell the brass that something is wrong.

Heart of Valor is, like the earlier Confederation novels, a rousing action story in the tradition of the great milsf writers, but it is also, I think, something more – the beginnings of an exploration into the level of trust required between civilian leadership and the military, and into what are the responsibilities of a soldier when she suspects that trust has been breached.

I was loving this series already, because Torin Kerr is an interesting and well-developed character, and because of the solid portrayal of a women in the military. But now I think I’m liking it even more, as Huff seems to be setting the stage for a broader consideration of the relationship between the military and its civilian overseers. Already, one begins to wonder about the implications of how and why the younger races were admitted into the Confederation – to do the fighting for those who will not, while having at the same time no input into the highest levels of decisions about military goals and attempts to enter into negotiations with the enemy – and it’s going to be interesting to see what happens if Kerr’s intelligence and insight keep bringing up questions that her devotion to duty and to the Marines might make her reluctant to think about.

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I have been reading a lot of novels in series lately. I like series. I love plots that go on for volumes and volumes and characters that grow and change and themes that are developed layer upon layer.

Lately, I have begun reading, or completed reading, or read a few more books in the middle of, the following series. All of these series, obviously, are ones that I have or am enjoying highly, because if I weren't, why on earth would I have read more than the first volume?


The Miles Korkosigan Saga, by Lois McMaster Bujold
Brothers in Arms
Mirror Dance

What is there not to love about a runty little hero with a brittle bone disability, a brilliant mind and a gift for profound deviousness and intrigue who's trying to face down a birth culture in which physical prowess and manliness is everything, while making a name for himself as a mercenary captain and concealing his mission as an interstellar intelligence agent?

I read the first novels in this series a long time ago, when they first came out, and then a couple of years back, when I happened to notice just how many more of them Bujold had written, I re-read the older ones and am now in the process of reading the neweer ones. Bujold's is smart, and often funny milsf adventure with some very nice exploration of both gender politics and disability issues, and some very nice political intrigue.


The Diana Tregarde Mysteries, by Mercedes Lackey
Children of the Night
Jinx High

Completing my re-read of this urban fantasy series, which alas has only three volumes. Diana Teegarde is a Guardian, a person who is gifted with strong supernatural and/or psychic gifts and the ability to perform magic, and has accepted the responsibility to use these gifts to oppose those - both human and inhuman - who would use such powers for evil.

As with many of Lackey's novels, there's a distinct pagan-friendly and queer-positive vibe, a strong female protagonist, children at risk and some clearly defined heroes and villians.


The Jenny Casey trilogy by Elizabeth Bear
Hammered
Scardown
Worldwired

Ok, if you like hard sf, strong female protagonists, cyberpunk (although Bear has argued that it is actually post-cyberpunk), geopolitical sf, or just plain good writing with great characters and complex, action-filled plots about important human issues, go read Bear's novels about Master Warrant Officer Genevieve Casey. If you want some details first, you can find them at Elizabeth Bear's website.

I was enthralled by these books - quite literally, I read them one after another over the course of about two days. Compelling, thought-provoking, and exciting reading.


The Dragon Temple Trilogy, by Janine Cross
Touched by Venom
Shadowed by Wings
Forged by Fire

These are not easy books to read. I'll give you that warning right now. Over the course of these three novels, the young female protagonist - who is only a child when the books begin - experiences just about every kind of abuse you can imagine, as a child, as a female, as a slave, as a political prisoner, as a gender rebel, as a racial minority, as a member of an oppressed socio-economic class, as an addict, as an enforced victim/participant of a religious cult, as a recruit in a brutal quasi-military training program, and probably as several more identities that are traditionally targets of institutionalised as well as individual abuse that I hadn't noticed.

Some people have dismissed these works as violent pornography, others have seen them as a deeply disturbing dystopia with a profound feminist and anti-oppression stance. I'm defintely in the latter camp on this - sometimes it's important to remember just how bad things not just can be, but are for people who are not privileged (as I imagine many of the readers of this blog are, at least in some ways).

There is a great review by Liz Henry up at Strange Horizons that not only looks at the first book in the series from a feminist and anti-oppression perspective, but also examines the vastly divergeant opinions people have voiced about the book.


The Company Novels, by Kage Baker
Sky Coyote
Mendoza in Hollywood
The Graveyard Game

I read the first volume in the series, In the Garden of Iden, earlier this year, and was very much intrigued with the set-up - time-travelling for profit, with entreprenuers from the future conscripting orphans throughout history to become immortal collectors of vanished artworks, cultural histories, extinct specimens, and all sort of other things worth saving - if someone is going to profit by it. It was claer from the very first that there were some unanswered questions about the whole enterprise, and as the series has continued, that's proving to be even truer than I'd expected.

