Dec. 22nd, 2015

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If you have read anything about Aliette de Bodard's latest novel, the highly original and absolutely stunning fantasy The House of Shattered Wings, then you've surely encountered praise for its intricate worldbuilding, its complex and clearly defined characters, its suspenseful and engaging narrative, its subtle critique of power politics and brutal imperialism, and its numinous theological underpinnings.

And it's all true.

The novel is set in a post-apocalyptic Paris, following the Great War between, not countries, but Houses of Europe - fiefdoms run by and for the Fallen, angels cast out from Heaven for crimes they do not remember, magical beings much diminished but still trailing clouds of their former glory. Before their inhuman power games resulted in the near-ruin of a continent, the Fallen, based in Europe where the mythos we as readers recognise as Christianity was strongest, had spread out across the world, colonising other nations and driving other Heavens, other divine and magical beings, into hiding. Thus it was in Annam, where one of the beings caught in the nets of House imperialism is Philippe, an Immortal cast out from the Annamese Court of Heaven to live in mortal form as punishment for an unnamed transgression.

Freed from the House that enslaved him by its destruction in the Great War, Philippe has survived in the lowest rungs of Paris society, running with human gangs who scavenge in the ruins while the surviving Houses struggle to regain their former power and wealth while continuing to play games that could send any of them toppling into destruction.

When Philippe and a fellow gang member find a newly Fallen, weak and battered from her fall, they attempt to scavenge her, for the bodies of the Fallen carry magic. But before they can do more than collect two fingers, the head of one of the most powerful Houses remaining in Paris, Selene, arrives to save the new Fallen. When Philippe uses his own form of magic to shield his comrade from Selene's wrath, both he and the new Fallen are taken into House Silverspires - she as a dependent, to be known as Isabelle, and he as a prisoner to be studied and if possible used by the House.

Once in Silverspires, both Isabelle and Philippe - bound together by a force awakened drank when Philippe tasted her blood - become caught up in an old and dark curse that threatens to destroy the ancient House, once ruled by Morningstar, the first and foremost of the Fallen. Isabelle is loyal to the House that saved her and offered her protection, while Philippe wants nothing more than to see the House structure collapse completely and to free himself not only from Silverspires but from Paris itself, but the bond between them makes them at times allies as they seek to uncover what lies behind the deadly spell, crafted in vengeance and betrayal, that haunts the halls of Silverspires.

The House of Shattered Wings is one of the best novels I've read this year. De Bodard's website describes the novel as a standalone, but promises more novels set in the same universe. I am looking forward to reading them no matter where she focuses the next stories - but I hope we will see more of Philippe.

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More short stories!

“eNGAGEMENT," Richard Oduor Oduku, Jan 15, 2015, Jalada
http://jalada.org/2015/01/15/engagement-by-richard-oduor-oduku/

A young plugged-in Nairobi resident explores love, sex, illusion and desire in a wired and virtual world.


"Blue Monday," Laurie Penny, Oct 22, 2015, Motherboard
http://motherboard.vice.com/read/blue-monday

A woman who only wants to retrieve her cat uncovers the extremes of manipulative callousness to which the establishment will go in its goal of controlling the people. Chilling cautionary fable.


“Who Will Greet You At Home," Lesly Nneka Arimah, Oct 26, 2015, The New Yorker
http://www.newyorker.com/magazine/2015/10/26/who-will-greet-you-at-home

In a world of women who choose what materials to create their daughters from - clay, twigs, porcelain - and their mothers bring these babies to life with blessings, Ogechi, at odds with her own mother, struggles to find the right substance to use for her child. Powerful and disturbing.


"So Much Cooking," Naomi Kritzer, Nov. 2015, Clarkesworld
http://clarkesworldmagazine.com/kritzer_11_15/

The progress of an influenza epidemic, from early warning through the shut-down of a city and growing scarcity, and its effects on one family, is told through a series of foodie blog posts. Effective and moving reminder of how close the middle class urban world is to the loss of all the plenty and convenience we have come to take for granted.


"Last Wave," Ivor W. Hartmann, Jan 15, 2015, Jalada
http://jalada.org/2015/01/15/last-wave-by-ivor-w-hartmann/

The last words of the last human to live amid the ecological nightmare that the Earth has become land five million years later on unexpected ears. The narrative sets up an interesting plot twist but is somewhat lacking in depth.


“The Monkey House," Tade Thompson, Mar 5, 2015, Omenana Issue 2
http://omenana.com/2015/03/05/the-monkey-house/

An office worker in Lagos begins to see things around the office that should not be there. Unsettling story built around a Nigerian folk tale.

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