Sarah Rees Brennan: In Other Lands
Apr. 27th, 2018 03:23 amIn Other Lands, by Sarah Rees Brennan, is a YA portal fantasy/wizard school adventure/coming-of-age story with a difference, and it’s a difference that is quite delightful.
Elliot at 13 is a lonely, cynical, grumpy, often-bullied outsider from a broken family - absent mother, alcoholic, defeated, emotionally unavailable father - who is suddenly invited to attend a school in the Borderlands on the other side of the Wall - a magical dividing line between worlds that few can see, let alone cross. The reader doesn’t get to know much more than Elliot himself at the outset - only that there are humans living in this Borderland, they are allied with the elves, that the humans traditionally guard the border, though at first it’s not too clear what they guard against. There are two courses of study in the Border school, the war course and the council course - one trains fighters, the other, diplomats and lawmakers.
Elliot chooses the less prestigious council course, and spends most of his time complaining about the lack of everything from plumbing to pens. The time not spent studying or complaining is devoted to admiration of Serene-Heart-in-the-Chaos-of-Battle, the first elf to attend border school, talented and brilliant, who is trying to take both the war and council courses. She has, of course, over-estimated, not her ability, but the sheer demand of time involved, and in order to help her, Elliot forms an uneasy alliance with Luke Sunborn, a handsome and apparently self-assured all-round athlete and warrior in training, scion of one of the oldest human families in the borderlands, and an example of everything that Elliot has learned to fear and despise.
Elliot is a nerd, a whiny kid, a smart-ass, and has some lessons to learn, but I couldn’t help liking him, at least in part because he is such a cranky little beast.The other part is because he’s smart, curious, loyal, and has an actual moral compass that goes beyond ‘is it a bad thing? Let’s kill it’ - which is the level at which most heroes of these kinds of fantasies function. He is a pacifist in a land that is built around war.
As the four years of his schooling pass, Elliot learns a great deal about the Borderlands and the history of the various societies - human, elven, dwarven, mermaid, and others - and how they interact. He finds himself - or to be more accurate, plunges himself - into situations where war and conflict are the immediate choice of these around him, and struggles, often successfully, to find ways to promote communication and peace. Most people - of all kinds - think he’s strange and annoying. But he persists, preventing some major interspecies conflicts through persistence and sheer gall.
In addition to having a marvelously atypical protagonist, and being a delightful send-up of the subgenres it draws inspiration from, In Other Lands also offers some interesting takes on gender roles and performance. Elven society is led by women, who are considered stronger and more warlike, while men are fragile, emotional and subject to a double standard of morality. The human society of the borderlands is more like ‘normal’ human society, where women are not quite seen as the equal of men - except in some warrior families where women are trained in the same way as their male siblings, and men and women both fight and take responsibility for home and childcare.
And it deals quite frankly and openly with sex. Teen age sex. Teen age queer sex. Part of Elliot’s coming of age journey is discovering that he is bisexual, and in the course of the story, he has sexual relationships with other young people, boys and girls. And it’s dealt with just as a normal part of growing up, which is a good thing.
Brennan has pulled a lot of different ideas and influences together in In Other Lands, and made a deeply funny, warm, enjoyable, and rather subversive adventure that both kids and adults can enjoy.
Elliot at 13 is a lonely, cynical, grumpy, often-bullied outsider from a broken family - absent mother, alcoholic, defeated, emotionally unavailable father - who is suddenly invited to attend a school in the Borderlands on the other side of the Wall - a magical dividing line between worlds that few can see, let alone cross. The reader doesn’t get to know much more than Elliot himself at the outset - only that there are humans living in this Borderland, they are allied with the elves, that the humans traditionally guard the border, though at first it’s not too clear what they guard against. There are two courses of study in the Border school, the war course and the council course - one trains fighters, the other, diplomats and lawmakers.
Elliot chooses the less prestigious council course, and spends most of his time complaining about the lack of everything from plumbing to pens. The time not spent studying or complaining is devoted to admiration of Serene-Heart-in-the-Chaos-of-Battle, the first elf to attend border school, talented and brilliant, who is trying to take both the war and council courses. She has, of course, over-estimated, not her ability, but the sheer demand of time involved, and in order to help her, Elliot forms an uneasy alliance with Luke Sunborn, a handsome and apparently self-assured all-round athlete and warrior in training, scion of one of the oldest human families in the borderlands, and an example of everything that Elliot has learned to fear and despise.
Elliot is a nerd, a whiny kid, a smart-ass, and has some lessons to learn, but I couldn’t help liking him, at least in part because he is such a cranky little beast.The other part is because he’s smart, curious, loyal, and has an actual moral compass that goes beyond ‘is it a bad thing? Let’s kill it’ - which is the level at which most heroes of these kinds of fantasies function. He is a pacifist in a land that is built around war.
As the four years of his schooling pass, Elliot learns a great deal about the Borderlands and the history of the various societies - human, elven, dwarven, mermaid, and others - and how they interact. He finds himself - or to be more accurate, plunges himself - into situations where war and conflict are the immediate choice of these around him, and struggles, often successfully, to find ways to promote communication and peace. Most people - of all kinds - think he’s strange and annoying. But he persists, preventing some major interspecies conflicts through persistence and sheer gall.
In addition to having a marvelously atypical protagonist, and being a delightful send-up of the subgenres it draws inspiration from, In Other Lands also offers some interesting takes on gender roles and performance. Elven society is led by women, who are considered stronger and more warlike, while men are fragile, emotional and subject to a double standard of morality. The human society of the borderlands is more like ‘normal’ human society, where women are not quite seen as the equal of men - except in some warrior families where women are trained in the same way as their male siblings, and men and women both fight and take responsibility for home and childcare.
And it deals quite frankly and openly with sex. Teen age sex. Teen age queer sex. Part of Elliot’s coming of age journey is discovering that he is bisexual, and in the course of the story, he has sexual relationships with other young people, boys and girls. And it’s dealt with just as a normal part of growing up, which is a good thing.
Brennan has pulled a lot of different ideas and influences together in In Other Lands, and made a deeply funny, warm, enjoyable, and rather subversive adventure that both kids and adults can enjoy.