Paul Robeson is one of my personal heroes. Artist and activist, he gave his voice to the people, to entertain and also to speak for them. He was famous for his performances as an actor on stage and screen, as a singer of enormous talent - just to hear a recording of his voice is to be transported by it (and if you have never heard him singing what became his signature piece, Ol' Man River, the go and do it right now, I'll still be here when you get back) - but he was also an important International voice for peace, equality and justice.
Robeson was and remains important because his conception of justice was based on something as simple as our fundamental right to dignity. A true American, he had a Whitman-esque belief in the commonality of human experience, regardless of background or race. (“I realised that the fight of my Negro people in America and the fight of the oppressed workers everywhere was the same struggle,” he said of his political awakening.) The ability of his politics to contain multitudes made him a icon to rebels in the Spanish civil war, to miners in Britain, to anti-lynching marchers in the American south and to all those who heard in his voice a spirit of defiance undimmed by the persecution of his people – and by “his people”, I mean us all. (http://www.newstatesman.com/2013/11/voice-thunders)The passion and eloquence and power that made him a voice to be heard, also made him a voice to be feared by governments caught up in Cold War hysteria and concerns about growing resistance to social injustice around the world.
Jordan Goodman's new biography, Paul Robeson: A Watched Man, is
... a story of passionate political struggle and conviction. Using archival material from the FBI, the State Department, MI5 and other secret agencies, Jordan Goodman reveals the true extent of the US government’s fear of this heroic individual. Robeson eventually appeared before the House Un-American Activities Committee, where he spiritedly defended his long-held convictions and refused to apologise, despite the potential damage to his career. (http://www.versobooks.com/books/1493-paul-robeson)Goodman gives Robeson his due as an artist, but places particular focus on his activism and on the ways in which the American government tried to restrict his movements, silence his voice and tarnish his message.
I take great joy in hearing that Steve McQueen, director of 12 Years a Slave, has announced that his next film project will be a biopic of Paul Robeson. It's more than time for people to be reminded of who he was, and for his message to rise again.