Aug. 31st, 2015

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More short stories and novelettes from around the net.


"The Shape of My Name," Nino Cipri, March 15, 2015, tor.com
http://www.tor.com/2015/03/04/the-shape-of-my-name/

This was an amazing story about creating one's own identity. The narrator is part of a multi-generational time-travelling family whose members have access to gene-coded time capsules enabling them to travel into any time between 1905, the year that the mysterious Moses Stone built the machine for the family matriarch, and August 3, 2321 - the significance of that date is unknown to the characters, but my guess is that it's the date from which Moses travelled back in time to build the machine that would allow forward travel. But that's not part of the story, really. The story is about creating identity and finding freedom from ingrained expectations.


"When It Ends, He Catches Her," Eugie Foster, September 26, 2014, Daily Science Fiction
http://dailysciencefiction.com/fantasy/fairy-tales/eugie-foster/when-it-ends-he-catches-her

One of the short stories that would have been on the Hugo ballot this year had the Puppies not done their thing, and Foster's last story, published just before she died. A poignant and evocative story of love, art and death, two dancers rekindling the memories of their greatest achievement in the midst of the ruins of civilisation.


"Litany of Earth," Ruthanna Emrys, May 14, 2014, tor.com
http://www.tor.com/2014/05/14/the-litany-of-earth-ruthanna-emrys/

Another piece that might have been nominated fir a Hugo if not for the puppies, Emrys' novelette is a majestic and powerful reworking of the Cthulhu mythos, ever mindful of the fact that the winners not only write the history books, they demonise the ones who lose. Emrys presents the people of Innsmouth and other such communities as a race of immortal others among us, with a faith and a knowledge no more evil than any other, persecuted, incarcerated, experimented on and killed for their difference. A must-read for those who once loved Lovecraft but lament his casual racism.


"Seven Commentaries on an Imperfect Land," by Ruthanna Emrys, August 20, 2014, tor.com
http://www.tor.com/2014/08/20/seven-commentaries-on-an-imperfect-land-ruthanna-emrys/

I was sufficiently blown away by Emrys' "Litany of Earth" to want to read more. And I was not disappointed in doing so. "Seven Commentaries" is a perfect pearl. Told in seven vignettes filled with glorious detail, it is about communities of the heart and soul, the perseverance of imagination and hope, the healing and binding power of story, and seeing the spirit of your sister in a stranger's eyes.


"Kin, Painted," by Penny Stirling, July 29, 2015, Lackington's Magazine
http://lackingtons.com/2015/07/29/kin-painted-by-penny-stirling/

Lackington's specifies that they are specifically interested in publishing stylised speculative prose, and I must admit to enjoying stylised prose (when well-done, of course), but more than just being stylised, this piece by Penny Stirling was a beautiful thing to read. An extended metaphor on growing up and making personal choices, notable for its references to persons of many genders and preferences.

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Gillian Bradshaw's Island of Ghosts is a complex and entertaining tale, set in Roman Britain during the reign of Emperor Marcus Aurelius. The narrative thread of the novel is played out against the story of the Sarmatian auxiliary forces taken into the Roman army and posted to Britain after the Empire's victory over the their people. Little is known of the fate of the Sarmatians - a nomadic people, known as formidable mounted fighters, who had migrated from Central Asia into Eastern Europe - once they arrived in Britain, but Bradshaw has taken what is known about them, and about the much better documented history of the Roman occupation of Britain, and created a story of romance and political intrigue.

Bradshaw paints a picture of colonial Britain that puts considerable emphasis on the diversity of cultures, and the issues of cultural clashes beyween them - the imperial military culture of the conquering Romans, the unassimilated Sarmatian warriors, the varied British tribes and their different histories with the Empire, the Christian underground, the hidden remnants of the druidic order - as well as on the different political factions within these groups.

Navigating these complexities is Ariantes, the commander of one of the first three Sarmatian dragons (a unit of 500 soldiers) to arrive in Britain. Weary of wars fought for glory, emotionally devastated by the death of his wife and children during the wars with Rome, determined to take care of his men and honour his vow to serve the Empire, Ariantes is caught between Romans who distrust the "barbarians" they assume the Sarmatians to be, Britons who hope for freedom and a return to the old ways, and his fellow Sarmatians who are unwilling to make the changes necessary to live in the new land they have come to.

A well-researched and thoroughly engaging historical novel.

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