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Some brief comments on several collections of short stories I’ve read this year, but some very talents authors – some of whom I’ve been reading for years, and some of whom I have only discovered this year but have come to appreciate greatly.

Dangerous Space, Kelley Eskridge

This was my introduction to Eskridge’s work, and I was very impressed. Her explorations of the fluidity of identity, gender and sexuality are powerful and harken back, for me, to some of the best of Samuel Delany’s work. There has been much mention by reviewers of the three stories that feature the ungendered character Mars, but while Mars is perhaps the flashpoint of discussion about these issues for many, most of the stories in this collection place their characters in the “dangerous space” that lies outside, or perhaps in between, the safe definitions society would force upon us all. In some stories, the use of settings where social roles and personal actions are highly regulated (an asylum, a fascist state) highlight the sense that anyone can find themselves in a dangerous state when we move away from any imposed norm.


Bloodchild and Other Stories, Octavia Butler

It still seems unreal to me to think that we shall read no more from Octavia Butler. I’ve long been an admirer of her novels, but only this year did I finally read this collection of her few short stories. Most science fiction readers will be acquainted, with the three strongest stories here – “Bloodchild,” “Speech sounds,” and “The Evening and the Morning and the Night.” In addition, there are two lesser known stories and two essays on her craft by Butler. It is a good thing to have all of her published stories together in one place on my shelf. It is a sad thing that there are so few. It is a great loss that there will be no more.


The Chains that You Refuse, Elizabeth Bear

It is difficult from me to think that before this year I had never read anything by Elizabeth Bear. In just a few months, she has become one of my (admittedly many) favourite writers, someone whose latest offering I would buy unhesitatingly without even reading a review or a blurb to see what it was about. This collection was the second book I read by her, and the diversity of ideas, combined with her sure sense of the right style for each, made a strong impression. If there was an underlying theme to the collection, it was making choices that challenge boundaries, subvert expectations, resist demands – as the title says, refusing chains.


Mother Aegypt and Other Stories, Kage Baker

I acquired this book specifically because I had run into a great deal of positive comment about Kage Baker, and decided to introduce myself to her work through a collection of her short stories. The title story of this collection, which captured my imagination immediately, is an original novella set in Baker’s Company series, which I am currently devouring with great joy. Several other stories are apparently set in the universe of another of her novels, The Anvil of the World, which I have not yet read, although I intend to remedy that as soon as I may. I also enjoyed the stand-alone stories in the collection. Baker has a gift for telling what seems to be a simple tale, about something not all that earth-shattering, which turns out to be far more significant than one would at first have believed. The delayed punch effect. I like it.


What Ho, Magic! and Relative Magic, Tanya Huff

Why yes, I am trying to acquire every collection of Huff’s stories. How clever of you to notice how many of them have been on this year’s reading list. Why? Because Huff writes stories that run the gamut of styles and emotions, from laugh-out-loud pun-laden comedy to the most serious and heroic of epic fantasy with everything in between. Reading her work makes me feel good. Do I need another reason?

Date: 2007-12-26 12:38 am (UTC)
From: [identity profile] ide-cyan.livejournal.com
Geoff Ryman's intro to Dangerous Space: worth ripping out of the book and burning, Y/N?

Date: 2007-12-26 07:13 pm (UTC)
From: [identity profile] morgan-dhu.livejournal.com
I'd certainly agree that Ryman's intro seemed to be talking about some other group of stories that were not the stories I was reading, despite some similarities of character, plot and setting. Maybe he read the alternate universe Eskridge collection instead?

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