On Re-reading Heinlein
Aug. 22nd, 2006 05:41 pmAs a young person, I read a lot of Heinlein. I think every SF fan if my generation did. I kept reading, even as the books got, well, a bit self-indulgent. I've taken various positions at various times on the various on-going debates about Heinlein - fascist or libertarian, elitist snob or celebrant of the common man, proto-feminist or ultimate MCP, etc., etc., etc.
And for some reason or other, I keep coming back to his work - especially the early writings, up to, say, Stranger in a Strange Land or thereabouts, although back when I was lapping them up as they were published, I didn't really go WTF? until after Time Enough for Love. Certainly, I return to Heinlein much more often than to either of the other members of the Holy SF Trinity of my formative years, Asimov and Clarke. It's obviously not because of the quality of writing - Clarke in his prime was a better writer, nor because of his volume of work - Asimov has almost everyone beat on that.
The two Heinlein books I've re-read so far this year are Have Space Suit, Will Travel, one of his books for younger readers, and The Menace from Earth, a collection of short stories.
Have Space Suit, Will Travel is fun. Boy meets girl, boy and girl meet aliens, boy and girl save the planet. I must confess, having been a fan in my childhood of the truly singular TV Western Have Gun, Will TRavel, but not knowing the origins of the phrase "have X, will travel," I've often wondered if there is any connection between the two, other than the obvious one, that the TV show was turning into a hit series while Heinlein was writing the book. Certainly there's a bit of the knight-errant in Heinlein's boy-hero, Kip, and there's also a fairly serious consideration of what makes humanity worth saving - which is the sort of question Paladin would love to discuss.
The Menace from Earth is a good collection. It contains several of Heinlein's patented "tragic common man as hero" stories - "Sky Lift " and "Water is for Washing." It has the end-of-the world classic, "Year of the Jackpot." It has the time travel classic, "By His Bootstraps." And it has "The Menace from Earth," which encapsulates the best and worst of Heinlein's generic lead female character.
Like most of Heinlein's women characters, Holly Jones is a multi-talented genius who nevertheless discovers that what she wants most is babies, albeit with another multi-talented genius. And yes, sometimes the unrelenting heteronormativity and pro-natalism of Heinlein's female characters can make you want to scream. But what's not always noticed is that his women rarely talk about giving up their work for their men and babies - and Holly Jones is no exception to that. By the end of the story, she may be in love and daydreaming about marrying the hunky engineer of her dreams, but that doesn't mean she stops daydreaming about the engineering company they will found as partners - she just changes the name in her head from Hardesty & Jones to Hardesty & Hardesty. (Not unreasonable, considering the almost universal tendency of women in North America to change their surnames at the time Heinlein wrote this story.)
Overall, a good collection of stories, and fun to read again.