Thendara House (pub. 1983) is a direct sequel to The Shattered Chain - it details the events immediately following on Jaelle n'ha Melora's freemate marriage to Terran (but Darkovan born and raised) Peter Haldane, and the entrance into the Thendara Guild House of Terran Intelligence Agent Magda Lorne (known among her guild-sisters as Margali n'ha Ysabet) for six months of training and seclusion.
For both women, it is a time of self-discovery. Jaelle, who has repressed her early life in the Dry-Towns, and who has lived since then among Renunciates, finds that her relationship with Peter raises those early memories. She is faced with an internal struggle between the deep, repressed conditioning that drew her to Peter - who is slowly revealed as a domineering and potentially abusive mate - and her identity as a Renunciate - a struggle that is only exacerbated when she realises that she is pregnant. Meanwhile, Magda is challenged to question her Terran values and sense of privilege, and is brought face to face with the reality that she is more deeply attracted to women than she is to men.
In addition to struggles with conditioning and culture shock, both women are dealing with the adult onset of powerful laran - Jaelle because of the resurgence of her childhood memories, which were shut down along with her laran when she experienced her mother's death while in rapport with her, and Magda as a result of her increased contact with other telepaths, including Jaelle.
Thendara House is not only a sequel to The Shattered Chain, however. It is also part of the story of the Forbidden Tower, in which both Magda and Jaelle will play a part. For both women, the connection that leads them to Armida is Andrew Carr, now known as Ann'dra Lanart.
Jaelle, in her role as cultural consultant in Terran Intelligence, is tasked with helping a visiting Terran official, Alessandro Li. Li is a Special Representative of the Senate, sent to investigate whether Cottman Four should retain its Closed World status or be reclassified, and to make recommendations about a Legation. Li is at first very interested in finding out all that he can about the Comyn and the rumours of telepathic abilities among the Darkovan ruling class. When the wreckage of Andrew Carr's downed plane is discovered and it is learned that Carr survived the crash, Li becomes fixated on finding out what happened to him.
Meanwhile, Magda meets Andrew when, along with a number of other Renunciates, she travels to the Kilghard Hills near Armida to help in fighting a fire. While they do not know each other, she recognises him as Terran - and vice versa. She believes him to be an Intelligence agent in deep cover, and later on, when she meets Alessandro Li, she innocently mentions seeing an agent at Armida. Li makes the connection between this unknown Terran and the missing Andrew Carr, and when all other attempts to contact Carr are thwarted, he sets out alone, unaware of a severe storm coming, to travel to Armida and confront him.
When Jaelle discovers what he has done, she determines to go after him, knowing the danger he is in. Peter attempts to stop her, threatening to have her declared temporarily insane due to her pregnancy, and placed in restraints. Jaelle lashes out and Peter is rendered unconscious (though Jaelle believes she has killed him). Jaelle, in emotional turmoil and psychic distress, heads out after Li, stopping briefly at the Guild House where she tries to see Magda. Magda, unfortunately, is in a meeting with the House Guild-Mother, and doesn't learn that Jaelle was asking for her until much later. Reaching out with her untried laran, she is able to discern where Jaelle is headed and why. Coming suddenly to understand that she is in love with Jaelle, she rides out after her. Magda finds Jaelle just in time for them both to find shelter from a sudden flood, but they are trapped by the rising waters. Jaelle miscarries and once more, Magda's laran enables her to reach out for help. A rescue party led by Andrew arrives, having also found and rescued Alessandro Li. During Jaelle's recuperation at Armida, both women realise that they have grown beyond both the limitations of their respective cultures, and the oppositional renunciations that form the essence of the Guild. Possessed of powerful laran, the next step for them is to join the Forbidden Tower - thus bringing together in Jaelle and Damon Ridenow the parents of Cleindori Aillard.
In Jaelle's experiences, we see through her encounters with other Terrans and with the cultural assumptions inherent in the way life and work are structured in the Terran Zone, the sexism of the Terran culture.
From the Terrans, Jaelle must deal with having her identity elided in a way that goes against her Renunciate's oath - among the Terrans, she is no longer Jaelle n'ha Melora, but Mrs. Peter Haldane. She is Haldane's wife, Haldane's girl, even Haldane's squaw. On the other hand, she encounters men in the Terran Service who accept her competence without question and work beside her without concern that she is a woman.
