Ta-Nehisi Coates' re-imagining of the black comic hero the Black Panther, is thoughtful, exciting, deeply political, and - sadly - too much for Marvel and its core readers, as the series has been cancelled. But we will have what Coates has already done with the series, as a testament to what hero comics can be.
Vol 1 of Black Panther, titled A Nation Under Our Feet, delivers us into a country in great turmoil. Previous writers - as I learn from various summaries on the Internet - have left the series a legacy of contradictions and tragedies. The country of Wakanda, a technologically advanced African society largely hidden from the rest of the world, ruled by a long line of absolute monarchs with mystical powers able to become the Black Panther. An orphaned king who left his people to be a superhero to the outside world, bringing the destructive wrath of evil supervillains down on the country he left in the hands of others.
Coates begins with a Wakanda in chaos. Unrest, rebellion, revolution threaten. The king, T'Challa, is here no wise and benevolent king, but a confused and conflicted man, not understanding why his people are at war with each other, and with him. The first novel casts T'Challa as, in fact, the 'bad guy' by default, because of his lack of comprehension, his lack of connection to his people. The various rebels seem on the side of good - especially the two renegade warriors Ayo and Aneka. Formerly members of the king's elite, all-female bodyguard (shades of the Dahomey warrior-wives of the king), they have become vigilantes fighting against a brutal leader in northern Wakanda whose regime is one of enslavement and rape of women. It is in this subplot that we most clearly see that T'Challa - and his advisors and military leaders and others of the royal faction - are completely out of touch with the situation of the people, and trapped in an out-moded mythos in which the king's word is unquestioned law, and tradition outweighs true justice. If T'Challa is to learn to become both leader and hero, he has a long way to go.
The artwork, by Brian Stelfreeze, is strong and powerful, with appropriate touches of a softer and more mystical style when the subject matter demands it.
I will be reading all there is of this Black Panther, and sorrowing when the story comes to its untimely end.