The key continuing characters - Mendoza, saved from the Spanish Inquisition as a child, and Joseph, her recruiter, himself rescued from a massacre of his family group in 20,000 BCE by Budu, an even older Immortal of whom much is heard but little is seen in the books I have read so far - find themselves and their associates withing the Company increasing confronted by mysteries about who really runs the Company, the source of the technology that made both time travel and their own immortality possible, the real motives of the increasing large number of factions associated with the Company, its operatives and controllers, the growing number of disapperaing immortals, and most mysterious of all, what happens after 2355 - the year in which all communications from the future to the operatives and immortals stationed all throughout human history (and pre-history) cease.

Political intrigue on a truly grand scale. I'm loving this series.



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Valor’s Choice
The Better Part of Valor

Here’s the thing you need to know: Tanya Huff’s novels about Staff Sergeant Torin Kerr are some of the best MilSF out there.

Sgt. Kerr is a grunt. She’s not the scion of a line of fabled warriors, she’s not going to end up as the leader of the free universe, she has no rich and influential relatives, she has no special powers or alien buddies or ancient artefacts or arcane knowledge. She’s nobody’s Mary Sue. She’s a grunt. And as a staff sergeant, her job is to know everything keep her lieutenant alive, keep the troops going no matter what, and finish the mission.

Huff has a note at the end of Valor’s Choice that says everything that needs to be said about Torin Kerr. She begins by identifying a historical battle that was the inspiration for a crucial battle in the book. And then she goes on to say:
… a total of eleven men were awarded with the Victoria Cross for conspicuous bravery, making this the highest number ever awarded for a single engagement in British military history.

Colour-Sergeant F. Bourne, the senior NCO, was not among those eleven. He received instead a Distinguished Conduct Medal.

Why, although his bravery and courage under fire were unquestioned and he was instrumental in turning a number of …attacks, didn’t Colour-Sergeant Bourne receive the Victoria Cross?

Because he was only doing his job.
The Torin Kerr books are, in some ways, reminiscent of the best aspects of Heinlein’s Starship Troopers, but the character of Torin Kerr is more realistic, as a woman and as a warrior, than Heinlein would ever manage in his writing.

In these books, Huff has once again created a strong female protagonist who does interesting and exciting things. Torin Kerr kicks ass with the best of them.

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Sometimes a series gets better as it goes along; something it stays at the same level, be that good, middling or bad. And sometimes a series just seems to go into a slow freefall, dragging out its characters and ideas - originally fresh and interesting - into interminable and inevitably repetitious sequences of poorly written dreck.

And so I come to talk - at least tangentially - about the 11th Honor Harrington novel by David Weber - At All Costs.

Just so you understand, I loved On Basilisk Station, the novel that introduced Honor Harrington. I deeply enjoyed the next few books in the series. But then I started getting blurry-eyed over the technobabble and innumerable weapons upgrades and the endlessly repetitive battle sequences:

Havenite with name ripped off from the French Revolution: Release the ::weapons technobabble::

Aspiring young Manticorean officer on deck: Look, the Havenites have released their new ::weapons technobabble:: There must be thousands of ::weapons technobabble::

Manticorean Military Leader: Right, we must release our clever new ::weapons technobabble::

Another aspiring young Manticorean officer: Oh dear, we've taken a lot of ::damage technobabble::, what can we do?

Honor Harrington: Let's ::tactical technobabble::, ::weapons technobabble::, ::shipboard technobabble::, rinse and repeat.

Another aspiring young Manticorean officer: Thank heavens, Honor Harrington saved us by ::tactical technobabble::, ::weapons technobabble::, ::shipboard technobabble::, rinse and repeat.

The greatful people of (insert your planet name here): Honor Harrington is so wonderful, let's change all of our laws and customs so we can give her still more honour! (The pun works better in American English).

Honor Harrington: Oh, Admiral, let's go home and fuck, now that you and your other wife have married me.


It's not just that by this time Honor Harrington is so clearly Weber's Mary Sue that it's laughable. It's not just that half of the book is unreadable because it's nothing but pages and pages of the driest exposition, telling the reader about the military, political, tactical and scientific situations, circumstances and backstories, rather than showing us all of this through what the characters are doing (and no, having them all sit around in a conference room mouthing the exposition is not "showing rather than telling). It's not just that the politics of Weber's Honorverse have become more and more labyrinthine and the cast list and backstory so complex that - frankly - it would be easier to keep the people and events of the real French Revolution in order, and if you've ever done that, you'll know it's not that easy.

And it's not just that Weber really, really, really needs an editor who's not afraid to throw out half the book and make him re-write the other half. (More worth reading on this from [profile] guyindkny.)

It's that a story with some really interesting female characters has been buried so deep under all of this crap that you can't find the exciting military officer of On Basilisk Station anywhere in this mess anymore.

The saddest thing is that I was so taken by the original Honor Harrington, I continue to buy the novels, skimming through at least half of the verbiage just to see what the Honor I remember is going these days.

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