However, because Peter is Darkovan-raised and (as we are reminded several times) psychosexual development is fixed before adolescence, Peter's responses in intimate relationships are more typical of a Darkovan man who has acclimatised to Terran surroundings, than of a citizen of the Terran Empire. As Peter and Jaelle embark on their marriage, we see how the patriarchalism of Darkovan society affect relationships between men and women. Jaelle herself comes to think that it is the Darkovan in Peter, not the Terran, that creates problems between them: "Maybe it is not the Terran in Peter I find objectionable; maybe it is his Darkovan side which insists I must be no more than his wife and mother of his children… other Terran men are not like that."
Jaelle faces endless criticism from Peter over her inability to behave like a good wife, in either the Terran or Darkovan sense. When she acts "inappropriately" due to culture shock or the need to preserve her sense of autonomy, he lectures her on how this reflects poorly on him:
"I'm working under Montray now, and I'm in enough trouble with him without having him think—" he stopped, but to Jaelle, surprisingly, it was as if he had spoken aloud what was in his mind; think I can’t manage my wife.
As their relationship worsens, Jaelle comes to see that for Peter, love is equivalent to possession, and that he expects her as a matter of course to see to all his needs: "...and suddenly she knew him as Magda had known him, he really believed that he could treat her as valet, comrade-in arms, personal servant, breeding-anima, and somehow repay it all just with the ardor of his lovemaking..."
Nor is Peter's sexism limited his attitudes toward Jaelle. Because her heightened laran enables her to sometimes read his thoughts, Jaelle gains awareness of how he thinks about the new head of Intelligence Cholayna Ares, and his former wife and colleague Magda.
Not fair, dammit, I spent five years setting things up so that when Darkover got an Intelligence service I'd be at its head, and now some damned woman walks in and takes over. Bad enough playing second fiddle to Magda..."
When she finally tells Peter that she no longer wants to remain married to him, he responds that he will not allow her to leave - asserting his belief that she belongs to him and cannot break their connection without his permission, despite the fact that in Terran marriages, a married woman is not property, as she is under Darkovan law.
She detected a glimmer in his mind of logical resentment; women were damned unreasonable creatures, yet a man was at their mercy if he wanted children, and how else could they have any immortality? It almost made her pity him. “Don‟t be silly, Jaelle. I‟m not going to let you divorce me, not with a baby coming. I owe it to my child at least, to protect and look after his mother, even if we‟re not getting along too well.”
Thus in the short space of a few months, the intimate portrayal of the deterioration of their relationship brings into sharp relief the glimpses we have had previously of the traditional Darkovan marriage and the attitudes that shape it.
Magda's experiences in the Thendara Guild House mirror in some ways the early years (late '60s and early '70s) of the feminist movement - in particular the use of consciousness-raising groups to become aware of - and change - internalised sexist conditioning and to examine gender roles, institutionalised sexism, and nature of the differences between male and female. The other significant themes explored through Magda's life as a new Renunciate are lesbianism and transgender issues (through the emmasca character Camilla).
As a newly sworn Renunciate, Madga is expected to go through a period of training and seclusion, during which she may only leave the Guild House with permission of on the Elders of the House. At one of the first group meetings, the Guild Mother tells her and the other trainees "... you will learn to change the way you think about yourselves, and about other women.”
During her time in the Guild House, Magda comes to realise how pervasive same-sex attraction is on Darkover - and not just among Renunciates, although same-sex relationships between women are taken more seriously in the Guild than outside it, where such relationships between women are seen as adolescent fancies or secondary relationships, insufficient to keep a woman from her primary function, to marry a man and bear children.
Men may swear such oaths. And yet for women, such an oath is always taken, it seems, as a thing for untried girls, and means only, I shall be bound to you only so long as it does not interfere with duty to husband and children…”
In this perspective, it would appear that the frequent accusations against Renunciates, that they are all lovers of women and seduce honorable wives away from their husbands, refers not to the fact that many of them are in fact lesbian or bisexual, but that they value such relationships - and indeed, all relationships between women, sexual or not - as highly, or even more highly, than they do relationships between women and men. It is not that they love women, but that in doing so they choose not to be available to men.
Through the struggles of both women to find their true selves and desires, MZB explores much of the feminist analysis and praxis of second wave feminism of the 60s and early 70s. The nature of the patriarchy, the role of cultural conditioning, attitudes toward child bearing and rearing, alternative family structures, instititionalised sexism, the effects of sexism on men, the question of living separate from men as much as possible, even the debates over the role of lesbians in the movement, all have their expression in the inner journeys of Magda and Jaelle. It would be a rare woman of that era who did not see something of her own experiences and struggles somewhere in the pages of this novel.