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Sooner or later, every author with strong opinions seems to find a publisher willing to collect and print a representative sample of those opinions. The View from the Cheap Seats is such a collection of assorted non-fiction writings by Neil Gaiman on a vast range of topics. As Gaiman says in the Introduction.

"This book is not “the complete nonfiction of Neil Gaiman.” It is, instead, a motley bunch of speeches and articles, introductions and essays. Some of them are serious and some of them are frivolous and some of them are earnest and some of them I wrote to try and make people listen. You are under no obligation to read them all, or to read them in any particular order. I put them into an order that felt like it made some kind of sense—mostly speeches and suchlike at the beginning, more personal, heartfelt writing at the end. Lots of miscellaneous writing, articles and explanations, about literature, film, comics and music, cities and life, in the middle."

It is not surprising that one of the themes that runs through much of the collected work is a love of books, of reading, of ideas. (Indeed, I've found this to be a common theme in many similar collections of essays and the like by authors of all genres.) Gaiman writes movingly about the importance of books, of reading, and of his own history with these things, how the books of his childhood and his experiences around the reading of them made him who he is. He writes about himself as reader and as writer, and how these are linked. He writes about genre, and story, and the power of myth.

Between having spent some time as a journalist, finding fandom early in life, and apparently being quite a social sort of chap, Gaiman seems to have met and in some cases had long and significant relationships with a fair few British writers and other industry people - and has been called on to prepare introductions both to their books and to their personal appearances at conventions and such. These collected pieces provide insights not only into the subjects, but in many cases, into Gaiman himself - and they are often funny and wise at the same time.

Gaiman's subjects range from science fiction and fantasy books and authors to film to music (with, quite understandably, several articles on the work of his wife Amanda Palmer) to comics (quite extensively, it's clear that he has a deep and abiding love for the artform). And on all of them, he has interesting things to say. If this is the view from the cheap seats, the show is well worth the price of admission.
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bibliogramma

May 2019

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