bibliogramma (
bibliogramma) wrote2015-12-01 09:03 pm
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The Plaid Adder: Taken Child, Another Country, Darkness Bright
Quite a few years ago, a person of my Internet acquaintance, who is known on the Net as The Plaid Adder, started writing one of the best fantasy series I have ever read. It grew to five volumes - a tight trilogy (Taken Child, Another Country and Darkness Bright), a sequel (Redemption) and a prequel (Better to Burn) - and it is in my opinion a great sadness that none of the books were ever published.
I've never really understood why my acquaintance was never able to get these published, unless it was that they were written from a deeply feminist perspective, featured mostly female protagonists, a goodly number of whom were lesbians, and provided, along with compelling stories well-written about interesting and fully realised characters, serious critiques about just about every aspect of Western culture and society, an invitation to really think seriously about things like love, good and evil, materialism and progress, religion, and other core stuff of life, and a meta-narrative about the process of creation. Plus, the core trilogy is somewhat of a genre-bender, encompassing elements of fantasy, science fiction, horror, mystery, suspense, romance and political satire, and while this kind of blurring of the boundaries has recently come more into vogue, it wasn't as salable back when these books were written.
I was fortunate enough to read these books chapter by chapter as they were written, and then to acquire printed copies of the complete and edited volumes from the author - which I of course reread. Then came my increasing environmental sensitivities, which made my treasured spiro-bound print copies unreadable. But now the author is distributing the novels as ebooks to those who know where to ask for them, and I've had the absolute delight of starting to reread these books again.
The first volume I reread was Taken Child, which introduces the land of Ideire and its low-tech, telepathy and magic-reliant culture, its somewhat eccentric semi-deity Idair and her nemesis the Dark One, the women-only order of magic-using clerics known as shriia who follow Idair and serve the people of Ideire, and their enemies, the female dark users of magic who receive their power from the Dark One.
At the centre of the trilogy is Theamh ni hUlnach, a shriia - albeit a somewhat unconventional one. In Taken Child, we meet as she goes about her duties, including the training of her apprentice Aine. In the course of this, she is sought out by a woman whose child has suffered the supernatural theft of its soul. In the process of trying to save the child, Theamh uncovers a horrifying secret linked to both an old enemy and a long-lost love, and a corrupt plot that threatens the very future of Ideire.
The second volume of the trilogy, Another Country, sees Theamh and Aine following the tracks of Theamh's nemesis, Lythril, into the neighbouring, technology-reliant Cretid Nation, which is in many ways a dystopic distillation of much that is wrong with our own society, as civil war erupts at home. A deft blend of heroic quest, political thriller, biting satire, and poignant love story, Another Country is genre-bending at its best.
The final volume, Darkness Bright, sees Theamh and Aine returned to an Ideire in chaos. They join up with the resistance - both martial and magical - fighting corrupt shriia and their secular allies who have overthrown the legitimate leadership of the country. An unflinching portrayal of the horrors and sacrifices made in war and the tragedy of a country torn apart by lies and greed, Darkness Bright is also a story of courage, commitment to the good, and enduring love.
If anything in what I've written here seems interesting to you, the author can be contacted on tumblr as http://plaidadder.tumblr.com/.